Autonomedia new york (260 risultati)
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Soft cover. Condizione: Near Fine. First. Clean near fine soft cover. Size: 8vo - over 7¾" - 9¾" tall.
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Da: Fahrenheit's Books, Denver, CO, U.S.A.Fahrenheit's Books
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Trade Paperback. Condizione: Very Good+. Book shows light edge wear. Interior remains crisp and clean, binding firm. A very nice copy.
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Paperback. Condizione: new. Paperback. A new interview with the philosopher of speed, addressing the ways in which technology is utilized in synchronizing mass emotions.We are living under the administration of fear: fear has become an environment, an everyday landscape. There was a time when wars, famines, and epidemics were lo…calized and limited by a certain timeframe. Today, it is the world itself that is limited, saturated, and manipulated, the world itself that seizes us and confines us with a stressful claustrophobia. Stock-market crises, undifferentiated terrorism, lightning pandemics, "professional" suicides. Fear has become the world we live in.The administration of fear also means that states are tempted to create policies for the orchestration and management of fear. Globalization has progressively eaten away at the traditional prerogatives of states (most notably of the welfare state), and states have to convince citizens that they can ensure their physical safety.In this new and lengthy interview, Paul Virilio shows us how the "propaganda of progress," the illuminism of new technologies, provide unexpected vectors for fear in the way that they manufacture frenzy and stupor. For Virilio, the economic catastrophe of 2007 was not the death knell of capitalism, as some have claimed, but just further evidence that capitalism has accelerated into turbo-capitalism, and is accelerating still. With every natural disaster, health scare, and malicious rumor now comes the inevitable "information bomb"-live feeds take over real space, and technology connects life to the immediacy of terror, the ultimate expression of speed. With the nuclear dissuasion of the Cold War behind us, we are faced with a new form of civil dissuasion: a state of fear that allows for the suspension of controversial social situations. A new interview with the philosopher of speed, addressing the ways in which technology is utilized in synchronizing mass emotions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A scathing critique of the Left from an indigenous anti-colonial perspective.Why am I writing this book? Because I share Gramsci's anxiety: "The old are dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear." The fascist monster, born in the entrail…s of Western modernity. Of course, the West is not what it used to be. Hence my question: what can we offer white people in exchange for their decline and for the wars that will ensue? There is only one answer: peace. There is only one way: revolutionary love.-from Whites, Jews, and UsWith Whites, Jews, and Us, Houria Bouteldja launches a scathing critique of the European Left from an indigenous anti-colonial perspective, reflecting on Frantz Fanon's political legacy, the republican pact, the Shoah, the creation of Israel, feminism, and the fate of postcolonial immigration in the West in the age of rising anti-immigrant populism. Drawing upon such prominent voices as James Baldwin, Malcolm X, and Jean Genet, she issues a polemical call for a militant anti-racism grounded in the concept of revolutionary love.Such love will not come without significant discomfort for whites, and without necessary provocation. Bouteldja challenges widespread assumptions among the Left in the United States and Europe-that anti-Semitism plays any role in Arab-Israeli conflicts, for example, or that philo-Semitism doesn't in itself embody an oppressive position; that feminism or postcolonialist theory is free of colonialism; that integrationalism is a solution rather than a problem; that humanism can be against racism when its very function is to support the political-ideological apparatus that Bouteldja names the "white immune system."At this transitional moment in the history of the West-which is to say, at the moment of its decline-Bouteldja offers a call for political unity that demands the recognition that whiteness is not a genetic question: it is a matter of power, and it is high time to dismantle it.This Semiotext(e)/Intervention series English-language edition includes a foreword by Cornel West. A scathing critique of the Left from an indigenous anti-colonial perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. The critically acclaimed adventures of an ex-Goth, ex-straight-girl, ex-lesbian, ex-Catholic schoolgirl on the road in 1990s America.Published by Semiotext(e) to critical acclaim in 1998, Michelle Tea's debut novel The Passionate Mistakes and Intricate Corruption of One Girl in America quic…kly established Tea as an exciting new literary talent and the voice of a new generation of queer, bisexual, transgendered, and straight youth. The Village Voice called Passionate Mistakes "the legacy of thirty years of feminism," and Eileen Myles, writing in the Nation, hailed the novel as "a hunk of lyric information that coolly, then frantically, describes the car wreck of her generation. "The too-smart, caustic, and radiant narrator of Passionate Mistakes is, at twenty-seven, an ex-Goth, ex-drummer, ex-straight girl, ex-lesbian separatist vegan graduate of vocational high school in the working class town of Chelsea, Massachusetts. Written with lyrical precision and charm, the novel describes a journey with no final destination, a fast-paced and picaresque road trip that yields a redemptive vision of an America that has nothing left to offer its youth.This new edition of a Semiotext(e) classic includes critical essays by Brandon Stosuy and Eileen Myles that describe Michelle Tea's achievement as a literary innovator and cultural icon. Michelle Tea is the prolific author of the Lambda Award-winning Valencia, the graphic novel Rent Girl, the "inspired queer bildungsroman" Rose of No Man's Land, and other books. She was a 1999 recipient of a Rona Jaffe Foundation Writers' Award for fiction. Her critically