damiani srl (18 risultati)

Hardcover. Condizione: As New. 1st. not issued with a dust jacket. 160pp 2.88lb 11.5x9.9x0.8in.

Gebunden. Condizione: Neu. Neu -The 'Warzone Collective' began in 1984 in the city of Belfast, Northern Ireland when a few local punks decided to consolidate their efforts and get their own venue, practice & social space. In 1986 the Collective opened its first premises in Belfast called 'Giros'. It provided a vegetarian cafe, practice space, screen printing facilities, etc. Over time the space soon became a focal point for anarchists, punks & other forward thinking individuals. In 1991 the Collective moved to a larger and more ambitious venue, which is where all of the photographs in this book were taken. Over the years thousands of people passed through Giros' doors and were exposed to some amazing bands, and new ideas. A strong D.I.Y. ethic defined the way gigs and events were organized. Over time, a recording studio, screen printing & photographic dark room facilities were set up, along with a vegetarian cafe. It didn't have an alcohol license - Giros was an all ages venue. The 'Warzone Centre' or 'The Centre' as it was called by some, became the counter-cultural alternative hub for the greater Belfast area and beyond. Bands from all over the world came here to play. It soon became infamous as being one of the most credible venues in Europe for D.I.Y. punk. The photographs in this book were taken sporadically over the years somewhere between 1997 - 2003. A small window of time considering the Warzone Collective opened its first venue in 1986. Towards the end of 2003 the Centre closed for a number of different reasons, leaving a huge gap in radical Belfast culture. In 2011, the Warzone Centre reopened after an 8 year hiatus, in a different venue on the opposite side of town. It is still going strong today. 176 pp. Englisch.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. 199 pages; 7 1/2 x 9 3/4" Essays by Michael Berenbaum and Stuart E. Eizenstat. Shipping will be extra for this heavier book, please inquire.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware - Following the success of ToiletMartin PaperParr and ToiletAlex PaperPrager, ToiletMiles PaperAldridge is the third magazine collaboration from Toiletpaper duo Maurizio Cattelan and Pierpaolo Ferrari. British photographer Miles Aldridge has developed an editorial style that is both couture and chromatic but also surreal. He is influenced by the films of Federico Fellini and David Lynch and the photography of Richard Avedon, as well as the album covers and book designs created by his father, Alan Aldridge. As one of Aldridge's own inspirations, David Lynch, once said of his work: 'Miles sees a color-coordinated, graphically pure, hard-edged reality.' This latest issue of Toiletpaper sequences a selection of Aldridge's glamorous and elaborate mise-en-scčne images in a palette of vibrant acidic hues.

Buch. Condizione: Neu. Neuware -'Free as they want to be': Artists Committed to Memory is the companion publication to the FotoFocus biennial exhibition that is scheduled for Fall 2022 and will run at the National Underground Railroad Freedom Center until Spring 2023. This project considers the historic and contemporary role that photography and film have played in remembering legacies of slavery and its aftermath while examining the social lives of Black Americans within various places including the land, at home, in photographic albums, at historic sites, and in public memory. This exhibition acknowledges artists' constant involvement with efforts to explore the possibilities of freedom and their relationship to it. Their quest to be 'as free as they want to be' is envisioned in the subject matter they explore as well as in their persistent drive to innovate aesthetic practices in photographic media. The publication presents some 20 artists working in photography, video, silkscreen, projection, and mixed media installation. Free as they want to be is inspired by the words of James Baldwin and the timely theme of FotoFocus, World Record, as well as events of late that have shaped the world as we know it. The artists selected for this publication are on the frontlines, creating, documenting, and writing. The works they have conceived reflect defining moments in the struggle for racial justice and equality. Free as they want to be presents an occasion to reflect upon the past, to mark significant defining moments - both triumphs and tragedies - that characterize a people and their experiences in the present - and to propose future possibilities. The artists offer images that advance a different sense of empowerment. Their images thus play an integral part in casting resilient narratives as they commemorate endurance, longevity, and accomplishment. The timing of a publication like this could not be more urgent given the human toll of the pandemic, widening economic disparities, the threat of war, voting rights, global migration crises, and quotidian violence. Proposed Artists: Terry Adkins; Radcliffe Bailey; J.P. Ball Studio; Sadie Barnett; Dawoud Bey; Sheila Pree Bright; Bisa Butler; Omar Victor Diop; Nona Faustine; Adama Delphine Fawundu; Daesha Devon Harris; Isaac Julien; Cathy Opie; Hank Willis Thomas; Lava Thomas; Carrie Mae Weems; Wendel White; William Earle Williams; anonymous tintype photographer - photo album 176 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware - Tar Beach. On the Rooftops of Little Italy brings together photographs and memories of life in and around the rooftops of Little Italy, New York. These are pictures that were made, kept and gathered by various families who handed them down from 1940 to the early 1970's. Reflections from the community offer perspectives of multiple generations, as Angel Marinaccio says: 'If you had an accomplishment- communion, confirmation, wedding, graduation or birthday, you'd dress up in your best outfit and go to the rooftop to take pictures and celebrate with your family.' We see the images they shared and saved. The introduction to Tar Beach is written by renown filmmaker Martin Scorsese who grew up on the streets portrayed in this collection. He writes: 'The roof was our escape hatch and it was our sanctuary. The endless crowds, the filth and the grime, the constant noise, the chaos, the claustrophobia, the non-stop motion of everything. you would walk up that flight of stairs, open the door, and you were above it all. You could breathe. You could dream. You could be.' Photographer Susan Meiselas, along with two of her neighbours, Angel Marinaccio and Virginia Dell'Orio, collected and curated these vernacular photographs to convey the feeling of this special place and time in the daily lives of Italian immigrants as they made their way to becoming part of American culture. The book is designed by Yolanda Cuomo.

