Anomie publishing (816 risultati)
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. Summer in Paris. British art student Adam King undertakes an internship at a contemporary art museum. An encounter with an unusual collective of young people looking to change the world, along with a strange revelation in front of The Mona Lisa, sees him facing much more than his own coming-of-a…ge. Against a backdrop of late capitalism, media and surveillance, 'The Eleven Associates of Alma-Marceau' not only asks questions about how peoples images, words and lives are given a platform, used and manipulated in the digital era, but also invites readers to question the very nature of what they perceive. Within this modern-day story about painting, visual communication and how creative ideas are responded to by society, Leonardo, of course, is still ahead of the game, more than five hundred years after his death. ********** The Old School Writers Circle is a group of friends who periodically meet up to discuss art, writing and books. The current members studied at the same school in Birmingham, UK, in the late 1980s and early 1990s, and now live in various locations around England. Famous literary alumni of the school include, somewhat eclectically, J.R.R. Tolkien, Lee Child and Jonathan Coe, all of whom are on the circles ever-growing list of influences. Projects can be serious as well as playful, confronting unusual and challenging themes through stories that do not necessarily fit squarely within conventional genres. For their debut publication, 'The Eleven Associates of Alma-Marceau', the starting point was a shared love of Paris and The Louvre inspired in part by numerous trips across the Channel by members of the circle over the past twenty-five years. The other driving force was the long-standing interest of circle member Matt Price in esoterica and unusual optical phenomena in the history of painting ideas explored and brought together by the circle in the form of this curious, engaging and thought-provoking novel. 'The smart move here is to pursue meaning in painting through the medium of fiction' Nicholas Alfrey, Art Historian. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Da: WeBuyBooks, Rossendale, LANCS, Regno UnitoWeBuyBooks
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Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Da: Abyssbooks, Crestone, CO, U.S.A.Abyssbooks
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. A publication of London-based artist David Batchelor's Concretos sculptures (2011-) exploring concrete in conjunction with other brightly coloured materials. Throughout his international career spanning more than thirty years, artist and writer David Batchelor has long been preoccupied with… colour. 'Colour is not just a feature of [my] sculpture or painting,' he notes, 'but its central and overriding subject.' This new publication is devoted to an ongoing series of sculptures titled Concretos. First made in 2011, Concretos combine concrete with a variety of brightly coloured and often found materials. The publication features a text by Batchelor charting the origins and development of Concretos. He reveals that the first Concreto was made after encountering coloured glass shards embedded in a concrete wall in the back streets of Palermo. Over time these Concretos, their title a nod to the Latin American art movement to which Batchelor's work is much indebted, have become more complex adventures in layering, pattern and process. Elements such as acrylic plastic, spray and household gloss paint, steel, fabric and found objects all find themselves set in a concrete base. The most recent works, titled Extra-Concretos (2019) retain much of the simplicity of the early pieces while working on a much larger scale. In an essay commissioned for the publication, curator Eleanor Nairne considers Concretos in light of their material possibilities. Nairne's vivid text draws connections between the sculptures and a wide range of art historical and literary references. Some of the playful and sensual characteristics of Batchelor's artistic vocabulary are considered in relation to floral bouquets, sewing-machines, ice cream and poetry. Architectural historian Adrian Forty's essay discusses concrete's physical qualities and relationship with modernity. He notes that the imperfect nature and apparent neutrality of the material is key to its enduring place within architecture, design and in Batchelor's case, contemporary sculpture. 