Berghahn books us (Oltre 1800 risultati)

Condizione: Very Good. Condizione sovraccoperta: Very Good. 425 pages. Clean, unmarked copy with only minor wear to dust jacket. Record # 464338.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 388 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Record # 464342.

Paperback. Condizione: New. Margaret Mead collaborated with her long-time colleague Rhoda Métraux in this unique study of French culture. The Hoover Institute at Stanford University originally published this volume, which grew out of the Columbia University project on Research of Contemporary Cultures in 1954. It is one of the few works by American social scientists dealing with broad themes of French life.Mead and Métraux present a vivid picture of the French starting with the organization of the house and its architecture, and drawing original conclusions for the structure of French families and overall cultural values. This work, long out of print, is a fascinating and penetrating portrait of a contemporary European society.…

Paperback. Condizione: New. Margaret Mead wrote this comprehensive sketch of the culture of the United States - the first since de Tocqueville - in 1942 at the beginnning of the Second World War, when Americans were confronted by foreign powers from both Europe and Asia in a particularly challenging manner. Mead's work became an instant classic. It was required reading for anthropology students for nearly two decades, and was widely translated. It was revised and expanded in 1965 for a second generation of readers. Among the more controversial conclusions of her analysis are the denial of class as a motivating force in American culture, and her contention that culture is the primary determinant for individual character formation. Her process remains lucid, vivid, and arresting. As a classic study of a complex western society, it remains a monument to anthropological analysis.…

Paperback. Condizione: New. Few anthropologists today realize the pioneering role Margaret Mead played in the investigation of contemporary cultures. This volume collects and presents a variety of her essays on research methodology relating to contemporary culture. Many of these essays were printed originally in limited circulation journals, research reports and books edited by others. They reflect Mead's continuing commitment to searching out methods for studying and extending the anthropologist's tools of investigation for use in complex societies. Essays on American and European societies, intergenerational relations, architecture and social space, industrialization, and interracial relations are included in this varied and exciting collection.…

Paperback. Condizione: New. This volume brings together two classic works on the culture of the Russian people which have been long out of print. Gorer's Great Russian Culture and Mead's Soviet Attitudes towards Authority: An Interdisciplinary Approach to Problems of Soviet Character were among the first attempts by anthropologists to analyze Russian society.They were influential both for several generations of anthropologists and in shaping American governmental attitudes toward the Soviet Union during the Cold War period. Additionally they offer fascinating insights into the early anthropological use of psychological data to analyze cultural patterns. Read as part of the history of the anthropology of complex contemporary societies, they are as fascinating for their more questionable conclusions as for their accurate characterizations of Russian life.…

Paperback. Condizione: New. Born in the first year of the 20th century, it is fitting that Margaret Mead should have been one of the first anthropologists to use anthropological analysis to study the future course of human civilization. This volume collects, for the first time, her writings on the future of humanity and how humans can shape that future through purposeful action. For Mead, the study of the future was born out of her lifelong interest in processes of change. Many of these papers were originally published as conference proceedings or in limited-circulation journals, testimony before government bodies and chapters in works edited by others. They show Mead's wisdom, prescience and concern for the future of humanity.…

Condizione: Very Good. Condizione sovraccoperta: Very Good. 481 pages, Light edgewear to dust jacket, else a clean, tight copy. Record # 464343.

Paperback. Condizione: New. While the Cabinet of Dr. Caligari became an international film classic, its director, Robert Wiene, was disparaged and even forgotten. Wiene's oeuvre, however, exhibits a surprising versatility and quality, featuring Raskolnikov, an expressionist adaptation of Dostoevsky's novel, INRI, a monumental Bible epic, Orlac's Hands, a psychological thriller, and Der Rosenkavalier, an ambitious opera film. His last film, Ultimatum(1938), is a vehement warning of approaching war, which remains relevant today. With painstaking research of the major European film archives, the author's detailed portrait reveals a career far more differentiated than hitherto acknowledged. Caligar/i - though rated the second most important film in German film history in a recent critic's and scholar's poll - was a landmark rather than a culmination in a career that successfully oscillated between artistic and commercial interests.As the field of film studies rediscovers film history and the value of historical context for the analysis of individual films, monographs on filmmakers are increasingly valuable to scholars and students of both film history and cultural studies. Through the provocative and prolific career of Robert Wiene, a wider, more dynamic view of fantasy production in the Weimar Republic is revealed, enabling the reader to better appreciate the complex shapes of Weimar cinema, its inimitable blend of modernism and mass culture, of avant-garde enterprie, and generic production.…

Paperback. Condizione: New. The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian régimes to this day.…

