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Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. First edition, first printing hardcover of Don't Be Evil by Rana Foroohar, Currency, 2019. ISBN 978-1-9848-2398-4. Dust jacket present with light shelf/edge wear. A handwritten signature appears on the title page and appears to read "Rana Foroohar." No certificate or third-party authentication is included; the signature is unverified and is not represented as authenticated. Please see photos for condition. Signed by Author(s).…

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 340pp. Black hardback with DJ, VG, First Edition, index, chapter notes, bibliography, showing people how to turn difficult conversations about race into productive instances of real change.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 73 pp., Paperback, NEW!!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Stuart Cunningham, Director of the Brisbane Centre for Excellence for Creative Industries and Innovation, proposes a new way of looking, not only at culture and creative expression, but also at what is needed to strengthen our creative economy. In so doing he provides fresh evidence for renewing the case for public investment. Cultural economics has given reason for governments to subsidise the arts, and the idea of cultural industries has given governments reasons to regulate and further develop cultural policy. This essay looks at policies developed in other parts of the world that seek broader evidence of how creativity might be integrated in society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. The author argues that a new debate is emerging about values: What is the value of cultural diversity in Australia? The ideas promoted by the Keating Government's policy, Creative Nation, are today at odds with the cultural change that has taken place under the Howard Government. How much do governments lead cultural change and how do they subscribe to the public mood? The ideas promoted by the Keating Government's policy, Creative Nation, is at odds with the cultural change that has taken place under the Howard Government. How much do governments lead cultural change and how do they subscribe to the public mood? This title asks: What is the value of cultural diversity in Australia? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. In a passionate personal/political statement, Australia's most celebrated festival director and cabaret artist accuses Australia and its political leaders of selling out its arts to populism and 'the myth of the mainstream'. While at home Australians are tolerant, imaginative and flexible, the mainstream no longer allows for difference of opinion in public. Accuses Australia and its political leaders of selling out its arts to populism and the myth of the mainstream. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. In the 1970s, 80% of arts funding went to individuals; today 80% goes to institutions. The arts are dominated by giant corporations that spend a growing percentage on administration. But, says Latham, the "Titanics are sinking: it is time to get into the skiffs". To survive societys exponential change, the new artist must be engaged, versatile and independent, and able to grasp change ahead of the dominant culture. For the brave, the opportunities can be unique. Latham examines the present music and arts industry and points a way forward. In the 1970s 80 percent of arts funding went to individuals; today 80 percent goes to institutions. The arts are dominated by giant corporations who spend a growing percentage in administration. This title examines the music and arts industry and point a way forward. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Melbourne's bid to become the world's second UNESCO City of Literature marks a new phase in the global move towards the creative city. Victoria, it is said, is where arts and culture are at the centre of economic thinking. But what does this say about the value of culture, the benefits of cultural participation and the distribution of benefits to a wider community?Do the most important impacts of the arts defy measurement? How can our cultural centres find a language to express the value that Australians see? Kay Ferres and David Adair search among our performing arts venues for a new kind of yardstick, one that might define the ineffable. Presents the early findings of a research project involving all the principal cultural centres in Australia and New Zealand. Concerns over government responsibility for the arts and offers a way forward out of the present confusion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Amanda Card argues the need to reinvigorate dance in Australia. She urges the need for radical change in the current structure of our dance companies, which should become entrepreneurs employing pools of dancers to work with invited choreographers. Once dancers joined ballet, modern dance groups or chorus lines and did what they were directed to do. Today the art is more collaborative but still bound by old-fashioned structures impose by university dance studios. Today there are too many graduating students and little steady work, few auditions and decreasing opportunity for newcomers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Veteran filmmaker Storry Walton sees the rolling diaspora of filmmakers working abroad not as a brain drain but a stimulating asset awaiting development. Our funding structure is now world class, he says, but years of underwriting indifferent movies have created a culture of entitlement to public money which must be overcome. We must fund only the best, and draw on the skills increasingly acquired abroad to engage with the cultural and political flow of the nation. Seeing the rolling diaspora of filmmakers working abroad not as a brain drain but a stimulating asset awaiting development, the author asserts that only the best must be funded. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. In a groundbreaking assault on the present state of the performing arts, Meyrick argues that history is repeating itself and is leading to paralysis. Despite nearly 40 years of subsidy, and huge arts institutions, there are fewer theatres than existed a decade ago and these are cutting back employment. He calls for a heartfelt examination of the status quo by artists themselves and the creation of a national strategy. In a groundbreaking assault on the present state of the performing arts, the aothor argues that story is repeating itself and is leading to paralysis. He calls for a heartfelt examination of the status quo by artists themselves and the creation of a national strategy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…