Clemson university digital press (521 risultati)
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Condizione: New. 2018. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.
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Condizione: New. 2018. hardcover. . Not a first edition copy. . . .
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Da: Bill & Ben Books, Faringdon, Regno UnitoBill & Ben Books
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Hardback. Condizione: New. The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated approach plays well in an arena constructed on American… exclusiveness, it does not express the reality of the literary processes swirling around Melville in the middle of the nineteenth century. A series of expanding literary and technological networks was active that made his writing part of a global complex. Honore de Balzac, popular French writer and creator of realism in the novel, was also in the web of these same networks, both preceding and at the height of Melville's creativity. Because they engaged in similar intentions, there developed an almost inevitable attraction that brought their works together. Until recently, however, Balzac has not been recognized as a significant influence on Melville during his most creative period. Over the last decade, scholars began to explore literary networks by new methodologies, and the criticism developed out of these strategies pertains usually to modernist, postcolonial, contemporary situations. Remarkably, however, the intertextuality of Melville with Balzac is quite exactly a casebook study in transcultural comparativism. Looking at Melville's innovative environment reveals meaningful results where the networks take on significant roles equivalent to what have been traditionally classed as genetic contacts. Intervisionary Network explores a range of these connections and reveals that Melville was dependent on Balzac and his universal vision in much of his prose writing. ".
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Hardback. Condizione: New. Though the differences in style and politics between Virginia Woolf (1882-1941) and D.H. Lawrence (1885-1930) are many, they both had formative experiences as teachers. Between 1905 and 1907, Woolf taught history and composition courses at Morley College while Lawrence spent nearly a decade in the fiel…d of elementary education between 1902 and 1912. The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence reframes Woolf and Lawrence's later experiments in fiction, life-writing, and literary criticism as the works of former teachers, of writers (that is) still preoccupied with pedagogy. More specifically, the book argues that across their respective writing careers they conceptualize problems of teaching and learning as problems of sensation, emotion, or intensity. But the "sensuous pedagogies" Woolf and Lawrence depict and enact are not limited to classroom spaces or strategies; rather, they pertain to non-institutional relationships, developmental narratives, spaces, and needs. Friendships and other intimate relationships in Lawrence's fiction, for instance, often take on a pedagogical shape or texture (one person playing the student; the other, the teacher) while Woolf's literary criticism models a novel approach to taste-training that prioritizes the individual freedom of common readers (who must learn to attend to books that give them pleasure). In addition, Sensuous Pedagogies reads Lawrence's literary criticism as reparative, Woolf's fiction as sustained feminist pedagogy, and their respective theories of life and love as fundamentally entangled with pedagogical concerns.
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Hardback. Condizione: New. In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknow…n works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
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Hardback. Condizione: New. Locating Milton: Places and Perspectives collects nine previously unpublished essays that examine Milton's works as the product of his unique intellectual experiences at home and abroad, while also tracing the ways in which those works themselves express the influence of his travel, his reading, and hi…s political engagement. Following an interpretive introduction that seeks to locate Milton through his last surviving letter, the first group of essays examine how young Milton locates himself through his travels in Italy, how Milton's early reading leads him to situate himself intellectually, and how the intellectual framework Milton generated remains pertinent to students and communities today. The second group calculates the impact of early modern mathematical and scientific models on Milton's cosmology, demonstrating how Milton's complex negotiations of such models give form and perspective to his greatest poetic works. The final group of essays locates Milton distinctly through his works' global reception, ranging from the anonymous English poem Praeexistence, to Milton's place in the new world and science fiction, to his presence as a figure inspiring political resistance in communist Hungary.
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Da: Bill & Ben Books, Faringdon, Regno UnitoBill & Ben Books
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Hardback. Condizione: New. Printed Musical Propaganda exposes a relationship between music and propaganda that crossed generations and genres. Music, in theory and practice, was consistently used as propaganda in a variety of printed genres that included or discussed music from the English Civil Wars through the reign of William… and Mary.
