new brunswick museum (269 risultati)

Paperback. Condizione: Good. New Brunswick: The Jane Voorhees Zimmerli Art Museum, Rutgers University, 1988. 48 pages. Light ink underlining of a small amount of text; name on half-title page. Otherwise in very good condition; clean and tight. Pictorial Wrapper (softcover). Good. Square 8vo. Exhibition Catalogue.

Softbound. Condizione: Very Good. Quarto, glossy paper covers, xviii, 164 pp., b/w and color illustrations, artist biographies, contributors, bibliography, credits Director's Preface by Joan Rosenbaum. Foreword: Looking into the Mirrors of Evil by James E. Young. Articles are "The Nazi Occupation of the White Cube: Transgressive Images/ Moral Ambiguity/ Contemporary Art," Kleeblatt, "Acts of Impersonation: Barbaric Spaces as Theater," Sidra DeKoven Ezrahi, "Childhood, Art, and Evil," Ellen Handler Spitz, "'Avant-Garde and Kitsch' Revisited: On the Ethics of Representation," Lisa Satlzman, "Playing the Holocaust," Ernst van Alphen, "Playing it Safe?: The Display of Transgressive Art in the Museum," Reesa Greenberg." Reflection on the Works of Art are "Keeping One's Hands Clean: Six Commissioned Portraits of a Perpetrator. Christine Borland's L'Homme Double, 1997." "Male Fantasies of Hitler: Confusing Gender and Identity. Roee Rosen's 'Live and Die as Eva Braun,' 1995" "Transforming Images into Symbols: Mischa Kuball's 'Hitler Cabinet,' 1990, "The Conflation of Good and Evil: Piotr Uklanski's 'The Nazis,' 1998," "A Feminist Rejoinder to Uklanski's 'The Nazis': Elke Krystufek's 'Economical Love' Series, 1998," "Impersonating the Victim: Consorting with History. Alan Schechner's 'Barcode to Concentration Camp Morph,' 1994 and 'It's the Real Thing - self-Portrait at Buchenwald, 1993," "Impossible Bedfellows: Adolf Hitler and Marcel Duchamp. Rudolf Herz's 'Zugswang,' 1995," "The Villain Speak's the Victim's Language. Boaz Arad's 'Safam,' 2000 and 'Marcel Marcel,' 2000," "Fascinating Fascism: Then and Now? Maciej Toporowicz's 'Eternity #14,' 1991," "Mirror's of Innocence and Violence: Alain Sechas 'Enfants Gates,' 1997," "Zbigniew Libera's 'Lego Concentration Camp Set,' 1996" "Faswhioning Terror. Tom Sachs 'Giftgas Giftset,' 1998 and 'Prada Deathcamp' 1998," and "Staging Depravity. Mat Collishaw's 'Burnt Almonds (Gustav and Helga),' 2000.".

Soft cover. Condizione: Good. First published in 1902. The pages are clean and no tears noted. The cover has some light rubs on the front (see photo) and small corner creases.

Soft cover. Condizione: As New. No Jacket. military.

Hardcover. Condizione: Good. 1st Edition. 21 Pages, Maps. A Little Worn From Handling O/W Sound.

Soft cover. Condizione: Very Good. Glankoff, Sam (illustratore). 1st Edition. Wraps (PB) in very good condition. Ex Lib. with light wear to covers, 4 labels and a card. Inside of the book is all bright and clean with no marks at all. 67 pages.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condizione: Very Good. Pub by The New Brunswick Museum, 1977, NAP. NOT exLib. VG+ or better cond. softcover in b&w pict wraps w/ little or no spine crease. Book is complete, intact & unmarked. Illustrated in b&w. 124pp. Square, straight, tight & clean, overall VG+ or better cond. Same or next day shipping. Please email any questions.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. Accompanies exhibits at Montclair Art Museum, Georgia Museum of Art in Athens, Terra Museum of American Art in Chicago during Feb - April 2004. Very slight wear at edge of back wrap. 201 images, many color; additional photos. Watercolors, drawings, studies, oils. Chronology. Man Ray's stay and work at artist colony in Ridgefield NJ. 261 pages, 8 1/2" x 11" Heavy book, may need extra postage for international orders.

First Edition. First edition. Softcover. 261 pages. Published in conjunction with a traveling show that ran February 16 through August 3, 2003 in Montclair, NJ and then went on to Athens, GA and Chicago, IL for additional dates. Text by Francis M. Naumann and Gail Stavitsky. Includes numerous color and black and white illustrations. A very near fine copy in wrappers.

Wraps. Condizione: Very Good. First.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very good with very good dust jacket. Name and address sticker on front endpaper under dust jacket flap. Dust jacket has a one inch taped tear at top front edge and is mildly bumped and rubbed at spine tips and corners. 82 pages. Illustrated. 4to size.

Soft cover. Condizione: Fine. 1st Edition. Illustrated.

Soft cover. Condizione: Fine. 64 pp, second edition from 1995. Illustrated throughout. A clean solid copy with only a faint hint of edgewear.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 191 pages, colour illustrations 30 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Published to mark the twenty-fifth anniversary of the Philadelphia Museum of Art Craft Show, Crafting a Legacy showcases the Museum's burgeoning collection of contemporary American crafts. More than one hundred color plates illustrate many of the Museum's prime holdings in ceramics, wood, fiber, glass, metal, and furniture. Entries on sixty-four featured artists, including Dale Chihuly, Wharton Esherick, Sheila Hicks, and Peter Voulkos, place their work in the context of the dynamic field of American crafts. Suzanne Ramljak reveals the valuable role that crafts play in contemporary culture and artistic practice. In a world of bland, mass-produced consumer goods and technologically mediated virtual experience, Ramljak argues that crafts - one-of-a-kind handmade objects - can reawaken our senses. In his introduction, Darrel Sewell, the Robert L. McNeil, Jr., Curator of American Art, outlines the history of the crafts collection at the Philadelphia Museum of Art, as well as the vital role Philadelphia has played as a center for innovation in contemporary crafts. The book also includes an illustrated checklist of the Museum's more than three hundred holdings in contemporary crafts." - Publisher. Size: 4to. Collectible.