Paperback. Condizione: New. The importance of contemporary television broadcasting for the shaping and development of national cultures and identities is increasingly evident. Television as the privileged medium for the dissemination of information and for mass entertainment has irreversibly altered the manner in which nations perceive themselves and each other. This volume explores the multiple and complex ways in which audiovisual developments in two important European states have impacted on the life styles and attitudes of the population at large and its governing elites.This is the first study that is devoted to the highly significant roles played by France and Britain in the formulation of European audiovisual policy and that provides a truly comparative analysis of the contemporary audiovisual scene in the two countries. It consists of four complementary sections: an overview of the audiovisual landscapes in Britain and France; an analysis of television programming; an account of the new cable and satellite media, and an assessment of European audiovisual integration. Overall, this volume offers a constructive contribution to the continuing debate on national and European broadcasting.…

Paperback. Condizione: New. West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema."International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment.International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.…

Paperback. Condizione: New. Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about itDespite the fact that the concept can be traced back to Arnold Toynbee's 1939 edition of A Study of History, or even back into the nineteenth century, its amorphous nature continues to confound many scholars, not least because there are not one but several kinds of postmodernism, each one pointing to different states of questioning and to diverse ways of remembering, interpreting, and representing. This anthology makes a significant contribution to the current debate in that it offers sophisticated and multi-faceted discussions of a number of key issues in relation to cinema such as auteurism, national cinemas, metacinema, the parodic, history, and colonization.…

Paperback. Condizione: New. Western scholars have not lost any of their fascination for East German culture. Cinema in particular continues to attract interest. This volume, the first one in English, traces the development of the main institution, the state-sponsored Deutsche Film Anstalt (DEFA), which was primarily responsible for film production in the former GDR from 1946, ceasing to exist in 1992. Although largely ignored outside the former GDR, the DEFA produced anumber of excellent films and scriptwriters that are examined here for the first time. This volume analyzes the representation of fascism and anti-fascism in the cinema of the 1940s and 1950s, the conflicts between the state and the film-makers of the 1960s, and the social-political criticism in the 1970s and early 1980s. Other key issues that arise from this comprehensive look at DEFA include its representation of women, the concept of "Heimat," the reception of the classical heritage, and the relation of DEFA cinema to other European film traditions.The comprehensive bibliography and a list of research sources on East German cinema make this volume an indispensable tool for students and scholars of the media. …

Paperback. Condizione: New. The United States on the eve of the Second World War was still a society largely isolated from the world. Facing enemies with unfamiliar cultural traditions, the U.S. government turned to anthropologists for insight. The result was a research effort that continued long after the war, aimed, in the words of Margaret Mead, at analyzing the cultural regularities in the characters of individuals who are members of societies that are inaccessible to direct observation. In 1953, Margaret Mead and Rhoda Métraux produced The Study of Culture at a Distance, a compilation of research from this period. This remarkable work, long unavailable, presents a rich and complex methodology for the study of cultures through literature, film, informant interviews, focus groups, and projective techniques. The book also provides fascinating insights into such diverse cultures as China, Thailand, Italy, Syria, France, Germany, Russia, Romania, and Great Britain, and includes some highly original analysis such as that of the Soviet style of chess, a study of Jean Cocteau's classic film La Belle et la Bête, and the cultural interpretations of Rorschach tests administered to Chinese subjects.…

Paperback. Condizione: New. Known as one of the great producers and promoters of the film industry, Eric Pommer had a life-long commitment to German film - despite his emigration in 1933 - and worked in France and Britian, as well as the United States.As German producer, studio executive, and film politician in the pre-Hitler era Erich (later Eric) Pommer (1889-1966), a native of Germany, was an innovator and pioneer, a vital force in leading German cinema to international acclaim with successes such as The Cabinet of Dr Caligari, The Nibelungen and The Blue Angel. As Motion Picture Control Officer of the US Military Government he undertook , from 1946-49, the difficult task of rebuilding West Germany's film industry from the ashes of the Second World War. He succeeded brilliantly, but not without paying the hefty price of becoming embroiled in the turmoil of postwar German politics which made him many friends, but also many enemies. This book is the first detailed account in English of the remarkable career of Pommer who became a legend in his own lifetime.…

Condizione: Very Good. Condizione sovraccoperta: Very Good. 510 pages. Faint stain to dust jacket rear cover, else a clean, tight copy. Record # 464339.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 478 pages. Clean, unmarked copy with only minor wear to dust jacket. Record # 464345.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 446 pages. Light wear to dust jacket spine. Clean, tight copy. Record # 464346.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 448 pages. Light edgewear to dust jacket, else a clean, tight copy. Record # 464347.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 538 pages. Clean, unmarked copy with only minor wear to dust jacket. Record # 464341.

