inventory press llc us (152 risultati)

Paperback. Condizione: New. Jordan Peele's powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who's Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents the Peele's Oscar-winning screenplay alongside supplementary material. Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films such as Akira Kurosawa's Rashomon, Jean-Luc Godard's Masculin/Feminin and Michelangelo Antonioni's L'Avventurra Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work.Jordan Peele (born 1979) is an American actor, comedian, writer, producer and director. Peele's directorial debut, Get Out (2017), earned him an Academy Award for Best Original screenplay as well as nominations for Best Picture and Best Director. In 2012, Peele founded Monkeypaw Productions, which amplifies marginalized voices and cultivates artistic, thought-provoking projects across film, television and digital platforms, including Peele's follow-up to Get Out, the thriller Us (2019).

Paperback. Condizione: New. "A colossal cinematic achievement" -Richard Brody, the New YorkerA masterpiece of identity horror and a dark reflection on America's past and present, Us presents chilly atmospherics, psychological torment and old-world suspense-building plot twists. Whereas Get Out was considered more a mixture of drama and suspense, Peele leaned fully into the horror genre with his sophomore film, using urban legends such as doppelgangers to tease out the uniquely American perceptions of xenophobia and "othering." Critic Monica Castillo wrote of the film: "Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Peele wants us to talk, and he's given audiences the material to think, to feel our way through some of the darker sides of the human condition."Published in conjunction with the fifth anniversary of the critically acclaimed film's release, this companion paperback features Oscar®-winning director Jordan Peele's screenplay, alternate endings and deleted scenes, and is richly illustrated with over 150 stills from the motion picture. Specially commissioned annotations by hannah baer, Theaster Gates, Jamieson Webster, Jared Sexton, Mary Ping, Shana Redmond and Leila Taylor present a cosmology of images, definitions and inspirations that extend the themes of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films-such as Kurosawa's Rashomon, Godard's Masculin Féminin and Antonioni's L'Avventura-Us is an indispensable guide to a deeper understanding of this important film.Jordan Peele (born 1979) is a writer, actor and filmmaker who rose to fame as half of the comedy duo Key and Peele. He has written and directed three feature films: Get Out (2017), Us (2019) and Nope (2022). He was the first Black screenwriter to win an Academy Award for Best Original Screenplay.

Paperback. Condizione: New. Jordan Peele's powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who's Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents the Peele's Oscar-winning screenplay alongside supplementary material. Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films such as Akira Kurosawa's Rashomon, Jean-Luc Godard's Masculin/Feminin and Michelangelo Antonioni's L'Avventurra Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work.Jordan Peele (born 1979) is an American actor, comedian, writer, producer and director. Peele's directorial debut, Get Out (2017), earned him an Academy Award for Best Original screenplay as well as nominations for Best Picture and Best Director. In 2012, Peele founded Monkeypaw Productions, which amplifies marginalized voices and cultivates artistic, thought-provoking projects across film, television and digital platforms, including Peele's follow-up to Get Out, the thriller Us (2019).

Paperback. Condizione: New. The first-ever English translation of Bruno Munari's classic treatise on creativity, replete with new contextualizing annotations "But isn't imagination also fantasy? And can't fantastic images also assume the form of sounds? Musicians speak of sonic images, sound objects. How does one invent a fish tale, an air-cooled engine, a new plastic? . fantasy, invention, creativity think; imagination sees."Never before translated into English, Bruno Munari's Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari's mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed "genetic epistemology") foregrounds the book's journey through Munari's design processes, both working for clients and teaching design principles to children. By turning both life and work into a classroom, Munari unlocks a path through imagination in order to access his, and in turn the reader's, deepest sense of play.The facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp. These microinterventions highlight the innovations that make this work as relevant today as when originally published. Bruno Munari (1907-98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in Modernism, Futurism and Concrete art, as well as to nonvisual arts (literature, poetry) through his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

Paperback. Condizione: New. The first-ever English translation of Bruno Munari's classic treatise on creativity, replete with new contextualizing annotations "But isn't imagination also fantasy? And can't fantastic images also assume the form of sounds? Musicians speak of sonic images, sound objects. How does one invent a fish tale, an air-cooled engine, a new plastic? . fantasy, invention, creativity think; imagination sees."Never before translated into English, Bruno Munari's Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari's mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed "genetic epistemology") foregrounds the book's journey through Munari's design processes, both working for clients and teaching design principles to children. By turning both life and work into a classroom, Munari unlocks a path through imagination in order to access his, and in turn the reader's, deepest sense of play.The facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp. These microinterventions highlight the innovations that make this work as relevant today as when originally published. Bruno Munari (1907-98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in Modernism, Futurism and Concrete art, as well as to nonvisual arts (literature, poetry) through his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

