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Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Small softcover. Condizione: Good. Text in Italian/Italiano. Melodramma buffo in due atti. 135 pages. Nuova collana a cura di Eduardo Rescigno. Some pencil underlining and notes.

Small softcover. Condizione: Good. Text in Italian/Italiano. Melodramma in tre atti. 107 pages. Nuova collana a cura di Eduardo Rescigno. Some pencil underlining and notes.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: new. Paperback. (Vocal Score). Reduction for voice and piano based on the critical edition. Includes historical introduction and critical commentary in Italian and English. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: new. Paperback. (Instrumental Folio). The First Book of Classical Violin offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second violin part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (Instrumental Folio). The First Book of Classical Clarinet offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second clarinet part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. String Solo Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Composed in 1987, Ludovico Einaudi's Canone for two violins belongs to the first period of the famous composer and pianist's production, which would be home to a variety of styles and musical idioms. Difficulty level: intermediate. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (Woodwind Solo). Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as "the first among the living flutists" in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos a real cornerstone in the instrumental virtuosic repertoire of the 1800s that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (Ricordi Germany). 6 concert pieces for the advanced guitar player including The Isle of Skye, Northern Lights and Hikari . Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (Vocal Collection). Art Songs from the 19th into the early 20th Century, including music by such prominent Italian composers as Bellini, Donaudy, Donizetti, Leoncavallo, Mascagni, Puccini, Rossini, Tosti, and Verdi, among others. Includes several first-time transpositions as well as the first publication of Rossini's Bolero. With English translations of song texts. Contents: Franco Alfano: Melodia Luigi Arditi: Il bacio Vincenzo Bellini: Dolente immagine di Fille mia Vincenzo Bellini: Ma rendi pur contento Vincenzo Bellini: Malinconia, ninfa gentile Vincenzo Bellini: Vaga luna, che inargenti Gaetano Braga: La serenata (Leggenda valacca) Alfredo Casella: Fuor de la bella gaiba Mario Castelnuovo-Tedesco: Negli occhi porta la mia donna amore Francesco Cilea: Nel ridestarmi Francesco Cilea: Vita breve (Una lettera) Luigi Denza: Funiculi funicula Luigi Denza: Non t'amo piu! Vincenzo Di Chiara: La Spagnola Stefano Donaudy: O del mio amato ben Stefano Donaudy: Spirate pur, spirate Stefano Donaudy: Vaghissima sembianza Gaetano Donizetti: Amore e morte Gaetano Donizetti: Eterno amore e fe Gaetano Donizetti: Una lacrima Stanislao Gastaldon: Musica proibita Ruggero Leoncavallo: Aprile Ruggiero Leoncavallo: Mattinata Pietro Mascagni: Rosa Pietro Mascagni: Serenata Tito Mattei: Non e ver Saverio Mercadante: La rosa Ildebrando Pizzetti: La vita fugge Giacomo Puccini: E l'uccellino Giacomo Puccini: Terra e mare Ottorino Respighi: Invito alla danza Ottorinon Respighi: Pioggia Gioachino Rossini: Bolero Gioachino Rossini: La danza Gioachino Rossini: La pastorella delle Alpi Gioachino Rossini: La promessa Francesco Santoliquido: Alba di luna sul bosco Adolfo Tirindelli: O primavera! Francesco Paolo Tosti: Aprile Francesco Paolo Tosti: Ideale Francesco Paolo Tosti: Malia Francesco Paolo Tosti: L'ultima canzone Giuseppe Verdi: Ad una stella Giuseppe Verdi: In solitaria stanza Giuseppe Verdi: Stornello Ermanno Wolf-Ferrari: O si che non sapevo sospirare Ermanno Wolf-Ferrari: Quando ti vidi a quel canto apparire Riccardo Zandonai: Ultima rosa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Solo). This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for the way in which the music is organized (notated on four staves, one for each string) but also because of the way in which it was conceived musically. The concept of polyphony is brought to an extreme level, at least in conceptual and visual terms, in this composition. Its brief structure is reminiscent of a kind of four-part chorale written in score. It is characterized by its lyrical and elegant writing style, where the four voices move in polyphonic fashion, giving birth to an extremely refined harmonic texture. This critical edition is based on the manuscript kept in the Osterreichische Nationalbibliothek of Vienna compared with the modern editions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Ensemble). Dedicated to his ever-remembered maestro and great composer, Luciano Berio, Ludovico Einaudi's five Duetti (duets) for violin and viola are proof of the freedom and variety of musical languages found in the works of one of the most famous and appreciated composers on the contemporary scene. Difficulty level: intermediate. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String Solo). The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece. The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composedin Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (Piano Collection). New approach to studying famous pieces, presented in graded order by increasing level of difficulty. Includes works by Bach, Beethoven, Chopin, Mozart, Schumann, and more. Some works are presented in their original form while others have been simplified by the editor for better student playability. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Compact Disc. Condizione: new. Compact Disc. (Vocal). Six arias, including: "Madamina! Il catalogo e questo" from Don Giovanni (Mozart), "Gia d'insolito ardore" from L'italiana in Algeri (Rossini), "Udite, udite, o rustici" from L'elisir d'amore (Donizetti), and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. (String). 6 Sonatas by Fortunato Chelleri, Antonio Martinelli and anonymous composers. The three Martinelli sonatas are his only compositions for cello and continuo that survive today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: NEW.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.