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Da: Bill & Ben Books, Faringdon, Regno UnitoBill & Ben Books
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Hardback. Condizione: New. The late-Victorian era hasbeen extensively researched as a period of Gothic literature, and this studyseeks to build upon this body of work by connecting the content of such studiesto the early decades of the twentieth century, which are less often seen interms of Gothic or supernatural literature. Beg…inning with the quintessentially urbanGothic space of fin de sià cle London, as represented in classic texts such as Dracula and Arthur Machen's The Great God Pan, the study proceeds toask how the themes and energies which emerge in this moment evolve throughoutthe early twentieth century. In the ghost stories of authors like M.R. James,the Edwardian era witnesses an uncanny return to the rural English landscape,in which modernity encounters the re-emergence of suppressed fears and forces.After World War One, London again experiences a renewal of Gothic themes, withfigures such as D.H. Lawrence and T.S. Eliot representing the city as astricken and desolate space, haunted by the trauma and ghosts of the recentconflict. That legacy of violence and loss is also evident in rural representationsof place in the 1920s and 1930s, along with a renewed interest insupernaturalism and paganism found in authors like Sylvia Townsend Warner andMary Butts. Ultimately, this study argues, this period of dramatic social andcultural change is shadowed by a corresponding evolution in Gothic literaryrepresentation, whether that is expressed through modernist experimentation ormore conventional narrative forms.
The Wanderings of Modernism Errancy, Identity, and Aesthetics in Interwar Modernist Literature
Yasna Bozhkova (Author)/ Diane Drouin (Author)/ Olivier Hercend (Author)
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Paperback. Condizione: Brand New. 256 pages. 6.00x0.17x9.00 inches. In Stock.
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Editore: Clemson University Digital Press, Clemson, SC, 2009
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Aggiungi al carrelloWraps. Condizione: Near Fine. 1st edition. 1st edition, 2009. Near Fine. 8vo., 66 pp., SIGNED by author on title page, bound in publishers stiff photo illustrated wraps. Minor signs of shelf wear. Clean and unmarked.
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Hardback. Condizione: New. "This volume offers new interpretations of Pound's poetics, as well as new perspectives on his critical reception globally. It covers Pound's work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator t…o the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years"--.
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Lingua: Inglese
Editore: Clemson University Digital Press, 2021
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Hardback. Condizione: New. The T. S. Eliot Studies Annual strives to be the leading venue for the critical reassessment of Eliot's life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All… critical approaches are welcome, as are essays pertaining to any aspect of Eliot's work as a poet, critic, playwright, editor, or foremost exemplar of literary modernism. This volume contains a cluster edited by Julia E. Daniel. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of Oxford David E. Chinitz, Loyola University Chicago Anthony Cuda, University of North Carolina-Greensboro Robert Crawford, University of St Andrews Frances Dickey, University of Missouri John Haffenden, University of Sheffield Benjamin G. Lockerd, Grand Valley State University Gail McDonald, Goldsmiths, University of London Gabrielle McIntire, Queen's University Jahan Ramazani, University of Virginia Christopher Ricks, Boston University Ronald Schuchard, Emory University Vincent Sherry, Washington University at St. Louis.
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Hardback. Condizione: New. Genial Perception offers a critical examination of Wordsworth's and Coleridge'snaturalist construction of creative and critical perception, and a historical study of the perceptual dimension of poetic taste. "Genial" is the adjectival form of "genius," and eighteenth-century critical naturalism underst…ands "genial" perception as a gift of nature, as an inborn power operating autonomously through the senses and imagination and thus independently of cultural influence. By exploring the philology of keywords and binaries inherited by the two poet-critics and used to describe and interpret their perceptual experience, both creative (imaginative) and critical, Genial Perception traces how that experience reveals an unacknowledged indebtedness to discourse and language, having beensilently and perhaps unconsciously shaped by patterns and trends in the literary culture in which Wordsworth and Coleridge came of age. This study shows that critical perception, often thought to be too elusive and subjective to make a proper subject for historical investigation, can be approached through study of the terms--the language--of the practical criticism that attempts to communicate it; that both critical andcreative perception are far more dependent on language than is commonly recognized; and that philology, by recovering the original usage, functions, and contexts of critical keywords, provides for an accurate historical understanding of the claims made by critics in the long eighteenth century for"genial" perception, and can illuminate the dynamics of "genial" perception itself.
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Da: Bill & Ben Books, Faringdon, Regno UnitoBill & Ben Books
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Hardback. Condizione: New.
