Dc moore gallery new york (188 risultati)

Paper. Condizione: Good. Good copy 4 pp paper folder ex. cat 2 4/C illus.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paper. Condizione: Good. Good paper copy ex. cat. Jan. 7 through Feb. 4, 2006, 24 pp, 8 pp interview by Eleaner Hartney, 12 4/C ill and 1 B/W photo of the artist.

Paperback. Condizione: Good. covers have minor wear, front cover heavily creased, corners bumped and curled, binding tight, pages unmarked, 44 pages, catalog of an exhibition of surrealistic oil paintings by Mark Innerst, brief biography of the artist and his career color illustrations of works in the exhibit Size: 9.25 x 11.…

Paper. Condizione: Good. Good paper copy ex. cat. Oct. 4 - Nov. 2, 2012, 48 pp, 3 pp essay, 4/C illus. throughout.

Paperback. Condizione: VG+. Green, color illustrated wraps. 16 pp., 12 color plates. Catalogue produced on the occasion of an exhibition held at D.C. Moore Gallery, New York, April 22 - May 28, 2010.

Soft cover. Condizione: Fair. 19 pages : color illustrations ; 28 cm. Book cover with minor creases. Old inventory number: 1115802.

Paperback. First edition. Near Fine with a touch of shelf wear and a bump at the crown. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalog for an exhibition of paintings by Mark Innerst, held at DC Moore Gallery, NYC, November 4 - December 18, 2010. Essay by Michael Duncan. 46 pages; color plates and text illustrations throughout; 10.5 x 11.25 inches. Biography/exhibition history. LAID-IN is the illustrated gallery exhibition announcement card and press release. …

Paper. Condizione: Good. Good paper copy ex. cat. 24 pp, 14 4/C illus, 2 pp text, lists 23 works with sizes and titles.

Paper. Condizione: Good. Good paper copy ex. cat., Jan 4 through Feb. 1, 2003, 32 pp, 1 pp text, 22 4/C illus, checklist of 32 works.

Soft Cover. Condizione: Near Fine. Stiff illustrated wraps. 8 pages of text with 8 color plates of Lowell's work. A brief exhibition catalog published for the exhibition "Whitfield Lovell: Recent Tableaux." Lovell is an African-American painter and installation artist, pairing portraits of African-Americans on wood with found objects. NEAR FINE with light wear along the extremities.…

Paper. Condizione: Good. Good paper copy ex. cat. April 8 - May 3, 2011, essay by Rogert Winter, intro by Claude Albritton, 48 pp, 1 pp intro, 3 pp essay "Blessing of the Sky- Paintings by Jane Wilson, 17 4/C illus., 2 B/W photos, 6 pp chron, 1 pp misc. info.

Soft cover. Condizione: Near Fine. 1st Edition. Small chip to inside front, else fine. BP/Art.

Paperback. Condizione: Very Good. covers have minor wear, binding tight, pages unmarked, 51 pages, catalog from an exhibit of maze type oil paintings by Valerie Jaudon, color illustrations Size: 9.5 x 9.75.

Softcover staple bound exhibition catalog, 16 pages, very good condition, no internal marks, clean and crisp, with color reproductions.

Paperback. First edition. The catalogue for an exhibition of landscape and cityscape paintings by Yvonne Jacquette, held at the DC Moore Gallery. NYC, March 15 - April 22, 2006. Essay by Nathan Kernan; poem by James Schuyler. 48 pages; color reproductions throughout; 11.5 x 10 inches. Exhibition history; bibliography; etc. Condition: Fine paperback with a hint of blunting to the tips. LAID-IN is the illustrated exhibition announcement card for the show. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Soft cover. Condizione: New. 1st. The catalogue of an exhibition at the DC Moore Gallery, New York, May 2 - June 15, 2013. 39pp 0.66lb 11.0x9.4x0.2in. Alexi Worth (illustratore).

Soft cover. Condizione: As New. 1st. The catalogue of an exhibition at the DC Moore Gallery, New York, September 10 - October 10, 2015. 51pp 0.92lb 9.8x9.5x0.3in.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Hardcover in illustrated boards. First edition. Pictorial boards, pristine. No dustjacket, as issued. Catalogue published to accompany an exhibit of Greenwold's portrait paintings in New York in autumn 2007. Essay by Sanford Schwartz and a self-interview by the artist. All plates in color, with small sketches in black-and-white. Firm binding, crisp interior. Free of any markings, not ex-library.; 4to 11" - 13" tall; 64 pages.…

