edition patrick frey aug 2025 (12 risultati)

Taschenbuch. Condizione: Neu. Neuware -Acts of Appearance wurde gemeinsam mit Pappmaché-Künstler:innen der Kokna- und Warli-Stammesgemeinschaften in einem Adivasi-Dorf im Palghar District realisiert. Dieser landeinwärts von Dahan gelegene Distrikt ist einer der ärmsten im indischen Bundestaat Maharashtra. Gills Protagonist:innen/ Mitarbeitende sind berühmt für ihre Pappmaché-Arbeiten, vor allem auch für die rituellen Masken, die sie für die alljährlich stattfindende Bohada-Prozession anfertigen. Auf Gauri Gills Bildern gehen die Künstler:innen wie auch die einheimischen Freiwilligen, die speziell für das 2015 begonnene Projekt gefertigte Masken tragen, ihren täglichen Geschäften nach. Die neuen Kreationen zeigen mit den physischen Eigenschaften normaler Menschen ausgestattete Personen, Tiere oder für wertvoll erachtete Gegenstände. In Gills Fotografien vermischen sich in der «Realität» wie auch in Traumgefilden angesiedelte Szenarien und Narrative. Es sind symbolische oder spielerische Darstellungen und gleichzeitig Bilder aus dem Alltag der einzelnen Mitarbeitenden im Kontext ihrer Umgebung und Kultur.Acts of Appearance wurde als Gemeinschaftsprojekt konzipiert, an dem folgende Künstler:innen teilnahmen: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar und Nilam Sunil Marad. 188 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Acts of Appearance wurde gemeinsam mit Pappmaché-Künstler:innen der Kokna- und Warli-Stammesgemeinschaften in einem Adivasi-Dorf im Palghar District realisiert. Dieser landeinwärts von Dahan gelegene Distrikt ist einer der ärmsten im indischen Bundestaat Maharashtra. Gills Protagonist:innen/ Mitarbeitende sind berühmt für ihre Pappmaché-Arbeiten, vor allem auch für die rituellen Masken, die sie für die alljährlich stattfindende Bohada-Prozession anfertigen. Auf Gauri Gills Bildern gehen die Künstler:innen wie auch die einheimischen Freiwilligen, die speziell für das 2015 begonnene Projekt gefertigte Masken tragen, ihren täglichen Geschäften nach. Die neuen Kreationen zeigen mit den physischen Eigenschaften normaler Menschen ausgestattete Personen, Tiere oder für wertvoll erachtete Gegenstände. In Gills Fotografien vermischen sich in der «Realität» wie auch in Traumgefilden angesiedelte Szenarien und Narrative. Es sind symbolische oder spielerische Darstellungen und gleichzeitig Bilder aus dem Alltag der einzelnen Mitarbeitenden im Kontext ihrer Umgebung und Kultur.Acts of Appearance wurde als Gemeinschaftsprojekt konzipiert, an dem folgende Künstler:innen teilnahmen: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar und Nilam Sunil Marad. 188 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Acts of Appearance assumed its form within a village of Adivasi papier-mâché artists from the Kokna and Warli tribes in Palghar district. Further inland from Dahanu, it is one of the most impoverished districts in Maharashtra, India. Gill's collaborator-subjects are renowned for their papier-mâché objects, including traditional sacred masks made for the yearly Bohada procession. In these pictures the artists as well as other local volunteers engage in everyday village activities while wearing new masks, made by them expressly for this body of work beginning in 2015. The new creations depict living beings with the physical characteristics of ordinary humans, commonplace animals, or valued objects. A range of scenarios and narratives, situated in both 'reality' and dreamlike states, come together in the photographs, which simultaneously portray symbolic or playful representations as well as the familiar experiences of community members against the backdrop of their home and culture.Acts of Appearance was created as a community project with the following artists: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar and Nilam Sunil Marad.

