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Paperback. Condizione: New. A helpful road map to a future successful career through life stories shared by a group of distinguished university women, all professors of Pediatrics at the University of Rochester.In this inspiring collection of life stories, distinguished women pediatricians reflect on how following their passion for caring for children has led to satisfying and successful careers in the vibrant, ever-changing arena of academic medicine. While some were challenged by a bias against women physicians, themes of optimism and confidence shine as each tells her story. The career paths of these women are as rich and varied as their diverse backgrounds. Several lead federally funded research teams. One is internationally known as a major figure in the "Back to Breastfeeding" movement of the 1960s. Another partners with engineering faculty to create miniature medical devices for newborns. Some are deeply involved in community and international health issues, while others work at the national level to determine how best to teach Pediatrics to medical students in this era of rapid technological andsocial change. Throughout the stories runs a strong connective thread. These doctors discovered at the University of Rochester an environment where their skills would blossom and where they could create satisfying lives for themselves and their families, while working to improve healthcare for the world's children. The strategies they used to overcome old barriers and meet new challenges make this a useful handbook for those looking for a career in any profession. Nancy Wharton Bolger is a writer and editor associated with the University of Rochester Medical Center.

Paperback. Condizione: New. Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory.Alexander Kluge achieved his breakthrough at the 1966 Venice Biennale with his first feature, Yesterday Girl (Abschied von gestern), but it is arguably his 1979 film The Patriot (Die Patriotin) that first embodied the great heights his storytelling could reach. Titled after its heroine, the history teacher Gabi Teichert, The Patriot is, however, much more than just a curious story about a headstrong pedagogue intent on teaching kids a version of German history that does not end in war and death: it is one of the finest examples of Kluge's exploration of the poetic force of Frankfurt School Critical Theory. This book pursues The Patriot's conception as a cinematic extension of the theoretical agenda that Kluge and social philosopher Oskar Negt began developing just as the Frankfurt School's first generation was ending. It will guide twenty-first-century English-language readers past superficial interpretations of the film's engagement with German history. By asking how and why The Patriot brings the twin concepts of history and obstinacy - the human propensity to resist capitalism's forces of expropriation and alienation - to the screen, this book revitalizes Kluge's film for the new millennium.

Paperback. Condizione: New. A history of the University of Rochester Medical Center's Developmental and Behavioral Pediatrics Division from its inception in 1947 through 2019.The field of intellectual and developmental disabilities has evolved dramatically from the end of the nineteenth century, changing from dehumanizing institutional care to community-based services and supports. The University of Rochester Medical Center's response to community needs in this field began in 1947. This book describes the history of its Division of Developmental and Behavioral Pediatrics, written by the only two chiefs the division has had. The narrative traces the first effort to provide diagnostic service to parents of affected children and describes the emergence of a full program of interdisciplinary services, education of future leaders, community-based consultation, and research. It shows how the division's growth was molded by changing needs in the region and the world. It also tells the story of how a multidisciplinary program can emerge and thrive in a research-oriented medical center and serve as a bridge between a university and its community partners. Finally, it underscores the time-consuming process of program development, including building trust, acquiring needed resources, and maintaining the highest quality of programming during both good and difficult times.

Paperback. Condizione: New. Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory.Alexander Kluge achieved his breakthrough at the 1966 Venice Biennale with his first feature, Yesterday Girl (Abschied von gestern), but it is arguably his 1979 film The Patriot (Die Patriotin) that first embodied the great heights his storytelling could reach. Titled after its heroine, the history teacher Gabi Teichert, The Patriot is, however, much more than just a curious story about a headstrong pedagogue intent on teaching kids a version of German history that does not end in war and death: it is one of the finest examples of Kluge's exploration of the poetic force of Frankfurt School Critical Theory. This book pursues The Patriot's conception as a cinematic extension of the theoretical agenda that Kluge and social philosopher Oskar Negt began developing just as the Frankfurt School's first generation was ending. It will guide twenty-first-century English-language readers past superficial interpretations of the film's engagement with German history. By asking how and why The Patriot brings the twin concepts of history and obstinacy - the human propensity to resist capitalism's forces of expropriation and alienation - to the screen, this book revitalizes Kluge's film for the new millennium.

