mcgill queen's university press ca (Oltre 1.300 risultati)

Paperback. Condizione: New. Placing himself within the context of the Gospel of Matthew, Neusner imagines himself in a dialogue with Jesus of Nazareth and pays him the supreme Judaic gesture of respect: making a connection with him through an honest debate about the nature of God's One Truth. Neusner explains why the Sermon on the Mount would not have convinced him to follow Jesus and why, by the criterion of the Torah of Moses, he would have continued to follow the teachings of Moses. He explores the reasons Christians believe in Jesus Christ and the Kingdom of Heaven, while Jews continue to believe in the Torah of Moses and a kingdom of priests and holy people on earth. This revised and expanded edition, with a foreword by Donald Akenson, creates a thoughtful and accessible context for discussion of the most fundamental question of why Christians and Jews believe what they believe.

Paperback. Condizione: New. The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life's mystery might reveal itself in some way. Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions. Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

Paperback. Condizione: New. that moment / when nothing happens, you want it all to come / back to get you, even the hard stuff -Our increasingly nihilistic age is marked by profound sorrow. We are grieving institutions, art forms, the natural world, our communities - even our very humanity. We are overwhelmed by lives lost to war, violence, genocide, poverty, natural disasters, and disease. We live with the knowledge that a random occurrence could bring an absurd end to any life at any time.In At Beckett's Grave Robin Durnford gazes at the granite slab marking the resting place of the Irish playwright. In the middle of the ornate tombstones of an overgrown cemetery in Paris, Durnford finds a powerful metaphor in Samuel Beckett - the artist, the exile, the anti-fascist who joined the French resistance. Beckett's work - and the stark memory of his life - cuts through grandiose self-regard with a razor-sharp message: there is no final meaning. Yet we move forward, regardless.It turns out that the pause - the stage direction central to so many of Beckett's plays - may be the answer. Grief for an absent loved one never truly ends. Grief itself will never end. Yet, the poetic pause creates space for grief to breathe. During that lingering breath, abiding sorrow carves a path toward hope, one word, one poem, at a time.

Paperback. Condizione: New. When the trees came down no one knew how / to interpret the light. homeless / it bounces off glass surfaces / pierces the wandering eye-These poems walk streets and take snapshots of the impact financialization of our homes has on our sense of community and belonging.Meandering through physical and philosophical materials - cement, memory, water, narrative, history, sand, light, concrete, and others' voices - Daniela Elza documents this urgent moment. The reader winds through fragments amidst urban fragmentation. A sequence of triptych poems hearkens to silos, skyscrapers, and streets. Readers here have a choice: they can read across the page or down. She channels Syrian architect Marwa Al-Sabouni, who says, "The fabric of our cities is reflected in the fabric of our souls." SCAR/CITY emerges from the Vancouver context to take on global issues of predatory finance and a market that mines homes for profit. It steps outside of binary conversations in favour of poetic reflection and interrogates a system that results in perceptible depravity and scarcity, which leaves us homeless, metaphorically and literally.French philosopher Gaston Bachelard says, "The space we love is unwilling to remain permanently enclosed . Space calls for action, and before action, the imagination is at work." Amidst negotiations and advocacy in the fight for security of tenure and lease renewal, SCAR/CITY is a poetic call to action.

Paperback. Condizione: New. Céline Sciamma's 2011 film Tomboy is the central work in the French filmmaker's coming-of-age trilogy. Bracketed between La Naissance des pieuvres / Waterlilies (2007), an examination of girlhood and teenage desire, and the 2014 film Bande de filles / Girlhood, about the lives of a group of Black girls in their late teens living in the Paris suburbs, Tomboy is a quiet, understated examination of gender and queer selfhood amidst the shifting sands of late childhood and early adolescence.Tomboy is an intimate and luminous film, tender but stark, and never sentimental. Written, cast, and filmed in a matter of months, it follows the experiences and burgeoning friendships of a ten-year-old child who moves to a new town during the summer holidays. First introducing themself as Mikaël, they are, we later learn, Laure to their parents and younger sister. Sciamma's film is not interested in why the character is passing but in how. Cristina Johnston focuses on specific elements of Mikaël/Laure's haptic and spatial experience, showing how the filmmaker's signature engagement with surfaces and textures allows queer potentialities to unfold organically.While Johnston centres her analysis on Tomboy, she also connects the film to broader themes within Sciamma's trilogy, public reception of the films, and the significance of Sciamma's identity as a queer director. Ultimately the book offers insight into a film that deserves to be watched and appreciated for its nuanced portrayal of childhood, queerness, and passing as experience rather than ideology.

