Peepal tree press ltd yorkshire (525 risultati)
Lingua: Inglese
Editore: Peepal Tree Press Ltd, United Kingdom, Yorkshire, 2019
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: new. Paperback. From the first poem to the last, Smartt's new chapbook collection advocates a revolutionary decampment from the madhouse of desires "reigned in" to protect a precarious and often incoherent code of Caribbean respectability. This is Smartt at her sensual and lyrical best. These poems sing, a…nd dance and love passionately 'til morning cum. From the hazardous terrain of same-sex loving in Jamaica for some couples, to the manipulation of heterosexual marriage conventions in Barbados in the name of love, to the freedom of sexual abandon and the fulfilment of desire in Amsterdam, this small body of work is subversive, radical, and surprisingly panoramic. Smartt's cartography renders new the old directive that we love each other, that we build and sustain community, that we protect and care for each other's needs, desires and dreams. Ultimately, Reader, I Married Him & Other Queer Goings On is about Black diasporic love at its most radical and life-affirming. Smartt's new chapbook collection advocates a revolutionary decampment from the madhouse of desires "reigned in" to protect a precarious and code of Caribbean respectability. These poems sing, dance and love passionately - from the hazardous terrain of same-sex loving in Jamaica, to the manipulation of straight marriage conventions in Barbados. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Peepal Tree Press Ltd, United Kingdom, Yorkshire, 2007
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Peepal Tree Press Ltd, United Kingdom, Yorkshire, 2016
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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EUR 4,60
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. 'Monique Roffey is a unique talent and most daring and versatile of writers' - Bernardine EvaristoMarch 1976: St Constance, a tiny Caribbean village on the island of Black Conch. A fisherman sings to himself, waiting for a catch but attracts a sea-dweller he doesnt expect. A beautiful young… woman cursed by jealous wives to live as a mermaid has been swimming the Caribbean Sea for centuries. And she is entranced by the fisherman and and his song. But her fascination is her undoing. She hears his boats engine again, follows it, and finds herself at the mercy of American tourists. After a fearsome battle, she is pulled out of the sea and strung up on the dock as a trophy. The fisherman rescues her, and gently wins her trust as she starts to transform into a woman. Costa Book of the Year 2020 -- St Constance, a tiny Caribbean village on the island of Black Conch, at the start of the rainy season. A fisherman sings to himself in his pirogue, waiting for a catch - but attracts a sea-dweller he doesn't expect, entranced by this man David and his song. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Peepal Tree Press Ltd, United Kingdom, Yorkshire, 2023
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: new. Paperback. A talking frog, a haughty green cat, an animal fashion show: these are some of the characters and scenes which will delight the many children who enjoyed When Grandpa Cheddi was a Boy.Set mainly in Guyana, these stories of brave, ingenious, kindly and sometimes mischievous animals and child…ren use humour and mystery to provide a strong framework of positive human values which children will instinctively appreciate and digest.Janet Jagan has served Guyana for over fifty years as a politician and as editor of the Mirror newspaper. She was the first woman President of Guyana. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. "Slave Song" is unquestionably one of the most important collections of Caribbean/Black British poetry to have been published in the last twenty years. On its first publication in 1984 it won the Commonwealth Poetry Prize and established Dabydeen as a provocative and paradigm-shifting write…r. At the heart of "Slave Song" are the voices of African slaves and Indian labourers expressing, in a Guyanese Creole that is as far removed from Standard English as it is possible to get, their songs of defiance, of a thwarted erotic energy. But surrounding this harsh and lyrical core of Creole expression is an elaborate critical apparatus of translations (which deliberately reveal the actual untranslatability of the Creole) and a parody of the kind of critical commentary that does no more than paraphrase or at best contextualise the original poem.It took some time for the displaced critics to recognise that this prosaic apparatus was as much part of the meaning of the whole as the poems themselves, that Dabydeen was engaged in a play of masks, an expression of his own duality and a critique of the relationship which is at the core of Caribbean writing: that between the articulate writer and the supposedly voiceless workers and peasants. This new edition has an afterword by David Dabydeen that briefly explores his response to these poems after more than twenty years. Winner of the Commonwealth Poetry Prize, this work presents one of the important collections of Caribbean/Black British poetry. It contains the voices of African slaves and Indian labourers expressing, in a Guyanese Creole, that is as far removed from Standard English as it is possible to get. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. In a collection that encompasses both Siri and the trickster god Anansi, in his travels from West Africa via the Caribbean to Black working class communities in the Midlands and North East of England, Degna Stone demonstrates not only how well she tells stories, but also of her awareness of… the difficulties of communication, where You know what hes saying / but not what hes getting at, or where the injunction against lying doesnt count in every situation. But if human interactions are at the heart of her poems, she also writes with telling precision about both place and animal nature. Not since Ted Hughes has anyone written so totemically about the crow, ominous, but also emblematic of tenacity, boldness and a harsh kind of beauty. When the poet declares, I want to be as black as the crows, it is much more than an embrace of blackness in resistance to prejudice. It's a cliche of poetry that we often say that it transforms the ordinary; this pamphlet disproves this, showing us that the ordinary and everyday have always been transformational, and Degna's poems allow us to see that. These are poems written from the outskirts -- of cities, of love, of the body -- with a pure distillation of language where no word is wasted.Andrew McMillan Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Peepal Tree Press Ltd, United Kingdom, Yorkshire, 2006
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: new. Paperback. Hurricane is the gripping story of a natural disaster and the thirteen year-old Kingston boy who lives to tell the tale.Holed up in their home, Joe Brown, his sister Mary and their parents wait for the eye of the hurricane to pass over them. Outside, a terrifying wind turns trees to splinte…rs, darkness swallows the land and torrential rains lash the roof.Inside it is warm, dry, a home. A family huddled together for survival. But the storm hasn't passed yet, and all Joe and his family can do is worry, and wait, and hope.Praise for the original 1960s edition:"Strongly recommended." The School LibrarianHurricane was awarded the German Children's Book Prize 1967. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Peepal Tree Press Ltd, United Kingdom, Yorkshire, 2002
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: new. Paperback. Raman Mundair's second collection of poems sees her expanding her territory to create a new poetic geography. Her voice dances from her love for the language and life of the Shetland Islands through the anguish of war to the movement of people and the crossing of boundaries - bringing to al…l her unique combination of passion and compassion, sensitivity and sensuality. A collection of poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. As a child, Nick Mahoka fled Idi Amin's Uganda, and the poems in this collection relate to the horrors of the civil war that ousted the brutal tyranny of Amin. In political terms the poems chart the impact of imperialism and neo-colonialism that lay behind those traumas in the life of the n…ation. In personal terms, the poems are framed between the contrary pulls of attachment and flight, exile and longing. At their heart is an unwavering curiosity about how people behave in extreme situations, and what this reveals about our common human capacities to indulge grandiose visions, betray them, dissemble, seek revenge and kill. There is no presumption of innocence. There may be flight, but there is no standing aside. The narrator can dream (but is it a dream?) of a dead man/who has been stung by the invisible bee of my bullet.There is much darkness of reference in the collection, but also a hopeful search for truthfulness and trust as the only things that matter. The poems - as poems of grace, control and beauty of image demonstrate the power of the best poetry to speak of difficult things in a way that enlightens, not merely horrifies. The care in the making and shaping of the poems bears witness to the evident fact that for Nick Makoha poetry became This rock [] a sanctuary from which I can repair the ruins. Nick Makoha's debut collection is named for the title poem, the 2015 Brunel University African Poetry Prize poem "Kingdom of Gravity". Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. In 1970 and 1971, Wilson Harris published two short story collections that explored the myths, fables and fragments of history of the Amerindian peoples of Guyana and the Caribbean. These are brought together in the current volume. The Sleepers of Roraima, subtitled "A Carib Trilogy" focuse…s on the ironic fate of the Caribs, the feared conquerors of other Amerindian peoples, the cannibals of European legend, but in the present the most vanished, almost extinct of all these groups. In The Age of the Rainmakers, each of the stories focuses on one of the groups still present in Guyana: the Macusi, Arecuna, Wapisiana and Arawaks. In the absence of reliable history, and in the face of the stereotypes attached to these people (such as stoicism or a propensity for laughter), Harris makes no attempt to write conventional fictional reconstructions of an ethnographic kind, but subjects the fragments of tribal lore to imaginative revision.His stories work towards the discovery of what is "original" in the sense of primordial in these narratives, in discovering such common patterns as the loss of innocence, the connections between sacrifice and transcendence, or even the shared identities of cannibal and Eucharistic consumption. In 1970 and 1971, Wilson Harris published two short story collections that explored the myths, fables and fragments of history of the Amerindian peoples of Guyana and the Caribbean. These are brought together in the current volume. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Roger Robinson recently came to the attention of UK audiences in the Bloodaxe anthology Ten, hailed by Carol Ann Duffy as "a joyful and important moment in publishing".The Butterfly Hotel is his first full collection of poetry, a telling document of the immigrant experience, from the 1980s…to the present day, and the realities of uprooted culture. Butterflies hold a symbolic importance throughout, fragile yet ideal, adapting to survive.Roger Robinson is a writer and performer who lives in London. His one-man shows are The Shadow Boxer, Letter from My Father's Brother and Prohibition, all of which premiered at the British Festival of Visual Theatre at Battersea Arts Centre. He has received writing commissions from Stratford Theatre Royal East, the National Trust, the National Portrait Gallery and the Tate. His poetry has appeared in the Flipped Eye pamphlets Suitcase (2005; ISBN 9780954224776) and Suckle (2009; ISBN 9781905233212), the latter winning the Peoples Book Prize, and in the Bloodaxe anthology Ten, edited by Bernardine Evaristo and Daljit Nagra (2010; ISBN 9781852248796). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. These poems are shaped by the various places Malika Booker has come to know as home: Brooklyn, Brixton, Grenada, Trinidad and Guyana. One minute we're in Grenada, the next at border control in Heathrow all part of a larger story of diaspora and displacement.Influenced by the likes of Toni M…orrison, Jamaica Kincaid, Sharon Olds and Toi Derricotte, Booker weaves a visceral, emotive patchwork of the dramas inherent in both extraordinary world travel and ordinary domestic life.PRAISE for Pepper Seed"There is a wounded frankness here, but also a clear-eyed wondering at the roots of our miseries, as well as the imaginative resilience to transcend them." W. N. Herbert"Malika Bookers poems are raw as chili peppers rubbed into a wound, but what enthralls is the way she delivers her narratives in rapturous language that has the power to heal. This is poetry as revelation and prayer." Pascale Petit"This is an auspicious and important debut, perhaps the most important in recent years." Anthony JosephMalika Booker is a British writer of Guyanese and Grenadian parentage. Her pamphlet Breadfruit was published by Flipped Eye in 2008, a Poetry Book Society Recommendation. Her poems are widely published in magazines and anthologies, including Out of Bounds: Black & Asian Poets, edited by Jackie Kay, and Ten: New Poets from Spread the Word, edited by Bernardine Evaristo and Daljit Nagra. She has represented British writing internationally, both independently and with the British Council, in such countries as Slovenia, Switzerland, New Zealand, India and Azerbaijan. Malika was the first Poet in Residence at the Royal Shakespeare Company. She lives in south London. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. When the infant Jordan Sant is taken to the St Asteria Home for Children after the murder of his parents, he sets out on a journey that is a constant struggle between his best and worst selves. One relationship, with the young nun the children call Mouse, awakens the possibilities of love a…nd hope, but when Mouse abandons her calling and leaves the home, the world thereafter becomes a darker place. When, barely a teenager, he runs away from the home to scuffle for a living in the frightening underbelly of Port of Spain, Jordan reaches the lower depths of both Trinidadian society and himself. In Jordan Sant, Kevin Jared Hussein creates a narrator who gets under your skin. He takes us into the most dreadful places of human experience, confesses doing seemingly unforgivable things. But though Jordan knows how inescapable circumstance can be, he never denies responsibility for his actions. But can this Dostoyevskian figure save himself? The Repenters takes us to places in Trinidad readers will have never been before. In Kevin Hosein the Caribbean announces a writer whose work is poetic, Gothic, and deeply transgressive, whose creation of a voice for Jordan Sant is troubling, engrossing and not to be forgotten. The story of a Trinidadian orphan, who falls in love with a nun, gets adopted by a thief and must make a nest in the expanse of madness around him. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. This collection explores the fragile territory between remembering and forgetting, both as an individual experience and in the life of a society. If in the end all is subject to times slow bleed, these poems enact the capacity of the imagination to pass through ancient walls and to reorder…failures long gone in time into more hopeful connections. Poems recreate those childhood moments when physical presences, such as the great house at Drax Hall provoke the beginning of poetry, the searching for what is hidden in the dark, and thence to a grasp of the history that society would rather forget. For while forgetting is human, the collection also explores how amnesia can be cultivated in society as a means of hiding the sources of contemporary privilege and economic power. Poems such as Canvas (about the images from English and American magazines that patch up the hangings in an old womans tumbledown dwelling) not only picture children tiptoe at the rim of the world but, without needing to say it, show those children as far more familiar with Garbos bright blue eyes/ and shiny red lipstick than with the history and meaning of Drax Hall. If there are echoes of Walcotts poem where all in compassion ends, Phillips is no less compassionate, but much readier to see Historys wound still bleeding / to its last drop a wound extending down to a powerful poem in memory of George Floyd. If the collection calls out Speak, stones, bear witness!, poems also pay tribute to those who in the rural village memorialised the lives of the unconsidered poor, who, like the village historian, Miss Lewis, speaks across the years into contemporary urban life to remind me who I am. Esther Phillips poems are always lucid and musical; they gain a rewarding complexity from being part of the collections careful architecture that offers a richly nuanced inner dialogue about the meaning of experience in time. Not least powerful in this conversation are the sequence of poems about Barbadian childhoods, poems of grace, humour and insight. When Barbados chose Esther Phillips as its first poet laureate it knew what it was doing: electing a poet who could speak truth, who could challenge and console her nation and all of us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. In the year of Covid-19, lockdowns, and in Trinidad a state of emergency, its not surprising that thoughts turn to the nature of time, place and the not quite accidental arrival of pandemics of mass death. For Jennifer Rahim, time is both the history that has shaped the present and the now…of social and geographic constriction. At the beginning of the collection, A Tale of the Orbis Spike, 1610 (the recorded dip in carbon dioxide levels when around fifty million native peoples of the New World were exterminated as the result of European settler invasion), reminds that pandemics have their own history, though never without human triggers. At the end of the collection, No /Language is a Virus records the viral power of language for both good and ill, the latter not least in the era of Trump and the resurgence of racist white nationalism in Trinidads big neighbour to the north. But Rahim also reminds us how much solace we have derived from poetry this last year, because Words fly the grave, steal/ the only thunder a virus can claim,/ and, alive,/ witness to goodness that quietly thrives. Between those two points, the collection expands out of the restrictions of home, that place where Were strategizing for survival/ strip-searching every sneeze/ for an invisible assassin suited in capsid though sanctuaries of invention can be found in the smallest spaces to map the wider worlds of memory and desire in a vivid series of poems (mapping home) that chart journeys from Valencia, through Salybia, Balandra, Rampanalgas, Cumana, Toco and LAnse Noir places that Rahims poems bring to sensuous geographic, human and historical life and make you want to visit.With the celebration of heroes who range from the fighting women of Greek myth, to poetic inspirations from Marian Moore to Eric Roach, Jennifer Rahim urges that Hope/ must always be bold/ and sharpened for tomorrows. In her sixth collection of poems, Jennifer Rahim explores the power of the imagination to confront the restrictions of the year of the pandemic through reflections on history and the capacity of language to give immediacy and presence to absent place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Shivanee