Paperback. Condizione: New. A history of the University of Rochester Medical Center's Developmental and Behavioral Pediatrics Division from its inception in 1947 through 2019.The field of intellectual and developmental disabilities has evolved dramatically from the end of the nineteenth century, changing from dehumanizing institutional care to community-based services and supports. The University of Rochester Medical Center's response to community needs in this field began in 1947. This book describes the history of its Division of Developmental and Behavioral Pediatrics, written by the only two chiefs the division has had. The narrative traces the first effort to provide diagnostic service to parents of affected children and describes the emergence of a full program of interdisciplinary services, education of future leaders, community-based consultation, and research. It shows how the division's growth was molded by changing needs in the region and the world. It also tells the story of how a multidisciplinary program can emerge and thrive in a research-oriented medical center and serve as a bridge between a university and its community partners. Finally, it underscores the time-consuming process of program development, including building trust, acquiring needed resources, and maintaining the highest quality of programming during both good and difficult times.

Paperback. Condizione: New. A guide through the many aspects of Wenders's groundbreaking film, employing archival research to bring out new insights into its making and its meanings.Filmed in 1986/87 in still-divided Berlin, Wim Wenders's Wings of Desire is both a utopian fairy tale and a fascinating time capsule of that late Cold War moment. Together with legendary French cinematographer Henri Alekan(who had worked on Jean Cocteau's La Belle et la Bête of 1946, among many other films) and Austrian author Peter Handke (with whom he had collaborated before), Wenders created a multilayered filmic poem of dazzling complexity: the skies over Berlin are populated with angels bearing witness to its inhabitants' everyday concerns. One falls in love with a beautiful young woman, a trapeze artist in a traveling circus, and decides to forfeit his immortality. Wenders's groundbreaking film has been hailed as a paean to love, a rumination on the continued presence in Berlin of the troubled German history, as well as an homage to the life-affirming power of the cinematic imagination.Christian Rogowski guides the reader through the film's many aspects, using archival research to bring out new insights into its making and its meanings. Christian Rogowski is G. Armour Craig Professor in Language andLiterature in the Department of German at Amherst College.

Paperback. Condizione: New. The first in-depth analysis of Maren Ade's acclaimed contemporary classic, a generational tug-of-war about the meaning of life, work, and death.Maren Ade's tragicomedy Toni Erdmann, a 2016 Cannes sensation and Oscar nominee, is an internationally acclaimed classic of recent German cinema. By turns hilarious, cringeworthy, and heart-wrenching, the film revolves around Winfried, a retired music teacher and prankster trying to rebuild a relationship with his daughter Ines, a high-powered business consultant based in Bucharest. At its center, this unpredictable scenario pits one type of performance - Ines's efforts to meet the unyielding expectations of the new economy - against another - Winfried's anarchic role-play meant to disrupt the standardization of life. This book, the first in-depth analysis of the film, explores the many layers of this generational tug-of-war about the meaning of life, work, and death. Employing Ade's trademark minimalist style, the film deftly comments on the precarity of life; the gendering of labor in the new economy; the re-definition of feminism by the children of the generation of 1968; and reconfigured East-West relations in post-Wall Europe. Lastly, in light of Ade's artisanal mode of filmmaking, in which she regularly assumes the role of writer, director, and producer, Toni Erdmann becomes a highly self-reflexive comment on the neoliberal dictates of global art cinema.