Paperback. Condizione: New. A film that transcends time, Sally Potter's Orlando follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Plot, production, and performance have all contributed to the film becoming a touchstone for Tilda Swinton's ethereal and gender-bending mode.A Russian-French-Dutch-American-Italian-British co-production, Orlando was hailed as a monumental work of international art house cinema upon its release in 1992. Some understood Potter's film, a work of ruthless and ingenious adaptation, as moving away from the lesbian content of Virginia Woolf's novel. Russell Sheaffer uses a detailed analysis of screenplay drafts and more than three decades of reception to argue that while the film moves away from a direct investment in same-sex relationships, Orlando's articulations of embodiment, desire, and time have made the film continually more queer in the years since its release.Taking cues from adaptation theory and gender studies, this book meticulously charts the distinct shift from lesbian feminist text to queer film classic, arguing that the film is as much an adaptation of Woolf's A Room of One's Own as it is of its eponymous novel.

Paperback. Condizione: New. A classic of New Mexican Cinema, Y Tu Mamá También courted controversy with its explicit depictions of teenage sexuality and its forthright perspective on the country's inequality. The cinematic sensation gained international accolades for its mixing of genres and film styles and inspired a wide body of writing from both critics and scholars. The multimedia lives of Y Tu Mamá También (especially in music, music videos, and social media) have kept the film relevant for audiences too young to have seen it when it debuted.Juan Llamas-Rodriguez revisits Y Tu Mamá También after more than two decades of social, industrial, and technological change to show how it astutely captures a particular moment in Mexican history and film production. The film was a turning point for Mexican stardom on the world stage, and the performances and celebrity of its stars, Diego Luna and Gael García Bernal, reframed millennial Mexican masculinities. The eclectic and popular bilingual soundtrack is a focal point, read as engendering a queer listening and as an integral aspect of the film's queering of time. Rather than being legibly classified as gay or bisexual, Y Tu Mamá También flouts sexual mores and national stereotypes and continues to spur new forms of longing and desire among audiences today.Moving beyond heavily debated questions of identity and representation, Llamas-Rodriguez explores the waves of reception, scholarship, celebrity culture, and social media content around Y Tu Mamá También that have shaped its queer legacy, and the circuits of influence that enliven global cinema across media and national borders.

Paperback. Condizione: New. Why are my problems / always the worst? // And why / because I wrote that / do you think I don't believe it?White Lily is John Emil Vincent's love note to Louise Glück and Laurie Anderson, two artists inspired and bedevilled by white lilies.Under their spell the poet dives into parable, fable, received wisdom, compact discs, and ruined utopias like a gleeful truant child. The white lily is ever present - its meanings, messages, and seductive scent. The collection begins with a meditation on Anderson's song "White Lily" and its treatment of Rainer Werner Fassbinder's fourteen-hour film Berlin Alexanderplatz. It goes on to ponder whether, if we take them in earnest, our mistakes come to serve as the surest sign of seriousness.Throughout, Vincent's poems trouble what's exact and exacting, always with the white lily as companion, a promise of rebirth delivered in funeral tones.

Paperback. Condizione: New. Drawn into the circuit of men cruising for sex in and around a train station, restless adolescent Henri begins a frenzied pursuit of a dangerously charismatic older man, with sometimes violent and ultimately tragic consequences. Premiering at Cannes in 1983, Patrice Chéreau's L'Homme blessé (The Wounded Man) was one of France's first major cinematic releases to depict homosexual desire and queer sexual cultures in an unapologetic and complex way. It is a film that continues to resonate to this day. L'Homme blessé generated controversy with its dark tone and its treatment of an adolescent's obsessive homoerotic desire, as well as Chéreau's denial that the film is about homosexuality. Robert Payne guides readers through the powerfully erotic underworld of L'Homme blessé, where the film sidesteps fixed identities and draws viewers into the ambiguous spaces of queer desire, and argues that its visual composition depicts queer ways of seeing and generates queer ways of feeling. A look into the production's historical and cultural backdrop uncovers a behind-the-scenes story of power and desire between its two screenwriters and the presence of HIV/AIDS hovering ominously and inevitably off screen. Original interviews trace the lives of L'Homme blessé across three continents and three decades and measure the film's enduring value beyond its prestigious debut. Payne cements L'Homme blessé in its rightful place within queer cultural history and introduces the film to a new generation of viewers.

