New york dillon gallery (34 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Hadcover. Fine with on dustwraper.The book contains essay by Walstedr about the artist, list kof his exhibitions, bibliography and 30 of his pictures. Kaletski, Alexander (illustratore).

Hardcover. First edition. Near Fine clothbound hardcover with a color plate mounted to the front and gilt-stamped titling to the front and spine with a bump to two tips; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of paintings on wallpaper samples by Alexander Kaletski, held at the Dillon Gallery, NYC, in 1998. Essay by Eric Walstedt. Unpaginated [40 pages]; 31 color illustrations; 8.75 x 11.25 inches. Exhibition history, bibliography.…

Card Wraps. Condizione: As New. First Edition. Color illustrated card wraps in as new condition. Two page forward by Arslan. 10 color illustrations of works by Arslan. Catalogue for the exhibition held at Dillon Gallery, New York September 2 - October 7, 2010. 16 page catalogue.

Hardcover. Condizione: Fine. First Edition. ****SIGNED****A FINE FIRST IN RED CLOTH. ****SIGNED BY PER FRONTH****. Signed by Author(s).

Hardcover. Condizione: Good+. First edition. Dillon Gallery, New York, 1996. Hard Cover. 35 color plates. With an essay by Oswald DiFilippo.Text and art pages are printed on coated stock. Kaletski uses 'found' materials. Pre-fabricated cardboard boxes are a prime material Hardcover No extraneous marks no jacket as issued. Alexander Kaletski (illustratore).…

Paperback. Condizione: Very Good+. Original covers, 8x8 ins, nonpaginated (approximately 20 pp) , illustrated. Paperback, very good to near fine. Moderate shelf wear, starting to lightly age yellow along edges, otherwise tight, clean, paper crisp, unmarked. Consists of biographical essay and pictures of paintings. Art; exhibition catalogue (catalog).…

Hardcover exhibition catalog without dustjacket as issued, 40 pages, very good condition, no internal marks, clean and crisp, with color reproductions. Well-illustrated (illustratore).

Cloth. First Edition. First Edition. Signed by Author. Oversize hardcover, cream cloth with pictorial paper illustration inset on front cover;p Near Fine condition, inscribed and SIGNED large on the title page by Kaletski. Signed by Author.

Hardcover. Cover edges sun-darkened; otherwise very good condition (no dust jacket). Inscribed by artist on title page. . Unnumbered pages. Illus. Color plates. Quarto.

Hardcover. Condizione: Very Good. First Edition. Quarto. A very good copy in tan boards without dj Signed by the artist Signed By the Author.

Condizione: Very Good. None. Unpaginated, hardcover. Colorful plates of ancient altars and iconography. Slight scuffing to lower front panel. Unmarked. A tight copy. Record # 952400.

First Edition, hardcover pictorial cloth binding with no dust jacket, FINE condition; light beverage stain on back cover does not affect front cover or interior; this is a NEW book, NOT price-clipped, NO remainder mark, NO previous owner's scribblings; unpaginated, 22 full-page color plates of artist's works; a gallery exhibition catalog.…

Oversize book, pictorial hardcover, no dust jacket (as issued?); unpaginated (approx. 40 pages) with 28 pages of color photos of Kaletski's work in this series; exhibition record and bibliography at end; condition is FINE/NEW; introduction by Eric Walstedt.

First Edition ~1st Printing Hardcover color catalog of the acclaimed artist's work, near fine in illustrated boards with intact applique on front cover, no jacket; a tight bright unmarked copy.

Condizione: As New. As New. Oversize book, pictorial hardcover, no dust jacket (as issued?); unpaginated (approx. 40 pages) with 25 pages of color photos of Kaletski's work in this series; exhibition record and bibliography at end; condition is FINE/NEW; introduction by Oswald DiFilippo.

Hardcover. Condizione: VG. Gray cloth with color illustration, black lettering. [40] pp. 24 color plates and illustrations. With an essay by Michiel van der Wal. Many nice plates with a list of solo exhibitions, group exhibitions, selected collections, and a bibliography.

Exhibition Announcement Cards. This is not a book. The original oversized announcement card for an exhibition of work by Ed Baynard titled "Greatest Hits" and held at Dillon Gallery, NYC, May 29 - June 28, 2008. Stiff card, printed both sides; 5.5 x 11 inches. Condition: Fine. Laid-in is the gallery's press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Exhibition Announcement Cards. This is not a book. The original announcement poster/flyer for an exhibition of work by Ed Baynard titled "Still Life Watercolor" and held at Dillon Gallery, NYC, February 1 - March 3, 2007. Single sheet, printed both sides; 15 x 11 inches. Condition: Fine, machine-folded with two mailing tabs to one edge, as issued, unmailed. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted. …

Hardcover. Blue cloth with color illustration, black lettering. [43] pp. 27 color plates and illustrations. With an poem by the artist. Many nice plates with a list of solo exhibitions, group exhibitions, selected collections, and a bibliography. VG, with only tiny soiling spots to cover.

