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Paperback. Condizione: New. Rabbit (Un)Redeemed: The Drama of Belief in John Updikes Fiction offers a selective reading of this prolific authors oeuvre, concentrating on Updikes career-spanning reoccupation with issues of faith and doubt. In Baileys reading, at the heart of Updike's work is the tension between affirming the continuance of the 'heady wine of religious consolation' and the deepening anxiety that the best that humanity can hope for is 'the bleak fare of more endurance.' Focusing on a trio of Olinger stories, the Rabbit Angstrom tetralogy, In the beauty of the Lilies, and Rabbit Remembered, Bailey locates the dialectical situation at the center of Updike's literary career in his conflicted sense of himself as a Christian novelist and Howellsian realist. Bailey's thematically centered study reveals a substantial stylistic component in Updike's dilemma of belief; therefore, a significant objective of this study involves illuminating the author's conflict between creating an eschatologically inspired mimesis reflective of a 'knowing eye' behind appearances of reality, or settling for a historically based realism that, in Howellsian fashion, can do nothing more spiritually meaningful than to record (and thus literally preserve) that which is an will one day be no more. Rabbit Angstrom is Updike's most significant fictional creation, Bailey contends, because his impulses toward religious skepticism are so inadequately possessed of the intellectual and literary buffers that provide Updike and some of his other protagonists with temporary forms of solace or compensation. Rabbit's deepening skepticism that 'goodness lies inside, there is nothing outside' finds it corollary in the evolution delineated in Updike's work, transforming it from the 'song of joy' in affirmation of creation the 'The Blessed Man of Boston' narrator David Kern invokes, to the chronological reconstruction of history as attempted compensation for a relinquished belief in times spiritual significance in In the Beauty of th.

Paperback. Condizione: New. 2025 Mythopoeic Scholarship Award Finalist for Myth and Fantasy StudiesIf a literary movement arises but no one notices, is it still a movement? In Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology, Dennis Wilson Wise argues that the answer is "yes." Over the last ten decades, poets working in fantasy, science fiction, and horror have collectively brought forth a revival in alliterative poetics akin to what once happened in the mid-fourteenth century. Altogether, this anthology collects for the first time over fifty speculative poets-several of whom are previously unpublished-from across North America and Europe. Alongside such established names as C. S. Lewis, Patrick Rothfuss, Edwin Morgan, Poul Anderson, Jo Walton, P. K. Page, and W. H. Auden, this anthology includes representative texts from cultural movements such as contemporary neo-Paganism and the Society for Creative Anachronism. A lengthy critical introduction by the editor-written accessibly for a general audience-explains and contextualizes the Modern Revival for critics and readers alike, and extensive footnotes offer aids to anyone new to medieval history or Norse mythology. Overall, this indispensable anthology-the first major academic book to focus on speculative poetry-establishes where the medieval meets the modern in the hitherto unrecognized Modern Alliterative Revival.

Paperback. Condizione: New. Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.

Paperback. Condizione: New. This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world's greatest literary hero takes place in film, theatre, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject. For the first time, Don Quixote is discussed from the point of re-accentuation, i.e. having in mind one of the key Bakhtinian concepts that will serve as a theoretical framework. A primary objective was therefore to articulate, relying on the concept of re-accentuation, that the history of the novel has benefited enormously from the re-accentuation of Don Quixote helping us to shape countless iconic novels from the eighteenth century, and to see how Cervantes's title character has been reinterpreted to suit the needs of a variety of cultures across time and space.

Paperback. Condizione: New. Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson's The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem's cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions' publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.

Paperback. Condizione: New. New Lenses for Lorca: Literature, Art, and Science in the Edad de plata examines the influence of science in the thought, creative process, writing, and drawing of Federico García Lorca. This book establishes the historical, cultural, and biographical context in which Lorca encountered scientists and their work, and studies the writing and drawing of scientists he came to know at the Residencia de estudiantes in Madrid. Several of Lorca's contemporaries who were also exploring science's possibilities for their work in writing, art, and philosophy, including José Ortega y Gasset, Salvador Dalí, and Gregorio Marañón, are read alongside the poet.By reading particular texts among Lorca's lectures, letters, poetry, theater, and drawings through the lens of the memoirs, lectures, and drawings of scientists such as Santiago Ramón y Cajal and Pío del Río-Hortega, a working poetics is established for each and comparisons are drawn. References to science in Lorca's work open a new reading of some of his texts. At the same time, Ramón y Cajal and del Río-Hortega's drawing and writing are analyzed as plastic and rhetorical works of art. The result is a study of the creative process in artist and scientist alike and their mutual influence.