'In the Concretos,' asserts Forty, 'concrete plays a necessary part in allowing colour to be itself. Present, but at the same time part of the barely noticed, half-invisible infrastructure of the city, concrete's very neutrality performs an unexpectedly active part in these works.' The publication is edited by David Batchelor and Matt Price, designed by Hyperkit, printed by Park, London, and published by Anomie, London. The publication coincides with the first large-scale survey exhibition of Batchelor's work taking place at Compton Verney, Warwickshire in 2022. The publication has been supported by Goldsmiths' College, University of London, and Arts Council England. David Batchelor was born in Dundee in 1955 and lives and works in London. In 2013, a major solo exhibition of Batchelor's two-dimensional work, 'Flatlands', was displayed at Fruitmarket Gallery, Edinburgh and toured to Spike Island, Bristol. Batchelor's work was included in the landmark group exhibition 'Adventures of the Black Square: Abstract Art and Society 19152015' at Whitechapel Gallery, London. 'My Own Private Bauhaus', a solo exhibition of sculptures and paintings by Batchelor was presented by Ingleby Gallery during the Edinburgh Art Festival, 2019. Between 2017 and 2020 a large-scale work by Batchelor was displayed in the collection of Tate Modern. He is represented by Ingleby Gallery, Edinburgh, and Galeria Leme, Sao Paulo. Batchelor's portfolio also includes a number of major temporary and permanent artworks in the public realm including a chromatic clock titled 'Sixty Minute Spectrum' installed in the roof of the Hayward Gallery, London. 100 images A publication of London-based artist David Batchelors Concretos sculptures (2011) exploring concrete in conjunction with other brightly coloured materials. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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paperback. Condizione: Fine. Still Sealed in Plastic. Never used.
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Paperback. Condizione: new. Paperback. British artist Ian McKeever has been working on the international stage for more than five decades. This, his latest publication, documents Against Architecture an exhibition that had its first incarnation, curated by Robin Klassnik, at Matt's Gallery, London (5 February to 19 March 2017) b…efore being reconceived and presented as Against Architecture, Remodelled at TheGallery, Arts University Bournemouth (3 November 2023 to 18 January 2024), curated by Violet M McClean as part of The Gallery's twenty-fifth anniversary celebrations. McKeever was made an AUB Honorary Fellow in 2002 and launched TheGallery's text + work programme in 2004. The exhibition was McKeever's first foray into installation art, seeking to explore the relationships between his photo/painted panels and the physical spaces in which they are presented. For this, along with a team of helpers and student volunteers, he built a structure with 3 x 2-inch stud walling timbers and sheets of plasterboard comprising myriad walls, passageways, openings, ledges and platforms, challenging the conventional white cube gallery space and bringing the viewer's body into heightened dialogue with both their surroundings and the artworks. The works, a series of the acclaimed artist's abstract paintings combined with ostensibly abstract photographs, pose formal and theoretical questions about perception, visual languages and modes of representation ideas explored in an essay by Berlin-based English arts writer Mark Prince. The publication features numerous other text contributions: an introduction by Professor Paul Gough, Principal and Vice-Chancellor, AUB; Sue Hubbard, poet, novelist and art critic; Violet M McClean, Curator at TheGallery, AUB; photography graduate Eliza Naden; interior architecture and design graduate Milly Louise Harvey; Associate Professor Dominic Shepherd, AUB; and Ian McKeever himself. Along with illustrations of the artist's past exhibitions and examples of his works of art, special attention is given to documentation of both iterations of the Against Architecture exhibition, including newly commissioned photographs of Against Architecture, Remodelled at TheGallery by Eliza Naden. The publication, which has been edited by Violet M McClean and Millie Lake, and designed by Warin Wareesangtip, has been produced in an edition of 1000 copies. Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003. He has held several teaching positions including Guest Professor at the Staedel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting. Recent public solo exhibitions include Ian McKeever / Tony Cragg Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Paintings 19922018, Ferens Art Gallery, Hull, UK (2018); Hours of Darkness, Hours of Light, Kunstmuseet i Tonder, Denmark (2015); Between Darkness and Light, National Gallery of the Faroe Islands, Torshavn, Faroe Islands (2015); Hours of Darkness, Hours of Light, Kunst-Station Sankt Peter Koeln, Cologne, Germany (2014); and Hartgrove. Malerei und Fotografie, Josef Albers Museum, Bottrop, Germany (2012). McKeever's work is represented in leading international public collections, including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst (mumok), Vienna; Museum of Fine Arts, Budapest; Louisiana Museum of Modern Art, Humlebaek; Glyptotek, Copenhagen; Museum of Contemporary Art, Helsinki; Brooklyn Museum of Art, New York; Metropolitan Museum of Art, New York; Boston Museum of Fine Art and Yale Center for British Art, Connecticut. A publication documen Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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hardcover. Condizione: Fine. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray… paint on canvas, made in 2022. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and Joao Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition. 22 illustrations A publication of recent paintings by Nigerian artist Chibuike Uzoma. Featuring an introduction by Kat Sapera, Director at Simon Lee Gallery, alongside essays by Uzoma, by writer and critic Carlos Valladares, and by Bishupal Limbu, Associate Professor of English at Portland State University, with an interview with writer and curator Ekow Eshun. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Sell Books, Elland, YORKS, Regno UnitoSell Books
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paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category tha…t encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
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Zygotes and Confessions
Hornby, Nick; Cramerotti, Alfredo; Boyd, Helen (FRW); Price, Matt; Gilmore, Joe (CON)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Magus Books Seattle, Seattle, WA, U.S.A.Magus Books Seattle
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Hardcover. Condizione: new. Hardcover. Honor Titus (born 1989) is an American artist who lives and works in Los Angeles. A self-taught painter, Titus is deeply influenced by his creative past as a musician and poet. Tituss paintings, often suffused with a sense of romance, are embedded with nostalgic references to a simpler time… and feature dark, luminous jewel tones. His works often depict faceless figures in minimal urban landscapes, reflecting the isolation that stems from metropolitan anonymity. Tituss simplified compositions and striking patches of colour are inspired by Les Nabis while his flat, decorative surfaces echo the graphic hyperrealism of artists inspired by American advertising, such as Alex Katz.This, the artists first trade monograph, presents new and recent works, including a body of work presented in his 20223 solo exhibition at Timothy Taylor, London, Bourgeoisie in Bloom. Here Titus expands on the themes of ritual, class and nostalgia that have characterised previous work, incorporating debutante balls in which young adults are presented to society. Favouring bright panels of colour, Titus evokes traditions of cultural formality, using precise brushwork to delineate details of old-world glamour such as the tilt of a bow tie and the line of a ballgown. A foreword by artist Henry Taylor considers his first encounters with Tituss work and their continuing friendship. Taylor describes the biographical factors that inform the subjects Titus paints, including music, referencing the first solo show of the artists work held at Henry Taylor Gallery in Chinatown, 2020. A text by Durga Chew-Bose brings the themes of nostalgia and memory into the field of discussion. Anecdotes relayed to Chew-Bose bring forward real experiences in relation with his work. The artists own words illuminate filmic, musical, photographic and romantic influences on the paintings, while dwelling, lastly, upon his studio space. Klaus Ottmanns text reflects philosophically and sociologically on Tituss oeuvre, bringing key art historical reference points into the discussion. Ottmanns contribution draws connections to key works of literature and criticism that contextualise his work. Published following the exhibition Honor Titus: Bourgeoisie in Bloom at Timothy Taylor, London, 17 November 2022 14 January 2023, the publication has been edited by Chloe Waddington, designed by Joe