acclaimed books have appeared on "books of the year" lists in publications ranging from the Voice Literary Supplement to the San Francisco Chonicle. She lives in San Francisco. The critically acclaimed adventures of an ex-Goth, ex-straight-girl, ex-lesbian, ex-Catholic schoolgirl on the road in 1990s America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. An autobiographical coming-of-age novel by the the "only gay man" in Morocco.An autobiographical novel by turn naive and cunning, funny and moving, this most recent work by Moroccan expatriate Abdellah Taia is a major addition to the new French literature emerging from the North African Ara…bic diaspora. Salvation Army is a coming-of-age novel that tells the story of Taia's life with complete disclosure-from a childhood bound by family order and latent (homo)sexual tensions in the poor city of Sale, through an adolescence in Tangier charged by the young writer's attraction to his eldest brother, to a disappointing arrival in the Western world to study in Geneva in adulthood. In so doing, Salvation Army manages to burn through the author's first-person singularity to embody the complex melange of fear and desire projected by Arabs on Western culture. Recently hailed by his native country's press as "the first Moroccan to have the courage to publicly assert his difference," Taia, through his calmly transgressive work, has "outed" himself as "the only gay man" in a country whose theocratic law still declares homosexuality a crime. The persistence of prejudices on all sides of the Mediterranean and Atlantic makes the translation of Taia's work both a literary and political event. The arrival of Salvation Army (published in French in 2006) in English will be welcomed by an American audience already familiar with a growing cadre of talented Arab writers working in French (including Muhammad Dib, Assia Djebar, Tahar Ben Jelloun, Abdelkebir Khatibi, and Katib Yasin). An autobiographical coming-of-age novel by the the only gay man in Morocco. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. An autobiographical portrait of a gay Arab man, living between cultures, seeking an identity through love and writing.I had to rediscover who I was. And that's why I left the apartment. And there I was, right in the heart of the Arab world, a world that never tired of making the same mistak…es over and over. I had no more leniency when it came to the Arab world. None for the Arabs and none for myself. I suddenly saw things with merciless lucidity.-An Arab MelancholiaSale, near Rabat. The mid 1980s. A lower-class teenager is running until he's out of breath. He's running after his dream, his dream to become a movie director. He's running after the Egyptian movie star, Souad Hosni, who's out there somewhere, miles away from this neighborhood-which is a place the teenager both loves and hates, the home at which he is not at home, an environment that will only allow him his identity through the cultural lens of shame and silence. Running is the only way he can stand up to the violence that is his Morocco.Irresistibly charming, angry, and wry, this autobiographical novel traces the emergence of Abdellah Taia's identity as an openly gay Arab man living between cultures. The book spans twenty years, moving from Sale, to Paris, to Cairo. Part incantation, part polemic, and part love letter, this extraordinary novel creates a new world where the self is effaced by desire and love, and writing is always an act of discovery. An autobiographical portrait of a gay Arab man, living between cultures, seeking an identity through love and writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. An updated edition of a groundbreaking work on the global financial crisis from a postfordist perspective.The 2010 English-language edition of Christian Marazzi's The Violence of Financial Capitalism made a groundbreaking work on the global financial crisis available to an expanded readersh…ip. This new edition has been updated to reflect recent events, up to and including the G20 summit in July 2010 and the broad consensus to reduce government spending that emerged from it. Marazzi, a leading figure in the European postfordist movement, argues that the processes of financialization are not simply irregularities between the traditional categories of wages, rent, and profit, but rather a new type of accumulation adapted to the processes of social and cognitive production today. The financial crisis, he contends, is a fundamental component of contemporary accumulation and not a classic lack of economic growth. Marazzi shows that individual debt and the management of financial markets are actually techniques for governing the transformations of immaterial labor, general intellect, and social cooperation. The financial crisis has radically undermined the very concept of unilateral and multilateral economico-political hegemony, and Marazzi discusses efforts toward a new geomonetary order that have emerged around the globe in response. Offering a radically new understanding of the current stage of international economics as well as crucial post-Marxist guidance for confronting capitalism in its newest form, The Violence of Financial Capitalism is a valuable addition to the contemporary arsenal of postfordist thought. This edition includes the glossary of the esoteric neolanguage of financial capitalism-"Words in Crisis," from "AAA" to "toxic asset"-written for the first English-language edition, and offers a new afterword by Marazzi. An updated edition of a groundbreaking work on the global financial crisis from a postfordist perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. With the economy deindustrialized and the working class decentralized, a call for alternative horizons for resistance- the university and the art world.What was once the factory is now the university. As deindustrialization spreads and the working class is decentralized, new means of social… resistance and political activism need to be sought in what may be the last places where they are possible- the university and the art world. Gerald Raunig's new book analyzes the potential that cognitive and creative labor has in these two arenas to resist the new regimes of domination imposed by cognitive capitalism. Drawing on Gilles Deleuze's concept of "modulation" as the market-driven