Paperback. Condizione: New. A *New* Program for Graphic Design is the first Communication Design textbook expressly of and for the 21st century. Synthesizing the pragmatic with the experimental, this volume builds upon mid- to late-20th-century pedagogical models to convey advanced principles of contemporary design in an understandable form for students of all levels. David Reinfurt, a graphic designer, writer, educator and one half of design collaboration Dexter Sinister, has developed a graphic design curriculum at Princeton University in which three courses provide a broad and comprehensive introduction to the field for undergraduate students coming from a range of other disciplines. These courses Typography, Gestalt and Interface are the foundation of this book. Through a series of in-depth historical case studies (from Benjamin Franklin to the Macintosh computer) and assignments that progressively build in complexity, A *New* Program for Graphic Design serves as a practical guide for designers looking to understand and shape the increasingly networked world of information and design. As a cofounder of O-R-G inc. (2000), Dexter Sinister (2006) and The Serving Library (2012), graphic designer and teacher David Reinfurt (born 1971) has been involved in several studios and collectives that have reimagined graphic design, publishing and archiving in the 21st century. His work is included in the collections of the Walker Art Center, the Whitney Museum of American Art, the Cooper Hewitt National Design Museum and the Museum of Modern Art, but can also be accessed on a daily basis: he was the lead designer for the New York City MTA Metrocard vending machine interface, still in use today. Reinfurt teaches at Princeton University.

Paperback. Condizione: New. From Texas to the Persian Gulf, Al Qadiri's installations underscore the wealth and infrastructures of regions dependent on oilBerlin-based artist Monira Al Qadiri's (born 1983) work examines "petro-cultures," where society is defined by its dependence on oil. For Refined Vision, Al Qadiri's film and installations were inspired by the infrastructure of the Texas Gulf Coast and the Persian Gulf region.

Paperback. Condizione: New. "A colorful, digestible guide to the late 21st century and the role that architects play or don't play in shaping our collective understanding of citizenship." -Inc Globalization, technology and politics have altered the definition and expectations of citizenship and the right to place. Dimensions of Citizenship documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This highly readable, visually led paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale.Drawing inspiration from the Eames' Power of Ten, Dimensions of Citizenship provides a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation) and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos). With contributions by Amanda Williams and Andres L. Hernandez in collaboration with Shani Crowe; Design Earth; Diller Scofidio + Renfro, Laura Kurgan and Robert Pietrusko, with Columbia Center for Spatial Research; Estudio Teddy Cruz + Fonna Forman; Keller Easterling; SCAPE; Studio Gang; exhibition curators Niall Atkinson, Ann Lui, Mimi Zeiger; and others. The book is published with seven different covers.

Paperback. Condizione: New. For the Erie Canal's 200th anniversary, López-Jensen's series centers the unseen labor that keeps the waterway operationalThe debut photobook The Work and the Water: Labor and Landscapes along the Erie Canal by Matthew López-Jensen (born 1980) is a work of environmental social practice centering the unseen labor required to keep the Erie Canal, a 524-mile inland waterway in upstate New York, operational. Over 40 photographs are accompanied by commentary from the more than 400 employees who work on the canal year-round, often out of view and in hazardous conditions. As the first artist-in-residence with the canal in its 200-year history, López-Jensen visited every lock in the system from Buffalo to Albany, from Whitehall to Seneca Falls. The archive of images he created helps communicate the potentials of the canal as a site for environmental restoration while also conveying the scale of this colossal piece of infrastructure that transformed the region in ways that are still felt today.

Paperback. Condizione: New. Renowned philosopher Susan Buck-Morss collaborates with Boot Boyz Biz's Kevin McCaughey and Inventory Press' Adam Michaels on this experimental image-text update of McLuhan and BenjaminRenowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin.Seeing Making: Room for Thought both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss' perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action.In both design and content, Seeing Making: Room for Thought builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book The Medium Is the Massage, Walter Benjamin's Arcades Project and John Berger's Ways of Seeing. This innovative volume brings Buck-Morss' more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.