Ramlochans poems take the reader through a series of imaginative narratives that are at once emotionally familiar and compelling, even as the characters evoked and the happenings they describe are heavily symbolic. Her poems reference the language and structural patterns of the gen…res of fantasy or speculative fiction, though with her own distinctive features, including the presence of such folkloric Trinidadian figures as the Duenne, those wandering lost spirits whose feet point backwards. In these poems, a woman is invariably the protagonist and Ramlochan is eloquent in her exploration of the ways in which gender has to be negotiated. They constantly challenge the stereotypes of the female. The female force that Ramlochan explores in her poems is creative and destructive, vulnerable and untameable. In poem after poem, the female assumes the elemental roles of both saviour and devil. The debut poetry collection from Shivanee Ramlochan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Roger Robinsons range is wide: the joys and pains of family life; observations on the threatening edge of violence below the surface energies of Black British territories in London; memories of an older Trinidad and visits that tell him both how he and the country have changed; emblematic p…oems on the beauty and often bizarre strangeness of the world of animals; quizzical responses to the strange, the heartening, and the appalling in incidents encountered in daily life; reflections on the purposes and costs of making art, as in fine poems on a George Stubbs painting, cocaine and Coltranes Ascension, and questioning thoughts on the ideologies of Toni Morrison and John Milton. The poems express a fierce anger against injustice, but also convey the irrepressible sense that Roger Robinson cannot help but love people for their humour, oddity and generosity of spirit.'With A Portable Paradise, Roger Robinson shows us that he can be the voice of our communal consciousness, while at the same time always subverting, playing and beguiling with his beautiful verse' Afua Hirsch Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Caribbean Passion is feisty, sensuous and thought provoking -- everything one expects from Opal Palmer Adisa. Whether writing about history, Black lives, family, or love and sexual passion, she has an acute eye for the contraries of experience. Her Caribbean has a dynamic that draws from it…s dialectic of oppression and resistance; her childhood includes both the affirmation of parents that makes her 'leap fences' and the 'jeer of strange men on the street/that made your feet stumble'; and men are portrayed both as predators and as the objects of erotic desire.This vision of contraries is rooted in an intensely sensuous apprehension of the physical world. She observes the Caribbean's foods and flora with exactness; makes them emblematic metaphors that are often rewardingly oblique; and uses them as starting points for engagingly conversational meditations on aspects of remembered experience. There is a witty play between food and sexuality, but counterpointing her celebration of the erotic, there is a keen sense of the oppression of the female body. In her poem 'Bumbu Clat', for instance, she explores the deformation of a word that originally signified 'sisterhood' to become part of the most transgressive and misogynist curse in Jamaican society. In this doubleness of vision, the term 'womanist' was invented to describe Opal Palmer Adisa's work.Opal Palmer Adisa is a Jamaica-born, award-winning poet, educator and storyteller. Anthologised in over 100 publications, she is a regular performer of her work throughout the USA and presently lives in Oakland, California, when she is not traveling. This is a collection of poetry which provides visions of Caribbean life - history, family, Black lives, love and sexual passion and the contraries of experience. Adisa writes powerfully about the solidarity of women and movingly about the female elders of her own family. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Filigree typically refers to the finer elements of craftwork, the parts that are subtle; our 'Filigree' anthology contains work that plays with the possibilities that the word suggests, work that is delicate, that responds to the idea of edging, to a comment on the marginalisation of the da…rker voice. Filigree includes work from established Black British poets residing inside and outside the UK; new and younger emerging voices of Black Britain and Black poets who have made it their home as well as a selection of the Inscribe poets who we have nurtured and continue to support. They have all responded in compelling ways to the concept of 'Filigree'. Tolu Agbelusi Sui Anukka Raymond Antrobus Lynne E Blackwood Siddhartha Bose (Sid) Victoria Bulley Michael Campbell Nana-Essi Casely-Hayford Maya Chowdhry Rishi Dastidar Tishani Doshi Zena Edwards Samatar Elmi Christina Fonthes Patricia Foster Kat