diaphanes ag ch (220 risultati)

Paperback. Condizione: New. Is there an autonomous republic of art that transcends time and place? Canadian writer Madeleine Thien reflects on a fragment of a mural depicting Three Uighur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uighur Autonomous Region of China. This most renowned donor portrait of Uighur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904-5). Thien responds to its vibrant colors and expressive lines with a literary text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century.

Paperback. Condizione: New. A personal reflection on fragmentation, language, and place. Following one of the Turfan archaeological expeditions in the early 1900s, a fragment of a Manichaean text written in Uighur and Old Turkic found its way to the Asian Art Museum in Berlin. Originating from the Northern Silk Road region (now the Xinjiang Uighur Region in China), these "loose leaves" became a source of inspiration for Rawi Hage.  Hage writes, "I was born near Byblos in Lebanon. The ancient city of Byblos is believed to be the place where the first alphabet was invented." Encountering this rare and precious manuscript, with its layered and multicolored words, Hage reflects on the movement, uprooting, displacement, and migration of both objects and people.

Paperback. Condizione: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.

Paperback. Condizione: New. A personal reflection on fragmentation, language, and place. Following one of the Turfan archaeological expeditions in the early 1900s, a fragment of a Manichaean text written in Uighur and Old Turkic found its way to the Asian Art Museum in Berlin. Originating from the Northern Silk Road region (now the Xinjiang Uighur Region in China), these "loose leaves" became a source of inspiration for Rawi Hage.  Hage writes, "I was born near Byblos in Lebanon. The ancient city of Byblos is believed to be the place where the first alphabet was invented." Encountering this rare and precious manuscript, with its layered and multicolored words, Hage reflects on the movement, uprooting, displacement, and migration of both objects and people.

Paperback. Condizione: New. Is there an autonomous republic of art that transcends time and place? Canadian writer Madeleine Thien reflects on a fragment of a mural depicting Three Uighur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uighur Autonomous Region of China. This most renowned donor portrait of Uighur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904-5). Thien responds to its vibrant colors and expressive lines with a literary text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century.

Paperback. Condizione: New. An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum. "Most of the time, it is the power of men that we remember." With these words, which open Léonora Miano's text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon).  The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads "between the lines of beads and cowrie shells" to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of power-how and by whom it is defined-wielded-subverted.  King Njoya said he "felt like a woman in his relationship with the Germans." Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember.

Paperback. Condizione: New. A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum. Having recently accepted German citizenship, writer and activist Priya Basil explores the Humboldt Forum from a deeply personal perspective. She delves into the question of what such a building, such a project, means for an understanding of the past and for belonging in the present. This much disputed, contested, celebrated monument now exists-but what exactly does it monumentalize? Basil writes, "In German, the word Schloss means a palace, and also a lock. The central question: Can a lock also be a key?".

Paperback. Condizione: New. Antonin Artaud's journey to Ireland in 1937 marked an extraordinary-and apocalyptic-turning point in his life and career. After publishing the manifesto The New Revelations of Being about the "catastrophic immediate-future," Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Ireland's western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several "magic spells," intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. (To André Breton, he wrote: "It's the Unbelievable-yes, the Unbelievable-it's the Unbelievable which is the truth.") This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book's translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud's death.

Paperback. Condizione: New. "Only the wastelands can save us now." An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing at their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis. Throughout his inquiries he discovers that the world's cities are becoming apocalyptic, experiencing ecocide. The investigator himself will have to travel to the "true north" to escape that endpoint. Today, urban imaginaries and speculative fictions often depict abandoned wastelands and ruinous cities that hold the expansive potential to engulf all urban and environmental space and render it entirely apocalyptic. In his novel Into the Wastelands Stephen Barber examines urgent aspects of our wasted realities through fictional narratives: How does the figure of the proliferating, infinitely expansive wasteland enable us to understand that point of rupture for urban futures? Does the wasteland allow us to accurately assess the contemporary dynamic between the apocalyptic and the urban?

Paperback. Condizione: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.

Paperback. Condizione: New. An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum. "Most of the time, it is the power of men that we remember." With these words, which open Léonora Miano's text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon).  The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads "between the lines of beads and cowrie shells" to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of power-how and by whom it is defined-wielded-subverted.  King Njoya said he "felt like a woman in his relationship with the Germans." Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember.

Paperback. Condizione: New. A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum. Having recently accepted German citizenship, writer and activist Priya Basil explores the Humboldt Forum from a deeply personal perspective. She delves into the question of what such a building, such a project, means for an understanding of the past and for belonging in the present. This much disputed, contested, celebrated monument now exists-but what exactly does it monumentalize? Basil writes, "In German, the word Schloss means a palace, and also a lock. The central question: Can a lock also be a key?".

