hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
EUR 22,28
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Oversize Hardback. Condizione: Very Good. No Jacket. A clean, unmarked book with a tight binding. Slight wear and fading to book cover. 8 7/8"w x 11"h. 192 pages. Many color photos. Keywords: Drawings, Objects, Installations, Tate Modern 2.
Lingua: Inglese
Editore: The Museum of Fine Arts, Houston, 2009
ISBN 10: 1854377361 ISBN 13: 9781854377364
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Wrappers. Condizione: New. 192 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Crisp, tight, sharp, bright and clean and new condition. Houston edition of the catalogue for an exhibition originally organized in London but never actually presented in Houston. Presumably it was presented as planned in London from October 14, 2008-January 11, 2009; in Barcelona from February 11-May 3, 2009 ; in Los Angeles from November 22, 2009-February 7, 2010 ; and Ontario from March 27-June 27, 2010.
EUR 23,80
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Good. MEIRELES, Cildo (illustratore). 1st Edition. Good+ condition, quarto paperback, printed card covers, small scar on spine, exhibition catalogue, 192 pages. [QP].
EUR 24,00
Quantità: 1 disponibili
Aggiungi al carrelloEncuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. 1ª Edición. Sobre el suelo, un mar de cristales rotos que se requiebra y cruje una y otra vez bajo los pies. Ante los ojos, un laberinto donde no hay paredes sino barrotes, verjas, cortinas, peceras donde nadan peces translúcidos cuya espina dorsal se aprecia a simple vista. El catálogo permite realizar un recorrido por la trayectoria artística de este pionero de la instalación, desde 1967 hasta la actualidad, a través de unas ochenta obras. Profusamente ilustrado, el libro incluye comentarios del propio artista hasta ahora inéditos sobre cada una de sus obras.
EUR 40,00
Quantità: 2 disponibili
Aggiungi al carrelloCouverture souple. Condizione: Comme neuf. Edition originale. London , 2008. 1 Volume:1. -- As New -- Softbound -- 27,5 x 22 cm ( 938 gr ). ------- 192 pages. ****************** Brazilian artist Cildo Meireles, born in 1948, has made some of the most politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of international Conceptual art, has remained true to these concerns--and to a political and ethical viewpoint formed outside the cultures of plenty. At the same time, he has become a global artist, making work that deals with issues and experiences that affect us all--whatever our country of origin. Under the repressive military regime of the late 1960s and early 1970s, which controlled the Brazilian media, Meireles found different ways of reaching the public--stamping bank notes with seditious slogans and returning them into circulation, or stenciling Coke bottles with slogans before sending them back to the bottling plant. Other works play with the sense of space or scale, varying in size from that of a finger ring to an installation covering almost 750 square feet. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in "Volatile" (1980/94), which includes the presence of a naked candle and the smell of natural gas. "Babel" (2001) is a contemporary take on the myth of the tower that confounded the world's languages. Lavishly illustrated, this volume includes 10 short thematic essays by leading scholars--including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky--as well as previously unpublished commentaries on each work by the artist.