Paperback. Condizione: New. Explores Haneke's historically complex film as a reflection on purity, ideology, violence, and child-rearing.White ribbons and black pedagogy - Michael Haneke's award-winning film The White Ribbon (2009) is a multilayered reflection on purity, ideology, violence, and child rearing. In this tense black-and-white whodunit, mysterious events occur in a small town on the German-Polish border in 1913-14. A tripwire fells the doctor's horse; a farmhand's wife falls through the floor of a shed; a barn goes up in flames; the baron's son is terribly beaten; a girls takes claims to clairvoyance; a mentally disabled boy is tortured and maimed. While the film unfolds on the eve of the First World War, the violence evokes other historical moments: the breakup of the multi ethnic Austro-Hungarian Empire, the rise of National Socialism, the emergence of 1960s German terrorism, and religious fundamentalism post 9/11. Fatima Naqvi's book looks at Haneke's technique of combining various histories in the digital era. It also reflects on the guise of literariness and historical authenticity in which the director clothes this fictional film. It meditates on the film's inscription techniques and its ability to appeal to international audiences. Naqvi shows that The White Ribbon bespeaks a certain historical "translatability" into historical and aesthetic contexts outside of Germany-in marked contrast to the historical specificity it conveys on a surface level.

Paperback. Condizione: New. Explores Haneke's historically complex film as a reflection on purity, ideology, violence, and child-rearing.White ribbons and black pedagogy - Michael Haneke's award-winning film The White Ribbon (2009) is a multilayered reflection on purity, ideology, violence, and child rearing. In this tense black-and-white whodunit, mysterious events occur in a small town on the German-Polish border in 1913-14. A tripwire fells the doctor's horse; a farmhand's wife falls through the floor of a shed; a barn goes up in flames; the baron's son is terribly beaten; a girls takes claims to clairvoyance; a mentally disabled boy is tortured and maimed. While the film unfolds on the eve of the First World War, the violence evokes other historical moments: the breakup of the multi ethnic Austro-Hungarian Empire, the rise of National Socialism, the emergence of 1960s German terrorism, and religious fundamentalism post 9/11. Fatima Naqvi's book looks at Haneke's technique of combining various histories in the digital era. It also reflects on the guise of literariness and historical authenticity in which the director clothes this fictional film. It meditates on the film's inscription techniques and its ability to appeal to international audiences. Naqvi shows that The White Ribbon bespeaks a certain historical "translatability" into historical and aesthetic contexts outside of Germany-in marked contrast to the historical specificity it conveys on a surface level.

Paperback. Condizione: New. Offers not only a close reading but also a film-historical contextualization of Phoenix, constituting the most significant and thorough study of Petzold's film to date.Christian Petzold's Phoenix (2014), a masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Farocki, was an international success that has been widely compared with works by Alfred Hitchcock and Rainer Werner Fassbinder. This study explores the film's unique array of influences including the vast range of films, novels, and memoirs on which its screenwriters drew. Its central argument concerns the film's integration of a long history of German-Jewish works and ideas-its attempt to confront its audience with a neglected tradition that included figures as diverse as Peter Lorre, Fred Zinnemann, and Hannah Arendt. Offering a close reading of the film's themes, compositions, and music alongside a film-historical contextualization, this book constitutes the most significant and thorough study of Phoenix to date. Brad Prager is Professor of German and Film Studies at the University of Missouri.

Paperback. Condizione: New. Offers not only a close reading but also a film-historical contextualization of Phoenix, constituting the most significant and thorough study of Petzold's film to date.Christian Petzold's Phoenix (2014), a masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Farocki, was an international success that has been widely compared with works by Alfred Hitchcock and Rainer Werner Fassbinder. This study explores the film's unique array of influences including the vast range of films, novels, and memoirs on which its screenwriters drew. Its central argument concerns the film's integration of a long history of German-Jewish works and ideas-its attempt to confront its audience with a neglected tradition that included figures as diverse as Peter Lorre, Fred Zinnemann, and Hannah Arendt. Offering a close reading of the film's themes, compositions, and music alongside a film-historical contextualization, this book constitutes the most significant and thorough study of Phoenix to date. Brad Prager is Professor of German and Film Studies at the University of Missouri.

