distributed art publishers us (598 risultati)

Paperback. Condizione: New. Philip Guston's legendary, prescient political satire of Richard NixonPublished with National Gallery of Art.In the summer of 1971-two years before the Watergate hearings-Richard Nixon was an incumbent whose grip on power was being tested by the Pentagon Papers. Inspired in part by the work of his friend Philip Roth, who had just finished the novel Our Gang, Philip Guston began drawing the object of his political anger and despair-Richard Nixon, transformed into the character "Poor Richard," rendered with a distinctively phallic nose and scrotal jowls, and accompanied by henchmen Spiro Agnew, John Mitchell, and Henry Kissinger.Guston carefully sequenced the drawings in 1971 and planned to publish them as a book, even designing an original title page. But he held back, and the images were never released during his lifetime; only in 2001 were they first exhibited, accompanied by a publication of the series from the University of Chicago Press by Debra Bricker Balken. Today, as we face yet another moment of presidential crisis and global turmoil, Poor Richard is more relevant than ever.Poor Richard by Philip Guston brings Guston's series back into print. Following Guston's own sequencing, layout and original title page from 1971, Poor Richard by Philip Guston presents this shockingly fresh, delightfully profane series, with beautiful new reproductions. The publication marks the promised gift of these 73 drawings by The Guston Foundation to the National Gallery of Art, where they will be preserved and studied as a monument of contemporary satirical art and virtuoso drawing.

paperback. Condizione: Very Good. Strange comforts This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: Near Fine. Like new in publisher's shrink-wrap. Record # 464665.

Condizione: Near Fine. Like new in publisher's shrink-wrap. Record # 464664.

Paperback. Condizione: New. Olalekan Jeyifous (illustratore). How will we travel in the future? Essays on the transport to come, from sidewalk scooters to levitating trainsWith the promise of delivery drones, personal helicopters, and groceries delivered right to your refrigerator, one might think we are living in the best of transportation times. Most city commuters would be quick to tell you otherwise.Of all the technological interventions continuously inserted into our daily travels, which ones will last? Is ride-sharing here to stay? In ten years will we all be taking autonomous vehicles to work? Will traffic as we know it cease to exist? While this volume makes no promises or predictions, it does take a step back from the hype of the new to explore what might seem like yesterday's solutions: buses, bikes and even trains. Perhaps remedies to our transportation woes are not all in the future but are hiding in plain and present sight.The Future of Transportation is the third volume in the SOM Thinkers series, conceived by Skidmore, Owings and Merrill. SOM Thinkers originated from a desire to start a public conversation about the built environment. Rather than frame the subject in the expected "professional" language, the series poses today's most pressing questions about design and architecture in a bold and accessible way.This volume features work by Henry Grabar, Oliver Franklin-Wallis, Laura Bliss, Darran Anderson, Nick Van Mead, Atossa Araxia Abrahamian, Alison Griswold and Christopher Schaberg, with artwork by Olalekan Jeyifous.

Paperback. Condizione: New. Olalekan Jeyifous (illustratore). How will we travel in the future? Essays on the transport to come, from sidewalk scooters to levitating trainsWith the promise of delivery drones, personal helicopters, and groceries delivered right to your refrigerator, one might think we are living in the best of transportation times. Most city commuters would be quick to tell you otherwise.Of all the technological interventions continuously inserted into our daily travels, which ones will last? Is ride-sharing here to stay? In ten years will we all be taking autonomous vehicles to work? Will traffic as we know it cease to exist? While this volume makes no promises or predictions, it does take a step back from the hype of the new to explore what might seem like yesterday's solutions: buses, bikes and even trains. Perhaps remedies to our transportation woes are not all in the future but are hiding in plain and present sight.The Future of Transportation is the third volume in the SOM Thinkers series, conceived by Skidmore, Owings and Merrill. SOM Thinkers originated from a desire to start a public conversation about the built environment. Rather than frame the subject in the expected "professional" language, the series poses today's most pressing questions about design and architecture in a bold and accessible way.This volume features work by Henry Grabar, Oliver Franklin-Wallis, Laura Bliss, Darran Anderson, Nick Van Mead, Atossa Araxia Abrahamian, Alison Griswold and Christopher Schaberg, with artwork by Olalekan Jeyifous.

