Mcnally jackson books us (186 risultati)

Paperback. Condizione: New. First published by Virginia and Leonard Woolf in 1925, Jane Ellen Harrison's Reminiscences are the irreverent memoirs of a student who declared Victorian education "ingeniously useless," who blazed a trail for female scholars, and who changed the way we see the ancient world. Growing up in the Yorkshire countryside, Harrison showed an early aptitude for languages: by the age of seventeen, with the help of a governess, she had learned Greek, Latin, German, and some Hebrew. ("Unfortunately, having no guide, we began with the Psalms, which are hard nuts to crack.") She went on to become the most influential Classicist of her generation. Drawing on the insights of Nietzsche, Bergson, and Freud, and on archaeological research, she helped to revolutionise the study of Greek myth. "The great Mother," she wrote, "is prior to male divinities."Unconventional in her private life ("By what miracle I escaped marriage I do not know, for all my life I fell in love"), she spent her later years with the poet and novelist Hope Mirrlees, thirty-seven years her junior. Harrison's zest for life is everywhere in these pages. Sprightly, amused, and amusing, her Reminiscences form an unforgettable sketch of a woman ahead of her time.…

Paperback. Condizione: New. On the night of July 3, 1870, Elizabeth Tilton confessed to her husband that she'd had an affair with their pastor, Henry Ward Beecher. This secret would soon transfix America, for Beecher was the most famous preacher of the day, founder of the most fashionable church in Brooklyn Heights, a presidential hopeful, an influential supporter of Abolition, and a leader of the campaign for women's suffrage. When Beecher tried to silence the Tiltons, it was a whisper network of suffragists, notably Susan B. Anthony and Elizabeth Cady Stanton, who spread news of the affair, and it was the radical Victoria Woodhull - an outspoken proponent of "free love" - who seized on it, as political dynamite, to blow up the myth of monogamy among the political elite. Her public accusations led to even more public trials, which shocked the country and divided the most progressive thinkers of the era.In 1953, the journalist Robert Shaplen revisited the Tilton-Beecher affair in a series of articles for the New Yorker, relying on 3,000 pages of contemporary accounts - court transcripts, love-letters, newspaper reports and illustrations, even political cartoons - to reanimate a scandal that shook the American reform movement and to expose a strand of America's cultural DNA that remains recognisable today.…

Paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New. "Emily Dickinson springs to life in this remarkable, long-out-of-print biography written by her niece . . . Though millions of pages have been written about Dickinson . . . few have provided such a thrilling close-up portrait. Readers will be rapt from the first page." -Publishers Weekly (Starred Review)What would it be like to have Emily Dickinson as your babysitter? In this astonishing memoir, out of print for almost a century, Martha "Matty" Dickinson describes the childhood she spent next door to-and often in the care of-her Aunt Emily. We see Matty as a little girl, hiding from the other grownups in Emily's upstairs rooms, helping Emily in the kitchen, venturing with her into the cellar for the gingerpead she wasn't supposed to have. As Matty becomes a teenager, she finds a confidante in her aunt, who is fascinated by the latest youth fads, school gossip, and the recurring question of what to wear to a party ("her 'vote' was for my highest-heeled red slippers")-not to mention the music, novels, and poems she and Matty both love. From an early age, Emily teaches Matty the joys of solitude and independence: "No one," Emily said, "could ever punish a Dickinson by shutting her up alone." First published in 1932, this is the most intimate record we have of Emily Dickinson, whose death sparked a long family struggle over her work and her image. In a foreword to this new edition, the poet and critic Anthony Madrid provides a biographical frame for Matty's recollections, and explains how such a remarkable document could spend so long out of sight. …