Paperback. Condizione: New. Revisits Herzog's classic film from a decisively contemporary standpoint, bringing into play the development of his filmmaking career.When it was released in 1982, Werner Herzog's Fitzcarraldo was widely criticized for its demanding use of human and natural resources as well as its director's uncompromising aesthetic vision. Critics and scholars saw little difference between the film's protagonist's obsession with hauling a ship over a mountain in the Amazon and Herzog's own mode of cinematic production and storytelling. And yet Fitzcarraldo stands out as one of the defining moments of New German Cinema and, as the years pass, continues to raise new questions about the relation of film and society, art and nature, progress and subjectivity, the known and the unknown. This book revisits Herzog's taleof operatic entrepreneurialism from a decisively contemporary standpoint. It draws on recent writing on the Anthropocene to probe the relationship of art, civilization, and the natural world in Fitzcarraldo. It discusses the role of opera and music in Herzog's Amazon spectacle. And it brings into play the development of Herzog's own career as a filmmaker over the last few decades to offer a fresh look at this by-now classical contribution to twentieth-century German film art. Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University.

Paperback. Condizione: New. Provides an aesthetic and historical overview of and new critical insights into Paul Wegener's great 1920 film, recognized at the time as a breakthrough in German cinema.Actor and director Paul Wegener released his 1920 silent film The Golem, How He Came into the World in the aftermath of Germany's defeat in World War I. The film's innovative cinematography, lighting effects, modernist architectural design, and thrilling plot all led contemporaneous viewers and critics to pronounce that Germany had finally succeeded on the film front if not on the battlefield. The Golem, How He Came into the World, Wegener's third golem film, narrates how Rabbi Loew, here an astrologer and sorcerer as well as a spiritual leader, forms and animates an artificial clay anthropoid in order to save the Prague Jewish community from an edict of expulsion. Maya Barzilai situates the 1920 film in the historical and social context of post-World War I Germany, taking into consideration Wegener's violent and traumatic service on the Western front. She closely analyzes the film's expressive sculptural aesthetic, enhanced through poetic cinematography, arguing that Wegener's animation of cinema also served a postwar ethical purpose: revealing the human face of the golem and offering a redemptive escape from the the film's Christian-Jewish conflict through nature on the one hand and Zionism on the other.

Paperback. Condizione: New. Revisits Herzog's classic film from a decisively contemporary standpoint, bringing into play the development of his filmmaking career.When it was released in 1982, Werner Herzog's Fitzcarraldo was widely criticized for its demanding use of human and natural resources as well as its director's uncompromising aesthetic vision. Critics and scholars saw little difference between the film's protagonist's obsession with hauling a ship over a mountain in the Amazon and Herzog's own mode of cinematic production and storytelling. And yet Fitzcarraldo stands out as one of the defining moments of New German Cinema and, as the years pass, continues to raise new questions about the relation of film and society, art and nature, progress and subjectivity, the known and the unknown. This book revisits Herzog's taleof operatic entrepreneurialism from a decisively contemporary standpoint. It draws on recent writing on the Anthropocene to probe the relationship of art, civilization, and the natural world in Fitzcarraldo. It discusses the role of opera and music in Herzog's Amazon spectacle. And it brings into play the development of Herzog's own career as a filmmaker over the last few decades to offer a fresh look at this by-now classical contribution to twentieth-century German film art. Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University.

Paperback. Condizione: New. Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés.Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as well as in Hollywood's many other "Austria" films, the projections on the screen resemble reflections in a funhouse mirror. Elements of a "real" place with a"real" history inhabited by "real" people can be found in the fractured distortions, which have both drawn from and contributed to the general public's perceptions of the country and its citizens. Austria Made in Hollywood focuses on films set in an identifiable Austria, examining them through the lenses of the historical contexts on both sides of the Atlantic and the prism of the ever-changing domestic film industry. The study chronicles theprotean screen images of Austria and Austrians that set them apart both from European projections of Austria and from Hollywood incarnations of other European nations and nationals. It explores explicit and implicit cultural commentaries on domestic and foreign issues inserted in the Austrian stories while considering the many, sometimes conflicting forces that shaped the films.