Paperback. Condizione: New. Based on a play by Lillian Hellman, The Children's Hour (1961) was the first mainstream commercial American film to feature a lesbian character in a leading role. It centres on a teacher at a girls' school (Shirley MacLaine) who is accused of harbouring feelings for her co-worker (Audrey Hepburn) and depicts the intense moral panic that ensues. Produced in the social climate of the Lavender Scare, the film reveals deep insights into the politics of sexuality and censorship in midcentury America, only a few years before more visible struggles for queer liberation.The director, William Wyler, lobbied hard to get the film made after an earlier straight-washed version in 1936. The tense road to production included debates about whether to eliminate mentions of lesbianism from the script and how implicitly queer subject matter might conflict with the Production Code, by then weakened but still in force. Julia Erhart's reading of the film's conception, production, and reception advances a nuanced case of censorship as a productive force. While contests between Hellman and Wyler suppressed scenes of overt affection between main characters Karen and Martha, reception was comparatively fixated on the characters' lesbianism: it threatened middlebrow movie critics in the mainstream press and resonated with queer audiences. Erhart's attentive interpretation of both the script and the sonic landscape yields a detailed analysis of the soundtrack as an original pro-lesbian element.As issues of queer censorship continue to permeate life and culture more than fifty years later, Erhart demonstrates that The Children's Hour is as salient to social and political tensions around gender and sexuality today as it was in the 1960s.

Paperback. Condizione: New. Father Luigi Giussani engaged tirelessly in educational initiatives throughout the course of his life. Much of his thought was communicated through the richness and rhythm of oral discourse, preserved as audio and video recordings in the archive of the Fraternity of Communion and Liberation in Milan. This volume presents the last three spiritual exercises of the Fraternity of Communion and Liberation, drawing from the transcripts of these recordings. In these exercises Giussani investigates the rise of ethics and the decline of ontology that have accompanied modernity and the spread of rationalism. Bearing up against old age and illness, he resisted the urge to withdraw, instead finding new avenues of communication and the technological means to reach all corners of the movement. To Give One's Life for the Work of Another explores the nature of God, the powerful human experience of self-awareness, and the fundamental components of Christianity, in the unmistakable voice of a consummate teacher. At a time when young people are abandoning the church and questioning the value of faith, Father Giussani's method of judging and verifying Christianity as an experience is a timeless intervention.

Paperback. Condizione: New. Here the long edge / of town Low / winter fog / . My breath / my offering We are / our bodies burning Firmly rooted in fire-haunted landscapes that are at once psychological, emotional, and fiercely real, Patrick Errington's first collection traces the brittle boundaries between presence and absence, keeping and killing, cruelty and tenderness. In these poems human voices whisper through the natural world - a hand turns on a lamp to extinguish the stars; stones outline a sleeping form; a black eye is a storm cloud. Errington stokes vivid images, formal grace, and subtle humour into the flickers of life that hold fast against unforgiving terrain. Here language functions like a controlled burn, one that could at any moment preserve, perfect, or reduce to ash. Urgent, resonant to the bone, the swailing burns to the ember-edge of grief, memory, and control to find the wildness, wilderness, and wonder that remain.

Paperback. Condizione: New. Come, anguish. Help us manage / the plainsong of an open shore, / its language of high tide rich and close, / close and hard to see.The early elegiac poems in Bridestones emerge from the borderlands between life and death, loss and renewal. Drawing on dreams, opera, and visual art, and employing symbolist and playfully surreal imagery, Miranda Pearson questions the ways we tend and grieve - for each other and our environment.Beginning with a sudden bereavement, the first section ends with a long poem, "Clearance," that depicts the experience of emptying and departing a home - the physicality of a house serving as a vehicle for processing grief. Pearson writes on family trauma, illness, love, and desire with a pervading sense of hauntedness, compressed, lyrical accounts of complex and ambivalent terrain. The impact of a pandemic lurks in the background, and themes of fear run through much of this collection, with poems exploring how we face our fears - or deny and avoid them - and, ultimately, how we grow and adapt.Through meditations on art, myth, archaeology, ceremony, and death, Pearson reveals the veil between life and death when drawn to its thinnest. Like the hovering falcon depicted in "A Song of Roses," the poems view the world from above: "if earth is body, and sky - God help us, spirit.".

