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Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Black Corrosion. Book.
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Paperback or Softback. Condizione: New. The Cursed. Book.
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Aggiungi al carrelloPaperback. Condizione: New.
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Paperback. Condizione: new. Paperback. The book Reversed Surveillance is a visualisation of invasive surveillance technologies, challenging the prospectof automating crime detection during protests in France. The project reflects on the development andlegislation of mass surveillance by offering a case study on how individuals can protect themselves using thevery tools with which they are surveilled. The project bases on the idea that since it is unlikely to fully revertsurveillance and its effects on society, society should explore ways to reverse its impact. In ReversedSurveillance, Marcel Top demonstrates the potential of reversing surveillance dynamics to protect the right toprotest: by gaining knowledge of accessible surveillance tools, it is possible to ensure police accountability.Marcel Top is a visual artist living and working between Belgium and London. His work explores themes of masssurveillance, privacy, and data collection. In his practice, Top blends traditional documentary research withexperimental uses of new technologies. He initiated the Reversed Surveillance project following the enactmentof new legislation allowing the use of AI-enhanced surveillance in France (Law No. 2023-380), using accessiblealgorithms and available protest footage to simulate how the use of Algorithmic Video Surveillance (AVS) canimpact protesters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 26,73
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Aggiungi al carrelloPaperback. Condizione: New. The book Reversed Surveillance is a visualisation of invasive surveillance technologies, challenging the prospectof automating crime detection during protests in France. The project reflects on the development andlegislation of mass surveillance by offering a case study on how individuals can protect themselves using thevery tools with which they are surveilled. The project bases on the idea that since it is unlikely to fully revertsurveillance and its effects on society, society should explore ways to reverse its impact. In ReversedSurveillance, Marcel Top demonstrates the potential of reversing surveillance dynamics to protect the right toprotest: by gaining knowledge of accessible surveillance tools, it is possible to ensure police accountability.Marcel Top is a visual artist living and working between Belgium and London. His work explores themes of masssurveillance, privacy, and data collection. In his practice, Top blends traditional documentary research withexperimental uses of new technologies. He initiated the Reversed Surveillance project following the enactmentof new legislation allowing the use of AI-enhanced surveillance in France (Law No. 2023-380), using accessiblealgorithms and available protest footage to simulate how the use of Algorithmic Video Surveillance (AVS) canimpact protesters.
Paperback. Condizione: new. Paperback. "In 2022, photographer Ivan Anisimov left Russia and spent the next two years in Tbilisi, the capital of Georgia. There, he encountered the quiet weight of displacement the sense of estrangement, of living under the gaze of others shaped by history and politics. Like many migrants, he navigated not only a new city but also the unseen boundaries of perception and belonging, where every encounter carried echoes of conflict and the search for home.Ivan started to wander the streets of Tbilisi, taking in the citys corners and faces. Movement became his way of thinking, wandering his state of mind. What caught his attention were the local men their shoes and trousers, the textures, folds, and forms, and the way their slightly too long pants draped over their shoes. Through the fleeting photographs of passersbys feet, Pants on Top of Shoes becomes a meditation on modern alienation people adrift in the flow of life, half-asleep, half-aware, caught in a quiet hypnosis of movement and solitude." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 23,19
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Aggiungi al carrelloPaperback. Condizione: New. Billboards are strategically set up in high traffic areas, designed to catch our attention. They are positioned atop buildings, along highways, and in market squares. Even when devoid of advertisements, they continue to draw one's gaze. The sculpture-like metal frames and blank canvases remind of things that have come and gone. Even in the absence of advertising content, a billboard remains a medium of communication. But when empty of advertisement, what message does it convey? Janne Riikonen's book Notes For Our Legacy serves as a statement against the unsustainable culture of consumption and the values typically conveyed on billboards."For as long as I can recall, I've been bothered by advertisements-both their appearance and the values they most often promote. I wish I didn't have to see them. The primary message of advertisements is very clear. Whether it's a product, a service, an education, or a political agenda; they aim to sell something. Yet beneath this primary message lies a more subtle, subliminal note of inadequacy - You can do, look and behave better.The work is a manifestation agains these messages, both primary and secondary. The values they promote and with whose terms all of this is done. The constant exposure to advertisements has inevitably contributed to people becoming more materialistic and focused on status. I believe that in a society not as saturated with advertisements, we would be more compassionate and considerate towards one another."-Janne Riikonen.
