Bfi london (461 risultati)

Paperback. Condizione: G+. 87pp. Stickers on spine & rear cover; some highlighting in text. Illus.; endnotes; biblio.

Paperback. Condizione: Good. 132pp. Photos. Light general wear, library bookplate, pocket at back. Size: 8vo - over 7¾" - 9¾" tall.

Trade Paperback. Condizione: Good. Revised Edition. Cover has creasing and some age-darkening. Internally good with only marking being a previous seller's rubber-stamped address on title page. Originally published in 1978, this ed is a 1980 revision. Later editions had other changes. This version has 132 pages.…

Paperback. Condizione: Fine. In excellent condition, No writing or highlighting, book is crisp and clean. inquire for photos or more details. 100% satisfaction guarantee.

Paperback. Condizione: Near Fine. Reprint. 1992, 1997; clean, tight and square, no spine crease, no tears or other creases, text is clean and unmarked, covers and edges very lightly rubbed from shelf wear.

Paperback. Condizione: Good Plus. Has a few pink highlighter marks in the midle of the book. A good plus tight used copy.

Paperback. Condizione: VG-. 138pp. Index, Biblio. Wear and rubbing wraps.

Paperback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condizione: Good. First page corner-clipped; ink mark on bottom edge, else pages clean; binding tight; minor wear to covers. 78 pages. Illustrated. Size: 5.25" x 7.5".

Trade Paperback. Condizione: Very Good. Revised Edition. Very good with some scuffing to covers. No markings. Originally published in 1978, this ed is a 1980 revision. Later editions had other changes. This version has 132 pages.

Paperback. Condizione: Very Good. Pages clean; binding tight; very minor wear to covers. Illustrated. 85 pages. Size: 5.5" x 7.5".

Trade Paperback. Condizione: Very Good. Pale green covers are somewhat age-discolored, otherwise very good. No markings.

Soft cover. Condizione: Near Fine. Reprint. 1995. Reprint. Near Fine paperback book. As new except for a light scratch on front cover. 119pp. (HW).

Softcover. Condizione: Fine Crisp, bright, clean. First Edition. no owners' marks; as new. 442pp incl. index..

Soft cover. Condizione: Good. 1st Edition. Good with scuffing to covers. No markings. A critical study of the German film starring PETER LORRE and directed by FRITZ LANG. This is the first edition, first printing of this 87 page book.

Soft cover. Condizione: Very Good. First Ediition. maringal lines on some pages owner signature ffep. 78pp.

Trade PAPERBACK. Condizione: G/No Dustjacket. London, UK: BFI. G/No Dustjacket. (1989). Trade PAPERBACK. Shelfworn; cracked with loose page, ownership . Black & White Photographs (illustratore).

Paperback. Condizione: Good+. First. 8vo. Wear to spine. Creae to lower front corner. Book.

paperback. Condizione: Very Good. DETAILS: small PAPERBACK, very good, BUT NOTE: ugly black Compilmentary Copy stamp on foredge and inside front cover, endpaper, leaving messy ink stains, text undamaged. MULVEY, LAURA. Citizen Kane. London: British Film Institute, BFI Publishing, 1992, 87pp., . Series: BFI film classics Criticism of Citizen Kane, including historical context. 9780851703398 ISBN 0851703399. …

Paperback. Condizione: Very Good. Pages clean & bright; binding tight; very minor wear to covers. 87 pages. Illustrated in color and b&w. Size: 5.5" x 7.5".

Paperback. Condizione: Fine. 213 pages; 5 7/8 x 9".

softcover. Condizione: Fine copy. 1st. 8vo, 212 pp. Illus. with photos (illustratore).

paperback. Condizione: Very Good. DETAILS: small PAPERBACK, very good. THOMSON, DAVID. The big sleep. London: British Film Institute, BFI Publishing, 1998, reprinted, 73pp., . Series: BFI film classics The Big Sleep: Marlowe and Vivian practising kissing; General Sternwood shivering in a hothouse full of orchids; a screenplay, co-written by Faulkner, famously mysterious and difficult to solve. Released in 1946, Howard Hawks' adaptation of Raymond Chandler reunited Bogart and Bacall and gave them two of their most famous roles. The mercurial but ever-manipulative Hawks dredged humour and happiness out of film noir. 'Give him a story about more murders than anyone can keep up with, or explain, ' David Thomson writes, 'and somehow he made a paradise.'., When it was first shown, to a military audience, The Big Sleep was coldly received. So, as Thomson reveals, Hawks shot extra scenes, 'fun' scenes, to replace one in which the film's murders had been explained, and in so doing left the plot unresolved. If this was accidental, Thomson argues, it also signalled a change in the nature of the Hollywood cinema: 'The Big Sleep inaugurates a postmodern, camp, satirical view of movies being about other movies that extends to the New Wave and Pulp Fiction.'. 9780851706320 ISBN 0851706320.…

Trade Paperback. Condizione: Very Good. 1st Edition. Very good with slightly used (rubbed) covers. Tight and clean. No markings.

Paperback. Condizione: Very good. vi, 377 p. ill. 30 cm. Includes index. ; Reprint.

Trade Paperback. Condizione: Very Good. 271 pp. Book is tightly bound with minimal external wear.

1st ed. Ex school library - stamps, labels, etc.; otherwise VG Used - Acceptable. Ex lib paperback Used - Acceptable. Ex lib paperback.

Paperback. Condizione: Good. Paperback. Covers have some superficial scuffing and scoring. Overall edges, spine ends and corners are lightly bumped and rubbed. Small mark on inside front cover. Contents are sound, clean, clear, in very good condition. BFI Modern Classics series. BW. Used.

small sewn PAPERBACK, very good, attractive copy. ANDREW, GEOFF. 10 (BFI modern classics). London: BFI Publishing, 2005, 87pp., . Series: BFI modern classics The Iranian Abbas Kiarostami burst onto the international film scene in the early 1990s and - as demonstrated by the many major prizes he has won - is now widely regarded as one of the most distinctive and talented modern-day directors. His major features - including Through the Olive Trees (1994), Taste of Cherry (1997) and The Wind Will Carry Us (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a car's dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documentary-like in its style, 10 succeeds both as emotionally affecting human drama and as a critical analysis of everyday life in today's Tehran., In this study, Geoff Andrew looks at 10 within the context of Kiarostami's career, of Iranian cinema's recent renaissance, and of international film culture. Drawing on a number of detailed interviews he conducted with both Kiarostami and his lead actress, Andrew sheds light on the unusual methods used in making the film, on its political relevance, and on its remarkably subtle aesthetic. He also argues that 10 was an important turning-point in the career of a film-maker who is not only one of contemporary cinema's most accomplished practitioners but also one of its most radical experimentalists. - CONTENTS: ntroduction: something small. -- World cinema at the turn of the millennium -- Iranian cinema: a special case -- Abbas Kiarostami: a very special case -- Kiarostami and digital: ABC Africa -- 10 -- A lesson for others -- A lesson for Kiarostami -- Poetry and motion -- Conclusion: the start of something big? ISBN 184457069X.…

Softcover. Condizione: Very Good. Condizione sovraccoperta: N/A. 1st Edition. 354, [4]pp, with occasional black and white illustrations in text. Laminated stiff card covers. 8vo. Covers moderately rubbed at edges, a little scuffed at corners and spine ends, mild reading crease along spine. Internally neat, clean, bright and tight. …