Carcanet manchester (Oltre 3900 risultati)

Paperback. Condizione: Good +. 159pp. Black/white illustrations. Pictorial card covers. A novel in the form of a diary.

softcover. Condizione: Fine copy. 1st. 8vo, 69 pp.

Paperback. Condizione: Very Good. Winner of the 2016 Seamus Heaney Centre for Poetry Prize for First Full Collection. Shortlisted for the 2017 Michael Murphy Memorial Poetry Prize. Shortlisted for the 2015 Costa Poetry Award. In the informal rituals of the tide remaking its tideline, of a painter absorbed in the act of painting or of an old couple greeting the night, the English poet Kate Miller sees and charts the creative process at work. As its title suggests, Miller's striking debut collection explores perception, the poet's eye and ear trained on distances that stretch beyond comfort zones. This is a book full of movement: even quiet reflections on home and family life are rarely still. Throughout the collection Miller dwells on the unfixed and restless image and shows herself as subject to it - to the difficult illusion of physical energy in sculpture, to the changeability of skies and the insistent rhythm and presence of the sea. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. The Poetry Book Society Summer 2018 Choice. Shortlisted for The 2018 Forward Prize for Best Collection. Vahni Capildeo's Venus as a Bear collects poems on animals, art, language, the sea, thinghood, metaphor, description, and dance. They tend toward, and tend to, the inanimate and non-human, tenderly disclosing their forms of sentience. We have feelings for creatures, objects and places, but where do these affinities come from? How do things, as things, affect us, remain mysterious while making themselves known? For Capildeo answers formed at their own pace, while waiting for lambing at a friend's farm; exploring the Ashmolean Museum in Oxford; criss-crossing the British Isles with the Out of Bounds poetry project; or hearing of Africa and the Romans in Scotland, of Guyana and Shakespeare, while standing over-the-boots deep in a freezing sea off the coast of Wales. Many of the poems respond to real places, objects and people, as investigations, meditations, or dedications. They dwell on bodies and dwell in the body, inviting ardent, open forms of reading, in the spirit of their composition. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Paperback. Condizione: Very Good. In Cinnamon Shade: New and Selected Poems is the first major collection to be published by Dom Moraes in the UK for over three decades. The collection shows the development of an urbane, witty, fiercely intelligent poet whose extraordinary life and circumstances have thrown exotic and powerful shadows over his poetic work. His early poetry is traditional in form and lush in rhetoric. What follows is a gradual and graceful movement through the excesses of Romanticism, the seductiveness of Audenesque disciplines and the political commitment which came with his return to India and its sometimes harsh realities. His work is an exploration of the cultural and psychological isolation wreaked on him by his history, and of the passions, libidinal and spiritual, which have directed him on his journey. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: new. Paperback. The word "jazz" did not begin to appear in print until around 1915 and was grudgingly admitted into polite society. This book explores the vocabulary which has grown up around it. Entries include words unique to jazz ("bebop", Dixieland", "ragtime"); ordinary words with specific jazz meanings ("cool", "jam", "stride"); musical terms adopted by jazz ("bar", "rhythm", "swing"); instruments associated with jazz ("alto", "clarinet", "trombone"); nicknames of musicians ("Bird", "Duke", "Satchmo"); place-names lined to movements in jazz ("Dial", "Okeh", "Savoy") and notable venues ("Birdland", "Cotton Club", "Minton's"). The introduction argues that the great era of jazz lies between the early-1920s (before which it still consisted of various formative elements) and the late 1970s (after which it began to merge with other musical forms). He suggests that "jazz" will eventually describe a major musical style of the mid-20th century, as "baroque" describes one of the early-18th century. The word "jazz" did not begin to appear in print until around 1915 and was grudgingly admitted into polite society. This book explores the vocabulary which has grown up around it. Entries include words unique to jazz and ordinary words with specific jazz meanings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Very Good. Winner of the 2020 Gdansk European Poet of Freedom Literary Award. Winner of the 2017 Forward Prize for Best Collection. Winner of the 2017 Poetry Book Society Choice Award. Shortlisted for the 2017 Costa Poetry Award. Shortlisted for the 2018 Pigott Poetry Prize. Shortlisted for the 2018 Roehampton Poetry Prize. Set against a backdrop of ecological and economic instability, Sinead Morrissey's sixth collection, On Balance, revisits some of the great feats of human engineering to reveal the states of balance and inbalance that have shaped our history. The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland - the first woman to design, build and fly her own aeroplane - celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in 'Articulation' we are invited to stop and wonder at the reconstructed skeleton of Napoleon's horse, Marengo, 'whose very hooves trod mud at Austerlitz', suspended in time 'for however long he lasts before he crumbles'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Paperback. Condizione: Very Good. Shortlisted for the Writers' Prize 2024 Shortlisted for the Jhalak Prize 2024 Longlisted for the OCM Bocas Prize for Caribbean Literature 2024 Winner of the T.S. Eliot Prize 2023 Winner of the Forward Prize for Best Collection 2023 The Poetry Book Society Spring Choice 2023 A Guardian and The Irish Times Book of the Year Jason Allen-Paisant's debut collection Thinking With Trees won the 2022 OCM Bocas Prize for poetry and was an Irish Times and White Review Book of the Year 2021. In Poetry London Maryam Hessavi wrote, 'Jason Allen-Paisant is uncompromising when digging down through the undergrowth of our imperialist past and yet he succeeds in replanting new narratives in the same soil where these toxic ideologies used to, and still, reside.' The interlocking poems of his second collection, Self-Portrait as Othello, imagine Othello in the urban landscapes of modern London, Paris and Venice and invent the kinds of narrative he might tell about his intersecting identities. Poetic memoir and ekphrastic experiment, Self-Portrait as Othello focuses on a character at once fictional and real. Othello here represents a structure of feeling that was emerging in seventeenth-century Venice, and is still with us. Portraiting himself as Othello, Allen-Paisant refracts his European travels and considers the Black male body, its presence, transgressiveness and vulnerabilities. Othello's intertwined identities as 'immigrant' and 'Black', which often operate as mutually reinforcing vectors, speak to us in the landscape of twenty-first-century Europe. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. Combining traditional forms and those associated with modernism, this collection focuses on love, loss, and the different ways in which people - for better or worse - can be significant to each other. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. Shortlisted for the 2017 Ted Hughes Award Shortlisted for the 2017 T.S. Eliot Prize In These Days of Prohibition is Caroline Birds fifth Carcanet collection. As always, she is a poet of dark hilarity and telling social comment. Shifting between poetic and vulgar registers, the surreal imagery of her early work is re-deployed to venture into the badlands of the human psyche. Her poems hold their subjects in an unflinching grip, addressing faces behind the veneer, asking what it is that keeps us alive. These days of prohibition are days of intoxication and inebriation, rehab in a desert and adultery for atheists, until finally Bird edges us out of danger, revving on a wish. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. This most accomplished and inventive poet in Australia today, as Peter Porter calls him, writes of his New South Wales landscapes, of the cities of Australia, and of the lands and peoples he has travelled and lived among. He has a vision of how things are and a sense of how they ought to be. His is a poetry of incommensurables: of the sacred, and also of this world. This book includes many of his most popular poems and draws on The Ilex Tree (1965), The Weatherboard Cathedral (1969), Poems Against Economics (1972), Lunch and Counter Lunch (1974), Ethnic Radio (1977), The Peoples Otherworld (1983) and The Daylight Moon (1987). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. 'Little by little the idea of the true way returned to me,' John Ashbery writes early in his new collection. Each sense is wakened up. So are all the spirits. Many whispers, voices chantant dans la coupole: passions, leaves, loves, flutes, insects, paintings, apologies, partings. We are in history, and in the present, too - in buildings, churches, homes, cars and trains, making our way to Baltimore and Bucharest, to the zoo, the park, the future. The poems have a confession they can't quite bring themselves to make, apologies that can't quite pin themselves down. Ashbery's digressions are wily, heartbreaking or vertiginous. There are departures, fears of departure, and the fact of time: time versus the heart's vagaries and the curiosities of eye and ear. The search for epiphanies continues, the clock ticks. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Paperback. Condizione: Very Good. Dennis O'Driscoll's fifth collection contains poems in which his cool and unflinching vision lends a pungent originality to his treatment of love and death as well as to subjects as diverse - and improbable - as economic boom, business travel and Alzheimer's disease. By contrast, the book also contains more lyrical and personal poems, including the tender and evocative childhood sequence with which the collection ends. "Weather Permitting" follows O'Driscoll's widely praised "Quality Time" (1997) which contained his celebrated long poem, "The Bottom Line", described by Alan Brownjohn in "The Sunday Times" as 'devastatingly accurate, and scary'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. For critics like John Ruskin and Walter Pater, Dante Gabriel Rossetti (1828-1892) was one of the great creative figures of the day, a painter and a poet of major stature. Yeats and the young Pound regarded him as an exemplary figure of solitary dedication to art and beauty. Rossetti's most original work may have been in preparing the way for the modernists who in turn dethroned him. He called the sonnet "a moment's monument", and his best short lyrics are instants of compressed emotion cut free of time. In this, as in the suggestiveness of his imagery, he anticipates the French Symbolists. He can also be regarded as the founder of modern verse translation, not only for the freshness of his versions but also for his choice of poets - Villon, Cavalcanti and the young Dante. In this selection Clive Wilmer has made a personal choice, emphasizing the "pure poetry" of the lyrics at the expense of the more conventionally Victorian monologues and narratives. He has also included a generous selection from the translations, and provided a biographical and critical introduction. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. The poems in Carol Ann Duffy's highly praised second collection range from the dramatic monologues for which she is noted to love poems, which she writes, Robert Nye remarked, 'as if she were the first to do so'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. Readers are again turning to the work of John Masefield (1878-1967)for its verbal skill, thematic range and a human generosity and warmth rare in the poetry of our time. Masefield looked to Browning rather than Tennyson as a model, hence the rich texture of his verse and the centrality of the speaking voice. He can be an exquisite lyricist and elegist; he is also a balladeer, a master of light verse and, as Gavin Ewart has said, 'a first-class narrative poet, the last full-blown one we have had.' Donald E. Stanford, the American poet, critic and editor, made this representative selection from Masefield's prolific output, and provides a biographical introduction. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Good. The virtuosity and high spirits of Sophie Hannah's poems are unusual at any time of day. She handles rhymed metrical forms with wily insouciance and passes the 'memorability test' with flying colours. What seems simple or simply achieved more often than not on closer inspection yields subtleties of feeling and form. A surrealising impulse unsettles even the most tidy of her stanzas with a shrewd imaginative wantonness. Her experiments with subject-matter produce something more satisfying than 'social verse'. An urban person who prefers shopping, eating and romance to hopping over cowpats on a country walk, she writes with generous rather than reductive wit. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.…

