Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. 2018 oversize hardcover 1st edition with photographic boards and endpapers and no dj as published. A bit of soil on cover, else fine . Oversize book extra shipping charges will apply for international and priority orders as this will not fit into a flat rate envelope.
hardcover. Profusely illustrated (illustratore). 1st. 4to, 189 pp., Introduction by Bill Buford. Fine copy (issued without dust jacket).
Lingua: Inglese
Editore: Damiani March 2019, Bologna, Italy, 2019
ISBN 10: 8862086598 ISBN 13: 9788862086592
Da: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Hardcover. Condizione: Like New. Folio. Photographic pictorial boards. Black end pages. Clean, fine/as new. With 20 full page photographs within.
Paperback. Condizione: new. Paperback. Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condizione: new. Paperback. Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Prima edizione
EUR 8,00
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Neu. Condizione sovraccoperta: Neu. 1. Auflage. with many coloured illustrations; with illustrated jacket.
Paperback. Condizione: new. Paperback. Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Damiani and R., Bologna, Italy and New York, 2014
ISBN 10: 8862083580 ISBN 13: 9788862083584
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition and first printing. Hardcover. 220 pages. The first monograph on American glassmaker Jeff Zimmerman. Text in English with an essay by John Drury and a conversation between sean Kelly and Jeff Zimmerman. Includes numerous color illustrations. A fine copy in illustrated boards. No dust jacket as issued.
Paperback. Condizione: new. Paperback. A fruitful marriage between the visionary world of Toilet Paper and the uncanny imagery of artist, director and screenwriter Alex PragerThe latest issue of Toilet Paper magazine features 12 images by Alex Prager juxtaposed with 12 images conceived by the team at Toilet Paper. The magazine's alluring aesthetics, vibrant colors and playful visual deviations enter into a reciprocal conversation with the technicolor universe of Alex Prager's work. Prager's exploration of the delicate boundary between reality and fiction, utilizing her distinct blend of archetypes, everyday objects, humor and allegory, forms the core of a tantalizing and enigmatic journey. This new magazine follows ToiletMartin PaperParr (2018), a special publication that collected the most iconic images from the prolific archives of the internationally renowned artist Martin Parr and the Cattelan-Ferrari duo.Alex Prager (born 1979) is an American artist, director and screenwriter based in Los Angeles. Prager is known for her uncanny images and films that blur the line between artifice and reality to explore the human condition. She has exhibited at museums worldwide and received numerous awards, including the Foam Paul Huf Award and an Emmy Award. Most recently her short film Run (2022) was nominated for the 2023 SXSW Grand Jury Award. Prager is currently in production for her directorial debut feature film, DreamQuil, cowritten with her sister, Vanessa Prager. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condizione: new. Paperback. Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a widely distributed magazine, challenges the limits of the contemporary art economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condizione: new. Paperback. TOILETPAPER is a picture based magazine founded in 2010 by Maurizio Cattelan and Pierpaolo Ferrari. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialisation of the duo's mental outbursts. TOILETPAPER combines the vernacular of commercial photography with twisted narrative tableaux and a troubling imagination, creating a world that displays ambiguous and surrealistic imagery. TOILETPAPER images have been reviewed by weekly and art magazines worldwide and appeared in special issues of magazines such as Vice and Hunger. TOILETPAPER was also exhibited on the High Line Billboard in Chelsea, NYC in May, 2012. In the same year images taken from the first six issues have been published in an anthology, together with selected narrative texts, that was reviewed in The New York Times' Top 10 Photo Books. TOILETPAPER is a picture based magazine founded in 2010 by Maurizio Cattelan and Pierpaolo Ferrari. TOILETPAPER combines the vernacular of commercial photography with twisted narrative tableaux and a troubling imagination, creating a world that displays ambiguous and surrealistic imagery. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condizione: new. Paperback. Following the success of ToiletMartin PaperParr and ToiletAlex PaperPrager, ToiletMiles PaperAldridge is the third magazine collaboration from Toiletpaper duo Maurizio Cattelan and Pierpaolo Ferrari. British photographer Miles Aldridge has developed an editorial style that is both couture and chromatic but also surreal. He is influenced by the films of Federico Fellini and David Lynch and the photography of Richard Avedon, as well as the album covers and book designs created by his father, Alan Aldridge. As one of Aldridge's own inspirations, David Lynch, once said of his work: "Miles sees a color-coordinated, graphically pure, hard-edged reality." This latest issue of Toiletpaper sequences a selection of Aldridge's glamorous and elaborate mise-en-scene images in a palette of vibrant acidic hues. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardcover. Condizione: Near Fine. 1st. Pictorial boards, 238 pages, chiefly illustrations; 29 cm. Foreword in English and in Italian. Near fine. Firm binding, clean inside copy. Lower right corners lightly bumped. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "These informal, insightful photographs, many of which feature major figures on the British and international art scenes, are casually framed, as if by a friend and co-conspirator--which is just what Johnnie Shand Kydd is. As a newly active photographer in the 1990s, Shand Kydd fell into the party and opening scene of the Young British Artists, or YBAs, and participated in that crowd's growth and success by documenting his friends, including Tracey Emin and Damien Hirst. That work was soon collected into the book Spit Fire, and taken to the country's heart: a Shand Kydd snapshot of Hirst making faces with Kate Moss is now in the National Portrait Gallery in London, along with 70 related pieces. This second book, Crash, documents the aforementioned familiar faces and more, and shows the ways in which Shand Kydd has refined his straightforward and confident approach, in both theme and technique, while managing to hold onto his subjects' familiarity and unaffected collaboration. About 200 exposures in strict black-and-white capture art-society luminaries like Gilbert & George, Sam Taylor-Wood, Nan Goldin, Richard Prince, Juergen Teller, Maurizio Cattelan and Tracey Emin." - Publisher. Size: 4to. Collectible.
Lingua: Inglese
Editore: Bologna, Damiani (Visual Books), 2007., 2007
ISBN 10: 8889431636 ISBN 13: 9788889431634
Da: Antiquariat Dirk Borutta, Berlin, Germania
EUR 12,00
Quantità: 1 disponibili
Aggiungi al carrello200 Seiten. Überwiegend illustriert. Gr.-8°, Illustrierter Pappeinband. Einband an den Kapitalen gering bestoßen und etwas gestaucht sowie gering angeschmutzt. Sonst in einwandfreiem Zustand. Sprache: Deutsch.
Condizione: Very Good. Hardcover, 100 pages. Original publisher's illustrated laminated boards. Issued without dust jacket. Copiously illustrated in color and black and white throughout. Beatrice Haverich believes that "trees embody life. They show us the seasons in a city landscape, and they provide us with wood, food and shelter. Their silence demands our respect." Her subjects, for whom she has the utmost sympathy, are survivors, stalwarts: for example, the Yew trees in Kingsley Vale, UK, are 4,000 years old. Among these portraits, she observes branches molded by the wind into lopsided hairstyles, and roots exposed by the rain. Some trees survive in cement planters or remain in the bounds of their sidewalk squares, but others reclaim their habitat, taking over old greenhouses and popping the glass panes one by one as they grow. Up from sand and boulders and cliffs and pavement, Haverich's trees are shaped by their landscape, but they persist in shaping it as well. Record # 361153.
Paperback. Condizione: new. Paperback. The results of the election were hard to comprehend because they couldn't be understood through logical or rational thinking. The lack of comprehension of the results led to half the nation living in a continual state of bewilderment. Caleb Cain Marcus turned to photography as a means to make sense of and process his visceral reaction to the election. He photographed the blue sky because, like our thoughts and minds, it is abstract and seemingly undividable; and yet, humans create division with thoughts and ideas which have no physical presence.He used his work to move beyond the feeling of hopelessness and despondency. The first step of the process was to physically divide the prints by tearing them in half. The next step was to join the two pieces together and finally to apply gold leaf along the tear to create a continuous gold line. Through this physical intervention to the photographs every print becomes a unique expression of an attempt to leave behind the feelings that resulted from the election. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Prima edizione
Hardcover. Condizione: Near Fine. First Edition. Signed by Ferraro on half-title page. Clean and solid. ; Black and white photographs; 4to.