Paperback. Condizione: New. A *New* Program for Graphic Design is the first Communication Design textbook expressly of and for the 21st century. Synthesizing the pragmatic with the experimental, this volume builds upon mid- to late-20th-century pedagogical models to convey advanced principles of contemporary design in an understandable form for students of all levels. David Reinfurt, a graphic designer, writer, educator and one half of design collaboration Dexter Sinister, has developed a graphic design curriculum at Princeton University in which three courses provide a broad and comprehensive introduction to the field for undergraduate students coming from a range of other disciplines. These courses Typography, Gestalt and Interface are the foundation of this book. Through a series of in-depth historical case studies (from Benjamin Franklin to the Macintosh computer) and assignments that progressively build in complexity, A *New* Program for Graphic Design serves as a practical guide for designers looking to understand and shape the increasingly networked world of information and design. As a cofounder of O-R-G inc. (2000), Dexter Sinister (2006) and The Serving Library (2012), graphic designer and teacher David Reinfurt (born 1971) has been involved in several studios and collectives that have reimagined graphic design, publishing and archiving in the 21st century. His work is included in the collections of the Walker Art Center, the Whitney Museum of American Art, the Cooper Hewitt National Design Museum and the Museum of Modern Art, but can also be accessed on a daily basis: he was the lead designer for the New York City MTA Metrocard vending machine interface, still in use today. Reinfurt teaches at Princeton University.

Paperback. Condizione: New. From Texas to the Persian Gulf, Al Qadiri's installations underscore the wealth and infrastructures of regions dependent on oilBerlin-based artist Monira Al Qadiri's (born 1983) work examines "petro-cultures," where society is defined by its dependence on oil. For Refined Vision, Al Qadiri's film and installations were inspired by the infrastructure of the Texas Gulf Coast and the Persian Gulf region.

Paperback. Condizione: New. Ngô tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and graftsHuong Ngô (born 1979) is a Hong Kong-born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting-a procedure that involves cutting and splicing different species into a single plant-serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô's exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.

Paperback. Condizione: New. Celebrating an artistic and intellectual friendshipThis book encompasses a broad range of conversations between Jan Tumlir and Jorge Pardo, which span a period of 20 years, beginning in 1999. Cuban-born, Mexico-based artist Jorge Pardo (born 1963) explores the intersection of contemporary painting, design, sculpture and architecture. Employing a broad palette of vibrant colors, eclectic patterns, and natural and industrial materials, Pardo's works range from murals to home furnishings to collages to larger-than-life fabrications. Here in conversation with art writer, teacher and curator Jan Tumlir (born 1962), he discusses contemporary art, design, publishing and music. The conversations also connect to the varied contexts of Los Angeles and Merida, Mexico, where they took place. The result is a story of a unique intellectual friendship that has helped define both of their thinking and practice.

Hardback. Condizione: New. Molly Nesbit shows how American pragmatism has informed art theory from Meyer Schapiro to T.J. Clark and Linda NochlinFirst published in 2013 and quickly going out of print, Molly Nesbit's The Pragmatism in the History of Art traces the questions that modern art history and theory has used to make sense of the changes overtaking both art and life. Opening with a consideration of pragmatism's origins in the thought of Charles Sanders Pierce, William James and John Dewey, the book examines the overlaps and disparities between art and philosophy across several generations of art historians, crossing back and forth over the Atlantic. A genealogy emerges through case studies on the work of Schapiro, Henri Focillon, Alexander Dorner, George Kubler, Robert Herbert, T.J. Clark and Linda Nochlin. The philosophy of Michel Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc Godard also show distinctly pragmatic effects. Artists discussed include Vincent van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark.The Pragmatism in the History of Art precedes Midnight: The Tempest Essays in Nesbit's Pre-Occupations series.Molly Nesbit is Professor in the Department of Art at Vassar College and a contributing editor of Artforum. Her other books include Atget's Seven Albums (1992) and Their Common Sense (2000).

Paperback. Condizione: New. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (1899-1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum's early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.

