printed matter incorporated (121 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New. Dark Prospects takes as its source material issues of People, Time, Newsweek, U. S News and World Report. Charles Beronio retains the form of the magazine, but dismantles the medium's visual language by blacking out all references to textual and visual references to corporate branding, time and location, as well as the faces of the magazines' featured stars and advertising props. What's left is a stuttering, unforgiving sequence of detonated images and textual fragments; a skewed visual narrative of modern life.

Condizione: New.

Paperback. Condizione: New. Proposals is a compilation of text pieces by the British artist Peter Liversidge. Using the conceptual format for which he is best known-the proposal-Liversidge suggests a number of potential projects to be realized with the help of Printed Matter, Inc. The proposals, sent to Printed Matter during the spring of 2013, range from the practical to the understated to the absurd. Typewritten, marked throughout by tiny errors, and delivered with dry, formulaic wit, the 28 proposals compose a work that's at once endearing and disarming.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Dark Prospects takes as its source material issues of People, Time, Newsweek, U. S News and World Report. Charles Beronio retains the form of the magazine, but dismantles the medium's visual language by blacking out all references to textual and visual references to corporate branding, time and location, as well as the faces of the magazines' featured stars and advertising props. What's left is a stuttering, unforgiving sequence of detonated images and textual fragments; a skewed visual narrative of modern life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Proposals is a compilation of text pieces by the British artist Peter Liversidge. Using the conceptual format for which he is best knownthe proposalLiversidge suggests a number of potential projects to be realized with the help of Printed Matter, Inc. The proposals, sent to Printed Matter during the spring of 2013, range from the practical to the understated to the absurd. Typewritten, marked throughout by tiny errors, and delivered with dry, formulaic wit, the 28 proposals compose a work thats at once endearing and disarming. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. The first publication from Printed Matter's Publishing Program for Emerging Artists sees Erin Cosgrove taking the romance novel for a ride; producing a tempestuous tale of terrorism and true love. In the cloistered environment of an exclusive East Coast college, the young and the restless fall in love while romancing the ghosts of the '70s Germany's Baader-Meinhof gang. This send up of the romance genre comes complete with tongue-in-cheek cliff notes and commentary for the confused. A page-turning tour de force of the dangerous passions and politics of the privileged.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover. Condizione: Very Good. 1st Edition. An artist's publication by Charles Beronio, Dark Prospects appropriates and transforms mainstream American magazines including People, Time, Newsweek, and U.S. News & World Report. Retaining the magazines original format, Beronio blacks out all references to corporate branding, time, place, and the faces of featured celebrities and advertising figures. What remains is a disjointed, visually arresting sequence of obscured images and fragmented text an unsettling narrative that critiques the constructed nature of media and popular culture. A bold and uncompromising visual statement. Condition: Very good. Interior clean and crisp, no internal marks.

Condizione: New.

Hardback. Condizione: New. Hunters Follow Harpy Shadows is an experimental work featuring a series of poetic writings that explore fantasy narratives of rewritten mythologies. Mixing re-imagined trans Korean folklore, queered Biblical storytelling and pirate lore, the publication is an amalgamation of writing delivered from the lips of the artist as a genderfluid seraphim that has left heaven to tell mortals of the other worlds.