Buch. Condizione: Neu. Neuware - Photographer Joan Myers (born 1944) is perhaps best known for her recent images of the forbidding Antarctic landscape. In this new publication, Myers turns her attention to volcanoes, photographing iconic sites from around the world: Volcano National Park on the island of Hawaii, Lanzarote in the Canary Islands, Ecuador's Cotopaxi and Picincha, Mt. Erebus in Antarctica, Krakatoa in Indonesia, Mt. Etna and Pompeii are all included in this breathtaking volume. Myers' essay reads like an adventure story, exploring the connection between fire and ice while describing her thrilling treks to the ends of the Earth. 'We like to imagine Earth as a ball,' she writes, 'a brightly-colored dime-store globe with countries and oceans drawn on its glossy surface. We forget that its surface slides, subducts and transforms, setting off earthquakes and volcanic eruptions . A stable earth, whatever we would like to think, is an illusion.'.

Buch. Condizione: Neu. Neuware - Edited by Jérōme Sans and Marla Hamburg Kennedy, Lipstick Flavor creates a panorama of lipstick from the world of contemporary art photography. Fully illustrated, the book, conceived as a kind of magazine, reveals a story that shows how this feminine symbol has pervaded our culture and its imagery.

Taschenbuch. Condizione: Neu. Neuware - After several years photographing New York City-socializing with Alfred Stieglitz, Georgia O'Keeffe, Berenice Abbott and Minor White-American photographer Todd Webb moved to Paris in the late '40s and made his first negatives with an 8×10 camera. He quickly found himself having the time of his life-mingling with other artists such as Gordon Parks, Man Ray and Brassaļ. In his journal, Webb often worried about money and whether he could make it in Paris, but he persevered. Paris: A Love Story 1948-1952 includes never-before-published excerpts from Webb's journal and showcases 70 black and white photographs that Webb shot from 1949 to 1952 as he, in part inspired by the work of Eugčne Atget, took to the streets to make a personal, beautiful and lasting record of postwar Paris.

Buch. Condizione: Neu. Neuware - Parläs painterly meditation on life and death in the wake of his perilous Covid encounter. The immersive, monumental paintings documented here were the first works that José Parlį created after his recovery from a life-threatening battle against Covid. The series was installed in the iconic Beaux-Arts Court at the Brooklyn Museum in 2022.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Surrounded and inspired by a group of powerful female artists, Barcelona photographer Xavier Guardans (born 1954) created Self-Portraits over a decade. His black-and-white images, accompanied by the subjects' voices, convey the confidence of women in the 21st century.

Buch. Condizione: Neu. Neuware - Azzedine Alaļa moved to Paris from Tunis in 1956 and quickly became the favorite couturier of the French high society like Louise de Vilmorin and many celebrities, including Greta Garbo and Claudette Colbert. In 1979, he crossed paths with Thierry Mugler, igniting a deep friendship and creative partnership that would go on to shape the fashion landscape of the 1980s. That same year, Mugler invited Alaļa to design a series of tuxedos for his autumnwinter collection, publicly acknowledging his contribution in the press kit. Mugler's support proved crucial - he introduced Alaļa to key fashion figures and played a pivotal role in persuading him to present his first runway show in New York in 1982, even assisting with the event's organization. Together, their shared vision celebrated a powerful femininity, structured silhouettes, and Hollywood-inspired glamour, which marked a sharp contrast to the folkloric trends that had dominated the previous decade. This book, published to accompany the Azzedine Alaļa Foundation's current exhibition (running through June 29, 2025), explores their extraordinary friendship, creative collaborations, and lasting impact on the history of fashion.