Lone goose press (41 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Jennifer Maravillas (illustratore).

Condizione: Very Good. An excellent copy. The pages are clean and unmarked. The binding is tight.

Trade Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. VERY GOOD CONDITION: Appears mostly unread/only read once. Minor edge/shelf wear. May have single marks. SHIPPING WEIGHT: 0 LBS & 9 OZ Oversized books or multi-volume SETS OVER 3 LBS may require additional shipping. Please message for custom shipping estimates on multi-volume sets before purchase. BUNDLE & SAVE: Additional books ship for $1 each on Biblio. LOCAL PICKUP: Across the street from the funeral home in Fairfax, Vermont.…

Condizione: FINE. First printing. Posthumously published collection of poems by this author described as an "artist, self-educated naturalist, bibliophile." 89 pp. Fine in glossy illustrated wrappers.

Paperback. Condizione: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.

Condizione: New.

Paperback or Softback. Condizione: New. The Art of Being Unseen. Book.

PaperBack. Condizione: Good.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 1st edition. 40 pages. 9.00x6.00x0.10 inches. In Stock.

Condizione: New.

Unbound. Condizione: Fine. First Edition. One sheet folded to make foru pages. Fine as issued.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Sewn Wraps. Condizione: Fine. Limited Edition. Chapbook limited to 220 copies numbered and signed this is number 128. Navy blue card stock folded twice one deckle edge with title printed in silver on front, text printed letter press on rag paper. Signed by Author(s).

Condizione: fine. Fine binding, hand-made book. #39 of 101 copies. Signed by authors and illustrator. As-new copy, in glassine bag. Please feel free to email for photos. tb/fine.

Condizione: Fine. Fine Binding, hand-made book. #21 of 50. Please feel free to email for photos. As-new copy. tb/fine.

Soft cover. Condizione: Near Fine. Limited Edition. Limited Edition of Barry Lopez's 1996 Pushcart Prize winning essay. This is copy number 146 of 150 soft bound copies and signed by Lopez. Light impression on cover else fine.

Paperback. Condizione: GOOD. Limited Edition. 4to, stiff brown cards, paper label to front cover, 14 brown printed plates by Ron Schultz. Copy number 4 of an edition limited to 50. Fine press printing by Sandy Tilcock of lone goose press. Wrappers dampstained, broken thread on loosening final gathering. Interior contents otherwise clean and crisp. Signed.…

Condizione: Good. 4to. 40 pp. Oblong. Very Good+. Soft Cover. Typographical paper wraps. Extremely Scarce. One folded color poster 44 x 66 cm laid in.Why We Work Here is a partnership of The Ford Family Foundation and the Oregon Arts Commission, 2013. Artists: Tad Savinar and Jon Raymond.

hardcover. Condizione: As New. 1995; Oregon; signed by author on dedication page and signed by illustrator on last page; paper over cloth covered boards with white spine label; numbered 79/100; Interior is clean and unmarked; 16mo - over 5 3/4" to 6 3/4" tall; unpaginated. Signed by Author.

Hardcover. Limited Edition. 100 numbered copies. Small square hardcover. Signed by the poet on the dedication page and signed by the artist on the colophon page. Fine in original glassine wrapper in custom cut mylar cover; Signed by Author(s).

Hardcover. Condizione: Fine. Limited Edition. One of 100 numbered copies, signed by the author, and the printer/artist; this being #32 (there were an additional 26 lettered copies, boxed with an original print). Square 6.5. x 6.75 in. 24pp., printed from hand-set Perpetua type; brush lettering by Marilyn Reeves. Quarter cloth and paste-paper covered boards, with printed spine label. A Fine copy.…

Paperback. Condizione: Very Good. Oblong 6.5 x 9.5", stiff wraps, unpaginated, very minor extremity bumping else a nice, clean copy. LIMITED TO 150 NUMBERED COPIES (this is #124), SIGNED BY THE AUTHOR, BARRY LOPEZ.

Paperback. Condizione: Very Good. Woodcut by Susan Lowdermilk, black lettering on light grey paper, oblong 10 x 14". "This broadside commemorates the May 1996 Voices of Place reading series in Eugene". Limited to 100 copies, this is number 39. SIGNED BY THE ARTIST SUSAN LOWDERMILK AND THE POET IVAN DOIG.…

Soft cover. Condizione: Fine. 1st Edition. Limited Edition of Barry Lopez's 1996 Pushcart Prize winning essay. A lovely production. Signed by Author(s). Book.

Hardcover. Condizione: Fine. No Dust Jacket [as issued]. Limited Edition. Like new copy. no flaws. One of 100 numbered copies, this is copy 36, signed by the author Kim Stafford and artist Susan Lowdermilk. The type is handset Perpetua. Brush lettering by Marilyn Reeves. Arches Text Wove paper passed over the bed of the Vandercook 219. Paste paper covers designed and produced by Sandy Tilcock. Susan Lowdermilk (illustratore). Signed by Author and Artist.…

Hardcover. Condizione: Fine. First Edition. First edition. Woodcuts by Susan Lowdermilk. Square 16mo. [24]pp. Quarter cloth with publisher's printed paper spine label and decorative paste-paper covered boards. A fine copy. Limited to 100 numbered copies Signed by Stafford and Lowdermilk. Uncommon. Signed. …

Softcover/Paperback. Condizione: Fine. First Edition. Fine unread or very lightly read condition handstitched limited edition signed by Lopez on frontmatter page describing the event where Lopez had made these remarks. #120 of 150 numbered, signed, softcover copies. Short bend through cover/textblock near top spine. Stored in bag. signed by author or artist.…

Softcover. Condizione: Fine. First Edition. Limited edition. One of 150 numbered, signed, soft-cover copies of 179 copies overall. Signed by Lopez to the dedication page. Fine condition. ; Oblong octavo; Signed by Author.