Dance books ltd alton (12 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: new. Paperback. "School of Classical Dance" is the official textbook of the Vaganova School and takes the reader from the basic concepts of the syllabus to the most complicated exercises taught at the end of the eight-year course. A thorough and logical presentation of the classical vocabulary, from its basic forms to advanced variations, is followed by a sample lesson for a senior class. The eight-year syllabus of the Vaganova school, now officially adopted by all Russian ballet schools, is then given in full. "School of Classical Dance" is both a work of reference and a stimulating handbook. "School of Classical Dance" is the official textbook of the Vaganova School and takes the reader from the basic concepts of the syllabus to the most complicated exercises taught at the end of the eight-year course. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Laban's The Mastery of Movement on the Stage, first published in 1950, quickly came to be accepted as the standard work on his conception of human move-ment. When he died, Laban was in the process of preparing a new edition of the book, and so for some time after his death it was out of print. That a second edition appeared was solely due to the efforts of Lisa Ullmann, who, better than any other person, was aware of the changes that Laban had intended to make. The rather broader treatment of the subject made advis-able the change of title, for it was recognised that the book would appeal to all who seek to understand movement as a force in life. In this fourth edition Lisa Ullmann has taken the opportunity to make margin annotations to indicate the subject matter referred to in a particular section of the text, so that specified topics may be easily found. Kinetograms have been added to most of the examples in Chapters 2 and 3, as Laban originally intended, for the growing number of people who read and write movement notation. Lisa Ullmann has also compiled an Appendix on the the structure of effort, drawing largely on material from an unpublished book by Laban.The relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and meanings. The student is introduced to basic principles underlying movement expres-sion and experience and the numerous exercises are intended to challenge his or her intellectual, emotional and physical responses. The many descrip-tions of movement scenes and mine-dances are designed to stimulate penetra-tion into man's inner life from where movement and action originate. Laban's The Mastery of Movement on the Stage, first published in 1950, quickly came to be accepted as the standard work on his conception of human moveAment. When he died, Laban was in the process of preparing a new edition of the book, and so for some time after his death it was out of print. That a second edition appeared was solely due to the efforts of Lisa Ullmann, who, better than any other person, was aware of the changes that Laban had intended to make. The rather broader treatment of the subject made advisAable the change of title, for it was recognised that the book would appeal to all who seek to understand movement as a force in life. In this fourth edition Lisa Ullmann has taken the opportunity to make margin annotations to indicate the subject matter referred to in a particular section of the text, so that specified topics may be easily found. Kinetograms have been added to most of the examples in Chapters 2 and 3, as Laban originally intended, for the growing number of people who read and write movement notation. Lisa Ullmann has also compiled an Appendix on the the structure of effort, drawing largely on material from an unpublished book by Laban. The relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and meanings. The student is introduced to basic principles underlying movement expresAsion and experience and the numerous exercises are intended to challenge his or her intellectual, emotional and physical responses. The many descripAtions of movement scenes and mine-dances are designed to stimulate penetraAtion into man's inner life from where movement and action origi This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. During his lifetime the great Danish choreographer August Bournonville (1805 - 1879) created more than fifty ballets. As the rehearsal period for each ballet ended and the ballet reached its final form Bournonville published a short pamphlet giving the plot of the ballet in detail. All those which survice are gathered here, translated into English by Patricia N. McAndrew. The libretti help us to piece together a comprehensive picture of the Danish ballet master as an artist of national and international calibre and enable us to assess more fully his place in the world of nineteenth-century European ballet. As his characters and ideas unfold before us, we can begin to compare them with those of other choreographers of his day and finally discover, in part, something sorely missed by many critics today: the setting in which August Bournonville's choreographic "gems" were once displayed. Today, more than a century after his death, Bournonville's name is more widely known than it was during his lifetime: eight ballets and a number of assorted dances still grace the stage of Copenhagen's Royal Theatre, and those "skeletal" libretti-what Bournonville called his "ballet poems"-still exist to impress upon us what a treasure we possess in the Bournonville ballets, to remind us of what has been lost over the years, and-perhaps most important of all- -to reveal to us the workings of an ingenious, practical choreographer's mind. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. "School of Classical Dance" is the official textbook of the Vaganova School and takes the reader from the basic concepts of the syllabus to the most complicated exercises taught at the end of the eight-year course. A thorough and logical presentation of the classical vocabulary, from its basic forms to advanced variations, is followed by a sample lesson for a senior class. The eight-year syllabus of the Vaganova school, now officially adopted by all Russian ballet schools, is then given in full. "School of Classical Dance" is both a work of reference and a stimulating handbook. "School of Classical Dance" is the official textbook of the Vaganova School and takes the reader from the basic concepts of the syllabus to the most complicated exercises taught at the end of the eight-year course. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. Laban's The Mastery of Movement on the Stage, first published in 1950, quickly came to be accepted as the standard work on his conception of human move-ment. When he died, Laban was in the process of preparing a new edition of the book, and so for some time after his death it was out of print. That a second edition appeared was solely due to the efforts of Lisa Ullmann, who, better than any other person, was aware of the changes that Laban had intended to make. The rather broader treatment of the subject made advis-able the change of title, for it was recognised that the book would appeal to all who seek to understand movement as a force in life. In this fourth edition Lisa Ullmann has taken the opportunity to make margin annotations to indicate the subject matter referred to in a particular section of the text, so that specified topics may be easily found. Kinetograms have been added to most of the examples in Chapters 2 and 3, as Laban originally intended, for the growing number of people who read and write movement notation. Lisa Ullmann has also compiled an Appendix on the the structure of effort, drawing largely on material from an unpublished book by Laban.The relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and meanings. The student is introduced to basic principles underlying movement expres-sion and experience and the numerous exercises are intended to challenge his or her intellectual, emotional and physical responses. The many descrip-tions of movement scenes and mine-dances are designed to stimulate penetra-tion into man's inner life from where movement and action originate. Laban's The Mastery of Movement on the Stage, first published in 1950, quickly came to be accepted as the standard work on his conception of human moveAment. When he died, Laban was in the process of preparing a new edition of the book, and so for some time after his death it was out of print. That a second edition appeared was solely due to the efforts of Lisa Ullmann, who, better than any other person, was aware of the changes that Laban had intended to make. The rather broader treatment of the subject made advisAable the change of title, for it was recognised that the book would appeal to all who seek to understand movement as a force in life. In this fourth edition Lisa Ullmann has taken the opportunity to make margin annotations to indicate the subject matter referred to in a particular section of the text, so that specified topics may be easily found. Kinetograms have been added to most of the examples in Chapters 2 and 3, as Laban originally intended, for the growing number of people who read and write movement notation. Lisa Ullmann has also compiled an Appendix on the the structure of effort, drawing largely on material from an unpublished book by Laban. The relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and meanings. The student is introduced to basic principles underlying movement expresAsion and experience and the numerous exercises are intended to challenge his or her intellectual, emotional and physical responses. The many descripAtions of movement scenes and mine-dances are designed to stimulate penetraAtion into man's inner life from where movement and action origi This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. Laban's The Mastery of Movement on the Stage, first published in 1950, quickly came to be accepted as the standard work on his conception of human move-ment. When he died, Laban was in the process of preparing a new edition of the book, and so for some time after his death it was out of print. That a second edition appeared was solely due to the efforts of Lisa Ullmann, who, better than any other person, was aware of the changes that Laban had intended to make. The rather broader treatment of the subject made advis-able the change of title, for it was recognised that the book would appeal to all who seek to understand movement as a force in life. In this fourth edition Lisa Ullmann has taken the opportunity to make margin annotations to indicate the subject matter referred to in a particular section of the text, so that specified topics may be easily found. Kinetograms have been added to most of the examples in Chapters 2 and 3, as Laban originally intended, for the growing number of people who read and write movement notation. Lisa Ullmann has also compiled an Appendix on the the structure of effort, drawing largely on material from an unpublished book by Laban.The relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and meanings. The student is introduced to basic principles underlying movement expres-sion and experience and the numerous exercises are intended to challenge his or her intellectual, emotional and physical responses. The many descrip-tions of movement scenes and mine-dances are designed to stimulate penetra-tion into man's inner life from where movement and action originate. Laban's The Mastery of Movement on the Stage, first published in 1950, quickly came to be accepted as the standard work on his conception of human moveAment. When he died, Laban was in the process of preparing a new edition of the book, and so for some time after his death it was out of print. That a second edition appeared was solely due to the efforts of Lisa Ullmann, who, better than any other person, was aware of the changes that Laban had intended to make. The rather broader treatment of the subject made advisAable the change of title, for it was recognised that the book would appeal to all who seek to understand movement as a force in life. In this fourth edition Lisa Ullmann has taken the opportunity to make margin annotations to indicate the subject matter referred to in a particular section of the text, so that specified topics may be easily found. Kinetograms have been added to most of the examples in Chapters 2 and 3, as Laban originally intended, for the growing number of people who read and write movement notation. Lisa Ullmann has also compiled an Appendix on the the structure of effort, drawing largely on material from an unpublished book by Laban. The relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and meanings. The student is introduced to basic principles underlying movement expresAsion and experience and the numerous exercises are intended to challenge his or her intellectual, emotional and physical responses. The many descripAtions of movement scenes and mine-dances are designed to stimulate penetraAtion into man's inner life from where movement and action origi This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: new. Paperback. "School of Classical Dance" is the official textbook of the Vaganova School and takes the reader from the basic concepts of the syllabus to the most complicated exercises taught at the end of the eight-year course. A thorough and logical presentation of the classical vocabulary, from its basic forms to advanced variations, is followed by a sample lesson for a senior class. The eight-year syllabus of the Vaganova school, now officially adopted by all Russian ballet schools, is then given in full. "School of Classical Dance" is both a work of reference and a stimulating handbook. "School of Classical Dance" is the official textbook of the Vaganova School and takes the reader from the basic concepts of the syllabus to the most complicated exercises taught at the end of the eight-year course. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. During his lifetime the great Danish choreographer August Bournonville (1805 - 1879) created more than fifty ballets. As the rehearsal period for each ballet ended and the ballet reached its final form Bournonville published a short pamphlet giving the plot of the ballet in detail. All those which survice are gathered here, translated into English by Patricia N. McAndrew. The libretti help us to piece together a comprehensive picture of the Danish ballet master as an artist of national and international calibre and enable us to assess more fully his place in the world of nineteenth-century European ballet. As his characters and ideas unfold before us, we can begin to compare them with those of other choreographers of his day and finally discover, in part, something sorely missed by many critics today: the setting in which August Bournonville's choreographic "gems" were once displayed. Today, more than a century after his death, Bournonville's name is more widely known than it was during his lifetime: eight ballets and a number of assorted dances still grace the stage of Copenhagen's Royal Theatre, and those "skeletal" libretti-what Bournonville called his "ballet poems"-still exist to impress upon us what a treasure we possess in the Bournonville ballets, to remind us of what has been lost over the years, and-perhaps most important of all- -to reveal to us the workings of an ingenious, practical choreographer's mind. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…