Paperback. Condizione: New. What forms can religious experience take in a world without cult or creed? Organized religion is notably absent from J. R. R. Tolkien's Secondary Universe of elves, dwarves, men and hobbits despite the author's own deep Catholic faith. Tolkien stated that his goal was 'sub-creating' a universe whose natural form of religion would not directly contradict Catholic theology. Essays in Light Beyond All Shadows examine the full sweep of Tolkien's legendarium, not only The Lord of the Rings but also The Hobbit, The Silmarillion and The History of Middle-Earth series plus Peter Jackson's film trilogy. Contributions to Light Beyond All Shadows probe both the mind of the maker and the world he made to uncover some of his fictional strategies, such as communicating through imagery. They suggest that Tolkien's Catholic imagination was shaped by the visual appeal of his church's worship and iconography. They seek other influences in St. Ignatius Loyola's meditation technique and St. Philip Neri's 'Mediterranean' style of Catholicism. They propose that Tolkien communicates his story through Biblical typology familiar in the Middle Ages as well as mythic imagery with both Christian and pagan resonances. They defend his 'comedy of grace' from charges of occultism and Manichaean dualism. They analyze Tolkien's Christian friends the Inklings as a supportive literary community. They show that within Tolkien's world, Nature is the Creator's first book of revelation. Like its earlier companion volume, The Ring and the Cross, edited by Paul E. Kerry, scholarship gathered in Light Beyond All Shadows aids appreciation of what is real, meaningful, and truthful in Tolkien's work.

Paperback. Condizione: New. The essays in this collection were originally presented as talks at the Poe Studies Association's Third International Edgar Allan Poe Conference: The Bicentennial in October 2009. All the essays in this volume deal with Poe's influence on authors from the United States and abroad; in addition, the collection also includes two examples of primary texts by contemporary authors whose work is directly related to Poe's work or life: an interview with Japanese detective novelist Kiyoshi Kasai and poems by Charles Cantalupo.This volume includes interpretative essays on international authors whose work reflects back on Poe's work: Edogawa Rampo from Japan; Lu Xun from China; Fernando Pessoa, Eça de Queirós and Ramalho Ortigão from Portugal; Angela Carter from England; and Nikolai Gogol from Russia. The essays in this collection complement and extend a project begun by Lois Vines' Poe Abroad (University of Iowa Press, 1999) and take a wider perspective on Poe's influence with essays on Poe's impact on American authors William Faulkner, Mary Oliver, Joyce Carol Oates, Nathaniel Hawthorne, Herman Melville, and Harriet Jacobs.

Paperback. Condizione: New. By taking as its point of departure the privileged relationship between the crime novel and its setting, this book is the most wide-ranging examination of the way in which Italian detective fiction in the last twenty years has become a means to articulate the changes in the social landscape of the country. Nowadays there is a general acknowledgment of the importance of place in Italian crime novels. However, apart from a limited scholarship on single cities, the genre has never been systematically studied in a way that so comprehensively spans Italian national boundaries. The originality of this volume also lies in the fact that the author have not limited her investigation to a series of cities, but rather she has considered the different forms of (social) landscape in which Italian crime novels are set. Through the analysis of the way in which cities, the "urban sprawl," and islands are represented in the serial novels of eleven of the most important contemporary crime writers in Italy of the 1990s, Pezzotti articulates the different ways in which individual authors appropriate the structures and tropes of the genre to reflect the social transformations and dysfunctions of contemporary Italy. In so doing, this volume also makes a case for the genre as an instrument of social critique and analysis of a still elusive Italian national identity, thus bringing further evidence in support of the thesis that in Italy detective fiction has come to play the role of the new "social novel.".

Hardback. Condizione: New.

Paperback. Condizione: New. Studies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature.Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O'Driscoll, Ruth Perry.