Paperback. Condizione: New. While the Cabinet of Dr. Caligari became an international film classic, its director, Robert Wiene, was disparaged and even forgotten. Wiene's oeuvre, however, exhibits a surprising versatility and quality, featuring Raskolnikov, an expressionist adaptation of Dostoevsky's novel, INRI, a monumental Bible epic, Orlac's Hands, a psychological thriller, and Der Rosenkavalier, an ambitious opera film. His last film, Ultimatum(1938), is a vehement warning of approaching war, which remains relevant today. With painstaking research of the major European film archives, the author's detailed portrait reveals a career far more differentiated than hitherto acknowledged. Caligar/i - though rated the second most important film in German film history in a recent critic's and scholar's poll - was a landmark rather than a culmination in a career that successfully oscillated between artistic and commercial interests.As the field of film studies rediscovers film history and the value of historical context for the analysis of individual films, monographs on filmmakers are increasingly valuable to scholars and students of both film history and cultural studies. Through the provocative and prolific career of Robert Wiene, a wider, more dynamic view of fantasy production in the Weimar Republic is revealed, enabling the reader to better appreciate the complex shapes of Weimar cinema, its inimitable blend of modernism and mass culture, of avant-garde enterprie, and generic production.…

Paperback. Condizione: New. The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian régimes to this day.…

Paperback. Condizione: New. Known as one of the great producers and promoters of the film industry, Eric Pommer had a life-long commitment to German film - despite his emigration in 1933 - and worked in France and Britian, as well as the United States.As German producer, studio executive, and film politician in the pre-Hitler era Erich (later Eric) Pommer (1889-1966), a native of Germany, was an innovator and pioneer, a vital force in leading German cinema to international acclaim with successes such as The Cabinet of Dr Caligari, The Nibelungen and The Blue Angel. As Motion Picture Control Officer of the US Military Government he undertook , from 1946-49, the difficult task of rebuilding West Germany's film industry from the ashes of the Second World War. He succeeded brilliantly, but not without paying the hefty price of becoming embroiled in the turmoil of postwar German politics which made him many friends, but also many enemies. This book is the first detailed account in English of the remarkable career of Pommer who became a legend in his own lifetime.…

Paperback. Condizione: New. The importance of contemporary television broadcasting for the shaping and development of national cultures and identities is increasingly evident. Television as the privileged medium for the dissemination of information and for mass entertainment has irreversibly altered the manner in which nations perceive themselves and each other. This volume explores the multiple and complex ways in which audiovisual developments in two important European states have impacted on the life styles and attitudes of the population at large and its governing elites.This is the first study that is devoted to the highly significant roles played by France and Britain in the formulation of European audiovisual policy and that provides a truly comparative analysis of the contemporary audiovisual scene in the two countries. It consists of four complementary sections: an overview of the audiovisual landscapes in Britain and France; an analysis of television programming; an account of the new cable and satellite media, and an assessment of European audiovisual integration. Overall, this volume offers a constructive contribution to the continuing debate on national and European broadcasting.…

Paperback. Condizione: New. Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kedzierzawska, whose work is examined.…

Paperback. Condizione: New. Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about itDespite the fact that the concept can be traced back to Arnold Toynbee's 1939 edition of A Study of History, or even back into the nineteenth century, its amorphous nature continues to confound many scholars, not least because there are not one but several kinds of postmodernism, each one pointing to different states of questioning and to diverse ways of remembering, interpreting, and representing. This anthology makes a significant contribution to the current debate in that it offers sophisticated and multi-faceted discussions of a number of key issues in relation to cinema such as auteurism, national cinemas, metacinema, the parodic, history, and colonization.…

Paperback. Condizione: New. West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema."International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment.International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.…

Paperback. Condizione: New. Western scholars have not lost any of their fascination for East German culture. Cinema in particular continues to attract interest. This volume, the first one in English, traces the development of the main institution, the state-sponsored Deutsche Film Anstalt (DEFA), which was primarily responsible for film production in the former GDR from 1946, ceasing to exist in 1992. Although largely ignored outside the former GDR, the DEFA produced anumber of excellent films and scriptwriters that are examined here for the first time. This volume analyzes the representation of fascism and anti-fascism in the cinema of the 1940s and 1950s, the conflicts between the state and the film-makers of the 1960s, and the social-political criticism in the 1970s and early 1980s. Other key issues that arise from this comprehensive look at DEFA include its representation of women, the concept of "Heimat," the reception of the classical heritage, and the relation of DEFA cinema to other European film traditions.The comprehensive bibliography and a list of research sources on East German cinema make this volume an indispensable tool for students and scholars of the media. …

Paperback. Condizione: New. Margaret Mead wrote this comprehensive sketch of the culture of the United States - the first since de Tocqueville - in 1942 at the beginnning of the Second World War, when Americans were confronted by foreign powers from both Europe and Asia in a particularly challenging manner. Mead's work became an instant classic. It was required reading for anthropology students for nearly two decades, and was widely translated. It was revised and expanded in 1965 for a second generation of readers. Among the more controversial conclusions of her analysis are the denial of class as a motivating force in American culture, and her contention that culture is the primary determinant for individual character formation. Her process remains lucid, vivid, and arresting. As a classic study of a complex western society, it remains a monument to anthropological analysis.…