Paperback. Condizione: New. This small volume collects 25 evocative, ghostly, graphite and acrylic works on panel by New York artist Yvonne Puffer. In an interview with art historian Katy Siegel, Puffer cites influences like Ida Applebroog, Peggy Preheim, Alice Neel and Louise Bourgeois. "Bourgeois is probably the most important for me, since she openly talks about her primal family structure's influence, yet the work doesn't need this information to exert its incredible emotional impact. Bourgeois quite often uses everyday objects in her work that evoke a time and place yet always with a discordant note. There's a mystery, haunting and fragile, that makes you a little uncomfortable, but you're not sure why. That's what I like.".

Paperback. Condizione: New. Philip Guston's legendary, prescient political satire of Richard NixonPublished with National Gallery of Art.In the summer of 1971-two years before the Watergate hearings-Richard Nixon was an incumbent whose grip on power was being tested by the Pentagon Papers. Inspired in part by the work of his friend Philip Roth, who had just finished the novel Our Gang, Philip Guston began drawing the object of his political anger and despair-Richard Nixon, transformed into the character "Poor Richard," rendered with a distinctively phallic nose and scrotal jowls, and accompanied by henchmen Spiro Agnew, John Mitchell, and Henry Kissinger.Guston carefully sequenced the drawings in 1971 and planned to publish them as a book, even designing an original title page. But he held back, and the images were never released during his lifetime; only in 2001 were they first exhibited, accompanied by a publication of the series from the University of Chicago Press by Debra Bricker Balken. Today, as we face yet another moment of presidential crisis and global turmoil, Poor Richard is more relevant than ever.Poor Richard by Philip Guston brings Guston's series back into print. Following Guston's own sequencing, layout and original title page from 1971, Poor Richard by Philip Guston presents this shockingly fresh, delightfully profane series, with beautiful new reproductions. The publication marks the promised gift of these 73 drawings by The Guston Foundation to the National Gallery of Art, where they will be preserved and studied as a monument of contemporary satirical art and virtuoso drawing.

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardback. Condizione: New. The charming story of GingerNutz, an orangutan born in the wilds of Borneo who has dreams of making it big in the fashion world. Michael Roberts's charming text and hand drawn illustrations tell the story of GingerNutz, an orangutan born in the wilds of Borneo who has dreams of making it big in the fashion world. One day while playing on the beach, the ten year old GingerNutz finds a bottle washed up on the shore containing a copy of Vogue magazine. Entranced by the glamorous images on its glossy pages, the precocious primate sets her mind to becoming a high fashion model. She dedicates herself to grooming her coat, creating makeup from exotic flowers, and styling her ginger hued hair. Unlikely as it may seem, she encounters other likeminded jungle creatures - the creative orangutan duo Dolce and Grubbana, a haughty and chic silverback gorilla - who together create their own hyper stylish coterie, and GingerNutz fulfils her dream of sashaying down the runway. The story of GingerNutz was inspired by legendary model and fashion editor Grace Coddington, the long-time creative director of American Vogue and a close friend of the author. The book contains 65 hand drawn illustrations that vividly depict the lush and colourful Bornean fashion community.

Paperback. Condizione: New. A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster GatesPublished with Colby College Museum of Art.This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume.Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates' work centers the essential and too often unsung role of women in this history.When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.

