Barry johnston sculptor (37 risultati)

Condizione: New.

Condizione: New.

Condizione: New.

hardcover. Condizione: Very Good.

Condizione: New.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. Synopsis: Today, moderns have a limited understanding of core values. Many doubt truth exists, even if revealed by science. Our identity is overwhelmed by a dependency on mass means and methods. We inherently fear manipulation by mass influences but commonly perceive value judgments as dogmas and fanatical. While bombarded with commercial influences, personal values or moral beliefs are often shunned or ignored. The exact opposite occurred during the Renaissance. America, for a hundred and fifty years, ever since the Civil War, has avoided internal disaster while increasingly and naively perching on the precipice of the mounting national debt. So, as core values express our humanity and provide resilience, our art should imbue human warmth and foster inner strength and encourage stability. But any measure of truth must be consistent and durable, not propagated by mass commercial or political dogmas, but revealing insights, revelations, and rebirth, a renaissance, into the nature of truth.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: new. Paperback. Synopsis: The Book of Job is relevant to this third trilogy book, Harvest, because dialogue, even if antagonistic, is part of the growth process and matures us out of our problems and into an awareness of broader concerns. The pitfall to writing an autobiography is retaining perspective. Too easily, the writer can slip into self-flattery and lose objectivity. Carl Yung chose the Book of Job to draw his patients out of their self-absorption into full maturity as responsible adults. For psychological healing to occur through therapeutics, Sigmund Fraud's dream analysis encouraged revelation but also self-absorption. Fraud and Yung worked together. Their parting was over the relationship between a mother and son.Fraud averred the maternal relationship centered around the incestuous Oedipus Complex. Yung said the connection is spiritual. First, of course, to achieve healing, we must dig deep into our past and identify issues that contribute to our psychological makeup. That is self-absorbing. However, complete emotional and psychological healing happens when we put our psychological issues behind us. We become well when we grow out of dwelling on our past and take responsibility for who we are in the present.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Synopsis: Today, moderns have a limited understanding of core values. Many doubt truth exists, even if revealed by science. Our identity is overwhelmed by a dependency on mass means and methods. We inherently fear manipulation by mass influences but commonly perceive value judgments as dogmas and fanatical. While bombarded with commercial influences, personal values or moral beliefs are often shunned or ignored. The exact opposite occurred during the Renaissance. America, for a hundred and fifty years, ever since the Civil War, has avoided internal disaster while increasingly and naïvely perching on the precipice of the mounting national debt. So, as core values express our humanity and provide resilience, our art should imbue human warmth and foster inner strength and encourage stability. But any measure of truth must be consistent and durable, not propagated by mass commercial or political dogmas, but revealing insights, revelations, and rebirth, a renaissance, into the nature of truth.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others.…

Paperback. Condizione: new. Paperback. Synopsis: The Seed journeys into the deepest heart and soul of one artist, facing the massive paranoia of injustice, economic free-fall, unimaginable chaos, and unsurvivable global war. New towers of Babel eclipse the culture and spirituality of the everyday everyman into depravity and dysfunction. But like his colossal Shakespearean portraits poised on the precipice of cataclysmic conquest, the towers crumble in Johnston's modest belief that truth and justice will prevail. By giving his subjects the dignity of art, Johnston advocates for the clarity and wonder of hand-tooled sculpture, the timeless industry of a master artist working in his studio by hand, on a human scale. He sows within himself and his spectators a yearning for the universal human value of labor, the work of art, the dignity of labor, and labor as art.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Synopsis: The Book of Job is relevant to this third trilogy book, Harvest, because dialogue, even if antagonistic, is part of the growth process and matures us out of our problems and into an awareness of broader concerns. The pitfall to writing an autobiography is retaining perspective. Too easily, the writer can slip into self-flattery and lose objectivity. Carl Yung chose the Book of Job to draw his patients out of their self-absorption into full maturity as responsible adults. For psychological healing to occur through therapeutics, Sigmund Fraud's dream analysis encouraged revelation but also self-absorption. Fraud and Yung worked together. Their parting was over the relationship between a mother and son.Fraud averred the maternal relationship centered around the incestuous Oedipus Complex. Yung said the connection is spiritual. First, of course, to achieve healing, we must dig deep into our past and identify issues that contribute to our psychological makeup. That is self-absorbing. However, complete emotional and psychological healing happens when we put our psychological issues behind us. We become well when we grow out of dwelling on our past and take responsibility for who we are in the present.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering.