Paperback. Condizione: New. Developments in the Histories of Sexualities: In Search of the Normal,1600-1800 explores the oppositionscreated by the official exclusion ofbanned sexual practices and theresistance to that exclusion throughwidespread acceptance of thoseoutlawed practices at an interpersonallevel. At different times and in differentplaces, state legislation sets up-ortries to set up-a "normal" by rejectinga particular practice or group ofpractices. Yet this "normal" is derogatedby popular practice, since the bannedacts themselves are thought at thegrassroots level to be "normal." Amongthe events discussed in these essaysare the Woods-Pirie trial, the "Ladies ofLlangollen," the popular acceptance offops and mollies, and the press reactionto the discovery that James Allen wasa woman who had lived successfullyas a man and Lavinia Edwards wasa man who had made her living as afemale prostitute. Developments in the History of Sexualities analyzesboth the state language of bansand fiats about sexuality, and thegrassroots language which marks theacceptance of multiplicity in sexualpractice. Contributors benefit fromthe accumulation of new evidenceof attitudes towards sexual practice,and they engage with a wide range oftexts, including Ned Ward's History of the Clubs, Tobias Smollett's Roderick Random, Shakespeare's Taming of the Shrew and The Tempest, Dryden's All for Love, Anne Batten Cristall's Poetical Sketches, Isaac de Benserade's Iphis et Iante, and Alessandro Verri's Le Avventure di Saffo.

Paperback. Condizione: New. This book is about the transformation of Europe into "Eurabia", a cultural and political appendage of the Arab/Muslim world. Eurabia is fundamentally anti-Christian, anti-Western, anti-American, and antisemitic. The institution responsible for this transformation, and that continues to propagate its ideological message, is the Euro-Arab Dialogue, developed by European and Arab politicians and intellectuals over the past thirty years.'This is a provocative and disturbing book. With all the drama of a master writer, Bat Ye'or presents a wide range of historical and contemporary documents and facts to tell the story of how the European Union is being subverted by Islamic hostility to the very ethics and values of Europe itself. Readers who seek a fair resolution of the Arab-Israel conflict will be shocked by the evidence produced in these pages of unfair pressures and deliberate distortions. Europe's independence of spirit is shown in the process of being undermined. This book challenges the current demonization of Israel and should be essential reading (and re-reading) for everyone interested in true peace in the Middle East. It is also a waring to Europe not to allow the anti-American and anti-Israel pressures of Islam to subvert Europe's true values:vibrant democracy,humanitarian free thinking, and social fair dealing.'Sir Martin Gilbert'Bat Ye'or has traced a nearly secret history of Europe over the past thirty years, convincingly showing how the Euro-Arab Dialogue has blossomed from a minor discussion group into the engine for the continent's Islamization. In delineating this phenomenon, she also provides the intellectual resources with which to resist it. Will her message be listened to?'Daniel Pipes'No writer has done more than Bat Ye'or to draw attention to the menacing character of Islamic extremism. Future historians will one day regard her coinage of the term 'Eurabia' as prophetic. Those who wish to live in a free society must be eternally vigilant. Bat Ye'or's vigilance is unrivalled.'N.

Paperback. Condizione: New. Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades.Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this bookfrom the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.

Paperback. Condizione: New. Written by Ethel Waxham Love, a Wellesley College graduate who went to Wyoming in 1905 as a teacher in a one-room schoolhouse, and her son, J. David Love, who later became an eminent geologist, Life on Muskrat Creek tells the fascinating story of a family's day-to-day life on an isolated ranch in early twentieth-century Wyoming. Readers will be held in suspense as they learn about the family's battle with a variety of challenges, including a near-fatal bout with Spanish influenza, life-threatening encounters with livestock and wildlife, and disastrous episodes of fires, flooding, blizzards, and drought. The book's depiction of more ordinary events is equally engaging; Ethel describes becoming a wife and raising children without the support of neighbors, women friends, or a wider family network, and David recounts growing up in a wild and remote place where there was no local school to attend. Readers from all walks of life will find Life on Muskrat Creek to be a lively and provocative book.