Paperback. Condizione: Very Good. The virtuosity and high spirits of Sophie Hannah's poems are unusual at any time of day. She handles rhymed metrical forms with wily insouciance and passes the 'memorability test' with flying colours. What seems simple or simply achieved more often than not on closer inspection yields subtleties of feeling and form. A surrealising impulse unsettles even the most tidy of her stanzas with a shrewd imaginative wantonness. Her experiments with subject-matter produce something more satisfying than 'social verse'. An urban person who prefers shopping, eating and romance to hopping over cowpats on a country walk, she writes with generous rather than reductive wit. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. In this volume John Heath-Stubbs celebrates his 75 years with a cornucopia of new poems and light and occasional verse. Limericks, including a series on the plots of operas (the Ring Cycle has three, as befits its importance), a versified list of the Poets Laureate, playful reflections on biblical and classical history, are brought together with his distinctive poems about flowers, insects and animals, and birthday tributes to several friends. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. Barcode on front cover. Ex-Library.

Paperback. Condizione: Very Good. Jenny King was born in London during the Blitz. Her parents, both teachers, encouraged her to write poetry as a child and overcame wartime paper rationing to make her a book to write them in. Her poems view the world calmly, thoughtfully. They consider memory, peace and its opposite, the inwardness and variety of the natural world, and how an individual relates to others. All the poems are concerned with the interest and excitement of language itself. Some use traditional patterns in unexpected ways, sometimes including rhyme, sometimes in more fluid forms. They work for clarity and memorable perception. Accessible language and natural rhythms are always important though used variously. Looking into the known - or half known - past of family history, the poem can disclose the fallibility of memory but also how present relates to past and how the present with its difficulties intrudes on any consideration of how to live. These poems result from a long writing life and study of both past and contemporary poets. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

softcover. Condizione: Fine copy. 1st. 8vo, 71 pp.

softcover. Condizione: Fine copy. 1st. 8vo, 53 pp.

Hardcover. Condizione: Very Good. Dust Jacket Included. First English translation. Very Good condition with good dust jacket. Dj Fore-edge lightly sunned. 8vo, black cloth with illustrated Dj. Translated and introduced by C.H.Sisson. Contains 27 effortless and witty tales in verse by French author La Fontaine. 131 pgs.…

Paperback. Condizione: Very Good. "Collected Poems" includes work from Eavan Boland's early collections "New Territory", "The War Horse" and "In Her Own Image", as well as from her four Carcanet volumes. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. In Parallax Sinead Morrissey documents what is caught, and what is lost, when houses and cityscapes, servants and saboteurs (the different people who lived in sepia) are arrested in time by photography (or poetry), subjected to the authority of a particular perspective. Assured and disquieting, Morrisseys poems explore the paradoxes in what is seen, read and misread in the surfaces of the presented world. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. The memories from which Fred DAguiar translates these poems are cultural and personal, from the anciencies of the Gilgamesh epic to the modern world, from classical philosophy to C.L.R. James and Aime Cesaire, from Asia and Europe to the new world in which their destinies are unpredictably worked out. DAguiars concluding translations are of Derek Walcott and Kamau Brathwaite, masters and remakers of language and form, from whom (among a multitude of others) he takes his bearings. This unusual integration of tributes and the ironies they provoke give Translations a radical colouring: DAguiar is learned; he is also wry, alert to the false notes in history and what follows from them. The world map / Turned from red to brown to black / And blue, drained of empire. And he is passionate, responding always to the deep feelings of others, from desire to love, elegy to celebration. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condizione: Very Good. A Journey with Two Maps begins with an anecdote: one afternoon, Eavan Boland saw one of her mother's paintings for sale in a gallery, signed by her famous teacher. It is the starting point for an exploration of concepts of art and womanhood, of what it means to be a woman poet, finding her own voice within a tradition. Boland's discussion is both critical and deeply personal, an account of her development as a poet that traces her experiences as a woman, wife and mother in the light of influences such as Adrienne Rich, Elizabeth Bishop, Gwendolyn Brooks and Sylvia Plath. Boland considers the ways in which influences themselves may be changed as a tradition is remade. In the final part of the book, 'Letter to a Young Woman Poet', she addresses an unseen poet of the future who will redraw the maps once more, remaking the past and the present. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…