Paperback. Condizione: New. Depreciating Assets is a new artists' book by Jessica Vaughn investigating labor, diversity politics, and the material environment of the American workplace. With a new lens to the artist's multidisciplinary practice, the project examines how affirmative action and other office equity measures are intersected by corporate infrastructure and, specifically, the physical layout of office space. Across four interwoven sections and related appendices, Vaughn assembles her photographs and critical writings alongside xeroxed images, diversity training video stills, and manipulated open source documents of the US Government. The project considers and distills the symptoms of late 20th and 21st century work culture produced by open office plans and modular architecture's promise of malleability, compliance, and universality - provisions that bid for increased efficiency and productivity at the expense of visibility for Black workers and workers of color. Vaughn looks at how minimalist design gestures of the modern office (as envisioned by Rem Koolhaas' formative essay "Typical Plan," and Herman Miller's Ethospace brochures) cannot exist outside the conditions of race, class and labor. The project also includes an interview between Vaughn and curator Magdalyn Asimakis, in which the two discuss the structural failings of arts and cultural institutions to practice equitable inclusion of artists of color, or to develop a language and praxis in support of diverse programming that extends beyond compliance, optics, and concerns of the market. Vaughn draws connections between the operations of these institutions to that of the corporate environment, and discusses the ways in which she manipulates their commonalities through the material of her work. In its design, Depreciating Assets intentionally replicates the style, materials, and colors outlined by the US Government Publishing Office-standards set to ensure design efficiency and the economical production of their internal documents. The book draws from the familiar copyshop palette of Venetian blue, tan pink, salmon, green and brown, and uses varied paper stocks in accordance with Paper Standard specifications. In doing so the project takes on and examines the homogeneity imposed by so-called 'corporate efficiency measures,' and the fundamental tension between diversity initiatives and one-size-fits-all approaches to office resources. The publication concludes with an afterword by the author contextualizing the project's themes within the contemporary reality of global pandemic, economic precarity, and protests against racist state violence. Here Vaughn explores how in the absence of an adequate governmental response to structural problems, workplaces implement ad-hoc solutions (such as plexi-dividers) that still leave workers vulnerable and at risk - most acutely, Black workers who are often underinsured.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. A Mistake Is A Beautiful Thing is published by Printed Matter in collaboration with LA-based Coloured Publishing. The new hardcover work is the latest from designer Yuri Ogita and artist Devin Troy Strother, and follows a companion installation by Coloured Publishing at Printed Matter earlier this year. The loosely organised collection of images - taken both by and of Devin and Yuri - offers an offhand perspective into the duo's daily life as artists and publishers. Accompanied by short and often humorous captions, the photographs (sometimes overlapping) are comprised of glimpses into studio life - collages in progress, unhung paintings, spilled paint - as well as other encountered objects - book covers, plants, and many dime bags. The work moves indiscriminately through its recurring motifs to build on a dialog that is irreverent but assured, examining art and its references, cultural phenomena and the experience of being a person of color in the US.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. Hunters Follow Harpy Shadows is an experimental work featuring a series of poetic writings that explore fantasy narratives of rewritten mythologies. Mixing re-imagined trans Korean folklore, queered Biblical storytelling and pirate lore, the publication is an amalgamation of writing delivered from the lips of the artist as a genderfluid seraphim that has left heaven to tell mortals of the other worlds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Paperback. Condizione: new. Paperback. Depreciating Assets is a new artists book by Jessica Vaughn investigating labor, diversity politics, and the material environment of the American workplace. With a new lens to the artists multidisciplinary practice, the project examines how affirmative action and other office equity measures are intersected by corporate infrastructure and, specifically, the physical layout of office space.Across four interwoven sections and related appendices, Vaughn assembles her photographs and critical writings alongside xeroxed images, diversity training video stills, and manipulated open source documents of the US Government. The project considers and distills the symptoms of late 20th and 21st century work culture produced by open office plans and modular architectures promise of malleability, compliance, and universality provisions that bid for increased efficiency and productivity at the expense of visibility for Black workers and workers of color. Vaughn looks at how minimalist design gestures of the modern office (as envisioned by Rem Koolhaas formative essay Typical Plan, and Herman Millers Ethospace brochures) cannot exist outside the conditions of race, class and labor.The project also includes an interview between Vaughn and curator Magdalyn Asimakis, in which the two discuss the structural failings of arts and cultural institutions to practice equitable inclusion of artists of color, or to develop a language and praxis in support of diverse programming that extends beyond compliance, optics, and concerns of the market. Vaughn draws connections between the operations of these institutions to that of the corporate environment, and discusses the ways in which she manipulates their commonalities through the material of her work.In its design, Depreciating Assets intentionally replicates the style, materials, and colors outlined by the US Government Publishing Officestandards set to ensure design efficiency and the economical production of their internal documents. The book draws from the familiar copyshop palette of Venetian blue, tan pink, salmon, green and brown, and uses varied paper stocks in accordance with Paper Standard specifications. In doing so the project takes on and examines the homogeneity imposed by so-called corporate efficiency measures, and the fundamental tension between diversity initiatives and one-size-fits-all approaches to office resources.The publication concludes with an afterword by the author contextualizing the projects themes within the contemporary reality of global pandemic, economic precarity, and protests against racist state violence. Here Vaughn explores how in the absence of an adequate governmental response to structural problems, workplaces implement ad-hoc solutions (such as plexi-dividers) that still leave workers vulnerable and at risk most acutely, Black workers who are often underinsured. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. A collection of whimsical mail art sent to and from the late illustrator known for his playful sketches and line drawings, with contributions from Marcel Dzama, Stefan Marx and moreThis volume engages with the broader artistic practice of artist and illustrator Jason Polan, famous for his ink sketches of the city's people and places, as collected in the cult favorite tome Every Person in New York. The Post Office collects a body of materials Polan exchanged through the mail with friends, fans and penpals, as well as the artwork that he in turn received, often whimsical drawings and short text works. In gathering the material, the project reflects on Polan's affinity for the US Postal Service and his commitment to mail art as a means to build networks and make connectionsa practice he maintained over many years with both friends and strangers alike. The result is a new perspective on Polan's legacy, highlighted through an exchange that is playful and often touching, the contours of which offer an expanded portrait of the artist.Jason Polan (19822020) was a Michigan-born, New York Citybased artist and illustrator known for his humorous and prolific output, sketching strangers, art-world figures, celebrities, friends, objects and the things he spotted on his many museum visits. His illustrations have appeared in Metropolis Magazine, the New Yorker and ARTnews and his books have generated wide acclaim. His work also appeared in a regular column in the New York Times, and on apparel in a collaboration with Uniqlo. His books include Every Person in New York and Every Piece of Art in the Museum of Modern Art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. A Mistake Is A Beautiful Thing is published by Printed Matter in collaboration with LA-based Coloured Publishing. The new hardcover work is the latest from designer Yuri Ogita and artist Devin Troy Strother, and follows a companion installation by Coloured Publishing at Printed Matter earlier this year.The loosely organised collection of images taken both by and of Devin and Yuri offers an offhand perspective into the duos daily life as artists and publishers. Accompanied by short and often humorous captions, the photographs (sometimes overlapping) are comprised of glimpses into studio life collages in progress, unhung paintings, spilled paint as well as other encountered objects book covers, plants, and many dime bags. The work moves indiscriminately through its recurring motifs to build on a dialog that is irreverent but assured, examining art and its references, cultural phenomena and the experience of being a person of color in the US. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.