Taschenbuch. Condizione: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.; Fields of Sight ging aus der einzigartigen Zusammenarbeit der Fotografin Gauri Gill mit dem bekannten Warli-Künstler Rajesh Vangad hervor. Begonnen wurde sie Anfang 2013 in Ganjad, Dahanu, einem Adivasi-Dorf in der Küstenregion des indischen Bundesstaats Maharashtra. Aus Gills ersten Erfahrungen mit der Landschaftsfotografie entwickelte sich in einer Art Symbiose eine neue visuelle Sprache. Bei der Durchsicht ihrer Kontaktbögen bemerkte sie, dass wichtige Aspekte fehlten, obwohl die Kamera die «chamäleonartige» Haut der Landschaft eingefangen hatte - Aspekte von etwas, was das Auge nicht wahrgenommen hatte, aber in den grossartigen mythologischen und experimentellen Geschichten, die ihr Vangad vorlas, sehr lebendig beschrieben war. Die mit Vangads Zeichnungen überschriebenen Fotografien Gills rekonfigurieren den fotografischen Ort sowohl formal wie konzeptuell, um neue Dokumente mit nicht nur einer Wahrheit und einem transaktiven Wissenssystem zu erhalten. Die Landschaften durch Vangads Augen zu sehen erweckte in Gill das Bedürfnis, unsere heutige Wahrnehmung von dem, was unsere Augen einfangen und was ihnen möglicherweise auch entgeht, zu hinterfragen. «Als würde man ein altes Haus fotografieren, aus dem im selben Moment ein:e Bewohner:in herauskommt und zu reden anfängt.» 372 pp. Englisch, Hindi.

Taschenbuch. Condizione: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.; Fields of Sight ging aus der einzigartigen Zusammenarbeit der Fotografin Gauri Gill mit dem bekannten Warli-Künstler Rajesh Vangad hervor. Begonnen wurde sie Anfang 2013 in Ganjad, Dahanu, einem Adivasi-Dorf in der Küstenregion des indischen Bundesstaats Maharashtra. Aus Gills ersten Erfahrungen mit der Landschaftsfotografie entwickelte sich in einer Art Symbiose eine neue visuelle Sprache. Bei der Durchsicht ihrer Kontaktbögen bemerkte sie, dass wichtige Aspekte fehlten, obwohl die Kamera die «chamäleonartige» Haut der Landschaft eingefangen hatte - Aspekte von etwas, was das Auge nicht wahrgenommen hatte, aber in den grossartigen mythologischen und experimentellen Geschichten, die ihr Vangad vorlas, sehr lebendig beschrieben war. Die mit Vangads Zeichnungen überschriebenen Fotografien Gills rekonfigurieren den fotografischen Ort sowohl formal wie konzeptuell, um neue Dokumente mit nicht nur einer Wahrheit und einem transaktiven Wissenssystem zu erhalten. Die Landschaften durch Vangads Augen zu sehen erweckte in Gill das Bedürfnis, unsere heutige Wahrnehmung von dem, was unsere Augen einfangen und was ihnen möglicherweise auch entgeht, zu hinterfragen. «Als würde man ein altes Haus fotografieren, aus dem im selben Moment ein:e Bewohner:in herauskommt und zu reden anfängt.» 372 pp. Englisch, Hindi.

Taschenbuch. Condizione: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.

Taschenbuch. Condizione: Neu. Neuware -Acts of Appearance assumed its form within a village of Adivasi papier-mâché artists from the Kokna and Warli tribes in Palghar district. Further inland from Dahanu, it is one of the most impoverished districts in Maharashtra, India. Gill's collaborator-subjects are renowned for their papier-mâché objects, including traditional sacred masks made for the yearly Bohada procession. In these pictures the artists as well as other local volunteers engage in everyday village activities while wearing new masks, made by them expressly for this body of work beginning in 2015. The new creations depict living beings with the physical characteristics of ordinary humans, commonplace animals, or valued objects. A range of scenarios and narratives, situated in both 'reality' and dreamlike states, come together in the photographs, which simultaneously portray symbolic or playful representations as well as the familiar experiences of community members against the backdrop of their home and culture.Acts of Appearance was created as a community project with the following artists: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar and Nilam Sunil Marad.GVA Gemeinsame Verlagsauslieferung Göttingen, Postfach 2021, 37010 Göttingen 188 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware - Acts of Appearance assumed its form within a village of Adivasi papier-mâché artists from the Kokna and Warli tribes in Palghar district. Further inland from Dahanu, it is one of the most impoverished districts in Maharashtra, India. Gill's collaborator-subjects are renowned for their papier-mâché objects, including traditional sacred masks made for the yearly Bohada procession. In these pictures the artists as well as other local volunteers engage in everyday village activities while wearing new masks, made by them expressly for this body of work beginning in 2015. The new creations depict living beings with the physical characteristics of ordinary humans, commonplace animals, or valued objects. A range of scenarios and narratives, situated in both 'reality' and dreamlike states, come together in the photographs, which simultaneously portray symbolic or playful representations as well as the familiar experiences of community members against the backdrop of their home and culture.Acts of Appearance was created as a community project with the following artists: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar and Nilam Sunil Marad.; Acts of Appearance wurde gemeinsam mit Pappmaché-Künstler:innen der Kokna- und Warli-Stammesgemeinschaften in einem Adivasi-Dorf im Palghar District realisiert. Dieser landeinwärts von Dahan gelegene Distrikt ist einer der ärmsten im indischen Bundestaat Maharashtra. Gills Protagonist:innen/ Mitarbeitende sind berühmt für ihre Pappmaché-Arbeiten, vor allem auch für die rituellen Masken, die sie für die alljährlich stattfindende Bohada-Prozession anfertigen. Auf Gauri Gills Bildern gehen die Künstler:innen wie auch die einheimischen Freiwilligen, die speziell für das 2015 begonnene Projekt gefertigte Masken tragen, ihren täglichen Geschäften nach. Die neuen Kreationen zeigen mit den physischen Eigenschaften normaler Menschen ausgestattete Personen, Tiere oder für wertvoll erachtete Gegenstände. In Gills Fotografien vermischen sich in der «Realität» wie auch in Traumgefilden angesiedelte Szenarien und Narrative. Es sind symbolische oder spielerische Darstellungen und gleichzeitig Bilder aus dem Alltag der einzelnen Mitarbeitenden im Kontext ihrer Umgebung und Kultur.Acts of Appearance wurde als Gemeinschaftsprojekt konzipiert, an dem folgende Künstler:innen teilnahmen: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar und Nilam Sunil Marad.

