Mit press october 2022 (4 risultati)

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  • Lingua: Inglese

    Editore: The MIT Press October 2022, 2022

    0262544326 / 9780262544320

    • Brossura

    Da: Inquiring Minds, Saugerties, NY, U.S.A.Inquiring Minds

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    Condizione: Usato - Molto buono

    EUR 9,16

    EUR 5,34 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Trade Paperback. Condizione: Used - Very Good.

  • Lingua: Inglese

    Editore: The MIT Press October 2022, 2022

    026254329X / 9780262543293

    Serie: Libro 84 di 115 - MIT Press Essential Knowledge

    • Brossura

    Da: Magus Books Seattle, Seattle, WA, U.S.A.Magus Books Seattle

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    Condizione: Usato - Molto buono

    EUR 11,17

    EUR 4,45 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Trade Paperback. Condizione: VG. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

  • Lingua: Inglese

    Editore: MIT Press October 2022, 2022

    026204742X / 9780262047425

    • Rilegato

    Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls

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    Condizione: Nuovo

    EUR 36,66

    EUR 6,68 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Hardcover. Condizione: New. How Richard Riemerschmid's designs of everyday--but 'extraordinary'--objects recalibrate our understanding of modernism. At the beginning of the twentieth century, German artist Richard Riemerschmid (1868-1957) was known as a symbolist painter and, by the advent of World War I, had become an important modern architect. This, however, the first English-language book on Riemerschmid, celebrates his understudied legacy as a designer of everyday objects--furniture, tableware, clothing--that were imbued with an extraordinary sense of vitality and even personality. Freyja Hartzell makes a case for the importance of Riemerschmid's designed objects in the development of modern design--and for the power of everyday things to change the way we live our lives, understand history, and design our future. Hartzell offers for the first time an interpretive history of Riemerschmid's design practice embedded in a fresh examination of modernism told by the objects themselves. Hartzell explores Riemerschmid's early drawings, paintings, and prints; his interiors and housewares, which represent a modernist shift from exclusive image to accessible object; his designs for women's clothing; his immensely popular wooden furniture; his serially produced ceramics and their appeal to German nationalism of the period; and his complex and compelling pattern designs for textiles and wallpapers, the only part of his creative practice that spanned his entire career. Riemerschmid, Hartzell writes, was at his most inventive, playful, and free when designing things for everyday use. His uniquely designed forms allow us to recognize the utilitarian object not just as a tool but as an individual being--a thing with a soul. 'Richard Riemerschmid's impact and influence as a designer of fantastical everday objects-model radical experiments of a critically re-evaluated modernism'--.…

  • Lingua: Inglese

    Editore: MIT Press October 2022, 2022

    0262544024 / 9780262544023

    • Brossura

    Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls

    Venditore con 4 stelle
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    Condizione: Nuovo

    EUR 50,42

    EUR 6,68 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Trade Paperback. Condizione: New. A meticulously created facsimile edition of a classic work on design by the progenitor of today's information design. Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897-1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar's ideas, making clear their continuing influence on graphic design. In the book, Sutnar contrasts his design style with the conglomeration of text and pictures that characterized earlier printed material. He identifies and illustrates visual features, including typography, pictures and charts, and covers, and shows how the arrangement and organization of visual units allows information to flow smoothly. For this edition, the Ladislav Sutnar Faculty of Art and Design at the University of West Bohemia in Pilsen, Czech Republic, has carefully recreated the original, with redrawn figures, retouched photos, re-typeset texts, five-color printing, and spiral binding. A separate reader's guide by celebrated design historian Steven Heller accompanies the book. Both book and guide are packaged in a slipcase.…