Paperback. Condizione: New. Celebrating an artistic and intellectual friendshipThis book encompasses a broad range of conversations between Jan Tumlir and Jorge Pardo, which span a period of 20 years, beginning in 1999. Cuban-born, Mexico-based artist Jorge Pardo (born 1963) explores the intersection of contemporary painting, design, sculpture and architecture. Employing a broad palette of vibrant colors, eclectic patterns, and natural and industrial materials, Pardo's works range from murals to home furnishings to collages to larger-than-life fabrications. Here in conversation with art writer, teacher and curator Jan Tumlir (born 1962), he discusses contemporary art, design, publishing and music. The conversations also connect to the varied contexts of Los Angeles and Merida, Mexico, where they took place. The result is a story of a unique intellectual friendship that has helped define both of their thinking and practice.

Paperback. Condizione: New. An exploration of decolonial, feminist and personal themes in the West Texas landscape through Huanca's painting and sculptureThe latest volume from Chicago-born, Berlin-based multimedia artist Donna Huanca (born 1980) engages with the landscape of West Texas, while also drawing on visual, cultural and mythological cues informed by feminism, decolonialism and the artist's personal histories. Documenting the exhibition of the same name at Ballroom Marfa (the title of which translates to "burnt mirror"), the bilingual English and Spanish catalog is an exploration of Huanca's first memories of Marfa, Texas.Created during the pandemic, Espejo Quemada moves away from Huanca's live public performance work and focuses on the performative presence inherent in her sculptures and paintings, including the use of mirrors. With essays from Ballroom Marfa curator Daisy Nam, Whitney Museum of Art associate curator Marcela Guerrero and poet Raquel Gutiérrez, alongside the transcription of a walkthrough by poet and cultural critic Roberto Tejada, Espejo Quemada reminds us that the sentient body is a potent source and repository of memory, intuitive knowledge, imagination and desire.

Paperback. Condizione: New. Three new graphic design courses, detailed in this volume, comprise a critical companion to Reinfurt's bestselling DIY textbook, A *New* Program for Graphic DesignThis volume expands David Reinfurt's uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt's new Princeton University graphic design courses-C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and R-e-s-e-a-r-c-h-developed explicitly in the context of remote teaching and in light of urgent realignments around whose stories get told and who does the telling, are presented in this follow-up to A *New* Program for Graphic Design (Inventory Press/D.A.P., 2018). C-i-r-c-u-l-a-t-i-o-n examines the distribution networks for graphic design including electronic and conventional means. M-u-l-t-p-l-i-c-i-t-y, taught with mathematics professor Philip Ording, explores graphic design from the perspective of topology and topology through the practice of graphic design. R-e-s-e-a-r-c-h is an advanced graphic design class which cultivates an exploratory and expansive design process and investigates what the term ""design research"" has meant at different points in design history. From these separate angles comes a collaborative and cooperative way of telling and teaching design history, taking on subjects from the Detroit Printing Co-op, Corita Kent and Charles and Ray Eames, to Giuseppe Peano, Marshall McLuhan, Sylvia Harris and Virgil Abloh. Through a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide to visually understanding the history-and shaping the future-of our designed world.David Reinfurt is an independent graphic designer and writer based in New York City. He worked as an interaction designer at IDEO from 1995 to 1997, where he was the lead designer for the MTA Metrocard vending machine interface. In 2000, Reinfurt formed the graphic design practice O-R-G inc., followed by Dexter Sinister in 2006 and the Serving Library in 2012. He has taught at Princeton University since 2010.

Hardback. Condizione: New. Molly Nesbit shows how American pragmatism has informed art theory from Meyer Schapiro to T.J. Clark and Linda NochlinFirst published in 2013 and quickly going out of print, Molly Nesbit's The Pragmatism in the History of Art traces the questions that modern art history and theory has used to make sense of the changes overtaking both art and life. Opening with a consideration of pragmatism's origins in the thought of Charles Sanders Pierce, William James and John Dewey, the book examines the overlaps and disparities between art and philosophy across several generations of art historians, crossing back and forth over the Atlantic. A genealogy emerges through case studies on the work of Schapiro, Henri Focillon, Alexander Dorner, George Kubler, Robert Herbert, T.J. Clark and Linda Nochlin. The philosophy of Michel Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc Godard also show distinctly pragmatic effects. Artists discussed include Vincent van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark.The Pragmatism in the History of Art precedes Midnight: The Tempest Essays in Nesbit's Pre-Occupations series.Molly Nesbit is Professor in the Department of Art at Vassar College and a contributing editor of Artforum. Her other books include Atget's Seven Albums (1992) and Their Common Sense (2000).