Gilmore, and co-published in 2023 by Timothy Taylor and Anomie Publishing, London.Honor Titus (b. 1989, Brooklyn, NY) is a self-taught American artist who lives and works in Los Angeles, California. Recent solo exhibitions include Honor Titus: Bourgeoisie in Bloom, Timothy Taylor, London, United Kingdom (20223); Spotlight: Honor Titus, The FLAG Art Foundation, New York, NY (2022); Honor Titus: For Heavens Sake, Timothy Taylor, New York, NY (2021) and Honor Titus: Goodness Gracious, Studio Henry Taylor, Los Angeles, CA (2020). His work has been part of numerous group exhibitions, including IRL (In Real Life), Timothy Taylor, London, United Kingdom (2021); Parallel Worlds, Nassima Landau, Tel Aviv, Israel (2021); and I will wear you in my heart of heart, The FLAG Art Foundation, New York, NY (2021); and (Nothing but) Flowers, Karma, New York, NY (2020), among others. His work is represented in the collections of the Dallas Museum of Art, Dallas, Texas; Nasher Museum of Art, Durham, North Carolina; Rennie Collection, Vancouver, Canada; The Bunker Artspace, Palm Beach, Florida; and the Longlati Foundation, Shanghai, China. Titus has been featured in publications including Art in America, Artnet, Frieze, GQ, Interview Magazine, The New York Times, and Town & Country. A first monograph on American artist Honor Titus, exploring themes of ritual, class and nostalgia in contemporary American experience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Condizione: new. Hardcover. For over thirty years, celebrated painter Callum Innes (b. 1962, Scotland) has created his lushly painted and subtly nuanced abstractions in a rectilinear format. In 2022, he added a striking new element to his repertoire: the tondo. To do so required mastering an entirely new set of techni…cal and aesthetic challenges, confronting a form with abundant, historical resonances. This striking volume, richly illustrated with carefully selected images of Inness Tondos, and installation views of key exhibitions, explores how Innes has challenged traditional perceptions of shape and form to create dynamic and immersive visual experiences. A pivotal essay by art historian Eric de Chassey traces the artists encounters with this form and its progenitors in the history of art, firmly cementing Inness breakthrough in the pantheon of significant works rendered in this distinctive formation.Callum Innes was born in Edinburgh in 1962\. He lives and works in Edinburgh, Scotland, and Oslo, Norway. He studied drawing and painting at Grays School of Art from 198084 and completed a post-graduate degree at Edinburgh College of Art in 1985\. In 1992, Innes had major exhibitions at the ICA London, and the Scottish National Gallery of Modern Art, Edinburgh. In 1995, he was shortlisted for the Turner Prize and was awarded the NatWest Prize in 1998 and the Jerwood Prize for Painting in 2002\. His critically acclaimed museum exhibition, From Memory, travelled throughout Europe and Australia from 200608\. In 2012, Innes was commissioned by the Edinburgh Arts Festival to transform the Scottish capitals Regent Bridge with a changing sequence of coloured light, and in 2016, he was the subject of a major retrospective survey exhibition and accompanying monograph, Ill Close My Eyes, at the De Pont Museum in Tilburg, the Netherlands. In 2018, his first major solo exhibition in France, In Position, took place at Chateau la Coste in Provence, with an accompanying publication. Innes debuted his new series of Tondo paintings at Sean Kelly Gallery, New York, in 2022; this was followed by exhibitions of the Tondo series at Frith Street Gallery, London; Parra & Romero, Ibiza; Galerie Tschudi, Zurich; and Kerlin Gallery, Dublin in 2023\. He will have exhibitions at Sean Kelly, Los Angeles, and Kode Lysverket Museum, Bergen, Norway, in 2024. A publication documenting Scottish artist Callum Inness Tondos round paintings that continue a long tradition in art history and extend the acclaimed artists explorations into abstraction, colour, line, shape and form. This richly illustrated publication features an introduction by Jeffrey Grove and an essay by art historian Eric de Chassey. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Jacqui Hallum: Workings and Showings
Hallum, Jacqui; Howard-Birt, Dan; Judah, Hettie; Hunt, Prof. Andrew
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Da: Paradou Books, Richmond, VA, U.S.A.Paradou Books
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Soft cover. Condizione: Fine. Softcover, 128 pgs. Includes interview booklet tipped in. Essays, color illus. Fine.