Paperback. Condizione: New. "Subtle yet incandescent rage shimmers everywhere in Susiraja's output. It's just one of the many reasons why her art-so mesmerizing, terrorizing, gnarly, monstrous-is incredibly beautiful." -Alex Jovanovich, ArtforumOver the past 15 years, Iiu Susiraja has taken photographs of herself in domestic settings, most often in her home in Turku, Finland. Simultaneously seductive, abject, stylized and vulnerable, Susiraja's works are grounded in unabashed yet private performances for the camera. In these stagings, household objects-tablecloths, umbrellas, hot dogs, bananas, treadmills, rubber duckies and dead fish-become co-conspirators in her confrontations with the lens. Situated between the slapstick and the deadpan, Susiraja's works locate uneasiness in the comfortable, and vice versa.Published on the occasion of the artist's first US museum exhibition, Iiu Susiraja: A style called a dead fish traces the trajectory of Susiraja's practice from her earliest photographs (circa 2007) to the present. The publication also features poems by Susiraja and an essay by curator Jody Graf.Iiu Susiraja (born 1975) earned an MFA from the Finnish Academy of Fine Arts. She was featured as the cover story for ArtForum's February 2022 issue. Her recent solo exhibitions include MoMA PS1, Ramiken Gallery, SKMU Museum, KIASMA, Kadel Willborn Gallery, Francois Ghebaly Gallery, PS2 Gallery, VB Photographic Centre, Ramiken Crucible and Fotogalleriet Format. Her work is in public and private collections worldwide, including at the Adam Lindenmann Collection, the University of Chicago, the Rubell Family Collection, the Finnish Museum of Photography collection, Kiasma Museum of Contemporary Art and the Finnish National Gallery.

Paperback. Condizione: New. "Subtle yet incandescent rage shimmers everywhere in Susiraja's output. It's just one of the many reasons why her art-so mesmerizing, terrorizing, gnarly, monstrous-is incredibly beautiful." -Alex Jovanovich, ArtforumOver the past 15 years, Iiu Susiraja has taken photographs of herself in domestic settings, most often in her home in Turku, Finland. Simultaneously seductive, abject, stylized and vulnerable, Susiraja's works are grounded in unabashed yet private performances for the camera. In these stagings, household objects-tablecloths, umbrellas, hot dogs, bananas, treadmills, rubber duckies and dead fish-become co-conspirators in her confrontations with the lens. Situated between the slapstick and the deadpan, Susiraja's works locate uneasiness in the comfortable, and vice versa.Published on the occasion of the artist's first US museum exhibition, Iiu Susiraja: A style called a dead fish traces the trajectory of Susiraja's practice from her earliest photographs (circa 2007) to the present. The publication also features poems by Susiraja and an essay by curator Jody Graf.Iiu Susiraja (born 1975) earned an MFA from the Finnish Academy of Fine Arts. She was featured as the cover story for ArtForum's February 2022 issue. Her recent solo exhibitions include MoMA PS1, Ramiken Gallery, SKMU Museum, KIASMA, Kadel Willborn Gallery, Francois Ghebaly Gallery, PS2 Gallery, VB Photographic Centre, Ramiken Crucible and Fotogalleriet Format. Her work is in public and private collections worldwide, including at the Adam Lindenmann Collection, the University of Chicago, the Rubell Family Collection, the Finnish Museum of Photography collection, Kiasma Museum of Contemporary Art and the Finnish National Gallery.

Paperback. Condizione: New. A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster GatesPublished with Colby College Museum of Art.This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume.Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates' work centers the essential and too often unsung role of women in this history.When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.

Paperback. Condizione: New. These early letters from John Cage to Merce Cunningham will be revelatory for many. While the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully told. In the 39 letters of this collection, spanning 1942 46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham's 19, their relationship was purely that of teacher and student, and Cage was also very much married.It was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy's School of Design when Cunningham passed through town as a dancer with the Martha Graham Company on March 14, 1942. The letters begin in January, but a week after Cunningham's performance, the essential correspondence begins. Cage's letters to Cunningham are passionate, distraught, romantic and confused, occasionally containing snippets of poetry and song. They are also more than love letters, with intimations that resonate with our experience of the later John Cage.Love, Icebox takes its shape from these letters transcribed, chronologically ordered and in some instances reproduced in facsimile. Laura Kuhn, Cage's assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds an introduction, postscript and running commentary. Photographic illustrations of their final 18th St loft, as well as personal and household objects left behind, remind us of the substance and rituals of a long-shared life.