Paperback. Condizione: New. First published by Virginia and Leonard Woolf in 1925, Jane Ellen Harrison's Reminiscences are the irreverent memoirs of a student who declared Victorian education "ingeniously useless," who blazed a trail for female scholars, and who changed the way we see the ancient world. Growing up in the Yorkshire countryside, Harrison showed an early aptitude for languages: by the age of seventeen, with the help of a governess, she had learned Greek, Latin, German, and some Hebrew. ("Unfortunately, having no guide, we began with the Psalms, which are hard nuts to crack.") She went on to become the most influential Classicist of her generation. Drawing on the insights of Nietzsche, Bergson, and Freud, and on archaeological research, she helped to revolutionise the study of Greek myth. "The great Mother," she wrote, "is prior to male divinities."Unconventional in her private life ("By what miracle I escaped marriage I do not know, for all my life I fell in love"), she spent her later years with the poet and novelist Hope Mirrlees, thirty-seven years her junior. Harrison's zest for life is everywhere in these pages. Sprightly, amused, and amusing, her Reminiscences form an unforgettable sketch of a woman ahead of her time.…

Paperback. Condizione: New. When the phone rang on a cold November afternoon in 1990, Grégoire Bouillier had no way of knowing that the caller was the woman who had left him, without warning, five years before. And he couldn't have guessed why she was calling: not to say she was sorry, not to explain why she'd vanished from his life, but to invite him to a party. A birthday party. For a woman he'd never met.Here is the unlikely but true account of how one man got over a broken heart, regained his faith in literature, participated - by mistake - in a work of performance art, threw away his turtlenecks, spent his rent money on a 1964 bordeaux that nobody ever drank, and fell in love again. Named one of the year's best books by Slate and the San Francisco Chronicle when it first appeared in English, The Mystery Guest is a "darkly hilarious . . . odyssey . . . that wends its loopy way toward yes" (O, the Oprah Magazine).…

Paperback. Condizione: New.

Paperback. Condizione: New. "Can't sleep tonight. Was lying in bed reading the biography of a great man whose genius deserted him . . . The genius who deserted me was you." In a series of late-night letters, gorgeous, funny, filled with memory, sensuality, and regret, a seducer calls across the years to the great love of his youth: an older, revered expatriate known, in his adoptive city, as the King of Naples. As the narrator evokes their affair, in scenes of beauty and remorse, his memories range over the men who came after and before, especially the seductive father who still haunts his erotic imagination.First published in 1978, before the trilogy of frankly autobiographical novels that made him famous, Nocturnes for the King of Naples reveals Edmund White at his most poetic, playful, and evocative, a magician on the level of James Salter, James Merrill, or Vladimir Nabokov.…

Paperback. Condizione: New. Over more than fifty years at the New Yorker, E. B. White came to define a kind of ideal American prose: clear, casual, democratic, and urbane. He also did more than any writer to define his favourite city. His classic Here Is New York captured a moment in the life of Manhattan with precision and love-but his was no fleeting infatuation. In New York Sketches, the first collection of his casual pieces about the city, White ranges at whim from the nesting habits of pigeons to the aisles of a calculator trade-show on Eighth Avenue, from the behaviour of snails in aquariums to the ghosts of old romance that haunt a flower shop or a fire escape or an old hotel. These sketches, some less than a page long, many written for a laugh, or in response to the news of the day, show us White at his most playful and inventive.New York Sketches is a welcome diversion for every New Yorker-native, adoptive, or far from home-and a perfect introduction, not only to what White called "the inscrutable and lovely town," but to the everyday enchantments of one of her fondest reporters.…

Paperback. Condizione: New. Over more than fifty years at the New Yorker, E. B. White came to define a kind of ideal American prose: clear, casual, democratic, and urbane. He also did more than any writer to define his favourite city. His classic Here Is New York captured a moment in the life of Manhattan with precision and love-but his was no fleeting infatuation. In New York Sketches, the first collection of his casual pieces about the city, White ranges at whim from the nesting habits of pigeons to the aisles of a calculator trade-show on Eighth Avenue, from the behaviour of snails in aquariums to the ghosts of old romance that haunt a flower shop or a fire escape or an old hotel. These sketches, some less than a page long, many written for a laugh, or in response to the news of the day, show us White at his most playful and inventive.New York Sketches is a welcome diversion for every New Yorker-native, adoptive, or far from home-and a perfect introduction, not only to what White called "the inscrutable and lovely town," but to the everyday enchantments of one of her fondest reporters.…