Paperback. Condizione: New. In my palliative months / the cormorant leaves me / at peace, disintegrating / with the exhalation of a BuddhaWithout Beginning or End is Jacqueline Bourque's final testament to a life well lived, written in the wake of a terminal cancer diagnosis.Deeply inspired by her Acadian upbringing along the ocean shores of New Brunswick, these are poems populated by aerialists, painters, and the spirit of Charles Baudelaire, who connects the poet to "the ligatures of life." Those ligatures in turn connect her with family in the collection's remarkable title suite, bringing new life to a past that continues to resonate in the present.Without Beginning or End is a book about love, friendship, art, and the human condition. Beautiful, and poignantly human, it is an emotionally charged parting gift to loved ones and readers alike.

Paperback. Condizione: New. i might never be no-one that shiny / the beauty of a sequin'd self / what was stitched into heaven's dropThe poems in act normal use illegibility and wilful uncertainty to evade the grasp of the normative, as endured by those institutionalized by, and through, the concept of normalcy.act normal starts in an institution where children categorized and constructed as intellectually inferior are placed into custodial care. These poems are inquisitive, articulating the entanglements of lives across categories of difference - particularly the lives of those who as children were considered to be other or less than human. Drawing upon conversations, archival materials, court cases, legislation, transcripts, and case histories, among other sources, nancy davis halifax's poems destabilize categories of meaning - understanding disability and difference as "undecidability."act normal is a movement of "feelingthought," unsettling normative expectations and inviting readers to re-orient from the normative task of assuming the safety of consensual interpretation, while risking, cherishing, and performing non-indifference.

Paperback. Condizione: New. When he first hiked the Don Valley trails / all he heard was river as he strode / beside its glitter of smashing glassGrounded in the local and immediate - from Toronto's rivers and ravines to its highways and skyscrapers - Metromorphoses explores some of the radical changes that have taken place in the city during the course of its history.The collection's poems focus, in roughly chronological order, on the city's inhabitants and the changing relationships between people and place, from the original Indigenous presence, through the immigrants of the nineteenth century and the Depression and war survivors of the twentieth century, to the twenty-first century's setbacks and affirmations. We encounter characters such as Symphony Pete, who whistled classical music while hiking Don Valley trails, Henry "Box" Brown, who escaped from southern slavery in a packing crate, or the exhausted anonymous newsboy a photographer caught fast asleep next to his stack of newspapers on a flight of stone steps. We zoom in like time-lapse photography on the changes that a single site has experienced, from wood-frame cottages to foundry to synagogue to furniture store to parking lot to the new provincial courthouse.These poems bring the reader closer to the impulses that drove the art of the Mississaugas, the escape from slavery or famine of new settlers, or the social awareness of a Dr Charles Hastings or a Raymond Moriyama. Far from Eliot's "unreal city," Metromorphoses takes us into the heart of the real Toronto, alive and ever-changing.

Paperback. Condizione: New. Midnight Cowboy - the story of a small-town stud's attempt to make it big as a hustler on the streets of 1960s New York - is an indisputably iconic film. Though recognized in terms of its early adoption of Nouvelle Vague cinematography and editing techniques, and renowned for an Oscar win in spite of controversy over its X-rating, Midnight Cowboy has yet to be understood as a classic of queer cinema.Jon Towlson reclaims Midnight Cowboy as a queer text by addressing John Schlesinger as a gay author and filmmaker and providing a fresh perspective on the film's relationship to the 1965 James Leo Herlihy novel from which it was adapted. Offering a nuanced and personal view of the film's relevance to queer experience and queer friendship, Towlson also considers Midnight Cowboy's production and reception and its place in Schlesinger's filmography. Depictions of sixties New York counterculture and 42nd Street hustlers offer an opportunity for reassessment, particularly in the film's relationship to male prostitution, male relationships, and sexual identity.By shifting the perspective away from previous interpretations of Midnight Cowboy as homophobic and problematic, Towlson argues for a new interpretation of the film as a proto-queer buddy movie and a critical forerunner to films such as My Own Private Idaho and Brokeback Mountain.

Paperback. Condizione: New. Released in 1919, Anders als die Andern (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, Anders als die Andern is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates Anders als die Andern's mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film's release, Anders als die Andern serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.

Paperback. Condizione: New. For a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest airIn New Songs for OrpheusJohn Reibetanz updates Ovid's poetry. Ovid's words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years.Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid's characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001.The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away - like those in Ovid's "restored" world after the flood - are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal.