Paperback. Condizione: New. The concrete poetry collection of the legendary Bay Area book dealer and collector Steven Leiber-with rare gems from the De Campos brothers, Ian Hamilton Finlay, Bob Cobbing and moreMAMCO has devoted a semipermanent exhibition space to concrete poetry since 2016, resulting in the acquisition of a significant group of works falling under this label. This includes the purchase of the Steven Leiber collection. Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the "dematerialized" art of the 1960s and 1970s and the ephemera and documentation spawned by Conceptual art and other postwar movements. The collection features important figures such as Ian Hamilton Finlay, Augusto and Haroldo de Campos, Dom Sylvester Houédard, John Furnival, Maurizio Nannucci, Franz Mon, Ruth Wolf-Rehfeldt, Natalie Czech, Julien Blaine, Jean-François Bory, Pierre and Isle Garnier, Bob Cobbing and Richard Kostelanetz.

Paperback. Condizione: New. These early letters from John Cage to Merce Cunningham will be revelatory for many. While the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully told. In the 39 letters of this collection, spanning 1942 46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham's 19, their relationship was purely that of teacher and student, and Cage was also very much married.It was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy's School of Design when Cunningham passed through town as a dancer with the Martha Graham Company on March 14, 1942. The letters begin in January, but a week after Cunningham's performance, the essential correspondence begins. Cage's letters to Cunningham are passionate, distraught, romantic and confused, occasionally containing snippets of poetry and song. They are also more than love letters, with intimations that resonate with our experience of the later John Cage.Love, Icebox takes its shape from these letters transcribed, chronologically ordered and in some instances reproduced in facsimile. Laura Kuhn, Cage's assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds an introduction, postscript and running commentary. Photographic illustrations of their final 18th St loft, as well as personal and household objects left behind, remind us of the substance and rituals of a long-shared life.

Paperback. Condizione: New. "Trouvé's evident investment in tricks of the eye-and of the mind-paint her . as a 21st-century surrealist" -ArtforumMAMCO's collections include the complete set of Italian artist Tatiana Trouvé's (born 1968) archive of drawings, as well as a room, Prepared Space, painted blindingly white and transected by tiny thread-width gashes seemingly held open by pieces of bronze and wood wedged into the cuts, somewhat resembling the lines on an ancient map. The goal of this volume, which is based around these two bodies of work, is to highlight the importance of drawing in the artist's work-the way in which it structures both her vision and her sculpture. Each corpus is described in detail, but is also situated within Trouvé's oeuvre in a comprehensive way, thus opening up various possible readings of her work. This affordable introduction to Trouvé's oeuvre contains 30 color images of her work and commentary by MAMCO's curators.

Paperback. Condizione: New. A career retrospective on the conceptually complex sculpture of the Canadian PostminimalistCompiling documentation of nearly 40 abstract steel sculptures, as well as drawings and paintings, this monograph introduces the work of Canadian sculptor Royden Rabinowitch (born 1943). Rabinowitch's approach to sculpture is inspired by his admiration for mathematician Henri Poincaré and his distinction between abstract space and the space of ordinary human experience. Though the forms of his abstract metal and wooden sculptures recall the work of Minimalists such as Richard Serra, his aims greatly diverge from theirs. Grease Cone, reproduced here, consists of a black metal cone covered in grease. The cone itself recalls the purity of form of the Minimalists, but the unevenly applied grease expresses Rabinowitch's concern with human space insofar as it alters the shape of the sculpture, as a whole, into a messier, asymmetrical form.

Paperback. Condizione: New. A comprehensive examination of the Swiss artist's colorful homage to Oldenberg's soft sculpture installationsSwiss mixed-media artist Sylvie Fleury (born 1961) has long been interested in depicting the juncture of materialism and materiality in contemporary consumer culture. Her 1998 installation Bedroom Ensemble II draws directly from soft sculpture artist Claes Oldenberg, who also created bedroom installations under the same title; through inconsistent scale and unusual textures, Oldenberg's bedroom suggests a disconnect from reality that becomes more apparent the longer one studies the piece. Fleury's piece amplifies and subverts such ideas with her own vocabulary of textures and colors. While Oldenberg's bedroom is a particularly cold example of 1960s interior design, Fleury's piece bursts with vitality, practically begging viewers to touch the colorful faux fur that covers every stick of furniture in the installation. This book is the first comprehensive study of Bedroom Ensemble II and its relationship to the other Fleury pieces in MAMCO Geneva's collection.