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Lingua: Inglese
Editore: Clemson University Digital Press, Clemson, South Carolina, 2009
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Condizione: Near Fine. Condizione sovraccoperta: Fine. Like new dustjacket. Book itself has a minor bump to the bottom corner. Tight, clean and square. Free of any markings except for some initialing on page xvi along with a personal post-it note from the initialer on Clemson Universitypost-it about how they are thanked in the c…redits of the book. There is a photocopy of a personal note on Clemson University letterhead from Jerry Reed in the front of the book. (see photos) 358 indexed pages with some black and white illustrations and photos. Includes a bibliography. History. Biography. South Carolina. 1.25" X 6.25" X 9.25" 3cm X 16cm X 23.5cm Thomas Green Clemson (1807â"1888), the founder of Clemson University in Clemson, SC, was no ordinary man. Fifteen scholars and specialists of history, science, agriculture, engineering, music, art, diplomacy, law, and communications come together to address Clemson's multifaceted life, the century and issues that helped shape him, and his ongoing influence today. Includes information on his life as well as the controversy surrounding his Last Will and Testament and the establishment of the Clemson Agricultural College. Includes many historic documents, black and white illustrations and photos, and a genealogy of the Clemsons and Calhouns from the 1600s up to 1970.
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Hardback. Condizione: New. Writing Modern Ireland examines the complex literary manifestations of Ireland and Irishness from the turn of the twentieth century to very recently. Together with examinations of the nation, the collected essays consider Irish identities that may be sexual, racial, regional, gendered, disabled and abl…e-bodied, traumatized and in the process of healing. Identity, like literary texts, is a constant process of making and remaking, revision and publication. This collection takes up the question of what it means to write modern Ireland, evoking the many resonances that name will carry: a mythic place, a land controlled from elsewhere, a nation hoped for and achieved, a nation denied and resisted, an island divided, an idea soaked in fantasies and dreams, a homeland abandoned in searches for brighter futures, a land of opportunity, a people who are many people, and a place defined by writers who both empower and challenge it. W. B. Yeats looms large, as he does in modern Irish writing, and in commemoration of his sesquicentennial year. Building on a themed issue of The South Carolina Review, the present volume is expanded and rededicated by Catherine E. Paul (Clemson University). It features critical essays by Ronald Schuchard on Yeats, Michael Sidnell on Beckett, Liam Harte on Sebastian Barry, Jefferson Holdridge on contemporary Irish poets, and Thomas Dillon Redshaw on the revival of the Cuala Press (illustrated), together with a host of significant scholarship and criticism by 14 additional international experts from the USA, UK, Belgium, France, and (of course) Ireland.
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Hardback. Condizione: New. Building on the long-standing image of Paris as the "Capital of the Nineteenth Century" and the "Capital of Modernity," this book examines the city's place in the imagination of Irish women writers in the long nineteenth century. By reasserting the centrality of Paris, this book drawsconnections betwee…n Irish and European writers, expanding the map of Irish Studies and forging new points of contact between Irish literature and canonical figures like Goethe, Balzac, and Zola through the shared interest in the socio-economic development of modernity.
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Condizione: New. 2021. Paperback. . . . . .
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Paperback. Condizione: Brand New. 256 pages. 7.00x0.21x10.00 inches. In Stock.
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Condizione: New. Series: Clemson University Press. Num Pages: 164 pages. BIC Classification: 2AB; DSBF; DSC. Category: (P) Professional & Vocational. Dimension: 155 x 229 x 22. Weight in Grams: 314. . 2016. Paperback. . . . .
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Paperback. Condizione: new. Paperback. Sam Aleckson was the pen name for Samuel Williams, a man born into slavery in Charleston, South Carolina, who wrote a memoir about his life and the world around him during and after his bondage. Published privately by his family, Before the War and After the Union Williamss life from his ea…rliest memories of being enslaved and forced to serve Confederate soldiers in army camps, through the post-Civil War years as his family struggled to re-connect and build a new life during Reconstruction. It the ends with tales about his life as the head of a Southern Black family newly relocated to Vermont at the turn-of-the-century. When he wrote his memoir nearly sixty years after emancipation, Williams was an elderly man, far from the site of his childhood in South Carolina, but his memories and analysis were keen and veer from occasional fraught nostalgia to sharply bitter analysis, creating a fascinating American story of suffering and transcendence.Ultimately, his narrative weaves together a moving story of survival, community, and courageous perseverance. As Williamss title reveals, while slavery was Before the War, carving out a life After the Union also demands recognition. His memoir is a rare account of the Civil War and its Reconstruction aftermath from the perspective of a man who was raised as property but survived to proclaim his own life story as testament to his humanity. Sam Aleckson was the pen name for Samuel Williams, a man born into slavery in Charleston, South Carolina, who wrote a memoir about his life and the world around him during and after his bondage. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condizione: New. 2018. Illustrated. Paperback. . . . . .
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Condizione: New. 2021. Paperback. . . . . .
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Condizione: New. 2021. Paperback. . . . . .
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Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.
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