Paperback. Condizione: New. "A gem of Americana . . . These stories span the early decades of the 20th century and address with nuance the Black characters' negotiations with youthful turmoil, sexual desire, and race in the U.S. . . . This deserves a place on the shelf of mid-century classics." -Publishers Weekly (Starred Review)Stories of loners, outsiders, tricksters, addicts, jazzmen, and drifters in the Jim Crow South-a classic of 1950s Black fiction.Raw, fearless, ironic, the stories in Lover Man (1958) promised the birth of a new sensibility in American fiction. Inspired by the bebop he loved, and the philosophy he studied at the Sorbonne, Alston Anderson looked back at the North Carolina of his youth to capture the hidden lives of Black boys and men in the early 1940s. Fascinated by loners and outsiders-tricksters, addicts, jazzmen, drifters, "queers"-and by the spiritual cost exacted by the myths of white supremacy, Anderson assembled an original kind of story collection, whose themes troubled and bewildered many of his early readers. Although later championed by Langston Hughes and Henry Louis Gates. Jr., among others, this-his only collection-has remained out of print since the '50s. In his afterword to this new edition, the literary historian Kinohi Nishikawa investigates Anderson's pief but pilliant career, the controversy his work provoked, and the light it sheds on his era. …

Paperback. Condizione: New. "Can't sleep tonight. Was lying in bed reading the biography of a great man whose genius deserted him . . . The genius who deserted me was you." In a series of late-night letters, gorgeous, funny, filled with memory, sensuality, and regret, a seducer calls across the years to the great love of his youth: an older, revered expatriate known, in his adoptive city, as the King of Naples. As the narrator evokes their affair, in scenes of beauty and remorse, his memories range over the men who came after and before, especially the seductive father who still haunts his erotic imagination.First published in 1978, before the trilogy of frankly autobiographical novels that made him famous, Nocturnes for the King of Naples reveals Edmund White at his most poetic, playful, and evocative, a magician on the level of James Salter, James Merrill, or Vladimir Nabokov.…

Paperback. Condizione: New.

Paperback. Condizione: New. Djuna Barnes is rightly remembered for Nightwood, her breakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most brilliant novels of love between women to be published in the twentieth century. Barnes's career began long before Nightwood, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise.Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and New Yorker contributor Merve Emre. These are tales of women "'tragique' and 'triste' and 'tremendous' all at once," of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, "[Barnes's] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts . . . her characters may be alien to life, but they are alive - spectacularly, grotesquely alive.". …

Paperback. Condizione: New. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric "Constant Reader," she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ("She can go on like that for hours. Can, hell - does"), praising Hemingway's latest collection ("He discards detail with magnificent lavishness"), or dissenting from the Tao of Pooh ("And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up").Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post.…

Paperback. Condizione: New. "How rare it is to find a book that contains such indelible characters, and such enormity of heart. Welcome back, Rattlebone, may you get all the love and attention you have long deserved." -Ann PatchettToo long unavailable, this luminous classic of small-town life in the segregated 1950s has "magic dust sprinkled over each and every page" (Veronica Chambers, New York Times Book Review).Irene Wilson knows that a "no-name invisible something" has settled over her parents' marriage and suspects her glamorous new teacher is to blame. Irene is not alone in her suspicions. In Rattlebone, a small Black town outside Kansas City in the segregated 1950s, secrets are hard to keep and growing up is a community affair.As Irene is initiated into adult passion and loss, her family story takes its place in a tightly woven tapestry of neighbors whose griefs and joys are as vivid as her own. Rattlebone is a one-of-a-kind triumph of American fiction, one that captures an entire world through the eyes of an unforgettable heroine.…

Paperback. Condizione: New. "Emily Dickinson springs to life in this remarkable, long-out-of-print biography written by her niece . . . Though millions of pages have been written about Dickinson . . . few have provided such a thrilling close-up portrait. Readers will be rapt from the first page." -Publishers Weekly (Starred Review)What would it be like to have Emily Dickinson as your babysitter? In this astonishing memoir, out of print for almost a century, Martha "Matty" Dickinson describes the childhood she spent next door to-and often in the care of-her Aunt Emily. We see Matty as a little girl, hiding from the other grownups in Emily's upstairs rooms, helping Emily in the kitchen, venturing with her into the cellar for the gingerpead she wasn't supposed to have. As Matty becomes a teenager, she finds a confidante in her aunt, who is fascinated by the latest youth fads, school gossip, and the recurring question of what to wear to a party ("her 'vote' was for my highest-heeled red slippers")-not to mention the music, novels, and poems she and Matty both love. From an early age, Emily teaches Matty the joys of solitude and independence: "No one," Emily said, "could ever punish a Dickinson by shutting her up alone." First published in 1932, this is the most intimate record we have of Emily Dickinson, whose death sparked a long family struggle over her work and her image. In a foreword to this new edition, the poet and critic Anthony Madrid provides a biographical frame for Matty's recollections, and explains how such a remarkable document could spend so long out of sight. …