Paperback. Condizione: Very Good. Brown stiff paper covers, minor edge wear, inside clean and bright, ; 8vo 8" - 9" tall.

Paperback. 62pg stapled booklet; English/French Lightly foxed upper edge, else very good plus condition with text clean & binding tight.

Paperback. Condizione: Very Good. New Brunswick, New Jersey: Rutgers University Press for The Museum of the City of New York, 1993. 420 pages; numerous b&w illustrations, including photographs by Jacb Riis. A collection of essays that explores the long history of the neighborhood and its changing groups of residents. Fascinating throughout. Clean, tight binding; head of the spine is chipped. Pictorial Wrapper (softcover). Very Good. 4to. Language: ENG.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Light gray cloth, lettered in black. As issued. Very slight shelf wear to dust jacket, essentially as issued. 192 pp., illus. in color, b&w. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condizione: Fine. First printing. With an Essay by Gail Stavitsky. 4to. Glossy illustrated wrappers. Frontis b/w photographic image of Man Ray. 261 pages, with Bibliography and Index. With b/w and color illustrations throughout. No names or marks. Exhibition catalogue. A crisp, unmarked, as new copy with sharp corners. Due to size and weight, international shipping at cost.

Paperback. Condizione: Near Fine. First Paperback. Oversize paperback with just light wear, very minor damp stain to top edge ends (not easily noticed), o/w clean, no spine crease, internally fine, unmarked. [Note: this is NOT the same book with slightly different title: "Watercolors by Kandinsky at the Guggenheim Museum"].

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Sunning on jacket. Tanning on page edge.; 82 pages.

PAPERBACK. First edition. 62pp, b/w illustrations, quarto paperback. text in French and English. mild cover wear otherwise very good-.

Paperback. Condizione: Good+. Condizione sovraccoperta: No DJ. 1st Edition. Pp: x + 126. Gilt titles: frt. & sp. Frontis. Illust. w/ sepia photos, portraits & prints. Interior leaves are clean and tight. Exhibition catalogue with relics of the period and eight historical essays about the Loyalists who settled in Canada after the American Revolution and had a lasting impact. Written by specialists in their particular fields. Includes bibliography & index.

Soft cover. Condizione: Fine. 1st Edition. Illustrated. Book.

Paperback. Condizione: Good. Shelf wear/rubbing/soiling. Corner and edge wear/bumping. Light creasing to covers. Interior is clean. 8vo. Biblio. 203 pp. > Language: English | > Media/Binding: Soft cover |.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Signed and Inscribed By Author.

Soft cover. Condizione: Very Good. 1st Edition.

Hardcover. Condizione: Fine. 1st. Pictorial boards, xi, 196 pages, illustrations (some colour), 29 cm. Published on the occasion of an exhibition held at the Bowdoin College Museum of Art, Brunswick, Maine, June 22 to October 28, 2018 and at the Brandywine River Museum of Art, Chadds Ford, Pennsylvania, November 17, 2018 to February 17, 2019. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "A revelatory exploration of Winslow Homer's engagement with photography, shedding new light on his celebrated paintings and works on paper. One of the greatest American painters of the 19th century, Winslow Homer (1836-1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer's art, this volume exposes Homer's own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer's understanding of the camera's ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America's most original painters." - Publisher. *** CONTENTS: A good thing when he sees it: Winslow Homer, photography, and the art of painting, by Frank H. Goodyear III; Plates; Trouble in paradise?: Winslow Homer in the Bahamas, Cuba, and Florida, 1884-1886, by Dana E. Byrd; Plates. Size: 4to. Collectible.

Paperback. Condizione: Fine. xvii, 314 pages, illustrations; 24 cm. Tight, clean copy. *** "In the first half of the eighteenth century the only galleries in which to view art were the homes of the upper classes. How did the exhibition of art in England evolve from the private to the public? Who assumed reponsibility for allowing the general public into once private spaces? How did the press cover the crowds who came to view the art? How were patrons found for new institutions and how were they convinced to fund them? In short, how did art institutions expand from the birth of the Royal Academy of Arts in 1768 to the series of major collections housed at: the National Gallery, the South Kensington Museum (later the Victoria and Albert), the Tate Gallery, the Arts Council of Great Britain, the Hayward Gallery, and more? How did the exhibition of art become big business? In Art for the Nation, Brandon Taylor gives us a fascinating glimpse at the development of museums as institutions. He provides an absorbing account of the growth of public display as he analyzes the politics, geography, and social life of metropolitan and visual culture. He also provides an eye-opening social history of the relationship between the classes and the entree of many Jewish patrons into a world from which they might otherwised have been excluded. / BRANDON TAYLOR is a professor of history of art and design in the Faculty of arts at the University of Southampton. His previous books include The Nazification of Art, and Art and Literature under the Bolsheviks." - Publisher. *** CONTENTS: 1. In the image of the King: towards the Royal Academy of Arts; 2. Publics for Trafalgar Square: the National Gallery; 3. Instructing the whole nation: South Kensington to St. Martin's Place; 4. A national gallery of British art: the Millbank Tate; 5. Managing 'modern foreign' art: an extension at the Tate Gallery; 6. Post-war positions: Arts Council, LCC and ICA; 7. For an international public: the Hayward Gallery; 8. Coda: Bankside and beyond. Size: 8vo.