Paperback. Condizione: New. "Trouvé's evident investment in tricks of the eye-and of the mind-paint her . as a 21st-century surrealist" -ArtforumMAMCO's collections include the complete set of Italian artist Tatiana Trouvé's (born 1968) archive of drawings, as well as a room, Prepared Space, painted blindingly white and transected by tiny thread-width gashes seemingly held open by pieces of bronze and wood wedged into the cuts, somewhat resembling the lines on an ancient map. The goal of this volume, which is based around these two bodies of work, is to highlight the importance of drawing in the artist's work-the way in which it structures both her vision and her sculpture. Each corpus is described in detail, but is also situated within Trouvé's oeuvre in a comprehensive way, thus opening up various possible readings of her work. This affordable introduction to Trouvé's oeuvre contains 30 color images of her work and commentary by MAMCO's curators.

Paperback. Condizione: New. A career retrospective on the conceptually complex sculpture of the Canadian PostminimalistCompiling documentation of nearly 40 abstract steel sculptures, as well as drawings and paintings, this monograph introduces the work of Canadian sculptor Royden Rabinowitch (born 1943). Rabinowitch's approach to sculpture is inspired by his admiration for mathematician Henri Poincaré and his distinction between abstract space and the space of ordinary human experience. Though the forms of his abstract metal and wooden sculptures recall the work of Minimalists such as Richard Serra, his aims greatly diverge from theirs. Grease Cone, reproduced here, consists of a black metal cone covered in grease. The cone itself recalls the purity of form of the Minimalists, but the unevenly applied grease expresses Rabinowitch's concern with human space insofar as it alters the shape of the sculpture, as a whole, into a messier, asymmetrical form.

Paperback. Condizione: New. A new publication spotlights Gordon Matta-Clark's only extant architectural pieceIn 1972, Gordon Matta-Clark (1943-78) installed a dumpster on the street between 98 and 112 Greene Street in New York's SoHo neighborhood, an architectural artwork he called Open House. Matta-Clark used discarded, scavenged materials-old pieces of wood, doors-to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context-sited in spaces abandoned or slated for demolition-Matta-Clark's "anarchitecture" was almost necessarily ephemeral, surviving as only documentation and sculptural sections. Open House (1972) is the only still-extant architectural piece by Matta-Clark. Gordon Matta-Clark: Open House is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark's entire oeuvre.

Paperback. Condizione: New. A history of Kippenberger's museum on a Greek island-both a parody and a site of creative camaraderieNot quite a "real" museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (1953-97) as a private artists' space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museum-the fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenberger's original plans and interviews with the artists who attended MOMAS.

Paperback. Condizione: New. A history of Kippenberger's museum on a Greek island-both a parody and a site of creative camaraderieNot quite a "real" museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (1953-97) as a private artists' space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museum-the fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenberger's original plans and interviews with the artists who attended MOMAS.

Paperback. Condizione: New. A comprehensive examination of the Swiss artist's colorful homage to Oldenberg's soft sculpture installationsSwiss mixed-media artist Sylvie Fleury (born 1961) has long been interested in depicting the juncture of materialism and materiality in contemporary consumer culture. Her 1998 installation Bedroom Ensemble II draws directly from soft sculpture artist Claes Oldenberg, who also created bedroom installations under the same title; through inconsistent scale and unusual textures, Oldenberg's bedroom suggests a disconnect from reality that becomes more apparent the longer one studies the piece. Fleury's piece amplifies and subverts such ideas with her own vocabulary of textures and colors. While Oldenberg's bedroom is a particularly cold example of 1960s interior design, Fleury's piece bursts with vitality, practically begging viewers to touch the colorful faux fur that covers every stick of furniture in the installation. This book is the first comprehensive study of Bedroom Ensemble II and its relationship to the other Fleury pieces in MAMCO Geneva's collection.