Paperback. Condizione: New. A long-overdue English translation of Munari's seminal tract on the everyday value of architecture and design educationThe first ever English translation of Bruno Munari's Design and Visual Communication (1968) fills a gap in Munari's output for the English-speaking world and provides a highly relevant guide to bridging architecture and design education and everyday life.Published in 1968 after Munari was invited to the Carpenter Center at Harvard to teach, the book transforms over 50 lessons, class materials and letters addressed to the city of Milan, into a book on the future of art, architecture and design. Conceived as a living volume, the book is written to inspire current and future designers to push beyond past events, however recent, and develop new tools to see and understand tomorrow's world.Accompanying the facsimile reproduction of the original volume are in-depth contextual annotations by Jeffrey Schnapp. As a Munari scholar and design historian, Schnapp has spent years unearthing the radical potential of critical historical material. His annotations and micro-interventions throughout the facsimile reprint seek to fulfill Munari's call for an evolution of the book in form and content and highlight how this work is as relevant today as when originally published.Bruno Munari (1907-98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art and in nonvisual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

Paperback. Condizione: New. Considering intergenerational and cultural inheritance through the prisms of intimacy and infrastructureDesigned as both a reader and an exhibition catalog, Intimate confession is a project explores the intersection between intimacy and infrastructure with a particular focus on the social landscape of Houston, where the corresponding exhibition took place. The 10 featured artists use multimedia works to think through infrastructure as an intimate holding cell, capable of great emotional power. Intended as a scholarly contribution to cross-disciplinary exchange between the visual arts and the humanities, the book includes essays by Ara Wilson, Kai Bosworth and Lara Mimosa Montes, as well as poetry by Juliana Sphar and Roberto Tejada.Artists include: Gwenneth Boelens, Benvenuto Chavajay, ektor garcia, Lonnie Holley, Anna Mayer, Na Mira, Kate Newby, Josie Ann Teets, Chiffon Thomas, Iris Touliatou, Clémence de La Tour du Pin.

Paperback. Condizione: New. The first publication in English on the career of Czech graphic designer and typographer Clara IstlerováClara Istlerová (born 1944) was one of few female designers in the male-dominated field of Czech typography. Born into an artistic family, she studied under Frantisek Muzika at the Academy of Arts, Architecture and Design in Prague. Working entirely in analog processes, she created the design for one of the most influential books on Czech architecture, Svácha, Rostislav: From Modernity to Functionalism (1985). Offering a vivid portrayal of an era where design was a tangible, labor-intensive endeavor carried out in close collaboration with typesetters and printers, A Life Among Letters unveils the artistic landscape of former Czechoslovakia through the lens of a trailblazing designer. It features an intimate interview with Istlerová conducted by Anezka Minaríková, accompanied by work from Istlerová's personal archive and a description of her creative process in her own words.

Paperback. Condizione: New. An exploration of decolonial, feminist and personal themes in the West Texas landscape through Huanca's painting and sculptureThe latest volume from Chicago-born, Berlin-based multimedia artist Donna Huanca (born 1980) engages with the landscape of West Texas, while also drawing on visual, cultural and mythological cues informed by feminism, decolonialism and the artist's personal histories. Documenting the exhibition of the same name at Ballroom Marfa (the title of which translates to "burnt mirror"), the bilingual English and Spanish catalog is an exploration of Huanca's first memories of Marfa, Texas.Created during the pandemic, Espejo Quemada moves away from Huanca's live public performance work and focuses on the performative presence inherent in her sculptures and paintings, including the use of mirrors. With essays from Ballroom Marfa curator Daisy Nam, Whitney Museum of Art associate curator Marcela Guerrero and poet Raquel Gutiérrez, alongside the transcription of a walkthrough by poet and cultural critic Roberto Tejada, Espejo Quemada reminds us that the sentient body is a potent source and repository of memory, intuitive knowledge, imagination and desire.

Paperback. Condizione: New. Collaborative conversations on Indigenous performance art, convened by a leading practitionerFor Breaking Protocol, transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance-tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield's "Coffee Break"-a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations.Building on these exchanges, Breaking Protocol asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.Contributors include: Rebecca Belmore, Lori Blondeau, Pelenakeke Brown, Katherine Carl, Re'al Christian, Christen Clifford, TJ Cuthand, Raven Davis, Vanessa Dion Fletcher, Akiko Ichikawa, Ursula Johnson, Suzanne Kite, Charles Koroneho, Carin Kuoni, Cheryl L'Hirondelle, Gabrielle L'Hirondelle Hill, Jackson 2Bears Leween, Tanya Lukin Linklater, Cathy Mattes, Meagan Musseau, Wanda Nanibush, Peter Morin, Archer Pechawis, Rosanna Raymond, Skeena Reece, Georgiana Uhlyarik, Charlene Vickers and Laakkuluk Williamson Bathory.