Paperback. Condizione: New.

Paperback. Condizione: New. A blackly comic story of the secrets, sex, and violence behind the curtain of a repertory theatre's postwar production of Peter Pan: its 'close observation and hilarity are underlain by a sense of tragedy as deep as any in fiction.' (The Times)Liverpool, 1950. Against the grimy backdrop of the grey postwar city, a shabby, scandal-steeped repertory theatre company rehearses for their Christmas performance of Peter Pan. Treading the boards for the first time is sixteen-year-old Stella Bradshaw, ambitious, idealistic, and still overwhelmingly innocent. She falls hard for the rakish, monocled director, Meredith Potter, but, unable to attract his attentions - and not understanding why he's spending quite so much time with their male colleagues - she turns to another colleague to initiate her into the ways of love. Enter the celebrated P. L. O'Hara, a dashing leading man who's nursing secrets of his own. When the curtain is up, fantastical entertainment abounds, but backstage a very different drama is playing out: a pitch-black comedy of indiscretion, intrigue, and eventual tragedy.Shortlisted for the Booker Prize, and dusted with that magical 'air of Pinteresque menace and Sparkian malice [that] lingers around the margins of [all of Beryl Bainbridge's] fiction,' (Michiko Kakutani, The New York Times Book Review), An Awfully Big Adventure is one of the author's very best - and best-loved - novels.…

Paperback. Condizione: New. "[An] unsentimental, elegiac tale of a legendary gunslinger's final days . . . Neider's timeless novel sneaks up on readers with a kind of elliptical genius that simultaneously celebrates and subverts its mythos, anticipating and surpassing many of the revisionist Westerns that were to follow." -David Wright, Library Journal, Starred ReviewThe 1950s classic that rewrote the myth of the American West and inspired its subsequent chroniclers from Sam Peckinpah to Marlon Brando to Cormac McCarthy.Hendry Jones isn't quite Billy the Kid, but he's "the Kid" all the same, and like Billy's his story doesn't take long to tell. He'll do a fair amount of killing, be done in by an old friend, then get turned into a myth before his body is cold. Years later, one of the Kid's last living partners in crime, "Doc" Baker-old and less than sober-tries to set the record straight: who killed who and why, and how none of that old craziness is worth swooning over or rehashing. Except that Doc is a bit of a poet despite himself, and in drawing together what he knows and remembers about the Kid's last days, he winds up saying just about everything that needs to be said about the American West, about kids playing with guns, about boys playing at being men out on the frontier, where they thought no one was watching.As Will Oldham-whose moniker as a musician, Bonnie "Prince" Billy, was partly inspired by Billy the Kid-notes in his introduction, Hendry Jones served as fodder for a field of artists grappling with masculinity and violence in the West: Marlon Brando's One-Eyed Jacks, Sam Peckinpah's Pat Garrett and Billy the Kid, and Cormac McCarthy's Blood Meridian are all impossible to imagine without Neider's Kid having first blazed the trail. A concise and brutal modern masterpiece, The Authentic Death of Hendry Jones is one of the few Western novels worthy of the name.…