Paperback. Condizione: New. Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.Acclaimed as postwar Germany's first feminist film, Ula Stöckl's The Cat Has Nine Lives disappeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stöckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stöckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades.

Paperback. Condizione: New. Presents Wagner as a serious philosopher and offers a fresh perspective on the Ring and its unique fusion of myth, human drama, and philosophical insight.Few figures of the nineteenth century were more influential than Richard Wagner, and few works of art have the scope and historical significance of The Ring of the Nibelung. Wagner himself said that it expressed his entire philosophy of life. Yet little attention has been paid to him as a philosopher, aesthetic theories aside. Instead, the Ring has been viewed in the light of Schopenhauer, Feuerbach, or even Hegel. Wagner's own ideas do not deserve this neglect, and this book addresses that omission. It starts with the more widely read philosophers of his day, such as Fichte; in their context Wagner's often fragmentary thoughts reveal a coherent "materialist idealism" that constitutes a late but significant contribution to Classical German philosophy. His acute social and psychological insights are still relevant, and so is the philosophical history that he saw prefigured in Greek tragedy.Wagner's philosophy also illuminates the structure of the Ring and offers fresh insights into the characters and conflicts of that endlessly interpretable work. Approachable and engagingly written, balancing narrative, philosophical analysis, and a detailed consideration of the Ring's four music dramas, The Philosopher's Ring shows the cycle to be a work of unparalleled philosophical depth, one reason that it continues to challenge audiences even now, a century and a half after its premiere.

Paperback. Condizione: New. Rochester Adolescent Medicine has a long history as one of the earliest programs in the country. Spanning over six decades, the program has grown from a weekly ambulatory session to a fully functioning division of the Department of Pediatrics with an array of complex clinical, research, educational, and community programs of national/international significance. Interviews with over thirty former and present University residents, fellows, and faculty members in Adolescent Medicine showcase these practitioners' extraordinary passion and dedication for caring for adolescents and their families. Faculty and former fellows from Rochester Adolescent Medicine have been leaders at the forefront of almost every major decision about the field of Adolescent Medicine since its inception. Adolescent Medicine has never been more critical than it is now, and the field continues its dedication to equity, diversity, and integrity in all programs. This book celebrates Rochester's six-decade contributions to optimum health for adolescents and their families; the partnership with the University of Rochester and the Rochester community; and the training of future generations of leaders in Adolescent Medicine.

Paperback. Condizione: New. A new reading of Fassbinder's most popular film that highlights the roles of race and gender.The Marriage of Maria Braun is the most popular film by the enfant terrible director Rainer Werner Fassbinder, the leading exponent of the "New German Cinema" of the early sixties to early eighties. It exemplifies his use and abuse of the genre of melodrama. Set in the immediate postwar period and centered around a strong female protagonist, Maria Braun (1978) was the first film in a trilogy that attempts to work through West Germany's fraught past and the legacy of Nazi Germany through the eyes of characters marginalized by their gender, race, sexuality, or (dis)ability. Maria attempts to navigate the poverty and sexism of the immediate postwar years by making her relationships with men, including the Black American G.I., Bill, as beneficial as possible. In the end, she discovers she has been a pawn in a power game between her husband, Hermann, for whom she has been pining while he has been in prison, and her lover, the industrialist Oswald. Yet Maria is also complicit in racism and white patriarchy, a fact that scholarship on the film has barely registered. In her new reading, Priscilla Layne draws on archival research, Critical Race Theory, Black Feminist Thought, and Critical Whiteness Studies to expand on the role of race and gender in the film.