Francois Nandita Ghose Nikheel Gorolay Keith Jarrett Maggie Harris Joshua Idehen Sumia Jamaa Pete Kalu Fawzia Kane Rachel Long Adam Lowe Nick Makoha Roy Mcfarlane Ronnie McGrath Momtaza Mehri Sai Murray Selina Nwulu Louisa Adjoa Parker Aisha Phoenix Barsa Ray Akila Richards Maureen Roberts Roger Robinson Selina Rodrigues Seni Seneviratne Ioney Smallhorne Degna Stone Hugh Stultz Ruth Sutoye Keisha Thompson Gemma Weekes Contemporary poetry from Black British and British Asian writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Delores is losing parts of herself, her typing speed, her ability to say 'hi' to work colleagues, until she is no longer Delores at all, but bare-footed Queen Mapusa, child of Africa, proud mother of modern civilization. Etheline Elvira Ransom is lying in bed, with a pair of scissors under…her behind, waiting to teach her bullying, errant man a lesson. Odetta is a 54-year-old wife and mother talking her way through the day of her secret abortion. The Burning Bush women are smoking cigars and weaving each other's wild blood-red hair into tight plaits, but the plaits won't hold: somewhere, the hair says, a Bush woman is dying.In these sometimes strange, funny, tragic and truthful stories, Cherie Jones weaves paths through the joys and suffering of women's lives. The writing occupies an in-between space between the magical and the realistic, exploring the tensions between the African folk wisdom Nanan passes on from the ancestors to her grand-daughter, and the colonised dictums that the mother in 'The Bride' offers her daughter about how a respectable woman lives. ('Remember how nappy you can look if you let yourself go.')The Burning Bush Women tells so many stories, so much life, in a rich variety of voices that stay with you long after closing the book. The talented short story writer can tell a lifetime in a few pages, and in this Cherie Jones ranks with the best.Cherie Jones lives and works in Barbados. She was the winner of the first prize in the 1999 Commonwealth Short Story Competition and a prize of 2,000. In these truthful, strange, funny, and tragic short stories set in Barbados and the United States, a path is woven through the joys and suffering of women's lives—from breast cancer, madness, and abortion to love, magic, and a deep connectedness between women—leading always to remarkable, unexpected places. These believable characters' voices rage, weep, and laugh through stories that are sometimes in the form of letters, conversations, whispered secrets, or raw cries for help. Themes of race, gender, and sexual orientation are key to these stories, as is the interplay between modernity and the African traditions of the Caribbean. Also explored are the connections between spirituality and the supernatural and between sanity and madness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. An Absence of Ruins was originally published in 1967, a period of decolonising ferment in Jamaica. This important and much sought-after Caribbean classic is now lovingly restored to print, with an introduction by Jeremy Poynting.Patterson writes in the tradition of Dostoyevsky and Camus, cr…eating a spiritual heir to the unnamed 'I' of Notes from the Underground or La Chute. Through the tangled love life of one Alexander Blackman, Patterson offers up a devastating critique of middle-class pretension, turning instead to the vibrant realities of the Jamaican working class. Full of sardonic humour and social commentary, the novel looks into the dark heart of social hierarchy, colonial education and the impact both have on the individual and the many."A very moving book about integrity preserved through an honest appraisal of its apparent loss."Robert Nye, The GuardianOrlando Patterson was born in Jamaica in 1940. He is the author of three novels: The Children of Sisyphus (1964, reprinted by Peepal Tree Press, 2011), An Absence of Ruins (1967), and Die the Long Day (1972). He received the National Book Award for Non-Fiction in 1991, and the Order of Distinction from the Government of Jamaica in 1999. He is now Professor of Sociology at Harvard University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. From the 1930s to the new century, Doux Thibaut, one of Merle Collins' most memorable characters, negotiates a hard life on the Caribbean island of Paz. As a child there is the shame of poverty and illegitimacy, and there are the hazards of sectarianism in an island divided between Catholic… and Protestant, the rigidity of a class and racial system where, if you are black, your white employer is always rightand only the ladies live upstairs. Doux confronts all such challenges with style and hidden steel.We leave Doux as an old lady moving between the homes of her children in Boston and New York, wondering whether they and her grandchildren really appreciate what her engagement with life has taught her. In these tender and moving stories, Merle Collins demands that we do not forget such lives. If ghosts