Paperback. Condizione: New. "Pulsating with passion, parochialism, guilt and greed, this exposé of scandal and secrets is shocking and witty." -Sally Morris, The Daily MailAn erotic nightmare of Catholic longing, guilt, and desire and a banned classic of modern Irish literature.Wealthy and devout, Michael and Julia Glynn are the envy of their neighbors and the model Irish Catholic couple, bearing Michael's increasingly painful and crippling arthritis with stoicism. In hope of a miracle, their priest suggests a family pilgrimage to Lourdes. Yet these pious holiday plans are thrown into disarray when anonymous, obscene letters begin to arrive, full of terrible accusations.Banned in Ireland on its first publication in 1961, Broderick's debut arrived "like an incendiary device" (Sunday Independent). The Pilgrimage anticipated the deep shifts that would soon turn the country's theocratic society upside down. It is a darkly comic, blasphemous, and sexually charged chamber drama laying bare the hypocrisies of a small Irish town "as watchful as the jungle," and teetering on the brink of catastrophe. In the words of Colm Tóibín, in his foreword to this edition, The Pilgrimage "cleared a space in the jungle so that its wildness could be more easily seen.". …

Paperback. Condizione: New. "Like the diary of Samuel Pepys or the memoirs of François-René de Chateaubriand, Beloved Son Felix [is] an invaluable and entertaining firsthand exploration of a bygone era . . . We are allowed a rare glimpse into the street-level experiences of a common Renaissance man." -Michael Patrick Brady, The Wall Street JournalThe wildly vivid, rare, and revealing journals of a sixteenth-century medical student.In 1552, sixteen-year-old Felix Platter left Basel, Switzerland, and journeyed 370 miles to Montpelier, France to study medicine. His journals chronicle five astonishing years of youth in a time of plague, war, and awakening. A Protestant in a Catholic kingdom, Felix witnessed blood-chilling executions and engaged in secret religious discussions with his landlord, a Marrano Jew. He learned to play the lute, tasted olive oil for the first time, and swam in the sea. He flirted (unsuccessfully) and danced (disastrously), fled from highway robbers, saw John Calvin preach, survived an outbreak of the bubonic plague, joined in a massive, orange-throwing food fight, acquired a dog, and spent one Christmas Eve alone and afraid of the dark.Most astonishing of all, he wrote it down.As Stephen Greenblatt writes in his introduction to this new edition, "Keeping diaries and writing autobiographies did not become a widespread practice until the mid-seventeenth century"-but Felix created an astonishing document: an intimate, sometimes hilarious chronicle of Renaissance adolescence from the inside, whose "vividness, intimacy, candor, and charm" lend it an "altogether rare and revealing character.".…

Paperback. Condizione: New. "A devastating account of the sexual awakening of an English lady . . . An intense, fastidiously crafted and disturbing novel." -Publishers WeeklyFrom the "brilliant forgotten novelist" behind the "ferocious" Lord Jim at Home (The Telegraph) comes a searing tale of a young woman's unravelling beneath the unforgiving Tuscan sun.Miranda, her husband Louis, and their infant daughter are set to spend the summer in a rented villa in Tuscany. He's a self-assured young American actor; she, a well-educated, well-bred English ingénue. But when Louis is called away to a shoot, Miranda is left alone with her baby in the remote Italian countryside-until a young Italian named Oreste arrives, claiming to have been invited by her now-absent husband.Miranda quickly falls under the interloper's spell-and into his arms-launching into a feverish affair that threatens to dissolve her already fragile, fracturing sense of self. As events spiral further out of her control, the novel hurtles headlong toward its horrifying conclusion.Written in the same "limpid, assured style: cruel, yes, but not detached or apathetic" (Harper's Magazine) as Lord Jim at Home, Dinah Brooke's transgressive debut remains every bit as shocking as when it was first published in 1971.…