Paperback. Condizione: New. We come / to kneel at the doorway, / to peer into that kind of / dark. To think our way / backwards, listening. Tracing a series of journeys, real and imagined, Kelly Norah Drukker's Small Fires opens with a section of poems set on Inis Mor, a remote, Irish-speaking island off the west coast of County Galway, where the poet-as-speaker discovers the ways in which remnants of the island's early Christian monastic culture brush up against island life in the twenty-first century. Also present is a series of poems set in the Midi-Pyrenees and in the countryside around Lyon. Linked to the shorter poems in the collection by landscape, theme, and tone is a set of longer narrative poems that give voice to imagined speakers who are, each in a different way, living on the margins. The first describes a young emigrant woman's crossing from Ireland to Canada in the early twentieth century, where she must sacrifice her tie to the land for the uncertain freedom of a journey by sea, while a second depicts the lives of silk workers living under oppressive conditions in Lyon in the 1830s.In detailed and musical language, the poems in Small Fires highlight aspects of landscape and culture in regions that are haunted by marginal and silenced histories. The collection concludes with a long poem written as a response to American writer Paul Monette's autobiographical work Borrowed Time: An AIDS Memoir.

Paperback. Condizione: New. Impulse said preserve the mess of construction, the unbiblical / carnage. This is my excuse for everything. Intensive and extensive, aboutness convenes across geographies and temporalities, in conversation with interlocutors living and dead, real and imagined. Set against a break-up with God, insomniac nights, and smoke-filled skies, this virgule-infused song of negation is by turns wry, performative, and sober. Threads of self-making are juxtaposed with an ever-unfolding present exposing the limits and possibilities of convergence. Marked by digression, asides, qualifiers, and a substructure of endnotes that together create layers of indeterminacy, aboutness takes the reader from Twin Peaks to Ganesh, Roland Barthes to Catullus, blue flamingoes to Ophelia, Agnes Martin to St Augustine. Haunted by the ghost of the text not realized, this is poetry that resists ossification and refuses to stand still, where the process of production is itself invited to the carnival.

Paperback. Condizione: New. so the long stretch of life / reveals its curvature / by those widely separated // moments when we are / brushed / by this awareness // of an other / that we do not knowIn his latest collection of poems, poet, deep state researcher, and radical medievalist Peter Dale Scott interrogates topics that have occupied his later thought and writing, such as moreness (our need, as humans, to be more than we are), minding, and enmindment (the generative synergy, engaging both hemispheres of our bicameral mind, of intellectual and spiritual enlightenment, now out of kilter).In pursuit of these themes, Scott's voice ranges far, from engaging with poets of the past and, hopefully, the future to critiques of coercive political power, from elegies for important figures in his life - Leonard Cohen, Daniel Ellsberg, Czeslaw Milosz, and Robert Silvers - to fan letters for "minders" Chelsea Manning and Dr Christine Blasey Ford.Dreamcraft is a book that crosses distances and straddles boundaries, moving from whistleblower law to the mimetic properties of DNA, from "the entropic spread / of the drifting cosmos / after the big bang" to "the push of lawn grass / under foot.".

Paperback. Condizione: New. Premiering at Sundance in 2014, Desiree Akhavan's acclaimed debut feature, Appropriate Behavior, introduced the indie film world to the deadpan, irreverent wit that had already won over fans of her trailblazing LGBTQ web series The Slope. The first volume in the Queer Film Classics series to spotlight a work by and about a bisexual woman of colour, this book explores Appropriate Behavior as an instant classic of US indie filmmaking in the 2010s, as a radical reappropriation of straight and gay film genres, as an artist's coming-of-age story, and as a model for feminist-queer creative collaboration. Less than a decade old, Appropriate Behavior captures an urban queer community imperilled by gentrification and homonormativity and serves as exemplar of an innovative wave of independent cinema not yet subsumed by the streaming economy. Maria San Filippo explores how filmmaker and film render a singular voice and story that queers not only its celebrated romcom predecessors but also the gay coming-out film and the lesbian romance alike. The book concludes with an interview with Akhavan. San Filippo pays special tribute to Akhavan's audacious sensibility and the "inbetweener" moxie that makes Appropriate Behavior an unparalleled portrayal of bisexuality.