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Hardcover. Condizione: new. Hardcover. In 1961, in the small Spanish village of San Sebastian de Garabandal, four young girls had an apparition of the Virgin Mary. They entered a state of ecstasy in which they became completely unaware of their surroundings and sensory perceptions. Reportedly, witnesses would pinch the girls, pierce their skin with needles, lift them up and drop them onto rough rocks, and yet they remained entranced. The light and presence of the Virgin is all they claim to have experienced. Twenty years later, in the town of Medjugorje, in Bosnia & Herzegovina, six children also had simultaneous visions of the Virgin, with similar ecstatic qualities.In his debut book Noema Michael Swann investigates the aura of place and religious experience by searching for signs of the Virgin Marys presence in these two locations. Alongside original photographs made at both sites, Noema also includes images that have been appropriated from video footage of the visionaries taken during their apparitions. These emphasise the impenetrability of the individual religious and phenomenological experience, and speaks to the separation between what is apparently being seen and what Is photographable. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 34,42
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Aggiungi al carrelloHardback. Condizione: New. In 1961, in the small Spanish village of San Sebastian de Garabandal, four young girls had an apparition of the Virgin Mary. They entered a state of ecstasy in which they became completely unaware of their surroundings and sensory perceptions. Reportedly, witnesses would pinch the girls, pierce their skin with needles, lift them up and drop them onto rough rocks, and yet they remained entranced. The light and presence of the Virgin is all they claim to have experienced. Twenty years later, in the town of Medjugorje, in Bosnia and Herzegovina, six children also had simultaneous visions of the Virgin, with similar ecstatic qualities.In his debut book Noema Michael Swann investigates the aura of place and religious experience by searching for signs of the Virgin Mary's presence in these two locations. Alongside original photographs made at both sites, Noema also includes images that have been appropriated from video footage of the visionaries taken during their apparitions. These emphasise the impenetrability of the individual religious and phenomenological experience, and speaks to the separation between what is apparently being seen and what Is photographable.
EUR 16,52
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Aggiungi al carrelloCondizione: New.
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Aggiungi al carrelloPaperback. Condizione: New. Between the finite human life and death, there is a suspended moment in which one passes from one to the other. Those who bear witness to this transition are the caretakers responsible for performing the final treatment. They cleanse the bodies, dress them, comb their hair and arrange them in a peaceful repose for the very last time. The caretakers attend to the deceased almost as if they were living, a testament to a uniquely human trait that has existed throughout time and across all cultures. The performance of these last rituals is a human way to demonstrate the ability to face and address mortality. In her debut book Transi, Margot Jourquin documents this liminal instant between the two realms and the people who prepare the dead for their burial."I enter with the funeral home employee into a small, sterile room in the basement of a hospital. It's lit by neon lights, the floor is of linoleum. There are metal stretchers, metal fridge doors, metal tools. The zinc coffin lid, screws, a soldering iron. The only thing that warms the atmosphere slightly is the presence of fabrics. White sheets, pillows, decorated blankets. The funeral home employee takes the stretcher out of the fridge and gently lifts the sheet. I observe the scene through the camera viewfinder. I'm hiding, in fact. We're here for Mrs. R, an elderly woman with smooth grey hair.Shortly after I'm left alone with Mrs. R. I begin to really look at her, not focusing on making photos anymore. There are two of us in the room, and yet, I am alone. I can't comprehend that she's dead. I watch for any movement in her hands or in the sheets. By staring so intently, I get the feeling that they are moving. I fear she might open her eyes. I dare not turn my back on her. Confronted with something I can't understand, I'm petrified and frozen still."-Margot Jourquin.
EUR 17,15
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EUR 35,43
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Aggiungi al carrelloHardback. Condizione: New. In 1929, Jenni Toivonen's great-grandparents left everything behind and relocated their family to Brazil. They were part of a group of Finns, led by pastor and gardener Toivo Uuskallio, who hoped to separate themselves from capitalist society and live in harmony with nature. They settled on land surrounded by the Atlantic Forest in the state of Rio de Janeiro, where they founded the community of Penedo. Penedo went on to become one of the most well-known examples of Finnish utopian migration, a movement of similar instances occurring from the late 1800's to the early 1900's. Many memories from this time in Jenni's family are preserved through her grandaunt's writings, photographs, Brazilian music and stories- which continue to circulate and evolve through generations. Prompted by the nostalgic but vivid world her grandaunt had depicted, Jenni set out to experience it herself. She longed to plunge into the clear mountain rivers and feel a deep, radiant connection with the forest. In revisiting the location her grandparents had inhabited, she strove to experience a shimmer of the utopia Uuskallio spoke of a century ago.