Paperback. Condizione: New. "[An] unsentimental, elegiac tale of a legendary gunslinger's final days . . . Neider's timeless novel sneaks up on readers with a kind of elliptical genius that simultaneously celebrates and subverts its mythos, anticipating and surpassing many of the revisionist Westerns that were to follow." -David Wright, Library Journal, Starred ReviewThe 1950s classic that rewrote the myth of the American West and inspired its subsequent chroniclers from Sam Peckinpah to Marlon Brando to Cormac McCarthy.Hendry Jones isn't quite Billy the Kid, but he's "the Kid" all the same, and like Billy's his story doesn't take long to tell. He'll do a fair amount of killing, be done in by an old friend, then get turned into a myth before his body is cold. Years later, one of the Kid's last living partners in crime, "Doc" Baker-old and less than sober-tries to set the record straight: who killed who and why, and how none of that old craziness is worth swooning over or rehashing. Except that Doc is a bit of a poet despite himself, and in drawing together what he knows and remembers about the Kid's last days, he winds up saying just about everything that needs to be said about the American West, about kids playing with guns, about boys playing at being men out on the frontier, where they thought no one was watching.As Will Oldham-whose moniker as a musician, Bonnie "Prince" Billy, was partly inspired by Billy the Kid-notes in his introduction, Hendry Jones served as fodder for a field of artists grappling with masculinity and violence in the West: Marlon Brando's One-Eyed Jacks, Sam Peckinpah's Pat Garrett and Billy the Kid, and Cormac McCarthy's Blood Meridian are all impossible to imagine without Neider's Kid having first blazed the trail. A concise and brutal modern masterpiece, The Authentic Death of Hendry Jones is one of the few Western novels worthy of the name.…

Paperback. Condizione: New. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric "Constant Reader," she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ("She can go on like that for hours. Can, hell - does"), praising Hemingway's latest collection ("He discards detail with magnificent lavishness"), or dissenting from the Tao of Pooh ("And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up").Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post.…

Paperback. Condizione: New. In a rustic, idyllic English village, on a summer's day, in the midst of a carefree tennis party, a fragile, needy child, left too much on her own, vanishes from her family's front garden.Years pass and the mystery persists: an enduring torment for the teenage Christine Gray, the last person to see Vivian alive. Perhaps if she'd shown the girl a little kindness, and seen her safely home, Vivian might still be with them? Yet when someone claiming to be a grown-up Vivian returns to the land of the living, the enigma seems only to deepen, threatening to consume the wicked and innocent alike.Equal parts The Turn of the Screw, Picnic at Hanging Rock, and gothic thriller, Twice Lost was admired by such authors as Elizabeth Bowen, Rebecca West, and John Cowper Powys-yet the strange, haunting novels of Phyllis Paul are themselves a mystery with no simple solution. Virtually lost to time even before her death, her novels have been out of print for more than fifty years, and fetch fantastic prices in the rare book trade.…

Paperback. Condizione: New. "A devastating account of the sexual awakening of an English lady . . . An intense, fastidiously crafted and disturbing novel." -Publishers WeeklyFrom the "brilliant forgotten novelist" behind the "ferocious" Lord Jim at Home (The Telegraph) comes a searing tale of a young woman's unravelling beneath the unforgiving Tuscan sun.Miranda, her husband Louis, and their infant daughter are set to spend the summer in a rented villa in Tuscany. He's a self-assured young American actor; she, a well-educated, well-bred English ingénue. But when Louis is called away to a shoot, Miranda is left alone with her baby in the remote Italian countryside-until a young Italian named Oreste arrives, claiming to have been invited by her now-absent husband.Miranda quickly falls under the interloper's spell-and into his arms-launching into a feverish affair that threatens to dissolve her already fragile, fracturing sense of self. As events spiral further out of her control, the novel hurtles headlong toward its horrifying conclusion.Written in the same "limpid, assured style: cruel, yes, but not detached or apathetic" (Harper's Magazine) as Lord Jim at Home, Dinah Brooke's transgressive debut remains every bit as shocking as when it was first published in 1971.…

Paperback. Condizione: New.

Paperback. Condizione: New. One day, eavesdropping on a phone call, Harold Raab, a writer with nothing to write, hears his roommate refer intriguingly to a woman Harold has never met. Curiosity leads to obsession and to an affair with the married Charlotte Cobin, all of which Harold faithfully records in the notebook that becomes his deeper obsession. As the relationship with Charlotte complicates and darkens, Harold's poisons emerge. He's discovered a subject he can write about, but now reveals himself as someone whose intelligence, wit, and sexual delirium mask a terror of human connection. Adrift in the ruins of 1970s Berkeley, he is - like the dark hero of a nineteenth century romance - disastrously unprepared for actual love, and even for life.Originally published in 1982 under the title False Match, and long out of print, The Nenoquich is an unsparing, painful, and often very funny story of fading illusions. It captures a generation at sea, and a seducer out of his depth. This edition includes a new preface by the author.…