Paperback. Condizione: New. A Sinister Assassin contains original translations of Antonin Artaud's last writings and interviews, most never previously available in English.A Sinister Assassin presents translations of Antonin Artaud's largely unknown final work of 1947-48, revealing new insights into his obsessions with human anatomy, sexuality, societal power, creativity, and ill-will-notably, preoccupations of the contemporary world.   Artaud's last conception of performance is that of a dance-propelled act of autopsy, generating a "body without organs" which negates malevolent microbial epidemics. This book assembles Artaud's crucial writings and press interviews from September 1947 to March 1948, undertaken at a decrepit pavilion in the grounds of a convalescence clinic in Ivry-sur-Seine, on the southern edge of Paris, as well as in-transit through Paris's streets. It also draws extensively on Artaud's manuscripts and original interviews with his friends, collaborators, and doctors throughout the 1940s, illuminating the many manifestations of Artaud's final writings: the contents of his last, death-interrupted notebook; his letters; his two final key texts; his glossolalia; the magazine issue which collected his last fragments; and the two extraordinary interviews he gave to national newspaper journalists in the final days of his life, in which he denounces and refuses both his work's recent censorship and his imminent death.   Edited, translated, and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud's last, most intensive, and terminal work for the first time.

Paperback. Condizione: New. A narrative of the early modern Indian sculpture known as the Mithuna couple. Meena Kandasamy writes about the Mithuna couple, a seventeenth-century ivory sculpture from Tamil Nadu, India, depicting lovers. Kandasamy unfurls a multi-layered, multi-directional narrative built from images, questions, and contradictions evoked by the sculpture. "How can we look at this work and not talk about who produced it?" Kandasamy asks and then examines how caste and class are carved into the object as indelibly as its physical details. Such knowledge complicates easy associations of love that may be evoked by the couple.  Refusing any impulse to idealize or exoticize, Kandasamy connects the carving to personal and political stories that expose painful realities of who gets to love whom, and how. She sets the intimate alongside the institutional to interrogate terms such as decolonize, restitution, and preservation. Through an astonishing stylistic mix, including Twitter, academic discourse, poetry, and memoir, she talks back, forward, and sideways with the object.

Paperback. Condizione: New. "Here Lies" preceded by "The Indian Culture" collects two of Antonin Artaud's foremost poetic works from the last period of his life. He wrote both works soon after his release from the psychiatric hospital of Rodez and his return to Paris, and they were published during the flurry of intensive activity and protests against his work's censorship. The Indian Culture is the first and most ambitious work of Artaud's last period. It deals with his travels in Mexico in 1936 where Artaud sets aside his usual preoccupations with peyote and the Tarahumara people's sorcerers to directly anatomize his obsessions with gods, corporeality, and sexuality. Here Lies is Artaud's final declaration of autonomy for his own body from its birth to its imminent death, won at the cost of multiple battles against the infiltrating powers amassed to steal that birth and death away from him. Both works demonstrate Artaud's final poetry as a unique amalgam of delicate linguistic invention and ferociously obscene invective.  "Here Lies" preceded by "The Indian Culture" was translated by the award-winning translator Clayton Eshleman, widely seen as the preeminent translator into English of Artaud's work, with its profound intensity and multiply nuanced language. For the first time since its first publication, this bilingual edition presents the two works in one volume, as Artaud originally intended. This edition also features a contextual afterword by Stephen Barber as well as new material, previously untranslated into English.

Paperback. Condizione: New. A Sinister Assassin contains original translations of Antonin Artaud's last writings and interviews, most never previously available in English.A Sinister Assassin presents translations of Antonin Artaud's largely unknown final work of 1947-48, revealing new insights into his obsessions with human anatomy, sexuality, societal power, creativity, and ill-will-notably, preoccupations of the contemporary world.   Artaud's last conception of performance is that of a dance-propelled act of autopsy, generating a "body without organs" which negates malevolent microbial epidemics. This book assembles Artaud's crucial writings and press interviews from September 1947 to March 1948, undertaken at a decrepit pavilion in the grounds of a convalescence clinic in Ivry-sur-Seine, on the southern edge of Paris, as well as in-transit through Paris's streets. It also draws extensively on Artaud's manuscripts and original interviews with his friends, collaborators, and doctors throughout the 1940s, illuminating the many manifestations of Artaud's final writings: the contents of his last, death-interrupted notebook; his letters; his two final key texts; his glossolalia; the magazine issue which collected his last fragments; and the two extraordinary interviews he gave to national newspaper journalists in the final days of his life, in which he denounces and refuses both his work's recent censorship and his imminent death.   Edited, translated, and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud's last, most intensive, and terminal work for the first time.