Paperback. Condizione: New. Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.Acclaimed as postwar Germany's first feminist film, Ula Stöckl's The Cat Has Nine Lives disappeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stöckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stöckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades.

Paperback. Condizione: New. Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés.Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as well as in Hollywood's many other "Austria" films, the projections on the screen resemble reflections in a funhouse mirror. Elements of a "real" place with a"real" history inhabited by "real" people can be found in the fractured distortions, which have both drawn from and contributed to the general public's perceptions of the country and its citizens. Austria Made in Hollywood focuses on films set in an identifiable Austria, examining them through the lenses of the historical contexts on both sides of the Atlantic and the prism of the ever-changing domestic film industry. The study chronicles theprotean screen images of Austria and Austrians that set them apart both from European projections of Austria and from Hollywood incarnations of other European nations and nationals. It explores explicit and implicit cultural commentaries on domestic and foreign issues inserted in the Austrian stories while considering the many, sometimes conflicting forces that shaped the films.

Paperback. Condizione: New. Presents Wagner as a serious philosopher and offers a fresh perspective on the Ring and its unique fusion of myth, human drama, and philosophical insight.Few figures of the nineteenth century were more influential than Richard Wagner, and few works of art have the scope and historical significance of The Ring of the Nibelung. Wagner himself said that it expressed his entire philosophy of life. Yet little attention has been paid to him as a philosopher, aesthetic theories aside. Instead, the Ring has been viewed in the light of Schopenhauer, Feuerbach, or even Hegel. Wagner's own ideas do not deserve this neglect, and this book addresses that omission. It starts with the more widely read philosophers of his day, such as Fichte; in their context Wagner's often fragmentary thoughts reveal a coherent "materialist idealism" that constitutes a late but significant contribution to Classical German philosophy. His acute social and psychological insights are still relevant, and so is the philosophical history that he saw prefigured in Greek tragedy.Wagner's philosophy also illuminates the structure of the Ring and offers fresh insights into the characters and conflicts of that endlessly interpretable work. Approachable and engagingly written, balancing narrative, philosophical analysis, and a detailed consideration of the Ring's four music dramas, The Philosopher's Ring shows the cycle to be a work of unparalleled philosophical depth, one reason that it continues to challenge audiences even now, a century and a half after its premiere.

Paperback. Condizione: New. A handbook to Hemingway's famous collection of short stories that emphasizes its status as a modernist masterwork.The volume of collected short stories and vignettes In Our Time was Ernest Hemingway's first commercial publication. Its appearance in 1925 launched the full-fledged literary career of this century's most famous American fiction writer. And while other later works of Hemingway have eclipsed In Our Time's fame, none of Hemingway's subsequent works would again carry the degree of experimentation found in this distinctly modernist masterwork. Modernism and Tradition in Ernest Hemingway's In Our Time: A Guide for Students and Readers is a well-paced, lucidly written handbook intended to guide university students and teaching faculty towards a better understanding of this complex work. It provides a reading of each story and vignette, while simultaneously stressing the status of In Our Time as a discrete volume. Included are discussions of the book's biographical and historical background, and considerations of Hemingway's prose style, theories of writing, formal achievements, his literary mentors and influences, and the relation between In Our Time and his later works. Matthew C. Stewart isAssociate Professor of Humanities and Rhetoric at Boston University.

