Brooklyn arts press llc (109 risultati)

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. Poetry. Latino/Latina Studies. 2016 National Book Award Finalist. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as violent, perverse, and tender in its portrayal of a kaleidoscopic journey of American horror and global horror, adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is shared between the earth, the state, and the bank. Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him.--Carmen Gim nez Smith In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment, ' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience.--Urayo n Noel.…

Paperback. Condizione: Very Good. Poetry. Latino/Latina Studies. 2016 National Book Award Finalist. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as violent, perverse, and tender in its portrayal of a kaleidoscopic journey of American horror and global horror, adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is shared between the earth, the state, and the bank. Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him.--Carmen Gim nez Smith In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment, ' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience.--Urayo n Noel.…

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Poetry. Latino/Latina Studies. 2016 National Book Award Finalist. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as violent, perverse, and tender in its portrayal of a kaleidoscopic journey of American horror and global horror, adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is shared between the earth, the state, and the bank. Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him.--Carmen Gim nez Smith In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment, ' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience.--Urayo n Noel.…

Paperback. Condizione: Good. Poetry. Latino/Latina Studies. 2016 National Book Award Finalist. Following in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. Borzutzky, whose writing Eileen Myles has described as violent, perverse, and tender in its portrayal of a kaleidoscopic journey of American horror and global horror, adds another chapter to a growing and important compendium of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is shared between the earth, the state, and the bank. Like any good satirist, Borzutzky considers his subjectivity with the same lens he applies to the systems he critiques, and THE PERFORMANCE OF BECOMING HUMAN is an apogee of that inquiry. Since THE BOOK OF INTERFERING BODIES, Daniel Borzutzky has been the fabulist we most need because he's unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor. I'm thrilled every time Borzutzky brings a book in the world, learn the most about reality from him.--Carmen Gim nez Smith In this canticle for the age of listicles, Daniel Borzutzky performs a new political poetry in the crucible of 'overdevelopment, ' when 'The city has disappeared into the privatized cellar of humanity.' Here, the socially engaged bro-poet is mercifully broken, relieved of his epic monumentality, and with it of a range of foundational fictions (nation/family/language/subject), leaving behind these gut-cantos (songs/fragments), detestimonios of a spectral self, at once buzz-fed and cankerously/cantankerously embodied. (You can't spell 'Neruda' without 'nerd' and Canto General never rocked 'The Gross and Borderless Body.') The ugly majesty of these prose blocks echoes the windswept expanses of neoliberal Chile and Chicago, their dead and their debt, their surrender and struggle. To read 'this book that is a country deposited not in your heart but in your mouth' is to confront becoming human as speech act, as language game, and to know the freedom and the terror of doing so. The painbeauty of Borzutzky's virtuoso, multi- register flow (abject punchlines included) is also a counter-flow to the death drive of capital, sentences for a radical sentience.--Urayo n Noel.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. America's Favorite Poem This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condizione: New.

Paperback or Softback. Condizione: New. To Lose & To Pretend. Book.

Paperback or Softback. Condizione: New. that's what you get. Book.

Paperback or Softback. Condizione: New. Take This Stallion. Book.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: New.

Paperback or Softback. Condizione: New. The Performance of Becoming Human. Book.

Condizione: As New. Unread book in perfect condition.

Paperback or Softback. Condizione: New. The Weather & Our Tempers: Poems. Book.

Paperback or Softback. Condizione: New. Said No One Ever. Book.

Paperback. Condizione: New.

Paperback or Softback. Condizione: New. The Ugly. Book.

Paperback. Condizione: New.

Paperback. Condizione: New.