Hardback. Condizione: New. In 1932, Benno Weiser Varon was a student of medicine in Vienna. During a brawl at the Anatomic Institute he rescues a Jewish fellow student, when he cracked the skull of a huge Nazi with two outsized metal keys, while some thirty Nazis watched from an upper floor. He considered this event his rite of passage, in which he proved to himself that "Jews are no cowards." Life would give him many an opportunity to prove it again. A Jewish Rambo? Not at all. Fellow Viennese remember him for making them laugh. He wrote, directed, and performed in literary cabarets. Gerhard Bronner, Vienna's foremost entertainer, claims that watching Weiser perform inspired his choice of career."All I could take along from Nazi Vienna," says Weiser Varon, "was my accent." But he also exported his fighting spirit. As Ecuador's first syndicated columnist, blending drama with satire, he dispensed faith to those who rooted for the Allies and heartburn to the powerful Nazi colony. The Axis powers sponsored seven weeklies to counteract his influence, there was an interpellation in parliament, a "promise" by the minister of the interior to silence him, an op-ed dual with a Vichy diplomat. The New York Times, reporting on his struggle, called him one of Latin America's best known columnists. In 1946 the World Zionist Organization drafted him into its campaign to convince the nations of Latin America of the justice of the Jewish fight for statehood. Varon's niche in history is the U.N. Palestine Partition Resolution of 1947. The Encyclopedia Judaica credits him and a colleague with the decisive Latin American votes. In 1964 Golda Meir appointed him ambassador to a succession of Latin American countries. In 1970 Baron survived an assassination attempt by Palestinian terrorists. In 1972 he retired from diplomacy and returned to journalism. Varon met Albert Einstein and Aleksandr Kerensky as well as the Who's Who of Latin-American writers, painters, intellectuals, and statesmen, such as Perón, Castro, the Somozas, Stroessner. He also placed second-best in a joke contest with Bob Hope and, together with his actress-wife, wrote a play, "A Letter to the Times," which was produced in both English and Spanish.

Hardback. Condizione: New. An intensely philosophical and religious poet, Olga Sedakova writes of nature, music, and the inner, spiritual life. As one of the preservers of traditional Russian culture, she stands in stark contrast to the rampant commercialization in contemporary Russian life, instead tracing her poetic roots back to the early avant-garde movements of pre-revolutionary Russia. For that stance, she endured years of censorship and silencing during the Soviet regime her poems distributed by hand in mimeographed copies or by word of mouth. This volume introduces to an English-speaking audience an extensive selection of poems by one of Russia's most distinguished lyric poets writing today.

Paperback. Condizione: New. Between 1850 and 1920 women's travel and travel writing underwent an explosion. It was an exciting period in the history of travel, a golden age. While transportation had improved, mass tourism had not yet robbed journeys of their aura of adventure. Although British women were at the forefront of this movement, a number of intrepid Spanish women also participated in this new era of travel and travel writing. They transcended general societal limitations imposed on Spanish women at a time when the refrain "la mujer en casa, y con la pata quebrada" described most of their female compatriots, who suffered from legal constraints, lack of education, a husband's dictates, or little or no money of their own. Spanish Women Travelers at Home and Abroad, 1850-1920: From Tierra del Fuego to the Land of the Midnight Sun analyzes the travels and the travel writings of eleven extraordinary women: Emilia Pardo Bazán, Carmen de Burgos (pseud. Colombine), Rosario de Acuña, Carolina Coronado, Emilia Serrano (Baronesa de Wilson), Eva Canel, Cecilia Böhl de Faber (pseud. Fernán Caballero), Princesses Paz and Eulalia de Borbón, Sofía Casanova, and Mother María de Jesús Güell. These Spanish women travelers climbed mountain peaks in their native country, traveled by horseback in the Amazon, observed the Indians of Tierra del Fuego, suffered from el soroche [altitude sickness] in the Andes, admired the midnight sun in Norway, traveled to mission fields in sub-Saharan Africa, and reported on wars in Europe and North Africa, to mention only a few of their accomplishments. The goal of this study is to acquaint English-speaking readers with the narratives of these remarkable women whose works are not available in translation. Besides analyzing their travel narratives and the role of travel in their lives, Spanish Women Travelers includes many long excerpts translated into English for the first time.

Hardback. Condizione: New. Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essay, and reviews of nine new important books.

Hardback. Condizione: New. Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essay, and reviews of nine new important books.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine.

Hardback. Condizione: New. Just Remembering: Rhetorics of Genocide Remembranceand Sociopolitical Judgment analyzes a set of influential discourses of genocide remembrance to explain how public memory discourses inform sociopolitical judgment. Within this explanatory context, Just Remembering additionally asks how we might remember pasts marked by genocidal violence in ways that commit ourselves to a deeper understanding and more humane practice of justice. The chapters are thematically organized, focusing on specific sites of memory to highlight symbolic inducements of memorial discourses. Chapter 2 analyzes U.S. public discourse concerning an "Armenian Genocide" resolution to elucidate the role of politics in the production, dissemination, and maintenance of memory. Chapter 3 offers a historical account of the shift in public discourse concerning the capture of the Nazi war criminal Adolf Eichmann, demonstrating how and with what consequences the discourses shifted from a focus on law to a focus on morality. Chapter 4 expands this work by analyzing how competing narrative accounts of historical figures and events (Eichmann and the Holocaust) influence what we remember, how we remember, and the ends to which we apply such memories. Chapter 5 analyzes the Report of the President's Commission on the Holocaust that produced the United States' official remembrance of the Holocaust. This chapter argues that the Commission Report provides an exemplary explanation for why we should remember and provokes a complex understanding of what we are to remember. Chapter 6 concludes the book by focusing on the productive capacity of the humanitarian aims of U.S. Holocaust remembrance.