Paperback. Condizione: New. A penetrating new reading of Murnau's classic silent film that shows its transitional status, both historically and stylistically, while emphasizing its innovative camerawork and the ethical stakes of its story.An undisputed masterpiece of silent cinema, F. W. Murnau's The Last Laugh (1924) stars the larger-than-life Emil Jannings as a proud hotel porter who is demoted to lowly washroom attendant. One worker's misfortune becomes a tragic turning point in a social drama as much about the struggling Weimar Republic, which had just overcome several years of social, political, and economic instability, as about its working-class citizens. At once clinging to the symbols of the old order while helplessly thrust into an unforgiving modern world, Jannings's fallen porter embodies the contradictions of this transitional moment for the young democracy. Samuel Frederick shows us that Murnau's film is similarly transitional: born at the crossroads between the Expressionist style of the early 1920s and the emerging aesthetics of New Objectivity, it is both soberly realistic and oneirically distorted. With only one intertitle, The Last Laugh's flow of images is complemented by cinematographer Karl Freund's innovative mobile camera, which, "unchained" from the tripod, swims effortlessly through the film's different urban spaces. Here, inanimate objects become charged with potency and architecture is animated, conveying both allure and danger. Frederick's incisive analysis of the film foregrounds the visual dynamism of its technological and aesthetic experimentation while also pursuing the ethical implications of its central figure's downfall.

Paperback. Condizione: New. The former first horn of the Boston Symphony Orchestra writes about playing under Klemperer, Koussevitzky, Munch etc, the french horn, and specific horn passages.In this volume, Harold Meek, former first horn of the Boston Symphony Orchestra, shares anecdotes and insights about the joys and travails of playing under Klemperer, Koussevitzky, Munch, and others. He also brings together some important information about changes in the instrument itself, including a little-known letter from the great British horn virtuoso, Dennis Brain, about the virtues of different makes of horn. A valuable appendix prints interpretively challenging horn passages from three dozen masterpieces, and evaluates the solutions offered in recordings by various prominent conductors.

Paperback. Condizione: New. A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills. Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable. Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).

Paperback. Condizione: New. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. This book is openly available in digital formats under Creative Commons license CC BY-NC.

Paperback. Condizione: New. A new reading of Fassbinder's most popular film that highlights the roles of race and gender.The Marriage of Maria Braun is the most popular film by the enfant terrible director Rainer Werner Fassbinder, the leading exponent of the "New German Cinema" of the early sixties to early eighties. It exemplifies his use and abuse of the genre of melodrama. Set in the immediate postwar period and centered around a strong female protagonist, Maria Braun (1978) was the first film in a trilogy that attempts to work through West Germany's fraught past and the legacy of Nazi Germany through the eyes of characters marginalized by their gender, race, sexuality, or (dis)ability. Maria attempts to navigate the poverty and sexism of the immediate postwar years by making her relationships with men, including the Black American G.I., Bill, as beneficial as possible. In the end, she discovers she has been a pawn in a power game between her husband, Hermann, for whom she has been pining while he has been in prison, and her lover, the industrialist Oswald. Yet Maria is also complicit in racism and white patriarchy, a fact that scholarship on the film has barely registered. In her new reading, Priscilla Layne draws on archival research, Critical Race Theory, Black Feminist Thought, and Critical Whiteness Studies to expand on the role of race and gender in the film.

Paperback. Condizione: New. An intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience.Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage -- Freedom for the few, and then forthose who are White, Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

Paperback. Condizione: New. Locates in Aristophanes' comedies a complex comic disposition appropriate to the fundamental challenge of ordinary citizenship in a democracy.Aristophanic Comedy and the Challenge of Democratic Citizenship finds in Aristophanes' comedies a complex comic disposition necessary for meeting the fundamental challenge of ordinary citizenship. That challenge, Zumbrunnenargues, emerges from the tension between two democratic impulses: a rebelliousness that resists all attempts to impose any form of institutionalized rule; and an inclination toward collective action taken through institutions ofpopular rule. Democracy demands that ordinary citizens negotiate the tension between these often conflicting impulses. Aristophanes' comedies rest upon and seek to instill in spectators a complex comic disposition that holds a simple celebration of rebellion in tension with an appreciation for the organized collective action necessary to bring about real change. John Zumbrunnen is professor of political science at the University of Wisconsin, Madison, and the author of Silence and Democracy: Athenian Politics in Thucydides' History as well as numerous articles and essays.