Robert miller gallery (584 risultati)

Paperback. Condizione: Very Good. light wear along the edges of the cover.

Paperback. Condizione: VERY GOOD. Pages are clean, unmarked, and tight with tiny creases or curling at corners; lightly penciled price on upper front flyleaf; light shelf and corner wear and smudges on cover.

Paperback. Condizione: Very Good. light shelfwear, NICE! Standard-sized.

Paperback. Condizione: Very Good. light shelfwear, NICE! Oversized.

Condizione: Very Good. A very nice copy. The pages are clean and unmarked.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Paperback in dustjacket. Binding sound, text clean, light shelfwear. Not paginated, approx. 64 pages. Oversize, illustrated exhibition catalogue. Printed at Stinehour Press. Book.

Paper. Condizione: Good. Paper, ex. cat. 36 pp, 27 b/w illus. Limited to 3000 copies.

Paperback. Condizione: Like New. Clean copy. May have remainder mark.

Softcover exhibition catalog, unpaginated with 24 illustrations, very good condition, no internal marks, clean and crisp.

Hardcover without dustjacket as issued, unpaginated; poor to fair condition; light waterstain and some mildew spots to bottom edge of slighlty wavy pages; the stains do not affect any images. As is; reference copy. Foreign shipping may be extra.

Condizione: New. 1990. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. . paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Condizione: Very Good. No Dj.

Condizione: New. . paperback. . . . . .

Condizione: New. 1990. paperback. . . . . .

paperback. Condizione: Good. In fine condition, with some STAINS on the cover, clean pages.

Hardcover. Condizione: Very Good. Exhibition catalog. Color illustrations.

Paper. Condizione: Good. Good paper copy ex. cat. limited to 3000 copies, 32 pp 30 B/W illus.

Paperback. Condizione: Near Fine. 1st. 1 volume (unpaged), colour illustrations; 28 cm. Catalogue of an exhibition held at Robert Miller Gallery, January 4 to February 3, 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Another copy available. *** Before Al Held became a 'hard edge" painter in the sixties and beyond, he was an abstract expressionist. This exhibition, with an introduction by Ashton, focuses on his works of the mid-fifties, after a period spent in Paris influenced by tachiste painting and existentialism. Richly illustrated with colour plates. Size: 4to. Collectible.…

Paperback. Condizione: Near Fine. 1st. [58] pages, chiefly colour illustrations; 29 cm. Exhibition held October 1990. Near fine. Tight, clean copy. Light shelfwear to wraps. *** Painted bronze female nude; several variations. Size: 4to. Collectible.

Paper. Condizione: Fine Copy. Good paper copy, 60 un. pp, 12 pp intro, lists 11 works all illus. in 4/C, 19 total illus in 4/C many are 2 page spreads.

Paperback. Condizione: Fine. Condizione sovraccoperta: Good+. Paperback in dustwrapper. Book is crisp and clean, jacket moderately shelfworn with some slight scrapes. Edition limited to 1000 copies. Not paginated, approx. 44 pages. Oversize oblong color-illustrated exhibition catalogue. Book.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. X-Library book. Standard wear to cover and typical library markings. No dust jacket. 100% Money Back Guarantee!!.

Paperback. Condizione: Very Good. Condizione sovraccoperta: very good. --ALL INVENTORY 40% OFF in Sept--Unmarked. Dust jacket, with chipping, over paperback. Accompanied the October 21 through November 25, 2000 exhibition at Robert Miller Gallery. Essay by David S. Rubin. Fourteen color plates. Measures 9x11 inches. Unpaginated. Al Held (1928. …

Paperback. Condizione: Very Good. light shelfwear, NICE! Oversized.

Soft cover. Condizione: Very Good. Four-panel fold-out announcement for exhibition held September 12 - October 12, 2002. Three works freatured. Moderate wear.

Paperback. Condizione: Fine. 1st. 1 volume (unpaged), colour illustrations; 23 cm. Exhibition held April 25 to May 26, 2001. Firm binding, clean inside copy. Size: 8vo. Collectible.

Paperback. Condizione: Fine. 1st. 1 volume (unpaged), colour illustrations; 28 cm. Catalogue of an exhibition held at Robert Miller Gallery, January 4 to February 3, 1990. Firm binding, clean inside copy. *** Before Al Held became a 'hard edge" painter in the sixties and beyond, he was an abstract expressionist. This exhibition, with an introduction by Ashton, focuses on his works of the mid-fifties, after a period spent in Paris influenced by tachiste painting and existentialism. Richly illustrated with colour plates. Size: 4to. Collectible.…

Soft cover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Condition: Near Fine. Softcover exhibition catalogue in publisher's illustrated dust jacket in Very Good condition. Book shows minimal edge and corner wear; binding is sound and interior pages are clean and bright. Dust jacket shows light rubbing, surface scuffing, and minor edge, corner, and fold wear. Illustrated with full-page and double-page color reproductions of Al Held's paintings, with an essay by David S. Rubin, plate list, extensive biography and exhibition chronology, public collections, awards, murals, and bibliography. Published in a limited edition of 1,000 copies. Listing photos show the exact copy included in this sale. Illustrated exhibition catalogue documenting Al Held's late paintings and their place within the development of his postwar American abstraction, published for the artist's 2000 exhibition at Robert Miller Gallery in New York. The large color compositions extend Held's earlier geometric abstraction into complex, brightly colored, illusionistic spaces built from interlocking architectural and geometric forms. Curator David S. Rubin's accompanying essay places these works within Held's artistic development and discusses his working methods, drawing in part on a conversation with the artist. Rubin describes Held's labor-intensive process of developing ideas through watercolors, taping and painting the canvases in successive stages, and sanding away evidence of the artist's hand. Full-page and double-page color reproductions are accompanied by a detailed plate list, biography and exhibition chronology, public collections, awards, murals, and an extensive bibliography, providing substantial reference material on Held's career and late work.…