zhangshen (35 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. s-103 exshos. DJ has tiny wrinkle at front spine.

Pictorial Soft Cover. Condizione: Good+. Text is in Chinese. Catalog of an exhibition held at the [Zhongguo guo jia po wu guan], May 4-June 4, 2012. Volume has some wear; tight, text clean. 121 p., fully illustrated. [otob: 30] Size: Oversize.

Hardback. Condizione: New.

Trade Paperback. Condizione: Very Good. First Edition. A little shelf worn but looks unread. Stated First Edition.

Hardback. Condizione: New.

Hardback. Condizione: New.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardback. Condizione: New.

Hardcover. Condizione: Very Good. 255 pages : color illustrations ; 34 cm. Summary:The reopening of the National Museum of China on the east side of Tian'anmen Square in Beijing will be by far and away the most significant event in the museum world in 2011. The interior of the original building has been completely redesigned. This book offers an overview on the pieces the museum will show.

paperbound, flaps, 4to 255 pp, 326 ills. museum catalouge; bronzes, pottery, porcelain, jade, gold and silver, currency, painting and calligraphy; very good condition (unused).

Hardback. Condizione: New.

Condizione: New. Brand New.

Condizione: New.

Paperback. Condizione: new. Paperback. Huang Zhou (1925-1997), modern Chinese artist, was originally named Liang Gantang. He was also known by the names of Liang Yezi, Miao Di, Liang Peng, and Liang Quan. Born in Lixian County, Hebei Province, he was apprenticed in his adolescence to artist Han Leran and Zhao Wangyun. Early in his career, he worked as an editor in the Soldiers' Books Publishing House of the Northeast Military Region. In 1949, he joined the People's Liberation Army and served as a staff artist of the Creative Unit in the Political Department at the Headquarters of PLA's Northeast Military Region. In 1955, he was transferred as a staff artist to the General Political Department of the PLA in Beijing. In 1959, he became a staff painter at the Military Museum of the Chinese People's Revolution. In 1981, he was appointed Deputy Director of the Research Institute of Traditional Chinese Painting. Huang was also a member of the CPPCC National Committee, a consultant to the Arts and Crafts Corporation under the former Ministry of Light Industry, and executive member of the council of the Chinese Artists Association.Huang's masterpieces, like A Blizzard in the Wilderness, Celebrating the Harvest, On Patrol, Singing While Travelling, Pine and Eagle, One Hundred Donkeys, Lamb-Grabbing Contest, and Chasing and Playing on the Steppe, represent innovative achievements in contemporary Chinese painting. His writings include Huang Zhou's Views on Art and Huang Zhou's Theories on Calligraphy and Painting. Not only was Huang an artist of the people, he was also a social activist who made outstanding contributions to the preservation and promotion of national art and to the advancement of public art education. He co-founded the Research Institute of Traditional Chinese Painting with painters Li Keran, Cai Ruohong, and Hua Junwu, and presided over the establishment of the Yan Huang Art Museum. His artistic practice and theory have exerted a significant influence on the development of contemporary art. Huang Zhou (1925-1997), modern Chinese artist, was originally named Liang Gantang. He was also known by the names of Liang Yezi, Miao Di, Liang Peng, and Liang Quan. Born in Lixian County, Hebei Province, he was apprenticed in his adolescence to artist Han Leran and Zhao Wangyun. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New.

Paperback. Condizione: new. Paperback. The ancient art of Chinese painting has many good traditions, such as expressive use of lines, the adept use of ink, and majestic composition. Vast landscapes can be represented in a single painting scroll, which is rare in the paintings of other countries. Chinese painting is unique in reflecting the greatness and the extraordinariness of the Chinese nation. The realm reflected in Chinese paintings is vast. Chinese painting represents not only what the artist sees, but also what he knows and thinks. It embodies great imaginative power. Some say my paintings are based on the Impressionist School of Chinese painting. I do not agree and believe it a mixture of and the splendid Chinese cultural system and unique forms of expression. Chinese painting is unique in reflecting the greatness and the extraordinariness of the Chinese nation. The realm reflected in Chinese paintings is very vast. Chinese painting represents no only what the artist sees, but also what he knows and thinks. It embodies great imaginative power. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

paperback. Condizione: New.

paperback. Condizione: New.