Paperback. Condizione: New. This book broaches a comparative and interdisciplinary approach in its exploration of the phenomenon of the dictatorship in the Hispanic World in the twentieth century. Some of the themes explored through a transatlantic perspective include testimonial accounts of violence and resistance in prisons; hunger and repression; exile, silence and intertextuality; bildungsroman and the modification of gender roles; and the role of trauma and memory within the genres of the novel, autobiography, testimonial literature, the essay, documentaries, puppet theater, poetry, and visual art. By looking at the similarities and differences of dictatorships represented in the diverse landscapes of Latin America and Spain, the authors hope to provide a more panoramic view of the dictatorship that moves beyond historiographical accounts of oppression and engages actively in a more broad dialectics of resistance and a politics of memory.

Hardback. Condizione: New. Rev. George D. Byers, Presbyterian missionary at Kachek, Hainan island, China, was murdered by bandits in front of his home on June 24, 1924, setting off an extraterritorality incident that involved American, British, and Chinese government officials ranging from the local Chinese military commander to the British consul at Hoihow, Hainan, the Chinese Foreign Minister Wellington Koo, U.S. Congressmen, Presbyterians in China and the U.S., and friends of the Byers family. Based on American and British consular archives and those of the Presbyterian Church (USA) and members of the Hainan mission, this is the story of how Mrs. Byers and her ally, Mrs. Mabel Roys, the sole woman on the Presbyterian Board of Foreign Missions (BFM), successfully got the government and their church to take action. Kathleen L. Lodwick is a Professor of History at the Pennsylvania State University, Lehigh Valley.

Hardback. Condizione: New. This study, the first book-length assessment of de Crenne, delineates both her conceptual framework and her stylistic concerns. It situates her in the framework of her times and views her as a woman on the cutting edge of her era who both exploited and innovated literary tradition. The book shows how de Crenne's four works simultaneously reflects a humanist's interest in classical themes, medieval mastery of the allegorical form, and a feminist's zeal for the equality of women.

Paperback. Condizione: New. Rabbit (Un)Redeemed: The Drama of Belief in John Updikes Fiction offers a selective reading of this prolific authors oeuvre, concentrating on Updikes career-spanning reoccupation with issues of faith and doubt. In Baileys reading, at the heart of Updike's work is the tension between affirming the continuance of the 'heady wine of religious consolation' and the deepening anxiety that the best that humanity can hope for is 'the bleak fare of more endurance.' Focusing on a trio of Olinger stories, the Rabbit Angstrom tetralogy, In the beauty of the Lilies, and Rabbit Remembered, Bailey locates the dialectical situation at the center of Updike's literary career in his conflicted sense of himself as a Christian novelist and Howellsian realist. Bailey's thematically centered study reveals a substantial stylistic component in Updike's dilemma of belief; therefore, a significant objective of this study involves illuminating the author's conflict between creating an eschatologically inspired mimesis reflective of a 'knowing eye' behind appearances of reality, or settling for a historically based realism that, in Howellsian fashion, can do nothing more spiritually meaningful than to record (and thus literally preserve) that which is an will one day be no more. Rabbit Angstrom is Updike's most significant fictional creation, Bailey contends, because his impulses toward religious skepticism are so inadequately possessed of the intellectual and literary buffers that provide Updike and some of his other protagonists with temporary forms of solace or compensation. Rabbit's deepening skepticism that 'goodness lies inside, there is nothing outside' finds it corollary in the evolution delineated in Updike's work, transforming it from the 'song of joy' in affirmation of creation the 'The Blessed Man of Boston' narrator David Kern invokes, to the chronological reconstruction of history as attempted compensation for a relinquished belief in times spiritual significance in In the Beauty of th.

Hardback. Condizione: New. Henry Crabb Robinson (1775-1867) spent five years in Germany (1800-1805) and became deeply informed about its Romantic literature and philosophy, then at its height in that country. In the course of his enthusiastic embrace of the German language and culture, Robinson built up an intellectual and literary capital that he would draw on for the rest of his long life. The main thrust of this critical and biographical study is to demonstrate that Robinson is an important nineteenth-century life writer, and that his autobiographical writings, a large portion of which are still in manuscript, deserve to be taken seriously by students and scholars of autobiography, and to be published in a new edition. Since to date no one has focused on Robinson the life writer, this study of Robinson's German years draws on his published letters, diaries, and reminiscences as well as some manuscript material.