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. A brief movement after death by Caleb Cain Marcus explores the release of energy from the body into the universe when we die. The images were taken along the coasts of New York and California and contain sky and ocean-immense bodies of space that we can lose ourselves in; becoming part of their vastness. The inspiration for the book came to the photographer from a personal experience. With the birth of his daughter, his death suddenly felt very near. His childhood questions about what happens when we die resurfaced and Marcus began to think about how to visually represent what occurs after death. The work represents the starting point of his new practice that juxtaposes digital and hand-applied mediums to create a hybrid surface, color and edge that challenges the medium of a photograph and the way in which it is seen, understood and felt. With the motion of a pendulum the grease pencil is swung by a string to make tightly grouped marks that reference the finite quantity of time in a lifespan and that move across the paper as if in a formation of light leaving the earth. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 15,94
Quantità: 6 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Stunning and timeless collection of unpublished photographs of cats from the photographer who defined the visual vocabulary of feline image making for generations to follow. Iconic cat photographs never been published before in over 50-60 years These photographic muses were Chandohas own family cats or rescue cats from the Greenwich Village animal shelter (the Chandoha archive has photos of the shelter from 1949). There was a level of unparalleled trust between artist & subject This volume includes his original muse Loco, who he found during a NYC snow storm in 1949 & Chandohas first photos of Locos antics were picked up & published by the picture magazines around the world at that time, going viral in 1949. From that time on, Chandohas photographic practice focused on cats (& then dogs as well). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 111 pages; Description: 111 p. : col. ill. Subjects: Photography --Individual Photographers --Street photography. 4 Kg.
First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 1 pages; Description: 1 vol. Summary: Peripatetic, prolific and perceptive, Mario De Biasi has trekked the world, looking for and capturing human stories of such diversity that this collection could also be called People. With Boubat, Cartier-Bresson, Gardin and Riboud, De Biasi was part of a generation of travelers and explorers whose oeuvre amounts to a visual ode to the second half of the twentieth century. Through his long collaboration with Epoca, the Italian magazine, he is considered by many to be the father of photojournalism in his country, inspiring generations of young photographers, with travel bags ready and cameras always in hand. De Biasi finds intimate moments that nevertheless have the sweep of history: a crowded, colorful street scene in the Far East, or a worker napping in the crevice of an ancient monument. This book is part of the Unpublished Photographs series. 3 Kg.
Lingua: Inglese
Editore: Bologna, Italy : Damiani Editore ; Merano : Merano Arte, 2006
ISBN 10: 8889431652 ISBN 13: 9788889431658
Da: MW Books, New York, NY, U.S.A.
Prima edizione
First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 189 pages; Physical desc. : 189 p. : ill. (chiefly col.) ; 24 cm. Published to accompany the exhibition, Sound Zero: Art and Music from Pop to Street Art, 9 Sept. 2006-7 Jan. 2007, at the Kunst merano arte. Subjects: Pop art --Exhibitions --Posters --Sound recordings --Album covers --Popular culture --Art, Modern --20th century. Summary: As the Velvet Underground put it, "I'll be your mirror, reflect what you are, in case you don't know. " Sound Zero opens on the Velvet Underground's work with Warhol, and follows the close, even mimetic, relationship between Pop Art and pop music through the psychedelic explosion of the 70s and the graffiti, hip-hop and skate punk of the 80s and beyond. From Pop's simple and direct communication, colorful and clean, through psychedelia's overabundance of symphonic chaos, to the remixed and appropriated work of street artists and musicians, the interrelations are clear, and clearly influential. Sound Zero tracks them in over 100 color illustrations of paintings, photographs, objects, installations, graphics, placards, video and paintings, and a parallel universe of record covers, posters and performances. It features works by Robert Rauschenberg, Raymond Pettibon, Richard Hamilton, Jean-Michel Basquiat, Keith Haring, Chris Johanson, Barry McGee and Ari Marcopoulos; an interview with Aaron Rose; and a timeline showing developments in Pop, psychedelic and street art alongside the history of popular music. 3 Kg.
Lingua: Inglese
Editore: Damiani Editore, Bologna, Italy/Italia, 2005
ISBN 10: 8890130474 ISBN 13: 9788890130472
Da: gearbooks, The Bronx, NY, U.S.A.