Soft cover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 1999. Retrospective Exhibition Catalog. One of Per Fronth's finest achievements. Limited Edition of 3000 copies. Published as a softcover original only. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Essay by Malin Barth. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the retrospective exhibition held at the Dillon Gallery in 1999. Presents Per Fronth's "Lifedreams". Some of Per Fronth's finest and most representative photographic image-sequences. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist: "I want to redefine photography by way of using my paintbrushes such that assumptions of verisimilitude, accuracy, and fictional narrative all become equally ungrounded. Sumptuous visuality, whether as photographic near-abstraction or as intricate webs of cracked paint, is paramount" (Per Fronth). An absolute "must-have" title for Per Fronth collectors. This copy is very prominently and beautifully signed and inscribed in black ink-pen on the title page by the artist/photographer: "Dear Martha, Here's what's up in NY till Nov 3rd. Hope you'll be able to see it. Best wishes, Per Fronth". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is an important art photography figure. This title is a contemporary art and photography classic. As far as we know, this is the only such signed and inscribed copy of the Limited Edition available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG) ISBN 096483409x. Signed by Author.…

Hardcover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. 40 pages. Published in 1998. Exhibition Catalog. One of Per Fronth's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Softcover Edition. Published in a tiny first print run as a hardcover original only. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Red cloth boards with gilt titles on the cover and spine, as issued. Photographically-based art by Per Fronth. Essay by Donald Kuspit. Printed on pristine-white, thick coated stock paper in South Korea to the highest standards. Without DJ, as issued. Presents Per Fronth's "Xingu Chronicles". Per Fronth's dramatically altered photographic images of the Xingu Indian tribe in the Amazon rain forest. Inspired by the "burning bush" motif that the Xingu tribe uncannily shares with the Western tradition, Per Fronth delicately applies the red color in all of the images he took. The results remind one of the work of two artist/photographers working in separate and divergent traditions: Edward S. Curtis and his pioneering photography of North American-Indian tribes and Luis Gonzalez Palma and his post-modern Romantic portraits in the Latin-American tradition. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. An absolute "must-have" title for Per Fronth collectors. This title is a contemporary art and photography classic. As far as we know, this is the only copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online are subsequent editions or have serious flaws. This is surely an accessible and lovely alternative. A rare copy thus. 30 color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG) ISBN 0964834065. no. …

Cartonato con sovracoperta. Testo inglese/English text.Immagini in b/n e a colori n.t. e f.t. Numero di tavole: 0 pp.192 altezza 0 larghezza 0 Esemplare in buone condizioni. Testo in inglese. Sovraccoperta con leggere macchie di polvere e minimi segni d'usura agli angoli. Tracce di polvere ai tagli. Copertina rigida con tracce di polvere. Pagine leggermente ingiallite ai bordi. English text. Book in good conditions. …

hardcover. Condizione: fine. first edition. ln-4° relié, 70 pages circa.

Paperback. Condizione: Very Good. First Edition. 8vo. [4] pp. Stapled wraps. Very Good. Mild wear to wraps. Essay by Valerie Dillon with list of exhibitions and selected permanent collections. No publication date but from the 1999 solo exhibition.

unpag., mit zahlreichen Abbildungen; Einband etwas berieben, die ersten Seiten minimal angeschmutzt, ansonsten gutes Exemplar. ****An unsere Kunden in Deutschland: Versand nach Deutschland einmal in der Woche ab Freilassing mit der Deutschen Post.*** - Sprache: Deutsch Gewicht in Gramm: 550 Gr.-8° Orig.-Ganzleinen mit Rücken- und Deckelgoldprägung, montiertes Deckelschild.…

Soft cover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2008. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Essay by the art historian Cecilie Tyri Holt. Brief Biography appended at the end. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Per Fronth's "Carbon Compositions". Some of Per Fronth's finest and most representative recent work. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. "I want my work to be about life, not art" (Per Fronth). An absolute "must-have" title for Per Fronth collectors. This copy is very boldly and beautifully signed and inscribed in black ink-pen on the title page by the artist/photographer: "Dear Martha, Best wishes from far away! If in NY please stop by. Sincerely, Per Fronth". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is an important art photography figure. Laid-in is a pristine copy of the Gallery Opening's Invitation. This title is a contemporary art photography classic. As far as we know, this is the only such signed and inscribed copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 25 color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG). Signed by Author.…

Cloth. Condizione: Fine. First Edition. An immaculate copy of this 1996 catalogue, based on the exhibition at New York's Dillon Gallery. Clean and Fine in its chcolate-brown cloth. Square octavo, lovelyu color reproductions throughout.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. A very sharp copy of the 1997 stated 1st edition of this catalogue based on the exhibition at New York's Dillon Gallery. Tight and Near Fine in a crisp, Near Fine dustjacket. First-rate color reproductions throughout.

Photography Edward Gorn. 16 colour plates. Cloth. Dustwrapper. Unnumbered pages. Large-8vo. Very good. (With loose stapled sheets - Preliminary Price List).

Cloth. Condizione: Fine. Condizione sovraccoperta: near fine. First Edition, First Printing. Octavo, [unpaginated]. Navy cloth, title in gilt on front cover and spine. Stated "First Edition Printing" on copyright page. In the publisher's dust jacket, shelf wear, near fine example. Signed by the author on the front free endpaper: "Makoto Fujimura '99.". Signed first edition of Hours by Makoto Fujimura. (illustratore). Signed.…