Hardback. Condizione: New. This is the first significant publication to explore the output of Matt Keegan, the New York-based artist known for his work across mediums, as well as independent publishing including the acclaimed editioned art journal North Drive Press. This monograph expands on a recent solo exhibition by the artist at Rogaland Kunstsenter; Stavanger, Norway, titled "Portable Document Format." The show was organized as an idiosyncratic retrospective, with Keegan remaking sculptures dating from 2006 to 2015, initially fabricated in Sheetrock and steel, in cardboard. Like the exhibition, the publication serves both as a project and a reference for the artist's work.Essays by Tom McDonough and John Miller theorize Keegan's production, while interviews with Sara VanDerBeek and Anna Craycroft underscore the artist's ongoing engagement with his peer group. Furthered by contributions from colleagues Uri Aran, Leslie Hewitt and James Richards, situated alongside full-color installation photos and reproductions of work from the past decade, Matt Keegan: OR provides a solid introduction and layered overview of the artist's multifarious practice.

Paperback. Condizione: New. The first publication in English on the career of Czech graphic designer and typographer Clara IstlerováClara Istlerová (born 1944) was one of few female designers in the male-dominated field of Czech typography. Born into an artistic family, she studied under Frantisek Muzika at the Academy of Arts, Architecture and Design in Prague. Working entirely in analog processes, she created the design for one of the most influential books on Czech architecture, Svácha, Rostislav: From Modernity to Functionalism (1985). Offering a vivid portrayal of an era where design was a tangible, labor-intensive endeavor carried out in close collaboration with typesetters and printers, A Life Among Letters unveils the artistic landscape of former Czechoslovakia through the lens of a trailblazing designer. It features an intimate interview with Istlerová conducted by Anezka Minaríková, accompanied by work from Istlerová's personal archive and a description of her creative process in her own words.

Paperback. Condizione: New. A detailed account of Ant Farm's 1975 Media Burn performance, a legendary act of consumerist critiqueThis book examines the complex set of cultural references and art-making strategies informing Ant Farm's seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself.

Hardback. Condizione: New. Transnational cultural hybrids of the Afro-AtlanticThe first full-length monograph of Houston-based visual artist Jamal Cyrus (born 1973), this publication features an overview of Cyrus' practice of cobbling modern artifacts that trace the evolution of Black identity as it migrates across the African Diaspora, Middle Passage, jazz age and civil rights movements from the 1960s to now.Published to accompany Cyrus' first career survey exhibition at the Blaffer Art Museum, the catalog includes materially diverse and conceptually charged textile-based pieces, assemblages, performances, installations, paintings and works on paper produced in the past two decades, including his ongoing Pride Records installation series.Together, these multidisciplinary artworks demonstrate Cyrus' commemoration, translation and reactivation of sociopolitical struggles in African American history-forging a revised chronicle of histories, hybridity and redemption.

Paperback. Condizione: New. A celebration of multicultural collaboration through contemporary ceramics and exquisite ikebana arrangementsAdam Silverman creates ambitious ceramic work with site-specific materials that engage their places of origin. Similar to a chef cooking with local ingredients, his works are infused with the history, culture, issues and spirit of a place. In the fall of 2019, before the coronavirus pandemic swept the globe, Silverman began a project to address the political and cultural divisions in America. Silverman collected materials (clay, wood ash and water) from every state and inhabited US territory and combined them into a single, new, fully integrated material. This material was then used to create 56 ceremonial vessels that celebrate the nation's diversity and the idea of radical inclusivity. A series of 56 Ikebana arrangements made by teachers and students at Sogetsu Ikebana Los Angeles are placed in Silverman's vessels, creating a powerful pairing of American materials and symbols with Japanese traditions.Adam Silverman (born 1963) is a Los Angeles-based artist known for his experimental processes and resulting sculptural vessels. He is regarded as one of the most dynamic practitioners dedicated to ceramics today. Silverman received bachelor degrees in both fine art and architecture from the Rhode Island School of Design.