imperative for the constant transformation and reinvention of subjectivity, in Factories of Knowledge, Industries of Creativity, Raunig charts alternative horizons for resistance.Looking at recent social struggles including the university strikes in Europe, the Spanish Democracia real YA! organization, the Arab revolts, and the Occupy movement, Raunig argues for a reassessment of the importance of cultural and knowledge production. The central role of the university, he asserts, is not as a factory of knowledge but as a place of creative disobedience. With the economy deindustrialized and the working class decentralized, a call for alternative horizons for resistance: the university and the art world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. An account and analysis of the systematic murder of women and girls in the Mexican border town of Ciudad Juarez.In Ciudad Juarez, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the mur…ders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves.-from The Femicide MachineBest known to American readers for his cameo appearances as The Journalist in Roberto Bolano's 2666 and as a literary detective in Javier Marias's novel Dark Back of Time, Sergio Gonzalez Rodriguez is one of Mexico's most important contemporary writers. He is the author of Bones in the Desert, the most definitive work on the murders of women and girls in Juarez, Mexico, as well as The Headless Man, a sharp meditation on the recurrent uses of symbolic violence; Infectious, a novel; and Original Evil, a long essay. The Femicide Machine is the first book by Gonzalez Rodriguez to appear in English translation.Written especially for Semiotext(e) Intervention series, The Femicide Machine synthesizes Gonzalez Rodriguez's documentation of the Juarez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. The Femicide Machine probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers. An account and analysis of the systematic murder of women and girls in the Mexican border town of Ciudad Juarez. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A lyrical account of a childhood spent in a castle disguised as a psychiatric clinic, written by the daughter of Felix Guattari.A moment later, Lacan is chattering with me, and giving me some crayons to draw with.-from I, Little AsylumFounded in 1951 and renowned in the world of psychiatry,… the experimental psychiatric clinic of La Borde sought to break with the traditional internment of the mentally ill and to have them participate in the material organization of collective life. The clinic owed much of its approach to psychoanalyst and philosopher Felix Guattari, who was its codirector with Jean Oury until 1992. In this lyrical chronicle of a childhood at La Borde, Felix Guattari's daughter Emanuelle Guattari offers a series of impressionistic vignettes drawn from her own experiences.As a child whose parents worked in the clinic, Emanuelle Guattari ("Manou") experienced La Borde-which is housed in a castle in the middle of a spacious park-as a place not of confinement but of imagination and play. She evokes a landscape that is surreal but also mundane, describing the fat monkey named Boubou her father kept at the clinic, interactions between the "La Borde kids" and the "Residents" (aka, the "Insane," feared by the locals), the ever fascinating rainbow-hued "shit pit" on the grounds, and prank-calls to the clinic switchboard. And, of course, there is Felix Guattari himself, at the dinner table, battling a rat, and in his daughter's dreams. Emmanuelle Guattari's tale of childlike wonder offers a poetic counterpoint to the writings of her father and his intellectual circle. A lyrical account of a childhood spent in a castle disguised as a psychiatric clinic, written by the daughter of Felix Guattari. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Baudrillard's bewildering thesis, a bold extrapolation on Ferdinand de Saussure's general theory of general linguistics, is in fact a clinical vision of contemporary consumer societies where signs don't refer anymore to anything except themselves. They all are generated by the matrix.Simula…tions never existed as a book before it was "translated" into English. Actually it came from two different bookCovers written at different times by Jean Baudrillard. The first part of Simulations, and most provocative because it made a fiction of theory, was "The Procession of Simulacra." It had first been published in Simulacre et Simulations (1981). The second part, written much earlier and in a more academic mode, came from L'Echange Symbolique et la Mort (1977). It was a half-earnest, half-parodical attempt to "historicize" his own conceit by providing it with some kind of genealogy of the three orders of appearance- the Counterfeit attached to the classical period; Production for the industrial era; and Simulation, controlled by the code. It was Baudrillard's version of Foucault's Order of Things and his ironical commentary of the history of truth. The book opens on a quote from Ecclesiastes asserting flatly that "the simulacrum is true." It was certainly true in Baudrillard's book, but otherwise apocryphal.One of the most influential essays of the 20th century, Simulations was put together in 1983 in order to be published as the first little black book of Semiotext(e)'s new Foreign Agents Series. Baudrillard's bewildering thesis, a bold extrapolation on Ferdinand de Saussure's general theory of general linguistics, was in fact a clinical vision of contemporary consumer societies where signs don't refer anymore to anything except themselves. They all are generated by the matrix.In effect Baudrillard's essay (it quickly became a must to read both in the art world and in academe) was upholding the only reality there was in a world that keeps hiding the fact that it has none. Simulacrum is its own pure simulacrum and the simulacrum is true. In his celebrated analysis of Disneyland, Baudrillard demonstrates that its childish imaginary is neither true nor false, it is there to make us believe that the rest of America is real, when in fact America is a Disneyland. It is of the order of the hyper-real and of simulation. Few people at the time realized that Baudrillard's simulacrum itself wasn't a thing, but a "deterrence machine," just like Disneyland, meant to reveal the fact that the real is no longer real and illusion no longer possible. But the more impossible the illusion of reality becomes, the more impossible it is to separate true from false and the real from its artificial resurrection, the more panic-stricken the production of the real is. Baudrillard's bewildering thesis, a bold extrapolation on Ferdinand de Saussure's general theory of general linguistics, is in fact a clinical vision of contemporary consumer societies where signs don't refer anymore to anything except themselves. They all are generated by the matrix. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A well-researched and powerfully argued account of the disappearance of forty-three students and an analysis of the cruelty that normalizes atrocity.The word "corruption" is insufficient for the magnitude of this evil.-from The Iguala 43On the night of September 26th, 2014, policemen attack…ed a group of student protestors in the Mexican town of Iguala. Forty-three of these students were then kidnapped and turned over to criminals who allegedly tortured and murdered them, and then burned their corpses. The families of the victims refused to accept the official story, which placed all blame on local actors and absolved the federal government of any culpability. The anger provoked by this atrocity, one of the most barbaric acts in recent times, divided Mexican society in two: on one side were those who unwaveringly supported the cause of the students and on the other those who accepted the government's "historic truth."Written in memory of the forty-three students, this well-researched and powerfully argued book uncovers the agents, causes, and factors responsible for this unspeakable crime. It offers an interpretation of these events that goes beyond the artificial opposition between good and evil, between rulers and insurgents, and tries instead to understand the cruelty that normalizes atrocity.Gonzalez Rodriguez warns us that "this story has been repeated around the world, but we refuse to see it. If anyone doubts or denies this, then I challenge them to finish this book. When faced with the acceptance of horror, we must recover our lucidity and exercise our freedom to transform this tragic reality." A well-researched and powerfully argued account of the disappearance of forty-three students and an analysis of the cruelty that normalizes atrocity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Baudrillard's unsettling coda: previously unpublished texts written just before the visionary theorist's death in 2007.History that repeats itself turns to farce. But a farce that repeats itself ends up making a history.-from The Agony of PowerIn these previously unpublished manuscripts wri…tten just before his death in 2007, Jean Baudrillard takes a last crack at the bewildering situation currently facing us as we exit the system of "domination" (based on alienation, revolt, revolution) and enter a world of generalized "hegemony" in which everyone becomes both hostage and accomplice of the global market. But in the free-form market of political and sexual liberation, as the possibility of revolution (and our understanding of it) dissipates, Baudrillard sees the hegemonic process as only beginning. Once expelled, negativity returns from within ourselves as an antagonistic force-most vividly in the phenomenon of terrorism, but also as irony, mockery, and the symbolic liquidation of all human values. This is the dimension of hegemony marked by an unbridled circulation-of capital, goods, information, or manufactured history-that is bringing the very concept of exchange to an end and pushing capital beyond its limits: to the point at which it destroys the conditions of its own existence. In the system of hegemony, the alienated, the oppressed, and the colonized find themselves on the side of the system that holds them hostage. In this paradoxical moment in which history has turned to farce, domination itself may appear to have been a lesser evil.This book gathers together three essays-"From Domination to Hegemony," "The White Terror of World Order," and "Where Good Grows"-and a 2005 interview with Baudrillard by Sylv re Lotringer. Semiotext(e) launched Baudrillard into English back in the early 1980s; now, as our media and information infested "ultra-reality" finally catches up with his theory, Semiotext(e) offers The Agony of Power, Baudrillard's unsettling coda. Baudrillard's unsettling coda: previously unpublished texts written just before the visionary theorist's death in 2007. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A call to arms by a group of French intellectuals that rejects leftist reform and aligns itself with younger, wilder forms of resistance.Thirty years of "crisis," mass unemployment, and flagging growth, and they still want us to believe in the economy. We have to see that the economy is its…elf the crisis. It's not that there's not enough work, it's that there is too much of it. The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord-and with comparable elegance-it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as "the name given to a collective voice bent on denouncing contemporary cynicism and reality." The Coming Insurrection is a strategic prescription for an emergent war-machine capable of "spreading anarchy and live communism." Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the "war on terror." Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized life forms. It is a philosophical statement that addresses the growing number of those-in France, in the United States, and elsewhere-who refuse the idea that theory, politics, and life are separate realms. A call to arms by a group of French intellectuals that rejects leftist reform and aligns itself with younger, wilder forms of resistance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? The chronicle of an obsessive love.In the middle of the night between the 25th and 26th of November, Vincent fell from the third floor playing parachute with a bathrobe. He drank a liter of tequila, smoked Congolese gras…s, snorted cocaine.