Paperback. Brown wraps with mounted color illustration, silver lettering and debossed illustration; 24, 294 pp.; [2] folded leaves of plates; richly illustrated. Text in Chinese. Created on the occasion of an exhibition held at National Museum of China, in Beijing, 2013. Good (Wraps are lightly edgeworn/bumped/scuffed/smudged; interior is clean; binding is solid.).

Hardback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New.

paperback. Condizione: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Language: English.Four Satisfaction guaranteed,or money back.

Kartoniert / Broschiert. Condizione: New. KlappentextHuang Zhou (1925 1997), modern Chinese artist, was originally named Liang Gantang. He was also known by the names of Liang Yezi, Miao Di, Liang Peng, and Liang Quan. Born in Lixian County, Hebei Province, he was apprenticed in.

Condizione: New. KlappentextThe ancient art of Chines painting has many good traditions, such as expressive use of lines, the adept use of ink, and majestic composition. Vast expanses of landscapes can be represented in a singe painting scroll, which is .

Paperback. Condizione: new. Paperback. Huang Zhou (1925-1997), modern Chinese artist, was originally named Liang Gantang. He was also known by the names of Liang Yezi, Miao Di, Liang Peng, and Liang Quan. Born in Lixian County, Hebei Province, he was apprenticed in his adolescence to artist Han Leran and Zhao Wangyun. Early in his career, he worked as an editor in the Soldiers' Books Publishing House of the Northeast Military Region. In 1949, he joined the People's Liberation Army and served as a staff artist of the Creative Unit in the Political Department at the Headquarters of PLA's Northeast Military Region. In 1955, he was transferred as a staff artist to the General Political Department of the PLA in Beijing. In 1959, he became a staff painter at the Military Museum of the Chinese People's Revolution. In 1981, he was appointed Deputy Director of the Research Institute of Traditional Chinese Painting. Huang was also a member of the CPPCC National Committee, a consultant to the Arts and Crafts Corporation under the former Ministry of Light Industry, and executive member of the council of the Chinese Artists Association.Huang's masterpieces, like A Blizzard in the Wilderness, Celebrating the Harvest, On Patrol, Singing While Travelling, Pine and Eagle, One Hundred Donkeys, Lamb-Grabbing Contest, and Chasing and Playing on the Steppe, represent innovative achievements in contemporary Chinese painting. His writings include Huang Zhou's Views on Art and Huang Zhou's Theories on Calligraphy and Painting. Not only was Huang an artist of the people, he was also a social activist who made outstanding contributions to the preservation and promotion of national art and to the advancement of public art education. He co-founded the Research Institute of Traditional Chinese Painting with painters Li Keran, Cai Ruohong, and Hua Junwu, and presided over the establishment of the Yan Huang Art Museum. His artistic practice and theory have exerted a significant influence on the development of contemporary art. Huang Zhou (1925-1997), modern Chinese artist, was originally named Liang Gantang. He was also known by the names of Liang Yezi, Miao Di, Liang Peng, and Liang Quan. Born in Lixian County, Hebei Province, he was apprenticed in his adolescence to artist Han Leran and Zhao Wangyun. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. The ancient art of Chinese painting has many good traditions, such as expressive use of lines, the adept use of ink, and majestic composition. Vast landscapes can be represented in a single painting scroll, which is rare in the paintings of other countries. Chinese painting is unique in reflecting the greatness and the extraordinariness of the Chinese nation. The realm reflected in Chinese paintings is vast. Chinese painting represents not only what the artist sees, but also what he knows and thinks. It embodies great imaginative power. Some say my paintings are based on the Impressionist School of Chinese painting. I do not agree and believe it a mixture of and the splendid Chinese cultural system and unique forms of expression. Chinese painting is unique in reflecting the greatness and the extraordinariness of the Chinese nation. The realm reflected in Chinese paintings is very vast. Chinese painting represents no only what the artist sees, but also what he knows and thinks. It embodies great imaginative power. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Condizione: New. Language:Chinese.Author:Lv Zhangshen.Binding:Soft cover.