phillips collection washington dc (270 risultati)

Paperback. Condizione: Near Fine. 2nd. xvi, 345 pages, illustrations (some colour); 25 cm. Near fine. Tight, clean copy. Age toning. *** The Phillips Collection, in Washington D.C., was the first museum of modern art in America. It is especially famous for Renoir's "Boating Party". Among the artists Phillips most admired were Pierre Bonnard, and the American artists Arthur Dove and Mark Rothko. Size: 8vo.

Paperback. Condizione: Very Good. 160 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of an exhibition organized by the Phillips Collection, Washington, D.C. and held at the Museum of Fine Arts, Houston and four other institutions between September 22, 2002 and Winter, 2004. Firm binding, gently creased spine. Clean inside copy. Another copy available. Includes scholarly essays on Duncan Phillips as a collector. Size: 4to.

Softcover, 158 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound, 48 pages; good condition; light rubbing to covers; lower right corner of cover dog-eared; no internal marks.

Softcover, 256 pages, very good condition, light edgewear to covers; no internal marks. Foreign shipping may be extra for this heavy book.

Paper. Condizione: Good. ExCat. Paper.

Paperback. Condizione: Good Plus (or better). First Paperback Printing. Oversize paperback, damp stain to lower corner of book (about one inch), o/w well bound, clean and unmarked. Because of size, this book ships domestic media mail only (no extra shipping fees required).

Paperback. Condizione: Very Good. Printed papercovers. FAIR, MOISTURE DAMAGE. 4to. Illus. some in color Exhibition catalog.

Paperback. Condizione: Very Good. 240 pages, illustrations (some colour); 30 cm. First published on the occasion of an exhibition at the Phillips Collection, Washington, D.C., September 19, 1998 to January 3, 1999 and at the Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, January 30 to May 2, 1999. Firm binding, clean inside copy. Corner crease/front cover. Age toning. Another copy available. Richly illustrated with colour plates. Size: 4to.

Paperback. Condizione: Very Good. 208 pages, illustrations (chiefly colour); 24 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 8vo.

Paperback. Condizione: Near Fine. 1st. 48 pages, illustrations (some colour); 28 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** William Willis (b. 1943) is an American abstract painter influenced by Eastern philosophy and religion. Size: 4to.

Paperback. Condizione: Near Fine. 160 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of an exhibition organized by the Phillips Collection, Washington, D.C. and held at the Museum of Fine Arts, Houston and four other institutions between September 22, 2002 and Winter, 2004. Near fine. Tight, clean copy. Light shelfwear to wraps. *** Includes scholarly essays on Duncan Phillips as a collector. Size: 8vo.

Paper. Condizione: Good. This exhibition is supported by a grant from Fannie Mae Foundation. Good paper copy ex. cat. front and back wrappers illus. in 4/C, B/W illus. throughout, 2 pp footnotes, works are listed on 4 pp.

Paperback. Condizione: Very Good. Washington, D.C.: The Phillips Collection, 1990. 32 pages; b&w and color illustrations. The collecting by Duncan Phillips of works by these artists. Bibliography includes the Eight as well as writings by Phillips. Pictorial Wrapper (softcover). Very Good. 4to. Exhibition Catalogue.

Paperback. Condizione: Very Good-. Color and B&W Illustrations (illustratore). First Thus. LIght shelfwear and rubbing to extremities, illustrated. Size: 4to - over 9¾" - 12" tall. Book.

Softcover, staple-bound, 18 pages; very good condition; clean and crisp; no internal marks.

Paper. Condizione: Good. Paper. Die Cut Cover Missing, Sold as is.

Paperback. Condizione: Good. 1st. [18] pages, 49 pages of plates: chiefly colour illustrations; 28 cm. Exhibition held at the Acquavella Galleries, New York, October 15 to November 20, 1985, the Phillips Collection, Washington, D.C., December 14, 1985 to February 9, 1986. A good copy with light marginalia, missing blank flyleaf. Another copy available. A good reading copy for the thrifty scholar. *** Features Post-Impressionist works from the early 1900s and Expressionist paintings (beginning around 1908 to World War One) by Feininger, before his crystalline Bauhaus style developed. When Feininger left Germany in the mid-thirties, these paintings were left behind and became inaccessible after the war, held in East Germany. Richly illustrated with colour plates. Size: 4to.

Paperback. Condizione: Good. Medaenas Monograph on the Arts. 17 pages of text, 20 color plates (some gatefolds). Booklet still in its mailing envelope. Rear inner and out covers missing top left 2 1/2 x 4" piece, otherwise As New.; 10 1/4 x 13 1/4".