Paperback. Condizione: New. Hailed as groundbreaking upon its original release, the Oscar-winning film Boys Don't Cry offered the first mainstream access to transmasculine embodiment in North America, one that many simultaneously celebrated and rejected. More than two decades after its original release, the film has become a lightning rod for contemporary debates about the representation of trans lives and deaths on screen.Representational possibilities for trans people have changed dramatically since 1999. Morgan Page and Chase Joynt approach the accumulated tension with a spirit of curiosity about the limits of these historical returns. They argue that new visibilities of transness on screen require us to re-engage earlier portrayals: Boys Don't Cry is central to conversations about casting, violence against gender non-conforming people, and the borders between butch and trans identities. Acknowledging a younger generation of queer and trans people who are straining against the images foisted upon them, including this film's egregious violence, and an older cohort for whom it remains a formative, if complicated, touchstone, Joynt and Page revisit the original contexts of production and distribution to unsettle the overdetermined ways the work has been understood and interpreted.Boys Don't Cry ultimately relocates the film in a way that attends to the story's violence and values, both on and off screen.

Paperback. Condizione: New. Placing himself within the context of the Gospel of Matthew, Neusner imagines himself in a dialogue with Jesus of Nazareth and pays him the supreme Judaic gesture of respect: making a connection with him through an honest debate about the nature of God's One Truth. Neusner explains why the Sermon on the Mount would not have convinced him to follow Jesus and why, by the criterion of the Torah of Moses, he would have continued to follow the teachings of Moses. He explores the reasons Christians believe in Jesus Christ and the Kingdom of Heaven, while Jews continue to believe in the Torah of Moses and a kingdom of priests and holy people on earth. This revised and expanded edition, with a foreword by Donald Akenson, creates a thoughtful and accessible context for discussion of the most fundamental question of why Christians and Jews believe what they believe.

Hardback. Condizione: New. Leonard Cohen and the Apostle Paul might be imagined as brothers with wildly different characters but a strong family resemblance. Paul, the elder sibling, was awkward, abrasive, and zealous. Leonard, the successful younger brother, was a smooth-talking romantic, prone to addiction and depression. Paul died a martyr, not knowing his words would have any effect on the world. Leonard could see his canonization within his lifetime. Yet each became a prophet in his own time, and a poet for the ages.In Prophets of Love Matthew Anderson traces surprising connections between two Jewish thinkers separated by millennia. He explores Leonard's and Paul's mysticism, their Judaism, their fascination with Jesus, their countercultural perspectives on sex, their ideas about love, and how they each embodied being men. Anderson considers their ambiguous relationships with women, on whom they depended and from whom they often profited, as well as how their legacies continue to evolve and be re-interpreted. This book emphasizes that Paul was first and foremost a Jew, and never rejected his Judaism. At the same time, it sheds new light on the biblical worldviews and language underlying and inspiring every line of Cohen's poetry.Prophets of Love alters our views of both Leonard Cohen and the Apostle Paul, re-introducing us to two poetic prophets of divine and human love.

Paperback. Condizione: New. Is logic a good tool for making decisions? Can it make us better listeners and help us find coherence in views that we disagree with? Is Sherlock Holmes actually good at logic?Patrick Girard addresses these and other questions by presenting logic as the guardian of coherence. Logic, Girard argues, finds coherence in the patterns of reasoning across science, religion, and everyday decision making. It helps communities engage safely by replacing contentious debates with shared, constructive reasoning - logic provides neutral ground for the healthy pursuit of common goals and interests. Logic in the Wild employs common sense language, eschewing technical jargon, symbols, and equations. Girard's attention focuses on logic's power to find what unites the complex and the simple, the abstract and the concrete, the theoretical and the practical.In treating logic not as a passive subject to learn but as an active discipline to engage with, Logic in the Wild teaches us to identify patterns in our own reasoning, which inevitably helps us better confront questions central to everyday life.

Paperback. Condizione: New. The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life's mystery might reveal itself in some way. Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions. Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

Paperback. Condizione: New. A comprehensive overview of how humans have used Canada.

Paperback. Condizione: New. Published fifty years ago under the title Harpoon of the Hunter, Markoosie Patsauq's novel helped establish the genre of Indigenous fiction in Canada. This new English translation unfolds the story of Kamik, a young hero who comes to manhood while on a perilous hunt for a wounded polar bear. In this astonishing tale of a people struggling for survival in a brutal environment, Patsauq describes a life in the Canadian Arctic as one that is reliant on cooperation and vigilance.In collaboration with the author, Valerie Henitiuk and Marc-Antoine Mahieu return to the original Inuktitut text to provide English readers with a more accurate translation. With a preface by Patsauq and an afterword from the translators, this edition offers a fresh and contextualized interpretation of a cultural milestone.Whether revisiting this classic or discovering it for the first time, readers will find in Hunter with Harpoon a sophisticated coming-of-age tale illustrating a way of life not as it appeared to southerners, but as it has survived in the memory of the Inuit themselves.