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Paperback. Condizione: new. Paperback. Zygotes and Confessions is a publication devoted to the work of London-based artist Nick Hornby, and has been produced to accompany his first solo exhibition in a public gallery. The exhibition, which shares its title with the publication, is presented at MOSTYN, Wales, UK, from November 20…20 to April 2021. Hornby is known for his monumental site-specific works that combine digital software with traditional materials such as bronze, steel, granite and marble. In this publication he presents a substantial new body of smaller, more intimate work comprising three discrete yet interrelated series of works inspired by the history of sculptural busts, modernist abstractions and mantelpiece ceramic dogs. United by glossy photographic surfaces created by means of an industrial process in which his marble and resin composite sculptures are dipped into liquid photographs, these new works explore themes of portraiture, the body, identity, sexuality and intimacy in the digital era. A number of the works have been made in collaboration with fashion photographer Louie Banks. Nick Hornby (b.1980) is a British artist living and working in London. Hornby studied at the Slade School of Art and Chelsea College of Art. His work has been exhibited at Tate Britain, Southbank Centre London, Leighton House London, CASS Sculpture Foundation, Glyndebourne, Fitzwilliam Museum Cambridge, Museum of Arts and Design New York, and Poznan Biennale, Poland. Residencies include Outset (Israel) and Eyebeam (USA), and awards include the UAL Sculpture Prize. His work has been reviewed in the New York Times, frieze, Artforum, The Art Newspaper, The FT, and featured in Architectural Digest and Sculpture Magazine. 38 illustrations Presents a substantial new body of sculptures exploring portraiture and intimacy in the digital age. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Zygotes and Confessions is a publication devoted to the work of London-based artist Nick Hornby, and has been produced to accompany his first solo exhibition in a public gallery. The exhibition, which shares its title with the publication, is presented at MOSTYN, Wales, UK, from November 2020 to April… 2021. Hornby is known for his monumental site-specific works that combine digital software with traditional materials such as bronze, steel, granite and marble. In this publication he presents a substantial new body of smaller, more intimate work comprising three discrete yet interrelated series of works inspired by the history of sculptural busts, modernist abstractions and mantelpiece ceramic dogs. United by glossy photographic surfaces created by means of an industrial process in which his marble and resin composite sculptures are dipped into liquid photographs, these new works explore themes of portraiture, the body, identity, sexuality and intimacy in the digital era. A number of the works have been made in collaboration with fashion photographer Louie Banks. Along with a foreword by Helen Boyd, Head of Marketing and Publisher Relations at the Casemate Group, the publication features a text by MOSTYN director Alfredo Cramerotti and an essay by London-based publisher, editor and writer Matt Price. Price writes: "With one eye on the sculpture of the past and the other on that of tomorrow, technology is at the heart of London-based Nick Hornby's practice and is central to the production of his often imposing, mind-bending and futuristic-looking sculptures. Using materials such as bronze and marble, his work points back towards the Renaissance or the nineteenth century, yet his use of resin and digital technology positions him very much in the present, exploring languages both figurative and abstract, often simultaneously." The texts are presented in both English and Welsh. Newly commissioned studio photography of the works by Ben Westoby, along with installation views of the exhibition commissioned by MOSTYN from Mark Blower, illustrate the publication, which has been designed by Joe Gilmore / Qubik. The publication is co-published by MOSTYN, Wales, UK, and Anomie Publishing, London, and distributed internationally by Casemate Art, a division of the Casemate Group. Nick Hornby (b.1980) is a British artist living and working in London. Hornby studied at the Slade School of Art and Chelsea College of Art. His work has been exhibited at Tate Britain, Southbank Centre London, Leighton House London, CASS Sculpture Foundation, Glyndebourne, Fitzwilliam Museum Cambridge, Museum of Arts and Design New York, and Poznan Biennale, Poland. Residencies include Outset (Israel) and Eyebeam (USA), and awards include the UAL Sculpture Prize. His work has been reviewed in the New York Times, frieze, Artforum, The Art Newspaper, The FT, and featured in Architectural Digest and Sculpture Magazine.