Hardcover. Condizione: new. Hardcover. Synopsis: Today, moderns have a limited understanding of core values. Many doubt truth exists, even if revealed by science. Our identity is overwhelmed by a dependency on mass means and methods. We inherently fear manipulation by mass influences but commonly perceive value judgments as dogmas and fanatical. While bombarded with commercial influences, personal values or moral beliefs are often shunned or ignored. The exact opposite occurred during the Renaissance. America, for a hundred and fifty years, ever since the Civil War, has avoided internal disaster while increasingly and naively perching on the precipice of the mounting national debt. So, as core values express our humanity and provide resilience, our art should imbue human warmth and foster inner strength and encourage stability. But any measure of truth must be consistent and durable, not propagated by mass commercial or political dogmas, but revealing insights, revelations, and rebirth, a renaissance, into the nature of truth.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Synopsis: The Seed journeys into the deepest heart and soul of one artist, facing the massive paranoia of injustice, economic free-fall, unimaginable chaos, and unsurvivable global war. New towers of Babel eclipse the culture and spirituality of the everyday everyman into depravity and dysfunction. But like his colossal Shakespearean portraits poised on the precipice of cataclysmic conquest, the towers crumble in Johnston's modest belief that truth and justice will prevail. By giving his subjects the dignity of art, Johnston advocates for the clarity and wonder of hand-tooled sculpture, the timeless industry of a master artist working in his studio by hand, on a human scale. He sows within himself and his spectators a yearning for the universal human value of labor, the work of art, the dignity of labor, and labor as art.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Synopsis: The Book of Job is relevant to this third trilogy book, Harvest, because dialogue, even if antagonistic, is part of the growth process and matures us out of our problems and into an awareness of broader concerns. The pitfall to writing an autobiography is retaining perspective. Too easily, the writer can slip into self-flattery and lose objectivity. Carl Yung chose the Book of Job to draw his patients out of their self-absorption into full maturity as responsible adults. For psychological healing to occur through therapeutics, Sigmund Fraud's dream analysis encouraged revelation but also self-absorption. Fraud and Yung worked together. Their parting was over the relationship between a mother and son.Fraud averred the maternal relationship centered around the incestuous Oedipus Complex. Yung said the connection is spiritual. First, of course, to achieve healing, we must dig deep into our past and identify issues that contribute to our psychological makeup. That is self-absorbing. However, complete emotional and psychological healing happens when we put our psychological issues behind us. We become well when we grow out of dwelling on our past and take responsibility for who we are in the present.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Synopsis: Today, moderns have a limited understanding of core values. Many doubt truth exists, even if revealed by science. Our identity is overwhelmed by a dependency on mass means and methods. We inherently fear manipulation by mass influences but commonly perceive value judgments as dogmas and fanatical. While bombarded with commercial influences, personal values or moral beliefs are often shunned or ignored. The exact opposite occurred during the Renaissance. America, for a hundred and fifty years, ever since the Civil War, has avoided internal disaster while increasingly and naïvely perching on the precipice of the mounting national debt. So, as core values express our humanity and provide resilience, our art should imbue human warmth and foster inner strength and encourage stability. But any measure of truth must be consistent and durable, not propagated by mass commercial or political dogmas, but revealing insights, revelations, and rebirth, a renaissance, into the nature of truth.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity, movement, and humanity, my designs are derived from abstract forms symbolically embodying the overall vision. I break down my sculptural visions into the most fundamental abstract shapes-circles, triangles, and squares, allowing those images to emerge as found in nature. I then integrate that abstraction into a realistic statement, seeking to stir universal feelings in others.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Synopsis: The Seed journeys into the deepest heart and soul of one artist, facing the massive paranoia of injustice, economic free-fall, unimaginable chaos, and unsurvivable global war. New towers of Babel eclipse the culture and spirituality of the everyday everyman into depravity and dysfunction. But like his colossal Shakespearean portraits poised on the precipice of cataclysmic conquest, the towers crumble in Johnston's modest belief that truth and justice will prevail. By giving his subjects the dignity of art, Johnston advocates for the clarity and wonder of hand-tooled sculpture, the timeless industry of a master artist working in his studio by hand, on a human scale. He sows within himself and his spectators a yearning for the universal human value of labor, the work of art, the dignity of labor, and labor as art.Autobiography: After graduating in architecture from Georgia Institute of Technology, studying at the Pennsylvania Academy of Fine Arts and National Academy of Design, and serving in Vietnam in 1968 as a Combat Artist, I pursued European methods of art and architecture, living in Florence, Italy, between 1970 and 1972 and in Pietrasanta, Italy, at the Tommasi Foundry between 1985 to 1988. I established a studio in Washington, D.C. for seventeen years, and finally settled into my present studio in Baltimore, MD. As a practicing sculptor for over fifty years and an architectural designer, my primary focus has been on humanity. My sculptures are light and lively while complimenting their architectural setting. I seek to visualise fundamental emotions in three dimensions and breathe life into them. While adding levity,&nbsp.…