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  • Editore: Concreto, Buenos Aires, 2020

    9874687487 / 9789874687487

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    Da: Iberoamericana, Madrid, M, SpagnaIberoamericana

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    Condizione: Nuovo

    EUR 19,00

    EUR 22,50 spedizione 
    Spedito da Spagna a U.S.A.

    Quantità: 1 disponibile

    Condizione: Nuevo. Primer libro de cuentos de la periodista argentina Tali Goldman (Buenos Aires, 1987-). 120 pages.

  • Lingua: Spagnolo

    Editore: Concreto, Buenos Aires, 2020

    9874756608 / 9789874756602

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    Da: Iberoamericana, Madrid, M, SpagnaIberoamericana

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    Condizione: Nuovo

    EUR 33,00

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    Quantità: 1 disponibile

    Condizione: Nuevo. [Novela] Malén Denis (Buenos Aires, 1989-). Primera edición en 2019. 140 pages.

  • Editore: Concreto, Buenos Aires, 2022

    9874756683 / 9789874756688

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    Da: Iberoamericana, Madrid, M, SpagnaIberoamericana

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    Condizione: Nuovo

    EUR 20,00

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    Quantità: 1 disponibile

    Condizione: Nuevo. [Poesía] Andrea Franco (La Habana, 1991-). 59 pages.

  • Editore: Buenos Aires. Asociación Arte Concreto Invención, 1946

    • Brossura
    • Prima edizione
    • Rivista/periodico

    Da: Chaco 4ever Books, Montevideo, MO, UruguayChaco 4ever Books

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    Condizione: Usato - Quasi ottimo

    EUR 2758,44

    EUR 28,12 spedizione 
    Spedito da Uruguay a U.S.A.

    Quantità: 1 disponibile

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    Encuadernación de tapa blanda. Condizione: Muy bueno. 1ª Edición. 4to [28.5 x 20 cm (11.2 x 7.9 in)]. #1, August 1946. Original wrappers. Complete with the rare loose supplement "Suplemento Poesía". Inaugural issue of this decisive publication for the Argentine Constructivist avant-garde, the official organ of the Asociación Arte Concreto-Invención, which emerged in 1945 following the split from the Arturo magazine group and the separation from the Madí movement. The group, which held a seminal exhibition at the home of photographer Grete Stern shortly before this release, sought to transform the modern man's environment by integrating visual arts, architecture, and design. This volume constitutes a fundamental historical document, featuring on page 8 the famous "Manifiesto Invencionista" a text echoing the Communist Manifesto which decrees the end of the "artistic era of representative fiction" and declares the closure of "the prehistory of the human spirit" in favor of a scientific aesthetic based on pure invention and objectivity, rejecting both Symbolism and Surrealism. The concept of "invention" driving the group stems from dialectical materialist categories, proposing the concrete as a stage surpassing both figuration and illusionist abstraction. The contents gather theoretical and polemical collaborations from central figures such as Tomás Maldonado, Manuel Espinoza, Juan Melé, Juan Alberto Molemberg, Primaldo Mónaco, and Oscar Núñez, alongside reproductions of the group's works. This copy preserves the bibliographical rarity of the "Suplemento Poesía," a dedicated supplement on poetic invention edited by Simón Contreras and Edgar Bayley, aligning the written word with the movement's rigorous anti-abstract stance. A piece of extreme scarcity the magazine had an ephemeral life of only two issues and was originally sold for one national peso vital for understanding the renewal of visual arts in Latin America and held in collections such as that of CeDInCI. Washington Pereyra T4,p196, Provenzano (described but not quoted), Tarcus p36. D4.…