Soft cover. Condizione: Fine. Condizione sovraccoperta: None, As Issued. Special Edition. 1st Printing. 12 pages. Published in 1998. Exhibition Catalog. The first and only edition. Published in a small and limited one-time-only print run as a softcover original only. There is no ISBN. The Catalog is now rare. An austerely elegant production by Marcus Ratliff: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Art by Deborah Bermingham. Introductory Essay by Bridget Moore. Printed on pristine-white, stiff cardboard stock paper in the United States to the highest standards. The reproduction quality is outstanding in every respect. Without DJ, as issued. Published on the occasion of the eponymous exhibition held at DC Moore Gallery New York from January 13 through February 7, 1998. Presents "Deborah Bermingham: The 'Mourning Cloak' Paintings". Named after the stunningly beautiful, melancholy butterfly ("Nymphalis antiopa") : Delicate, emotionally resonant objects rendered in a photographically realistic and exquisitely painterly style at the same time by a contemporary American Master. They conjure up the loss and the pain that the artist experienced following the sudden death of her beloved father in 1994. There is indeed something about her father here - whom she does not render even though Bermingham can paint just about anything - that the rendered objects evoke and recall: Antique clocks, birds, small balls and boxes, bits of string, and the Mourning Cloak butterfly. Bridget Moore also suggests a profound affinity/connection between Deborah Bermingham's memorial sequence with the work of the great American Surrealist artist Joseph Cornell, whose bird cages mourned America The Fatherland itself. An absolute "must-have" title for Deborah Bermingham collectors. This title is a contemporary art classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This Catalog is very beautifully produced, a keeper of a keepsake. A fine copy is therefore not just collectible and desirable, but preferable. Copies available online have serious flaws. This is surely an accessible and lovely alternative. A rare copy thus. 7 color plates. One of the most brilliant artists of our time. A fine copy. (SEE ALSO ROBERT DUKES AND CHARLES LADSON TITLES IN OUR CATALOG). no.…

Soft cover. Condizione: Very Good. Paperback copy published on the occasion of the occasion of the Jan. 7 - Feb. 4, 2006 exhibition. A nice copy bright and clean. Interview by by Eleanor Hartney.

Softcover. white wraps w/ printing, dark green-blue pictorial jacket. 27 pages : color illustrations. Wonderfully illustrated throughout. Exhibtion held October 8 through November 7 2020. G+/G-, water damage to wraps along spine edge. Has not affected plates.

Paperback. Condizione: VG. Clear contents. Color pictorial wraps, illustrated French flaps. 27 pp. 20 color plates. Essay On Systems of Radiance by Lilly Wei. Catalogue of an exhibition held September 6-October 6, 2018.

Softcover. Color-illustrated softcover with white lettering. Unpaginated. Color illustrations. Catalogue of an exhibition held at the DC Moore Gallery, Jan. 5-Feb. 10, 2007. VG- cover is bowed in the center.

Softcover. Condizione: VG (minimal shelf wear). Color-illustrated softcover with grey lettering; French flaps. 51 pp. Color illustrations. Catalogue of an exhibition at the DC Moore Gallery from October 5-November 4, 2017.

Softcover. Condizione: VG. Brown & cream illus. wraps, 52 pp., color illus., 3 fold-outs. Issued in conjunction with a 2015 exhibition of artwork by American Postminimalist Valerie Jaudon (b. 1945). With an illustrated essay by Harper Montgomery. Includes extensive exhibitions history and bibliography, and many illustrations of Jaudon's work. A nice introduction to an artist you may not know.…

Softbound. Color illustrated glossy wraps. 48 pp., many full-page color plates. Issued in conjunction with a 2006 exhibition of landscapes and cityscapes rendered by American artist Yvonne Jacquette (b. 1934). With an essay by Nathan Kernan, a dedication poem by James Schuyler, a detailed chronology, and many full-color examples of Jacquette's work. Nice! VG (Slight wear to cover edges.).…

Softcover. Condizione: As New. Gray & color illustrated wraps with pink lettering, French flaps. 50 pp. Many color plates. Issued in conjunction with a September 4-October 4, 2014 exhibition of artwork by American artist Claire Sherman (b. 1981). With an essay by Joe Fyfe, and nice full-color examples of Claire's work. A solid introduction to an artist you may not know.…

Softcover. Condizione: VG+. Color illustrated wraps with white lettering; 31 pp.; Profusely illustrated in color. Accompanied a 2014 gallery exhibition. Includes an essay, "Mark Innerst's Vistas," by Edward Burns. "Mark Innerst is a painter who transforms the urban and rural landscape, investing it with a radiant beauty and complexity. Cities like New York and Philadelphia can simultaneously appear majestic, immense, and serene, as streetscapes become a series of soaring verticals or stacked, layered blocks of color. Buildings curve overhead or sweep downward to street level, where human activity is reduced to blurs of light and movement. In his new Midtown series, inspired in large part by the towers that line Manhattan's Sixth Avenue in the forties and fifties, as well as in his paintings of downtown Philadelphia, Innerst reduces architecture to abstracted elements, stripes and geometric shapes, that recede in rhythmic progressions to either an opening at the end of an urban canyon or the façade of another building, closing the view in upon itself. Innerst also paints panoramic vistas of rivers and estuaries, atmospheric landscapes intersected by prismatic hues that create bold visual effects. By emphasizing the refraction of light in these luminous environments, some of which include industrial buildings on a low horizon in the distance, he invites us to reflect on the interplay between an idealized landscape and the modern world. From his exacting use of glazes to his handmade frames, Innerst adapts tradition to his contemporary intentions. In his new work, he continues to draw upon the great tradition of nineteenth century European and American painting and the structural and expressive use of color as explored in mid-twentieth-century abstraction, as Edward Burns notes in his catalogue essay. His paintings are vibrant and inventive, anchored in his immediate environment, while at the same time, transcending everyday perception with a dynamic vision of the modern world." - quotation from press release.…

Softcover. Condizione: As New. Color illus. wraps; 36 pp.; large color plates. Issued in conjunction with a 2013 exhibition of the swirling and dot-based paintings of American artist Barbara Takenaga (b. 1949). With an artist interview conducted by Robert Kushner, and many full-color examples of the artist's work.…