Hardback. Condizione: New. Calfapietra, Lucia (illustratore). At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical thought alongside vibrant color illustrations.             Kierkegaard and the Mermaid takes a "leap into the absurd," exploring the existential philosophy of Søren Kierkegaard from the bottom of the sea, through the eyes of a princess with a fish's tail. Though living in a coral palace and betrothed to the handsomest and tenderest of all the water sprites, our heroine soon finds herself heartbroken. She must look deep into the world of the spirit to find out what it all means.

Hardback. Condizione: New. Wauters, Julia (illustratore). Vienna, 1714: Late in life, Gottfried Wilhelm Leibniz, the universal genius of his time, puts down his pen and declares his description of the universe to be complete. In the evening, he sits in his study room among letters, books, and manuscripts as his young friend Theodor comes for a visit. Theodor is bothered by one question: Why is there evil? And why do people commit crimes? With an example from ancient Greek mythology, Leibniz develops his theory about the best of all possible worlds. With this vivid "story within a story" Jean Paul Mongin successfully imparts the complex philosophical ideas of Leibniz to young readers. At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical thought alongside vibrant color illustrations.

Paperback. Condizione: New. When a meteor crashes into greaser Rockabilly's backyard, a ripple of strange events ensues. The tattoo of a pin-up girl on his back comes to life and begins to exert her murderous control over the suburb in which he lives. His precocious teenage neighbor Suicide Girl begins spontaneously lactating, and her pet lizard goes missing. A disturbed neighbor begins to pace the block to quiet his unseemly thoughts. Meanwhile, the neighborhood dog, Bones, suddenly able to think human thoughts, begins to hatch a plan. With economic language and well-crafted timing, Rockabilly leads us on a hair-raising journey, artfully deconstructing archetypes of suburban America. Taking us past garish lights of strip malls and empty strips of desert, this dystopian novel presents a unique take on trash aesthetics, the philosophy of tattoo art, and American pop culture.

Paperback. Condizione: New. "Only the wastelands can save us now." An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing at their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis. Throughout his inquiries he discovers that the world's cities are becoming apocalyptic, experiencing ecocide. The investigator himself will have to travel to the "true north" to escape that endpoint. Today, urban imaginaries and speculative fictions often depict abandoned wastelands and ruinous cities that hold the expansive potential to engulf all urban and environmental space and render it entirely apocalyptic. In his novel Into the Wastelands Stephen Barber examines urgent aspects of our wasted realities through fictional narratives: How does the figure of the proliferating, infinitely expansive wasteland enable us to understand that point of rupture for urban futures? Does the wasteland allow us to accurately assess the contemporary dynamic between the apocalyptic and the urban?

Hardback. Condizione: New. Sorel, Vincent (illustratore). At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children and curious grown-ups to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging and often funny story that presents basic tenets of philosophical thought alongside vibrant color illustrations. In Diogenes the Dog-Man, the philosopher Diogenes not only admires the honesty of dogs, he has actually become one sleeping, eating, and lifting his leg to pee wherever he chooses! Best of all, unlike humans, who dupe one another as to their true feelings, Diogenes the Dog-Man is free to bark his displeasure and even bite his adversaries in the calves even if they happen to be Alexander the Great. Initially, the citizens gathered in the Agora think Diogenes is mad. Does he have rabies?But it soon becomes clear that we can all learn a thing or two from dogs about how to live a simple life.

Paperback. Condizione: New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.

Paperback. Condizione: New. Tom Bishop has, for over sixty years, helped shape the literary, philosophical, cultural, artistic, and political conversation between Paris and New York. As professor and director of the Center for French Civilization and Culture at New York University, he made the Washington Square institution one of the great bridges between French innovation and a New York scene in full transformation. Bishop was close to Beckett, championed Robbe-Grillet in the United States, befriended Marguerite Duras and Hélène Cixous, and organized historic public encounters-such as the one between James Baldwin and Toni Morrison. He was also a scholar, a recognized specialist in the avant-garde, notably the Nouveau Roman and the Nouveau Théâtre. In 2012, Bishop invited Donatien Grau to give a talk at NYU. This invitation led to conversations-many of which are presented in this book-and a friendship. Literature Is a Voyage of Discovery gathers their dialogues, retracing Bishop's career, his own history, his departure from Vienna, his studies, his meetings, his choices, his conception of literature and life, his relationship to the political and economic world, and the way he helped define the profession of "curator" as it is practiced today, offering a thought-provoking look into one of the leading minds of our time.

