Phaidon new york (Oltre 1600 risultati)

Hardcover. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Book is a Library Discard with all of the typical markings. Book is in Very Good condition. Cover is clean with no marks, shows minor shelf wear. Dust Jacket is in Good condition, clean with no marks or stains, wrapped with mylar library style. Binding is tight, edges are square, corners are slightly bumped. Pages are clean with no writing or high lighting. An Awesome Book! A Great Buy! *SHIPPING IS ADJUSTED FOR THIS TITLE*. None.…

Hardcover. Condizione: Fine Copy. Hardcover w/ dustjacket, 2 small tears in spine, otherwise a fine copy.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Reprinted. This trade paperback is in good condition with slight wear visible on the spine and edges. The cover, featuring a striking illustration by Caspar David Friedrich, remains vivid and intact. There are no inscriptions, and it is not an ex-library copy. The binding is firm, and all pages are clean and unmarked. ### unknown (no dust jacket mentioned). Caspar David Friedrich (cover illustration) (illustratore).…

Paperback. Condizione: Very Good. 1st. 1 volume (unpaged), illustrations, portraits; 16 cm. Tight, clean copy. Sunned spine. Size: 16mo.

Hardcover. Condizione: Near Fine to Fine. Condizione sovraccoperta: Near Fine to Fine Dust Jacket. 32 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Near fine dust jacket.

Soft cover. Condizione: Fair.

Soft Cover. Condizione: Good. Second Edition. The first English translation of the classic French text on Medieval art. Book is unread, spine unbent, text unmarked. Size: 8vo - 7¾" - 9¾" Tall. Ex School Library.

Cloth. Condizione: Very Good Plus. Condizione sovraccoperta: Very Good Plus Dust Jacket. 256 pp. Tightly bound. Corners not bumped. Text is free of markings. One small, 1/8" very faint old stain top fore-edge.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Acceptable. First published in Great Britain 1979. The book is in hardcover format with a dust jacket that shows noticeable wear, including spots and minor edge wear. The binding remains intact, ensuring the book's structural integrity. The pages are clean and free of inscriptions or signatures. Overall, the book is in good condition for its age, with the dust jacket showing the most wear. worn with some spots and minor edge wear.…

Hardcover. Condizione: Good. Good w/ Protective Cover. Reprint. This large book has some light corner bumping, edge wear. Interior text is clean and tight in binding, no markings. Unclipped DJ has discoloration of the flaps, no marks inside book. Size: 4to - over 9¾" - 12" tall. Various (illustratore). Reprint.…

Hardcover. Condizione: Good. Condizione sovraccoperta: no dust jacket visible. First published in this format in 2018. This hardcover book is in good condition, with minor wear visible on the edges and corners. The binding remains strong, and the pages are clean and unmarked. There is no dust jacket, which is typical for this edition. Overall, it is a well-preserved copy, ideal for collectors and culinary enthusiasts.…

hardcover. Condizione: Good. Minor shelf wear to cover/spine/binding. Pages are clean. Good reading copy.

Soft cover. Condizione: Fair. Many black and white illustrations.

Soft cover. Condizione: As New. 2nd Edition. Phaidon Press, 1998. Paperback. Condition:As New 2003 reprint.

Softcover. Condizione: Very Good.

Paperback. Condizione: Good. No Jacket. Good. No Jacket Good, No DJ Condition good in orange paperback with yellow and black illustration on front, top spine area there is a 1" tear otherwise the very clean tight, no DJ, original was in French.

Paperback. Second Edition (1971). First published in this form in 1963. Very Good in Wraps: shows indications of very light use; the price has been neatly blocked out at the upper corner of the front panel; the upper front corner shows some mild creases; the binding leans ever so slightly but remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and several minor flaws. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.75 x 7 x 0.65 inches). xii, 252 pages. 135 duotone plates. Language: English. Weight: 20.2 ounces. Trade Paperback. Second Edition (1971). First published in this form in 1963.…

Paperback. Condizione: Very Good. 3rd. viii, 168 pages, [72] leaves of plates, illustrations; 19 cm. Studies in the Art of the Renaissance, I. Tight, clean copy. Browning. With 186 illustrations. *** CONTENTS: Preface; The Renaissance conception of artistic progress and its consequences; Apollonio di Giovanni: a Florentine cassone workshop seen through the eyes of a humanist poet; Renaissance and golden age; The early Medici as patrons of art; Leonardo's method for working out compositions; Raphael's Madonna della Sedia; Norm and form: the stylistic categories of art history and their origins in Renaissance ideals; Mannerism: the historiographic background; The Renaissance theory of art and the rise of landscape; The style all'antica: imitation and assimilation; Reynolds's theory and practice of imitation. Size: 12mo.…

Paperback. Condizione: Good. 320 pages, illustrations (some colour); 25 cm. Good+. Tight, clean copy. Corner crease/back cover. A good reading copy for the thrifty scholar. Another copy available. *** "This book as first published to accompany a major exhibition curated by the author at the Metropolitan Museum of Art, New York, in 1970. Douglas Cooper had himself known well the principal protagonists in the Cubist Movement, owned works by them and written extensively on the subject. The exhibition was mounted when many of the artists, dealers, writers and collectors who created and furthered the development of Cubism were still alive to act as primary documentary sources. It brought together from the collections of Europe and America Cubist paintings, sculptures, drawings and prints to present for the first time a vivid compendium of Cubism as an historic and aesthetic achievement which transformed the visual world of the 20th century. This re-issue of the book not only presents a record of an epoch-making show, but provides an authoritative, informative and lively introduction to all aspects of Cubist art by its foremost historian." - Publisher. *** CONTENTS: True Cubism 1906-1912; The Cubist movement in Paris 1906-1914; The influence of Cubism outside France; Late Cubism 1914-1921; Cubist sculpture. True Cubism; The Cubist Movement in Paris; The influence of Cubism outside France; Late Cubism; Cubist sculpture; Conclusion. Size: 8vo.…

Paperback. Condizione: Very Good. 350 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. This is a paperback copy with French flaps. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hardcover. Condizione: Good. No Jacket. Third edition newly revised. Greenwich, CT: Phaidon / New York Graphic Society, 1963. 423 pages; 508 b&w illustrations; a few color plates. Tight binding; underlining in the first 25 pages, thereafter ocassional underlining of headings; generally clean; illustrations bright. Boards discolored. Comprehensive Bibliography; Chronology of Greek Sculpture; Glossary; Index. Third edition newly revised. Cloth. Good/No Jacket. 8vo. …

Paper Back. Condizione: Very Good+. No Jacket. Second Edition. 240pp.incl.index; SC blue w/white pic cover; slight rub w/wear on edges & corners; margins tanned w/clean, tight pgs. " .rediscovery of this strange episode in European art and literature . some of the most exciting examples of the work of the Symbolist painters ." 49 illus. in color & 163 in b/w. isbn 0714817392.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. American First. Some edge wear to boards and dust jacket; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white photographs and reproductions of paintings. Book.

Hardcover. Condizione: Good. Light shelf wear.