cahiers du cinema (Oltre 1.600 risultati)

Paperback. Condizione: Very Good. Clint Eastwood (USA, b. 1930) is a veteran among the grand masters of contemporary American cinema, whose rise through the system took a highly unusual form. After playing iconic roles in Sergio Leone's spaghetti westerns of the 1960s, he returned to Hollywood and underwent a controversial reincarnation as the ultraviolent cop Harry. In the 1970s Eastwood began to direct and, in the style of the great directors of the past, made masterpieces in genres ranging from the western (Unforgiven, 1992) to film noir (Mystic River, 2003), a war epic (Letters from Iwo Jima, 2006), a jazz bio-pic (Bird, 1988), a melodrama (The Bridges of Madison County, 1995) and a sports picture (Million Dollar Baby, 2004). His most recent film, Invictus, takes Eastwood to South Africa and the historic figure of Nelson Mandela, as he continues to explore the question underlying all his films: can human beings overcome experiences of violence and evil? The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Fine. 1st Edition. First Printing of this softcover edition. A fine copy. See my photos of this book, more available upon request. This book is in my possession and will ship securely packed in bubble wrap in a cardboard box. #189.

Trade Paperback. Condizione: Very Good. 2nd Edition. ENGLISH text. Very good with wear to lower corners of cover. No markings. 2nd edition. 102 pages. Illustrated with b&w and color photos. An overview of the career of the Italian director.

Condizione: Bueno. Primera edición. Colección Grandes Directores 15. Profusamente ilustrado con excelentes fotografías. Buen estado. Pormenorizado estudio crítico y documental que analiza la trayectoria artística, los hallazgos técnicos y el legado visual de una de las figuras más revolucionarias del periodo silente. ANTES DE HACER EL PEDIDO DEBE LEER LAS CONDICIONES DE PAGO Y ENVÍO DE LA LIBRERÍA. Size: 95 pp. 23 x 18,5 cm, 304 gr.

Paperback. Condizione: Very Good. Equally at home in mainstream and independent cinema, in latterday film noir as well as comedy, The Coen Brothers are unique in the annals of modern movie-making. For the critic, they present an exquisite problem as, in films such as Barton Fink they mock the pretensions of art and load their films with red herrings and deceptively empty motifs, such as the hat in Millers Crossing. Yet despite the disingenuous tone of their interviews, the Coens are clearly masters of the cinematic craft and schooled in film history, as countless allusions in their movies attest. In this Cahiers Du Cinema edition Ian Nathan guides us through their ouevre, their successes and their occasional failures (though no one made more interesting failures than The Coens), from the low-budget beginnings of Blood Simple to their greatest hit to date, the relatively straight True Grit. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Good+. Paperback. Binding sound, text clean. Some losses to cover laminate, but otherwise only mild shelfwear. 256 pages, French text. Heavy book: priority or international shipping may require additional charges. Book.

Hardcover. Condizione: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Soft cover. Condizione: Fine. No Jacket. Mes Plaisirs de Cinephile: Textes, Entretiens, Filmographie. Martin Scorsese. Cahiers Du Cinéma, 1998. 189p. paperback, covers lightly rubbed, binding tight, text clean/unmarked, fine conditionFRENCH LANGUAGE5.50.

Soft cover. Condizione: Very Good. 1st Edition. 8vo, card covers, 159pp., b/w ills. VG+: a clean and sound copy.

Condizione: Bueno. Primera edición. Colección Grandes Directores 20. Profusamente ilustrado con excelentes fotografías en color y b/n. Pormenorizado estudio crítico y documental que examina la trayectoria artística, las constantes temáticas y el lenguaje formal de uno de los grandes maestros de la cinematografía japonesa. Buen estado. ANTES DE HACER EL PEDIDO DEBE LEER LAS CONDICIONES DE PAGO Y ENVÍO DE LA LIBRERÍA. Size: 95 pp. 23 x 18,5 cm, 305 gr.

Paperback. Condizione: Very Good. Tim Burton (USA, b. 1958) is the youngest of Hollywoods most successful directors. He has the knack of making films with a very broad appeal, taking the silliness out of the representation of children, while remaining in touch with the child within himself and his audiences. Burton emerged as a director and storyteller after working as an animator for Disney. His meeting with Johnny Depp enabled him to give physical form to the heroes of his imaginary worlds, where fear is mixed with laughter, strange is normal and those who are not normal, such as Edward Scissorhands (1990), must be preserved. After Beetlejuice (1988) and Charlie and the Chocolate Factory (2005), the resolutely boyish Burton, now in his fifties, presents his version of Alice in Wonderland (2010). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condizione: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condizione: Good+. Reading creases to spine and some tiny droplet spots to top page edge, else very good condition: binding sound, text clean, light shelfwear. French text. Heavy book: priority or international shipping may require additional charges. Book.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New. pp. 104.

Soft cover. Condizione: Very Good. 1st Edition. 8vo, flapped card covers, 236pp., ills. VG: a clean and sound copy with minor discoloration to the spine.