Zygotes and Confessions
Hornby, Nick; Cramerotti, Alfredo; Boyd, Helen (FRW); Price, Matt; Gilmore, Joe (CON)
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: new. Paperback. Anomie Publishing is delighted to partner with Frestonian Gallery to present SUMMER an exhibition and publication surveying the work of twenty-four artists who rank among the most exciting and influential contemporary painters in Britain today. The exhibition SUMMER is both a nod to the tra…dition of collective summer shows in London's contemporary art scene dating as far back as the formation of the Royal Academy's summer salons and a broad theme around which the participating artists were invited to make or contribute works. The resulting collection of paintings and works on paper is delightfully eclectic and idiosyncratic, from the quintessential English country garden depicted by Tim Braden to the holiday park ice cream shop presented by Caroline Walker, the lush tropical vegetation of Mauritius represented by Cara Nahaul to the abandoned island hotel discovered by Nick Goss while holidaying in Italy. From apocalyptic garden parties to unsporting tennis matches, Cornish coastal walks at dusk and gods hatching plans to woo goddesses in orchards, this is certainly a summer painting survey not to be missed. It is with a spirit of celebration and a desire to showcase excellence in contemporary painting across a broad spectrum of generations, backgrounds and styles that Frestonian Gallery and Anomie Publishing present SUMMER. The publication features a foreword by Rollo Campbell and Matt Incledon, Directors of Frestonian Gallery, and an essay by Matt Price, Publisher at Anomie. The featured artists are: Tim Braden / Hannah Brown / Lindsey Bull / Gareth Cadwallader / Jai Chuhan / Daniel Crews-Chubb / Kaye Donachie / Freya Douglas-Morris / Anna Freeman Bentley / Nick Goss / Sunyoung Hwang / Minami Kobayashi / Matthew Krishanu / Des Lawrence / Jessie Makinson / Kathryn Maple / Barry McGlashan / Justin Mortimer / Ryan Mosley / Cara Nahaul / David Price / Gideon Rubin / Caroline Walker / Jonathan Wateridge AUTHORS: Matt Incledon is Co-Director of Frestonian Gallery, London Rollo Campbell is Co-Director of Frestonian Gallery, London Matt Price is a publisher, editor and writer based in London. His writing has been featured in magazines such as Art Monthly, ArtReview, Art Quarterly, frieze and Flash Art. He has edited titles for international trade publishers including Hatje Cantz, Phaidon, Rizzoli and Thames & Hudson. He is publisher of Anomie Publishing and Hurtwood Press (2020). 40 illustrations SUMMER documents an exhibition of twenty-four exciting and influential contemporary British painters, presented by Frestonian Gallery and organized in association with Anomie. The title is both a nod to the tradition of collective summer shows and a broad theme around which the participating artists were invited to make or contribute works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Bill Woodrow (b.1948) and Richard Deacon (b.1949) have been making sculpture together since 1990. This new book is the first to showcase the work made over this thirty-year period. They have created over sixty works altogether which they call 'shared sculptures', highlighting the important…equality of authorship and responsibility at stake for both these artists. Their shared sculptures exist as five main bodies of work, which have been variously shown in exhibitions in Britain and abroad: 'Only the Lonely' (1993), 'monuments' (1999), 'Lead Astray' (2004), 'On the Rocks' (2008) and 'Don't Start' (2016). Their recent body of work, 'We Thought About It A Lot' (2021), has seen them working on paper to explore their ideas together. This new book provides a rich visual account of these works, showing new and original photographs of them individually and in their exhibition contexts. It also includes studio photographs, images of the preview cards that they have designed for exhibitions over the years and reproduces one of their earlier fax exchanges. The publication features an introductory essay by the art historian and curator Jon Wood and is released to coincide with the artists' latest two-person exhibition, 'We Thought About It A Lot, and other shared drawings' at Ikon, Birmingham, in autumn 2021. AUTHORS: Bill Woodrow has exhibited internationally, representing Britain at Biennales in Sydney (1982), Paris (1982, 1985) and Sao Paulo (1983). He was shortlisted for the Turner Prize in 1986 and participated in Documenta 8 in 1987. He was elected a Royal