appear in several of the later stories, they are surely there to warn that amnesia about the past can leave disturbed and restless spirits behind.In addition to the Doux stories, this collection restores to print an earlier 'Paz' story, Rain Darling, and their juxtaposition contrasts two very different responses to the hazards of life.Merle Collins is Grenadian. She is the author of two novels, a collection of short stories and two previous collections of poetry. She teaches Caribbean literature at the University of Maryland. From the 1930s through the dawning of a new century, these tender and moving stories underscore living life with style and hidden steel despite one's circumstances and warn against disregarding the past struggles of others. Doux Thibaut negotiates a hard life on the Caribbean island of Paz, confronting the shame of poverty and illegitimacy, the haz Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. John Lestrade is attempting to come to terms with the suicide of his friend Stephen, and his guilt that he did nothing to prevent it. Escape to a room on the hill is an act of internal exile, an attempt to find the space to overcome the inauthentic, automaton quality of his life. But Lestra…de's self-loathing despair poisons any hope of reconnecting with his friends. It is only when his friend Derek's abandoned girlfriend is killed in a car crash, and is then refused a proper burial by the Catholic church, that Lestrade is moved to action. In its energy and in its rejection of the colonial straight-jacket that locks in the middle-class intellectuals in the novel, there remains in A Room on the Hill some possibility of honest reflection and escape. Garth St. Omer was born in St Lucia in 1931. During the early 1950s St. Omer was part of a group of artists in St Lucia including Roderick and Derek Walcott. His first publication, the novella Syrop, appeared in 1964, followed by the Faber publications of A Room on the Hill (1968), Shades of Grey (1968), Nor Any Country (1969) and J-, Black Bam and the Masqueraders in 1972. In the 1970s he moved to the USA, where he completed a doctoral thesis at Princeton University in 1975. Until his retirement as Emeritus Professor, he taught at the University of Santa Barbara in California. In 2001 he was honoured with the Saint Lucia Medal of Merit for service in the Arts and Literature. On an inward-looking island dominated by the Catholic Church, John Lestrade mourns both the death of friends and the inauthentic, suffocating quality of his own life. When he feels he can no longer find solace in his regular means of escape--a room on a hill--he forsakes his self-imposed exile and finds himself drawn to action and defiance. Opening himself up to change, John discovers hope and gleans the possibility of change and an escape from the inauthentic. Originally published in 1968, this intense and minimalist novel engages philosophical ideas, religious tradition, and colonial consciousness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. A young Afro-Guyanese engineer comes to a coastal Kentish village as part of a project to shore up its sea-defences. He boards with an old English woman, Mrs Rutherford, and through his relationship with her discovers the latent violence and raw emotions present in this apparently placid vi…llage. He discovers, too, that underlying the village's essential Englishness, echoes of the imperial past resound. In the process, he is forced to reconsider his perceptions of himself and his native Guyana, and in particular to question his engineer's certainties in the primacy of the empirical and the rational. This is a richly intertextual novel which uses reference to the novels of Conrad, Wilson Harris and V.S. Naipaul's 'The Enigma of Arrival' to set up a multi-layered dialogue concerning the nature of Englishness, the legacy of Empire and different perspectives on the nature of history and reality. Talks about a Guyanese engineer working on a cliff reclamation project in rural Kent. This novel contains intertextual play with Conrad, Wilson Harris and V S Naipaul, and investigates the buried centre of Empire deep in England and the ironies of the difficult but hopeful multicultural transformation of British society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. David Dabydeen's 'Turner' is a long narrative poem written in response to J.M.W. Turner's celebrated painting Slavers Throwing Overboard the Dead & Dying. Dabydeen's poem focuses on what is hidden in Turner's painting, the submerged head of the drowning African. In inventing a biography and… the drowned man's unspoken desires, including the resisted temptation to fabricate an idyllic past, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner's painting. 'Turner' was first published in 1994. In addition to 'Turner', this collection includes selections from two earlier books: Slave Song (1984) and Coolie Odyssey (1988). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