-from Crazy for VincentCrazy for Vincent begins with the death of the figure it fixates upon: Vincent, a skateboarding, drug-addled, delicate "monster" of a boy in whom the narrator finds a most sublime beauty. By turns tender and violent, Vincent drops in and out of French writer and photographer Herve Guibert's life over the span of six years (from 1982, when he first met Vincent as a fifteen-year-old teenager, to 1988). After Vincent's senseless death, the narrator embarks on a reconnaissance writing mission to retrieve the Vincent that had entered, elevated, and emotionally eviscerated his life, working chronologically backward from the death that opens the text. Assembling Vincent's fragmentary appearances in his journal, the author seeks to understand what Vincent's presence in his life had been: a passion? a love? an erotic obsession? or an authorial invention? A parallel inquiry could be made into the book that results: Is it diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? Crazy for Vincent is a text the very nature of which is as untethered as desire itself. Diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? The chronicle of an obsessive love. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. How the work of Israeli writers today reflects the foundation myths of a Jewish state.The idea of the Jewish nation was conceived before the organization of the Zionist movement in the nineteenth century and continued long after the creation of the state of Israel. In The Words and the Land…, post-Zionist Israeli historian Shlomo Sand examines how both Jewish and Israeli intellectuals contributed to this process. One by one, he identifies and calls into question the foundation myths of the Israeli state, beginning with the myth of a people forcibly uprooted, a people-race that began to wander the world in search of a land of asylum. This was a people that would define itself on a biological and "mythological-religious" basis, embodied in words that today feed Israeli political, literary, and historical writing: "exile," "return," and "ascent" (Alyah) to the land of its origins.Since 1948, most intellectuals in Israel have continued to accept this ethno-national image and embrace an exclusive state identity to which only Jewish people can belong. The first challenges to this dominant idea didn't appear in Israel until the 1980s, in the innovative work of the "post-Zionist" historians, who were bent on dismantling the nationalist historical myth and arguing for a state that would belong equally to all its citizens. Analyzing how Israeli intellectuals positioned themselves during the Gulf War and in the new era of communication technologies, Sand extends his analysis globally, looking at the status of intellectuals in all societies. How the work of Israeli writers today reflects the foundation myths of a Jewish state. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless. Includes Adele Bertei, Holly Hughes, Sapphire, Laurie Weeks, and many more.Borrowing its name from the notorious '60s Ed Sanders magazine, Fuck You- A Magazine of the Arts, the e…ditors have figured a way to rehone its countercultural and frictional stance with style and aplomb. A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless. Includes Adele Bertei, Holly Hughes, Sapphire, Laurie Weeks, and many more. Borrowing its name from the notorious '60s Ed Sanders magazine, Fuck You: A Magazine of the Arts, the editors have figured a way to rehone its countercultural and frictional stance with style and aplomb. A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless. Includes Adele Bertei, Holly Hughes, Sapphire, Laurie Weeks, and many more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Sharp, acerbic, and humorous writings that approach psychoanalysis and celebrity on a first-name basis, with subjects that range from Oprah Winfrey to William Eggleston.As any good magician or psychoanalyst knows, it's the deliberate chalking of a particular square that allows for the disco…very of personal order and private mythology.-from The Irresponsible MagicianSharp, acerbic, and often humorous, Rebekah Rutkoff's writings about contemporary culture reflect the present in ways reminiscent of Renata Adler's and Joan Didion's writings about urban life in the late twentieth century. Moving freely between fact and fiction, utilizing imaginary interviews, accidental stories, and critical essays, The Irresponsible Magician approaches psychoanalysis and celebrity on a first-name basis. Writing about cultural figures as diverse as Oprah Winfrey, Michel Auder, the Kennedy women, William Eggleston, Gregory Markopoulos, and Hilda Doolittle, Rutkoff interprets protagonists as if they were figures in a dream. Navigating a world of painting, cable television, video art, avant-garde film, memories, or Rutkoff's own photographs, these texts read images like tea leaves, opening up a space in which shadows speak more eloquently than symbols or signs. Sharp, acerbic, and humorous writings that approach psychoanalysis and celebrity on a first-name basis, with subjects that range from Oprah Winfrey to William Eggleston. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A manifesto against the concepts of growth and debt, and a call for a reinvestment in the social body.The Uprising is an Autonomist manifesto for today's precarious times, and a rallying cry in the face of the catastrophic and irreversible crisis that neoliberalism and the financial sphere…have established over the globe. In his newest book, Franco "Bifo" Berardi argues that the notion of economic recovery is complete mythology. The coming years will inevitably see new surges of protest and violence, but the old models of resistance no longer apply. Society can either stick with the prescriptions and "rescues" that the economic and financial sectors have demanded at the expense of social happiness, culture, and the public good; or it can formulate an alternative. For Berardi, this alternative lies in understanding the current crisis as something more fundamental than an economic crisis- it is a crisis of the social imagination, and demands a new language by which to address it.This is a manifesto against the idea of growth, and against the concept of debt, the financial sector's two primary linguistic means of manipulating society. It is a call for exhaustion, and for resistance to the cult of energy on which today's economic free-floating market depends. To this end, Berardi introduces an unexpected linguistic political weapon-poetry- poetry as the insolvency of language, as the sensuous birth of meaning and desire, as that which cannot be reduced to information and exchanged like currency. If the protests now stirring about the world are to take shape and direction, then the revolution will be neither peaceful nor violent-it will be linguistic, or will not be at all. A manifesto against the concepts of growth and debt, and a call for a reinvestment in the social body. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A focused exploration of Baudrillard's understanding and use of alterity and "otherness," a crucial theme that appears and reappears throughout his work as a whole.Alterity is in danger. It is a masterpiece in peril, an object lost or missing from our system, from the system of artificial i…ntelligence and the system of communication in general.-from Radical AlterityWhere is the Other today? Can Otherness challenge our arrogant, insular cultural narcissism? From artificial intelligence to the streets of Venice, from early explorers to contemporary photographers, Jean Baudrillard and Marc Guillaume discuss the traces of radical alterity in our world. These provocative seminars, held in 1990 and 1991, follow the multiple, intertwined trajectories first projected in Baudrillard's work and his reading of the "radical exoticism" posited by Victor Segalen-ideas Baudrillard extends into the realms of mass media, pseudonyms, technology, and that illusorily close yet radically foreign "primitive society of the future," America. In a world where no corner is unexplored, the Other remains a challenge to thought, a crack in the shell of universal understanding, impossible to communicate but potentially the linchpin of communication itself. Together, Baudrillard and Guillaume explore the threatened and fatal figures of radical alterity. This collection is no longer available in French, and this English edition includes an additional essay by Baudrillard, "Because Illusion and Reality Are Not Opposed." A focused exploration of Baudrillard's understanding and use of alterity and otherness, a crucial theme that appears and reappears throughout his work as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A new political critique from the authors of The Coming Insurrection, calling for a "destituent process" of outright refusal and utter indifference to government.Now is the phantom chapter to the Invisible Committee's previous book, To Our Friends- a new critique from the anonymous collecti…ve that establishes their opposition to the world of capital and its law of labor, addresses current anti-terrorist rhetoric and the ferocious repression that comes with it, and clarifies the end of social democracy and the growing rumors of the need for a coming "civil war." Now emerges at a time when the Invisible Committee's contestation has found echoes throughout the West, with a collapse of trust in the police, an inept weariness on the part of the political system, a growing urgency for opposition, a return of the theme of the Commune, a vanishing distinction between radicals and citizens, and a widespread refusal on the part of the citizen to be governed. As farcical political elections continue to unfold worldwide like a line of tumbling dominoes, and governments increasingly struggle to reclaim a legitimacy that has already slipped out of their grasp, Now clarifies the Invisible Committee's attitude toward all such elections and their outcome- one of utter indifference. Now proposes a "destituent process" that charts out a different path to be taken, a path of outright refusal that simply ignores elections altogether. It is a path that calls for taking over the world and not taking power, for exploring new forms of life and not a new constitution, and for desertion and silence as alternatives to proclamations and crashes. It is also a call for an unprecedented communism-a communism stronger than nation and country. A new political critique from the authors of The Coming Insurrection, calling for a destituent process of outright refusal and utter indifference to government. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A young woman's fabulist search for her long-lost twin brother overturns all notions of motherhood, magic realism, and miscegenation. as I poured my father's ashes into a big Ziploc bag, a little of my blood dripped in. I thought about how each cell has all of you fully inscribed in it, so…that if I left those drops in there, it would be as if I were already dead too. I plunged in then, to try and get myself out, but it was all so sticky that I had to give up; when I pulled out my hand, parts of my father were stuck all over it.-from Twin Time Witty, sarcastic, and sensuous, Twin Time: or, how death befell me tells the story of Mona, who, upon her father's death in Los Angeles, decides to set off in search of her long-lost twin brother, given away as an infant. With her father's ashes as a guide of dubious reliability, Mona embarks upon a quest that takes her into a forest where she's confronted by-among other beings-a band of Nordic men, her Chinese doppelganger, a lascivious giant, and a pack of feral children. Along the way Mona recounts her parents' past as she imagines it, a romantic tale of love and rescue set in a fabulist, idealized Mexico-a dreamy place that only vaguely resembles the harsh quotidian realities of the 1960s Mexico City her parents inhabited. When Mona finds her brother at last, she learns that he grew up in London with their mother-who had supposedly (or so Mona had been told) died in childbirth-and her parents' story is thrown into further disarray. By the end of the journey, all Mona's received ideas of home, motherhood, magic realism, and miscegenation have been overturned.Veronica Gonzalez is the coeditor of Juncture: 25 Very Good Stories and 12 Excellent Drawings and the founder of rockypoint Press, a series of artist-writer collaborations produced in association with 1301PE Gallery. Twin Time is her first novel. A young woman's fabulist search for her long-lost twin brother overturns all notions of motherhood, magic realism, and miscegenation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A tale of ambivalent friendship and obsession with a fashionable drifter named Nicola in the fashionable city named Milan.It was the lies he told that reminded me of that past of mine that I hadn't encountered in a while. He was telling me the kinds of lies where the teller implies that thi…ngs that have only happened to him once are long-running habits. Things about too much whiskey, Celine and De Sade, eating alone in expensive Japanese restaurants, knowing nobody (this last fact he would continue to repeat in later meetings, it seeming more barbarously unreal each time).