Soft Cover. Condizione: New. 2025 mayfiled in dr bios.

Paperback. Condizione: Very Good. First Edition. First edition. Includes sections on Jean Renoir, Elia Kazan, & Ernst Lubitsch. Text and images are unmarked; pages are bright, though the page edges are age toned. Stapled binding is sturdy. Covers are lightly age toned, lightly shelf scuffed and there are some erased pencil marks.

Condizione: Very good. - Small quarto [10-5/8 inches high by 8 inches wide], softcover bound in pictorial white wraps. There is an owner's handwritten sticker on the front wrap & the rear wrap is very slightly soiled. 65 pages plus ads. Black-and-white illustrations. Ex-library with a library stamp & date stamp on the front wrap. Very good. Among the contents of this issue are a reprint of Eisenstein's text "La quatrieme dimension du cinema"; an article on photography by Pascal Bonitzer; and an interview with director Francis Reusser about "Le Grand Soir", his film exploring the possibility of revolutionary violence in Switzerland.

Condizione: Very good. - Small quarto [10-5/8 inches high by 8 inches wide], softcover bound in pictorial white wraps. There is an owner's handwritten sticker on the front wrap & the rear wrap is lightly soiled. 93 & [2] pages plus ads. Black-and-white illustrations. Ex-library with a library stamp & date stamp on the front wrap. Very good. Among the contents of this issue are articles on "Ivens + Chine", with an interview with Joris Ivens and Marceline Loridan, and on Algerian cinema by Ali Akika; and interviews with Abdelaziz Tolbi on his film "Noua" and with Jacques Fansten on "Le Petit Marcel".

Condizione: Very good. - Small quarto [10-5/8 inches high by 8 inches wide], softcover bound in pictorial black & white wraps. The wraps are slightly bumped & soiled with an owner's handwritten sticker on the front wrap. 63 & [1] pages. Black-and-white illustrations. Ex-library with a library stamp & date stamp on the front wrap. Very good. Among the contents of this issue are a festival section on the 10th Carthage festival and the 11th Salon du Cinema (Festival de Paris), and an interview with Emil de Antonio by Louis Marcorelles with an article on his film "Underground" [on the Weather Underground]. The text is in French.

Condizione: Very good. - Small quarto [10-5/8 inches high by 8 inches wide], softcover bound in pictorial black & white wraps. The wraps are slightly bumped & soiled with an owner's handwritten sticker on the front wrap & the partial imprint of a rubber stamp on the rear wrap. 66 pages. Black-and-white illustrations. Ex-library with a library stamp & date stamp on the front wrap. Very good. Among the contents of this issue are "Voici: La notion de plan et le sujet de cinmea" by Pascal Bonitzer and a section on "Jonas.qui aura 25 ans en l'an 2000" with an interview with Alain Tanner. The text is in French.

Condizione: Very good. - Small quarto [10-7/8 inches high by 8-3/8 inches wide], softcover bound in pictorial brown, black & white wraps. The wraps are lightly bumped & slightly soiled with an owner's handwritten sticker on the front wrap. 72 & [2] pages. Black-and-white illustrations. Ex-library with a library stamp & date stamp on the front wrap. Very good. Among the contents are a section on "Les Machines du Cinema" with an interview with Jean-Pierre Beauviala and one on African cinema with an article by and an interview with Sidney Sokhona.

Condizione: Very good. - Quarto [11-1/2 inches high by 8-3/4 inches wide], softcover bound in pictorial wraps. The wraps are lightly bumped with some light creasing. There is a small stain to the rear wrap & 3 small areas of its surface have been rubbed away. 90 pages. Illustrated in black & white and color. The page edges are darkened & the bottom page corners are lightly bumped. Very good. Among the contents of this issue are interviews with Cyril Collard, Clint Eastwood and Hal Hartley, and unpublished writings by Nicholas Ray. The text is in French.

Condizione: Good. - Small quarto [10-5/8 inches high by 8 inches wide], softcover bound in printed rust brown & white wraps. The wraps are slightly bumped & soiled & the tail of the spine is chipped. 63 pages. Black-and-white illustrations. Ex-library with a small handwritten sticker & a library stamp on the front wrap. Good. Among the contents are a section on "Cinema Anti-Imperialiste en Amerique Latine" with an interview with Jorge Sanjines on Bolivia; and a section on "Cinema de Lutte" with an interview with Henri Srour and commentary on the "Rencontres Internationales pour un Nouveau Cinema" in Montreal. The text is in French.

Condizione: Good. - Small quarto [10-5/8 inches high by 8 inches wide], softcover bound in printed dark blue & white wraps. The wraps are soiled, very lightly bumped & slightly darkened along the spine. 62 & [2] pages plus ads. Black-and-white illustrations. There is some foxing to the inside wraps & title page & occasional light foxing to the front edges of the pages. Good. This issue is devoted to cinema and politics, including "Le cinema dans la societe capitaliste" and "Le Heros Positif". The text is in French.