Paperback. Condizione: New. 2025 Mythopoeic Scholarship Award Finalist for Myth and Fantasy StudiesIf a literary movement arises but no one notices, is it still a movement? In Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology, Dennis Wilson Wise argues that the answer is "yes." Over the last ten decades, poets working in fantasy, science fiction, and horror have collectively brought forth a revival in alliterative poetics akin to what once happened in the mid-fourteenth century. Altogether, this anthology collects for the first time over fifty speculative poets-several of whom are previously unpublished-from across North America and Europe. Alongside such established names as C. S. Lewis, Patrick Rothfuss, Edwin Morgan, Poul Anderson, Jo Walton, P. K. Page, and W. H. Auden, this anthology includes representative texts from cultural movements such as contemporary neo-Paganism and the Society for Creative Anachronism. A lengthy critical introduction by the editor-written accessibly for a general audience-explains and contextualizes the Modern Revival for critics and readers alike, and extensive footnotes offer aids to anyone new to medieval history or Norse mythology. Overall, this indispensable anthology-the first major academic book to focus on speculative poetry-establishes where the medieval meets the modern in the hitherto unrecognized Modern Alliterative Revival.

Hardback. Condizione: New. A Huguenot on the Hackensack is the first full-length study of David Demarest, an early European settler of northeastern New Jersey and progenitor of a large and locally influential family. The book examines Demarest's life, the legacy of his family, and the wider "Jersey Dutch" community in which the family played a prominent part. The book looks beneath accumulated layers of legend and older historical interpretations to formulate a new and more realistic (and more interesting) account of Demarest's life and legacy.Demarest, a Huguenot (French Protestant), was born about 1620 in the French province of Picardy. He first appears in history with the record of his marriage to Marie Sohier in Middleburg, the Netherlands, in 1643. After marriage and the start of a family, his life unfolded in four sojourns of about a decade or a bit more: Middleburg, 1643 to about 1651; Mannheim, Germany, from about 1651 to 1663; Staten Island and New Harlem, 1663-78, and finally the French Patent along the Hackensack River in New Jersey, 1678 to his death in 1693. New evidence and new interpretations provide a picture of Demarest as an ambitious and upwardly mobile entrepreneur with an unusual talent for balancing risk and opportunity, and a dedicated churchman and community leader under both Dutch and English rule. The book next considers the Demarests in the eighteenth century, when the family rose to prominence in Bergen County, played important roles in the Reformed Church in Hackensack and Schraalenburgh, and began to spread out to other parts of the country. Recapitulating Demarest's own career as an entrepreneur and land developer, some of his descendants settled parts of central Pennsylvania, upstate New York, and Kentucky. Many of those who remained in New Jersey were active in public affairs and the Revolutionary War.By the end of the nineteenth century, enormous changes in Bergen County, including the spread of railroads and the transition from a farming economy to a suburban one, spelled the beginning of the end for the cohesiveness and influence of old, locally prominent Jersey Dutch families such as the Demarests. With further economic and demographic changes following World War II, such families were subsumed into the general population.The book concludes with an assessment of the Demarest family's American experience, looks at how pioneer students of Demarest family history shaped and interpreted his life and legacy against the background of changes in American society in the late nineteenth and early twentieth centuries, and suggests what might yet be learned about Demarest through genetic evidence and the increasing availability of digitized records. Demarest's life and legacy are of interest not just to the large number of his descendants and the numerous descendants of other Jersey Dutch families, but more broadly to those interested in regional history, New Netherland, and American social history.

Hardback. Condizione: New. This book represents an investigation into one of the basic issues in the study of translation: how do we reconcile theory and practice? The main focus, in the form of close readings and think-aloud protocols in chapters 2 and 3, is on translations of two classic texts: Mark Twain's 'The Adventures of Huckleberry Finn' and Carlo Collodi's 'Le avventure di Pinocchio'. The first and last chapters respectively seek to show what translation theory is and what translation practice is. Indeed, 'Theory and Hubris', chapter 1, provides a synthesis of the development of the interdiscipline of Translation Studies, with some consideration also given to the hermeneutical questions that inevitably arise when dealing with the interpretation of language.