-from Nicola, MilanVaguely employed as a brand strategist in a B-version of the Italian Glamour export economy, the twenty-five-year-old unnamed narrator of Nicola, Milan is an international loner, watch checker, tip leaver, shit-talker, drifting from bar to airport lounge, taxi to hotel foyer, drunk and caffeinated at the same time, trying to explain to you the finer points of how to pitch an idea of Italy to Americans.But when he meets the slightly older, richer, and worldlier Nicola, he becomes fascinated with him, seeing Nicola as a transcendental exemplar of the international-creative class culture he both envies and loathes. As the narrator stalks Nicola through the streets of Milan and its outskirts, what began as a casual friendship develops into an obsessive attachment, a crisis of identity connecting two hustlers, and a struggle against the quiet oblivion usually hidden by the web of tics and affectations that constitute a personality.Combining a Houellebecq-like sense of the psychic malaise beneath the surface of contemporary cultural life with the dispassionate voice of a police report, Nicola, Milan tells a story of perverse, asexual frenzy emptying out into the void. A tale of ambivalent friendship and obsession with a fashionable drifter named Nicola in the fashionable city named Milan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In Where Art Belongs, Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of… visual art. In four interlinked essays, Kraus expands the argument begun in her earlier book Video Green that "the art world is interesting only insofar as it reflects the larger world outside it." Moving from New York to Berlin to Los Angeles to the Pueblo Nuevo barrio of Mexicali, Kraus addresses such subjects as the ubiquity of video, the legacy of the 1960s Amsterdam underground newspaper Suck, and the activities of the New York art collective Bernadette Corporation. She examines the uses of boredom, poetry, privatized prisons, community art, corporate philanthropy, vertically integrated manufacturing, and discarded utopias, revealing the surprising persistence of microcultures within the matrix. Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, Where Art Belongs describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all its faults, Kraus argues, the art world remains the last frontier for the desire to live differently. Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Activists explore the possibility that a new practice of communism may emerge from the end of society as we know it.Society no longer exists, at least in the sense of a differentiated whole. There is only a tangle of norms and mechanisms through which THEY hold together the scattered tatter…s of the global biopolitical fabric, through which THEY prevent its violent disintegration. Empire is the administrator of this desolation, the supreme manager of a process of listless implosion.-from Introduction to Civil War Society is not in crisis, society is at an end. The things we used to take for granted have all been vaporized. Politics was one of these things, a Greek invention that condenses around an equation- to hold a position means to take sides, and to take sides means to unleash civil war. Civil war, position, sides-these were all one word in the Greek- stasis. If the history of the modern state in all its forms-absolute, liberal, welfare-has been the continuous attempt to ward off this stasis, the great novelty of contemporary imperial power is its embrace of civil war as a technique of governance and disorder as a means of maintaining control. Where the modern state was founded on the institution of the law and its constellation of divisions, exclusions, and repressions, imperial power has replaced them with a network of norms and apparatuses that conspire in the production of the biopolitical citizens of Empire. In their first book available in English, Tiqqun explores the possibility of a new practice of communism, finding a foundation for an ontology of the common in the politics of friendship and the free play of forms-of-life. They see the ruins of society as the ideal setting for the construction of the community to come. In other words- the situation is excellent. Now is not the time to lose courage. Activists explore the possibility that a new practice of communism may emerge from the end of society as we know it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Autonomedia, New York, 2018
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Paperback. Condizione: new. Paperback. Essays on the contemporary continuum of incarceration- the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, and algorithmic policing.What we see happening in Ferguson and other cities around the country is not the creation of livable spaces,…but the creation of living hells. When people are trapped in a cycle of debt it also can affect their subjectivity and how they temporally inhabit the world by making it difficult for them to imagine and plan for the future. What psychic toll does this have on residents? How does it feel to be routinely dehumanized and exploited by the police?-from Carceral CapitalismIn this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible.Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques- financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Essays on the contemporary continuum of incarceration: the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, and algorithmic policing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. The tempestuous email correspondence between Kathy Acker and McKenzie Wark, shimmering with insight, gossip, sex, and cultural commentary."Why am I telling you all this? Partly 'cause the whole queerness/identity thing for me stretches through everything, absolutely everything. Slipping bet…ween straight/gay is child's play compared to slipping between writer/teacher/influence-peddler whatever. I forget who I am. You reminded me of who I prefer to be." M.W."It's two in the morning. I know what you mean about slipping roles- I love it, going high low, power helpless even captive, male female, all over the place, space totally together and brain-sharp, if it wasn't for play I'd be bored stiff and I think boredom is the emotion I find most unbearable. " KA-from I'm Very into YouAfter Kathy Acker met McKenzie Wark on a trip to Australia in 1995, they had a brief fling and immediately began a heated two-week email correspondence. Their emails shimmer with insight, gossip, sex, and cultural commentary. They write in a frenzy, several times a day; their emails cross somewhere over the International Date Line, and themselves become a site of analysis. What results is an index of how two brilliant and idiosyncratic writers might go about a courtship across 7,500 miles of airspace-by pulling in Alfred Hitchcock, stuffed animals, Georges Bataille, Elvis Presley, phenomenology, Marxism, The X-files, psychoanalysis, and the I Ching.Their corresepondence is a Plato's Symposium for the twenty-first century, but written for queers, transsexuals, nerds, and book geeks. I'm Very Into You is a text of incipience, a text of beginnings, and a set of notes on the short, shared passage of two iconic individuals of our time. The tempestuous email correspondence between Kathy Acker and McKenzie Wark, shimmering with insight, gossip, sex, and cultural commentary. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A new and radical reexamination of today's neoliberalist "new economy" through the political lens of the debtor/creditor relation."The debtor-creditor relation, which is at the heart of this book, sharpens mechanisms of exploitation and domination indiscriminately, since, in it, there is no… distinction between workers and the unemployed, consumers and producers, working and non-working populations, between retirees and welfare recipients. They are all 'debtors,' guilty and responsible in the eyes of capital, which has become the Great, the Universal, Creditor."-from The Making of the Indebted ManDebt-both public debt and private debt-has become a major concern of economic and political leaders. In The Making of the Indebted Man, Maurizio Lazzarato shows that, far from being a threat to the capitalist economy, debt lies at the very core of the neoliberal project. Through a reading of Karl Marx's lesser-known youthful writings on John Mill, and a rereading of writings by Friedrich Nietzsche, Gilles Deleuze, Felix Guattari, and Michel Foucault, Lazzarato demonstrates that debt is above all a political construction, and that the creditor/debtor relation is the fundamental social relation of Western societies.Debt cannot be reduced to a simple economic mechanism, for it is also a technique of "public safety" through which individual and collective subjectivities are governed and controlled. Its aim is to minimize the uncertainty of the time and behavior of the governed. We are forever sinking further into debt to the State, to private insurance, and, on a more general level, to corporations. To insure that we honor our debts, we are at once encouraged and compelled to become the "entrepreneurs" of our lives, of our "human capital." In this way, our entire material, psychological, and affective horizon is upended and reconfigured.How do we extricate ourselves from this impossible situation? How do we escape the neoliberal condition of the indebted man? Lazzarato argues that we will have to recognize that there is no simple technical, economic, or financial solution. We must instead radically challenge the fundamental social relation structuring capitalism- the system of debt.A new and radical reexamination of today's neoliberalist "new economy" through the political lens of the debtor/creditor relation."The debtor-creditor relation, which is at the heart of this book, sharpens mechanisms of exploitation and domination indiscriminately, since, in it, there is no distinction between workers and the unemployed, consumers and producers, working and non-working populations, between retirees and welfare recipients. They are all 'debtors,' guilty and responsible in the eyes of capital, which has become the Great, the Universal, Creditor."-from The Making of the Indebted ManDebt-both public debt and private debt-has become a major concern of economic and political leaders. In The Making of the Indebted Man, Maurizio Lazzarato shows that, far from being a threat to the capitalist economy, debt lies at the very core of the neoliberal project. Through a reading of Karl Marx's lesser-known youthful writings on John Mill, and a rereading of writings by Friedrich Nietzsche, Gilles Deleuze, Felix Guattari, and Michel Foucault, Lazzarato demonstrates that debt is above all a political construction, and that the creditor/debtor relation is the fundamental social relation of Western societies.Debt cannot be reduced to a simple economic mechanism, for it is also a technique of "public safety" through which individual and collective subjectivities are governed and controlled. Its aim is to minimize the uncertainty of the time and behavior of the governed. We are forever sinking further into debt to the State, to private insurance, and, on a more general level, to corporations. To insure that we honor our debts, we are at once encouraged and comp Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Cutting-edge theorist Jean Baudrillard on the complicitous dance of art, politics, economics, and media; includes "War Porn," on Abu Ghraib as a new genre of reality TV.The images from Abu Ghraib are as murderous for America as those of the World Trade Center in flames. The whole West is co…ntained in the burst of sadistic laughter of the American soldiers, as it is behind the construction of the Israeli wall. This is where the truth of these images lies. Truth, but not veracity. As virtual as the war itself, their specific violence adds to the specific violence of the war. In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylv re Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought. Cutting-edge theorist Jean Baudrillard on the complicitous dance of art, politics, economics, and media; includes "War Porn," on Abu Ghraib as a new genre of reality TV. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