Paperback. Condizione: New. In the mid-1970s, Sylvère Lotringer created Semiotext(e), a philosophical group that became a magazine and then a publishing house. Since its creation, Semio-text(e) has been a place of stimulating dialogue between artists and philosophers, and for the past fifty years, much of American artistic and intellectual life has depended on it. The model of the journal and the publishing house revolves around the notion of the collective, and Lotringer has rarely shared his personal journey: his existence as a hidden child during World War II; the liberating and then traumatic experience of the collective in the kibbutz; his Parisian activism in the 1960s; his time of wandering, that took him, by way of Istanbul, to the United States; and then, of course, his American years, the way he mingled his nightlife with the formal experimentation he invented with Semiotext(e) and with his classes. Since the early 2010s, Donatien Grau has developed the habit of visiting Lotringer during his trips to Los Angeles; some of their dialogs were published or held in public. This book is an entry into Lotringer's life, his friendships, his choices, and his admiration for some of the leading thinkers of our times. The conversations between Lotringer and Grau show bursts of life, traces of a journey, through texts and existence itself, with an unusual intensity.

Paperback. Condizione: New. Artaud the Mômo is Antonin Artaud's most extraordinary poetic work from the brief final phase of his life, from his return to Paris in 1946 after nine years of incarceration in French psychiatric institutions to his death in 1948. This work is an unprecedented anatomical excavation carried through in vocal language, envisioning new gestural futures for the human body in its splintered fragments. With black humor, Artaud also illuminates his own status as the scorned, Marseille-born child-fool, the "mômo" (a self-naming that fascinated Jacques Derrida in his writings on this work). Artaud moves between extreme irreligious obscenity and delicate evocations of his immediate corporeal perception and his sense of solitude. The book's five-part sequence ends with Artaud's caustic denunciation of psychiatric institutions and of the very concept of madness itself. This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud's work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud-showing reconfigured bodies as weapons of resistance and assault-which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud's previously unknown manuscript letters written between 1946 and 1948 to the book's publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.

Hardback. Condizione: New. Shibuya, Junko (illustratore). Why is a horse called a horse and not a giraffe or a flapdoodle? Why did Plato go from being called Aristocles, after his grandfather, to being called Plato, which means muscleman? Where do any names come from? In this delightful book, readers young and old will explore with Plato and ponder why anything or anyone has a name at all. Do readers know where their own name comes from?   At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Plato, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical thought alongside vibrant color illustrations.

Hardback. Condizione: New. Boyko, Tatiana (illustratore). We know Isaac Newton as a brilliant polymath, inventor of the calculus and the person who first began to suss out the fundamental laws of physics. But in this delightful account of his life and thought aimed at young readers, we learn oh, so much more about Newton and his secret life . . . on the dark side of the moon.Newton and the Club of Astronomers invites us on a wildly imaginative journey to join Newton as he meets with the famous (and definitely secret) Club of Astronomers in their clubhouse on the hidden side of the moon. At the Club's meetings, we learn about Newton's discoveries and understand his pioneering thoughts about gravity, planetary orbits, and much, much more. Whimsical and fanciful, yet firmly rooted in Newton's actual ideas and discoveries, Newton and the Club of Astronomers is the perfect introduction for curious children to one of the great figures of scientific history.

Hardback. Condizione: New. Meyer-Bisch, Jérôme (illustratore). At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's big questions, however strange or impractical. Plato and Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, Freud, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical thought alongside vibrant color illustrations. In Lao-Tzu, or the Way of The Dragon, we follow the ancient Chinese philosopher who founded Taoism, from the comet that announced his birth up to his inspired composition, more than fifty years later, of the Tao Te Ching, the Book of the Way. In body and mind an old sage from birth, Lao-Tzu devotes his life to deciphering the endless book of the world. But he soon becomes frustrated with the silliness of human order, impatient kings, and greedy people, and rides off on the back of a water buffalo in search of the Way. He encounters clouds that solidify under his feet, a cave guarded by a golden monkey, and the venerable Confucius himself, and ultimately finds the wisdom of the dragon already residing deep in his own heart.

Hardback. Condizione: New. Schwoebel, François (illustratore).

Hardback. Condizione: New. Le Bras, Yann (illustratore).