Taschenbuch. Condizione: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.GVA Gemeinsame Verlagsauslieferung Göttingen, Postfach 2021, 37010 Göttingen 372 pp. Englisch, Hindi.

Taschenbuch. Condizione: Neu. Neuware - Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.; Fields of Sight ging aus der einzigartigen Zusammenarbeit der Fotografin Gauri Gill mit dem bekannten Warli-Künstler Rajesh Vangad hervor. Begonnen wurde sie Anfang 2013 in Ganjad, Dahanu, einem Adivasi-Dorf in der Küstenregion des indischen Bundesstaats Maharashtra. Aus Gills ersten Erfahrungen mit der Landschaftsfotografie entwickelte sich in einer Art Symbiose eine neue visuelle Sprache. Bei der Durchsicht ihrer Kontaktbögen bemerkte sie, dass wichtige Aspekte fehlten, obwohl die Kamera die «chamäleonartige» Haut der Landschaft eingefangen hatte - Aspekte von etwas, was das Auge nicht wahrgenommen hatte, aber in den grossartigen mythologischen und experimentellen Geschichten, die ihr Vangad vorlas, sehr lebendig beschrieben war. Die mit Vangads Zeichnungen überschriebenen Fotografien Gills rekonfigurieren den fotografischen Ort sowohl formal wie konzeptuell, um neue Dokumente mit nicht nur einer Wahrheit und einem transaktiven Wissenssystem zu erhalten. Die Landschaften durch Vangads Augen zu sehen erweckte in Gill das Bedürfnis, unsere heutige Wahrnehmung von dem, was unsere Augen einfangen und was ihnen möglicherweise auch entgeht, zu hinterfragen. «Als würde man ein altes Haus fotografieren, aus dem im selben Moment ein:e Bewohner:in herauskommt und zu reden anfängt.».

Taschenbuch. Condizione: Neu. Neuware -Acts of Appearance assumed its form within a village of Adivasi papier-mâché artists from the Kokna and Warli tribes in Palghar district. Further inland from Dahanu, it is one of the most impoverished districts in Maharashtra, India. Gill's collaborator-subjects are renowned for their papier-mâché objects, including traditional sacred masks made for the yearly Bohada procession. In these pictures the artists as well as other local volunteers engage in everyday village activities while wearing new masks, made by them expressly for this body of work beginning in 2015. The new creations depict living beings with the physical characteristics of ordinary humans, commonplace animals, or valued objects. A range of scenarios and narratives, situated in both 'reality' and dreamlike states, come together in the photographs, which simultaneously portray symbolic or playful representations as well as the familiar experiences of community members against the backdrop of their home and culture.Acts of Appearance was created as a community project with the following artists: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar and Nilam Sunil Marad. 188 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'. 372 pp. Englisch, Hindi.