Paperback. Condizione: New. Philippe Thomas' entrepreneurial experiment questions the distinction between authorship and ownershipFrench artist Philippe Thomas (1951-95) never intended to make a name for himself; rather, he was much more invested in the artist's ability to disappear behind his work. In 1987 he created readymades belong to everyone®, a communication and events agency that mainly provided posters and signboards for different advertising campaigns. Though he was the sole creator of these artifacts, Thomas declined to sign his name on any of them so that the provenance of such pieces took priority over their initial origin-the collector or institution who commissioned or purchased the works would sign their names instead. The entrepreneurial project became a years-long experiment in testing the limitations of authorship and artistry in a post-Duchamp world. This volume provides documentation of the project, along with a final previously unpublished interview by Thomas that enables readers to understand the coherence of his entire work.

Paperback. Condizione: New. Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculpturesIn 1991, as MAMCO Geneva was preparing to open, founder and museum director Christian Bernard asked several artists to think about how they would like to sum up their practice for presentation in the museum. German artist Franz Erhard Walther (born 1939) proposed a "Werklager"-a storeroom containing works produced between 1961 and 1972. Walther's "Werklager" has been on display at MAMCO Geneva almost without interruption since the museum opened more than 20 years ago. At the heart of this collection is Walther's 1. Werksatz, or First Work Set, series of wearable fabric objects from 1963-69. Walther described these objects as "instruments for processes"; activated by bodies (pulled through openings, connected by straps, tied and fastened in) or while they lay dormant, they constitute a form of participatory minimal sculpture. Emphasizing process and activation, these pieces circumvent "the seemingly inviolable contract that a work is an object produced by an artist," as the artist put it. "I started conceiving my work out of an action, out of an act." Franz Erhard Walther: 1. Werksatz, copublished with the Franz Erhard Walther Foundation, focuses on this groundbreaking series.

Hardback. Condizione: New. The first book on beloved Los Angeles community organizer and urban gardener Ron Finley, known as the "Gangsta Gardener"Published with Hammer Museum.Ron Finley is a visionary designer, horticulturalist and artist, who has changed the perception of concrete spaces using only a seed and a shovel. Known as the "Gangsta Gardener," Finley's transformative work in South Central Los Angeles has redefined what it means to grow food and regenerate communities. His gardening initiatives through the Ron Finley Project reclaim and redesign neglected urban spaces such as abandoned lots, shelters, traffic medians and curb strips. This enables Finley to bring fresh, organic produce to food deserts, while also sparking local and international movements toward food sovereignty and communal reciprocity. This volume chronicles Finley's community work, illuminating how he encourages underserved communities to take charge of their own self-determination, using shovels as an antidote to the oppressive designs of urban infrastructure. Growing out of the Hammer Museum's group exhibition Breath(e): Toward Climate and Social Justice-in collaboration with the Getty's region-wide initiative PST ART-the volume builds on critical and timely questions around climate change and its inescapable intersection with issues of equity and social justice.Ron Finley was born and raised in South Central Los Angeles, where he still lives and works as a community organizer and urban gardener. Finley is a popular teacher and has been invited all around the world to speak about his community and urban gardening initiatives.

Paperback. Condizione: New. A new publication spotlights Gordon Matta-Clark's only extant architectural pieceIn 1972, Gordon Matta-Clark (1943-78) installed a dumpster on the street between 98 and 112 Greene Street in New York's SoHo neighborhood, an architectural artwork he called Open House. Matta-Clark used discarded, scavenged materials-old pieces of wood, doors-to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context-sited in spaces abandoned or slated for demolition-Matta-Clark's "anarchitecture" was almost necessarily ephemeral, surviving as only documentation and sculptural sections. Open House (1972) is the only still-extant architectural piece by Matta-Clark. Gordon Matta-Clark: Open House is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark's entire oeuvre.