Paperback. Condizione: Near Fine. 1st. 264 pages, illustrations (some colour); 30 cm. Exhibition held 21 September 1996 to 9 February 1997. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. First paperback edition. A large-format coffee-table book. *** "This large-format art book features more than sixty four-color reproductions of riverscapes by Renoir, Monet, Manet, Sisley, Pissarro, Morisot, and Caillebotte. It puts special focus on the centerpiece of The Phillips Collection, Renoir's much-loved Luncheon of the Boating Party (1881), and celebrates the importance of the Seine in the hearts and minds of Parisians during the late nineteenth century." - Publisher. *** CONTENTS: Preface, by Charles S. Moffett; Renoir's Luncheon of the Boating Party: Tradition and the New, by Eliza E. Rathbone; From Agenteuil to Bougival: Life and Leisure on the Seine, 1868-1882, by Katherine Rothkopf; The River Seine: Subject and Symbol in Nineteenth-Century French Art and Literature, by Richard R. Brettell; An Icon of Modern Art and Life: Renoir's Luncheon of the Boating Party, by Charles S. Moffett; The Exhibition; Achieving the Composition in Luncheon of the Boating Party, by Elizabeth Steele; A History of Renoir's Luncheon of the Boating Party, by Eliza E. Rathbone and Elizabeth Steele; The Artists, by Lisa Portnoy Stein, Katherine Rohthkopf and Eliza E. Rathbone. Size: 4to. Collectible.

Paperback. Condizione: Fine. 1st. 63 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Phillips Collection, Washington, D.C., October 24 to December 13, 1987; Lannan Museum, Lake Worth, Fla., January 12 to March 9, 1988. Firm binding, clean inside copy. Size: 4to.

Paperback. Condizione: Near Fine. 240 pages, illustrations (some colour); 30 cm. First published on the occasion of an exhibition at the Phillips Collection, Washington, D.C., September 19, 1998 to January 3, 1999 and at the Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, January 30 to May 2, 1999. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. Size: 4to. Collectible.

Paperback. Condizione: Fine. 160 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of an exhibition organized by the Phillips Collection, Washington, D.C. and held at the Museum of Fine Arts, Houston and four other institutions between September 22, 2002 and Winter, 2004. Tight, clean copy. *** "The Phillips Collection, in Washington, D.C., was the first museum of modern art in the United States and today stands as a legacy to its founder and creator, Duncan Phillips." - Publisher. *** CONTENTS: Preface, by Jay Gates; Seeing beautifully: a vision of the whole, by Eliza E. Rathbone; Paintings and sculpture, by Johanna Halford-MacLeod; Chronology; Checklist. Size: 4to. Collectible.

Paper. Condizione: Good. One of a series of monographs on the arts produced by Boehringer Ingelheim Pharmaceuticals Inc, Ridgfield, CT produced with The Phillips Collection, Washington, DC. Good copy paper, 32 pp, 1 B/W photo of the artist, 13 pp text, 17 4/C illus, 2 B/W illus.

Soft cover. Condizione: Good. No Jacket. Exhibit Brochure 9.25" x 8.25" 16 pp. Exhibit dates 1979-1981.A traveling exhibit jointly organized by the Phillips Collection and the Smithsonian Institution Traveling Exhibit Service. In excellent used condition.

Softcover exhibition catalog, 48 pages, as new condition, no internal marks, clean and crisp, with color reproductions.

Reprint. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 264 pages : illustrations (some colour) ; 30 cm. Subjects; Renoir, Auguste 1841-1919. Luncheon of the boating party. Renoir, Auguste 1841-1919. Luncheon of the boating party ; Exhibitions. Impressionism (Art) France Seine River Valley ; Exhibitions. Artistic collaboration France Seine River Valley ; Exhibitions. Seine River (France) In art. France Seine River. France Seine River Valley. 3 Kg.

Paperback. Condizione: Very Good. Color Illustrations (illustratore). First Edition. In blue wraps printed with black titling, folio, 18pp+ads. Illustrated. Size: Folio - over 12" - 15" tall. Book.

Soft cover. Condizione: Very Good. 1st Edition. Edited by Elizabeth Hutton Turner, introductory essay by Henry Louis Gates, Jr.Minor wear to the corners and edges, light foxing on the edges, text clean.

Softcover. Condizione: Very Good. First Edition. Pale yellow wrappers lettered in black. An unworn, clean copy with no markings; minor toning at the edges of the wrappers. Text of a radio talk by Duncan Phillips Jr. concerning the extraordinary collection of art which he and his wife Marjorie opened to the public in 1918 as a memorial to Duncan Phillips parents and brother -- in a former private residence of the Phillips family in Washington DC. The Collection remains a Washington DC institution to this day -- the earliest museum of modern art in the U.S. Undated; OCLC Number: 535966816 suggests a date of 1953 (from a reference in the author's talk to an article he wrote for the February 1953 issue of 'Magazine of Art').