Academician in 2002 and had a major retrospective at the Royal Academy of Arts in 2013. Richard Deacon has exhibited internationally throughout his career. He was awarded the Turner Prize in 1987, elected to the Royal Academy in 1998 and to the Akademie der Kunste in Berlin in 2010. A large exhibition of his work was shown at Tate Britain in 2014, the same year as a collected edition of his writings was published. Jon Wood is a writer and curator, specialising in modern and contemporary sculpture. Recent publications/exhibitions include: 'Sean Scully' (2020), 'Contemporary Sculpture: Artists' Writings and Interviews' (2020), 'Tony Cragg at the Boboli Gardens' (2019) and 'Sculpture and Film' (2018). He is a trustee of the Gabo Trust. 120 illustrations Presents the shared sculptures and drawings of Bill Woodrow and Richard Deacon, showcasing the work they have made together. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. With a career spanning more than five decades, Ian McKeever is one of Britain's most senior artists working on the international stage. This publication documents the Henge paintings - a series started in 2017 and completed over the course of five years, inspired by prehistoric standing sto…nes in the county of Wiltshire, England, and continuing the artist's long-standing investigation into the languages and possibilities of abstract painting. Comprising thirty paintings along with numerous works on paper, the genesis of the series was a visit by McKeever to the world-famous neolithic site in the village of Avebury in 2016, where he took black and white photographs of the large stones that form three discrete circles: two smaller ones contained within the largest. Erected some 4500 years ago, Avebury is the largest stone circle in Britain, and forms part of what English Heritage asserts to be 'a set of neolithic and Bronze Age ceremonial sites that seemingly formed a vast sacred landscape.' Art historian and curator Paul Moorhouse, in his essay commissioned for the publication, describes how McKeever 'framed each megalith in close-up, their edges visible at the extremity of the resulting images,' explaining how 'the experience of moving around Avebury and responding to the huge stones' monumental presence made an abiding impression that resonated with deep-seated preoccupations.' McKeever's resulting body of work is an earnest and considered exploration into how paint can convey universal forces and properties such as mass, gravity and time, and how colour, texture and abstraction can converse with three-dimensional space, form and materiality. The relationship between painting and sculpture in McKeever's work is discussed by means of an in-conversation between the artist and Dr Jon Wood. 'My interest in alluding to early megalithic sites in titling the group of paintings Henge paintings,' says McKeever, 'was in touching that deeper sense of time, time's weight, so to speak. How to imbue a painting with its own weight of time, forsake the immediacy of the here and now.' AUTHORS: Ian McKeever (b.1946, Withernsea, Yorkshire) is an artist living and working in Dorset, UK. His work is represented in collections including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst, Vienna; Museum of Contemporary Art, Helsinki; Metropolitan Museum of Art, New York; and Yale Center for British Art, Connecticut. Paul Moorhouse is an art historian and curator. He was Senior Curator at the National Portrait Gallery, London (200517) and Senior Curator at Tate, London (19852005). Publications include Bridget Riley: A Very Very Person (2022), Cindy Sherman (2014), Gerhard Richter: Painting Appearances (2009), and Richard Long: Walking the Line (2003). Jon Wood is a writer and curator specialising in modern and contemporary sculpture. Recent publications include: William Turnbull (2022), Bill Woodrow & Richard Deacon A Democratic Process (2021), Sean Scully (2020), Contemporary Sculpture: Artists' Writings and Interviews (2020), and Sculpture and Film (2018). He is a trustee of the Gabo Trust. 43 illustrations A publication of British artist Ian McKeevers Henge paintings (201722) abstract works inspired by neolithic standing stones in Wiltshire, England. Featuring an essay by Paul Moorhouse and a conversation with Jon Wood, the publication accompanies shows at Galleri Susanne Ottesen, Copenhagen, and Heather Gaudio Fine Art, New Canaan, Connecticut. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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paperback. Condizione: New. *Brand new* Ships from USA.