Soft Cover. Condizione: Very Good. Page Numbers: N/A. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Text in Italian. Solidly bound copy with minimal external wear, crisp pages and clean text. No publishing year given. Publishing year gleaned from other sources, therefore, it is an approximation.
Hardcover. Unnumbered art book with glossy photographs throughout, 11.5x8 inches, very good condition. Text in English and Italian. Haunting pictures of an abandoned Italian mental institution.
Hardcover. Condizione: new. Hardcover. Arthur Elgort has always loved women. When he realized that striking up a conversation with them was easier with a camera he was hooked. While he made a career photographing models for fashion, he was also taking personal photographs of every woman he met along the way. This book is a compilation of images, many unpublished till now, of women throughout Arthur's life and career. It is Arthur's homage to women - their power, their beauty, their innocence, their joy, their strength. Featured among others are iconic female beauty such as Gia Carangi, Christy Turlington, Cindy Crawford, Polly Mellen. In his latest book, the great American fashion photographer presents photographs of women that he has taken throughout his career, in homage to their power, their beauty, their joy, and their strength. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardcover. Condizione: new. Hardcover. Hair Stories is a series of excerpted interviews and portraits of a diverse array of women which explores the complex relationship women have with their hair. Photographer Rohina Hoffman used her interviewing skills, which she developed in her training as a neurologist, to establish an intimate rapport that allowed for a truthful telling about the impact of hair in these womens' lives. Though it was conceived and shot before the #MeToo movement, this salient project presents hair as a metaphor for identity, femininity, and the manner in which women struggle for control over their own bodies in a misogynistic world. Hair Stories reflects that hair is more than just style or aesthetics; it is a physical manifestation of the history of women. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardcover. Condizione: Fine. No Jacket. Color photographs (illustratore). First Edition. Size: Oblong 4to - over 9¾" - 12" tall. Book.
Hardcover. Condizione: Fine. 1st. Pictorial boards, 159 pages, colour illustrations; 29 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Chinese painter He Sen (born 1968) has been gaining increased attention for his exquisite photorealist paintings of young women. His subjects wear lingerie or pajamas as they strike casually, almost naively seductive poses and fix languid, near-vacant stares off into the distance, at a blaring television, or directly at the viewer. These women are rendered almost exclusively in blacks and grays, and the surfaces of their skin and nylon stockings have an eerily smooth texture. He's paintings blatantly mobilize the sexualized beauty of their nymphets, yet the only moments of color in these shadowed portraits are all inanimate commodities: copper bangle bracelets, a splash of pink lipstick, a goblet of wine. And the only traces of a classically expressive hand are to be found in the practically Impressionist plumes of smoke that issue from the models' cigarettes: ephemeral, polluted, fatal." - Publisher. Size: 4to. Collectible.
Hardcover. Condizione: Near Fine. 1st. Pictorial boards, 335 pages, illustrations (chiefly colour); 32 cm. Firm binding, clean inside copy. Light shelfwear to boards, corners lightly bumped. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "Founded by artists Warren Fischer and Casey Spooner in 1998, Fischerspooner began as a philosophical provocation that sought to explore the expressive potential located in the gap between popular entertainment and art. Soon swelling from a duo to an army of dancers, stylists, photographers and musicians, the group has activated a variety of spaces such as traditional concert halls, nightclubs, construction sites, parades, art galleries and museums. Their Brechtian theatrics lay bare the potential honesty of spectacle and device by not only revealing their inner workings but also celebrating them. Fischerspooner ultimately proposes that artifice and surface can be recombined to create a new concept of authenticity--a 'new truth.' This kaleidoscopic monograph provides unprecedented insight into the first five years of the Fischerspooner project. From a debut performance in a New York City Starbucks, to a blitz of the international art world, to more mainstream visibility via a major label recording contract, New Truth chronicles Fischerspooner's quest to profoundly upend the boundaries of art, music and performance. Invested in liminal spaces and the in-between, Fischerspooner also captures a unique millennial moment that seemed to prophesy a future where the avant-garde could be translated into a vernacular of pure joy." - Publisher. *** CONTENTS: Introduction, by Margaret Mowder; As if I am, by Casey Spooner; Endless mediocrity, by Gavin Brown; Famed fake, by Klaus Biesenbach; Bodies electric, by Jeffrey Deitch. Size: Folio.