Loevenbruck paris (6 risultati)

Lingua: Francese
Editore: Ortuzar Projects & Editions Loevenbruck, New York and Paris, 2019
- Rilegato
- Prima edizione
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 31,65
EUR 6,15 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
dj. First Edition. First edition and first printing. Hardcover. 241 pages. Published in conjunction a traveling exhibition. Text in English. Features contributions by Philip Armstrong, Robert Bonaccorsi, Agnes Foiret, Laura Lisbon, Jean-Marc Poinsot, and Molly Warnock. Includes numerous black and white illustrations. A clean and tight very near fine copy in a very near fine dust jacket.…

- Rilegato
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 46,61
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. The title of this long-overdue monograph references two key works by legendary French abstract painter Michel Parmentier (1938-2000): the one that the artist considered the origin of his oeuvre ("Decembre 1965"), and his last work, made on 20 November, 1999. In between those two works lies Parmentier's career, his years of systematically and rigorously exploring the conceptual and aesthetic possibilities of painting by means of the ostensibly simple striped painting. This volume offers a selection of 31 major works by the artist and seven new essays on his work, contextualized by nearly 300 documents (most of them never previously published) from the Michel Parmentier archives, libraries, and public and private collections. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

- Rilegato
Da: B.H.HERMES, Berlin, GermaniaB.H.HERMES
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 25,00
EUR 20,60 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
34 S., Pappband. Condizione: Gut. 14 S. mit Abb. Dewar, Daniel and Gicquel, Gregory. Leichte Lese- und Lagerspuren / Gutes Exemplar / h11 / Z 49908 H11 ISBN 2916636021 Sprache: Französisch Gewicht in Gramm: 950.

Editore: Editions Loevenbruck, Paris, France, 2009
- Rilegato
Da: Peter Rhodes, Southampton, Regno UnitoPeter Rhodes
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 17,96
EUR 41,52 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hard Cover. Condizione: New. First French Language Hardback Edition. 340 x 240mm. pp. 14. French text. Volume entitled 'Dewar & Gicquel: Mason Massacre'. Features sculpture by Daniel Dewar and Gregory Gicquel. Colour illustrations. Made up of 14 thick card pages. Bound in original pictorial boards. No dust jacket, as published. Still in publishers original cellophane wrapping. …

Lingua: Francese
Editore: Sémiose éditions & éditions Loevenbruck, Paris, 2006
- Rilegato
- Prima edizione
Da: Books by Artists, Paris, FranciaBooks by Artists
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 80,00
EUR 35,00 spedizioneSpedito da Francia a U.S.A.Quantità: 1 disponibili
Couverture rigide. Condizione: Neuf. Edition originale. Sémiose éditions & éditions Loevenbruck, Paris, 2006, 20,5 x 26 cm, 304 p., relié couverture rigide, textes de Marc-Olivier Walher; Marcel Toussaint; Robert Bonaccorsi. Edition bilingue français/anglais. Livre neuf.

Editore: Loevenbruck, Paris, 2007
- Rilegato
Da: Books by Artists, Paris, FranciaBooks by Artists
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 35,00
EUR 35,00 spedizioneSpedito da Francia a U.S.A.Quantità: 1 disponibili
Couverture rigide. Condizione: Comme neuf. Relié, 104 pages Volume anépigraphe (ou « analphabète ») issu par translation sur papier d'extraits sélectionnés d'un diaporama intitulé Matière et Mémoire (Projection diaporama, 13 min, 300 x 400 cm). Le titre de l'ouvrage ne se distingue pas du numéro de son inscription à l'Internationale Standard Book Number (ISBN). La monochromie de la couverture, teintée de la plus actinique des couleurs, préfigure et trahit simultanément le contenu du volume qui réunit exclusivement des pleines pages résolument polychromes. S'oppose en ce sens au livre précurseur intitulé Yves Peintures, d'Yves Klein (1954). Feuilleter l'ouvrage, c'est littéralement expérimenter ce que Lucrèce écrit de la couleur : non seulement alio atque alio colore - « d'une autre et d'encore une autre couleur » - mais aussi bien on y vérifie que : Omnis enim color omnimo mutatur in omnes - « Toute couleur peut en toute autre tout au tout changer. » (De natura rerum, V, 304 et II, 748).…