lone goose press eugene or (11 risultati)

Condizione: FINE. First printing. Posthumously published collection of poems by this author described as an "artist, self-educated naturalist, bibliophile." 89 pp. Fine in glossy illustrated wrappers.

Condizione: fine. Fine binding, hand-made book. #39 of 101 copies. Signed by authors and illustrator. As-new copy, in glassine bag. Please feel free to email for photos. tb/fine.

Soft cover. Condizione: Near Fine. Limited Edition. Limited Edition of Barry Lopez's 1996 Pushcart Prize winning essay. This is copy number 146 of 150 soft bound copies and signed by Lopez. Light impression on cover else fine.

Condizione: Good. 4to. 40 pp. Oblong. Very Good+. Soft Cover. Typographical paper wraps. Extremely Scarce. One folded color poster 44 x 66 cm laid in.Why We Work Here is a partnership of The Ford Family Foundation and the Oregon Arts Commission, 2013. Artists: Tad Savinar and Jon Raymond.

Paperback. Condizione: Very Good. Oblong 6.5 x 9.5", stiff wraps, unpaginated, very minor extremity bumping else a nice, clean copy. LIMITED TO 150 NUMBERED COPIES (this is #124), SIGNED BY THE AUTHOR, BARRY LOPEZ.

Softcover. Condizione: Fine. First Edition. Limited edition. One of 150 numbered, signed, soft-cover copies of 179 copies overall. Signed by Lopez to the dedication page. Fine condition. ; Oblong octavo; Signed by Author.

Hardcover with clamshell box. Condizione: Fine. Deluxe, Limited Edition. Oblong 8vo. Pp. [17], Quarter red cloth over handmade paper-covered boards, printed title label. Housed in a red cloth clamshell box with printed title label. Designed, printed and bound by Sandy Tilcock. One of 29 deluxe, hardcover copies, signed by Lopez and featuring a signed intaglio print by Suellen Larkin, this being copy "N" This Pushcart Prize-winning essay originally appeared in Northern Lights. It is based on remarks Lopez made at the Herbst Theatre in San Francisco, April 27, 1995, where he joined Ivan Doig, Gretel Ehrlich, William Kittredge, Page Stegner, and Terry Tempest Williams in an evening of testimony to honor Wallace Stegner.

Hardcover. Condizione: Fine. SIGNED. Oblong octavo [18 cm] 1/4 red cloth with tan paper over boards. In a red cloth covered clamshell box with a paper title label on the spine. An essay which originally appeared in Northern Lights, based on remarks Lopez made at the Herbst Theatre in San Francisco, April 27, 1995, when he joined Ivan Doig, Gretel Ehrlich, William Kittredge, Page Stegner, and Terry Tempest Williams in an evening of testimony to honor Wallace Stegner. This limited edition of Barry Lopez's 1996 Pushcart Prize-winning essay was designed, printed and bound by Sandy Tilcock. It is printed from handset Perpetua types on Zerkall German Ingres paper using a Vandercook 219 proofing press. The edition size is 179 copies consisting of 150 numbered, signed, soft-cover copies and 29 deluxe, hardcover copies, signed and boxed, featuring an intaglio print by Suellen Larkin (#9/32). Of the deluxe edition 26 are lettered A through Z and 3 are designated as artist's copies. This copy is one of the 26 copies lettered A through Z, and signed by Barry Lopez. It is Copy E printed for Earle Henness, the late proprietor of The Beaverdam Press. Earle Henness printed using the old-fashioned method; from lead type, hand-feeding the paper to Chandler & Price platen presses. Sandy Tilcock's limited edition books have attained international recognition for their design, creative use of materials, precise typography, and attention to detail. Limited Edition (one of the 26 lettered copies).

Condizione: Fine. App. 10.25" X 14" illustrated broadside. Designed and printed at the Lone Goose press in Eugene, Oregon. Commemorates the May 1996 "Voices of Place" reading series in Eugene. Excerpt from "The Eye of Time," copyright 1983 by Ivan Diog. Woodcut by Susan Lowdermilk. Limited; #8 of 100 copies. Signed by Doig and Lowdermilk. ; Folio 13" - 23" tall; Signed by Author Manuscripts/ paper collectibles.

Condizione: Fine. Eugene, OR: Lone Goose Press, 1994. Signed limited edition broadside of 85 copies of which this is no. 38. Sharp corners, excepting the uncut bottom of the handmade paper. A Fine copy of Welch's poem, best known from his first collection Riding the Earthboy 40.

Fine binding, hand-made book. #40 of 75 numbered and signed by both author and artist. Prtinted in the spring of 1992 by Sandy Tilcock at her press in Eugene. Text handset in Perpetua, relief images printed on Vandercook 219 proofing press. Text and cover papers made my Margaret Prentice from plant fiber abaca. As-new copy, in original slipcase.