Salem press inc us (34 risultati)
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Hardback. Condizione: New. Visionary Poets is a single-volume reference that contains selected essays from Critical Survey of Poetry, Fourth Edition. Every article in this set was carefully selected by our editors to provide the best information available about the topic covered. The essays in Visionary Poets discuss such influe…ntial poets as Charles Baudelaire, Lord Byron, Allen Ginsberg, Arthur Rimbaud, and William Butler Yeats.
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Hardback. Condizione: New. Visionary Poets is a single-volume reference that contains selected essays from Critical Survey of Poetry, Fourth Edition. Every article in this set was carefully selected by our editors to provide the best information available about the topic covered. The essays in Visionary Poets discuss such influe…ntial poets as Charles Baudelaire, Lord Byron, Allen Ginsberg, Arthur Rimbaud, and William Butler Yeats.
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Hardback. Condizione: New. Visionary Poets is a single-volume reference that contains selected essays from Critical Survey of Poetry, Fourth Edition. Every article in this set was carefully selected by our editors to provide the best information available about the topic covered. The essays in Visionary Poets discuss such influe…ntial poets as Charles Baudelaire, Lord Byron, Allen Ginsberg, Arthur Rimbaud, and William Butler Yeats.
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Hardback. Condizione: New. Woods and forests have long been seen as places of both beauty and danger, of both charm and threat. Dark woods, in particular, have often been treated as symbols of vulnerability, especially when they are imagined as inhabited by wild animals so that they become literal wildernesses-wild places-in whi…ch people can easily lose their way and face general insecurity and specific forms of menace.Sometimes, as in Shakespeare's As You Like It or A Midsummer Night's Dream, entry into a forest can result in positive, even magical, outcomes. But sometimes, as in Sir Gawain and the Green Knight, entering a forest can suggest alienation, loneliness, and potential despair. This volume, then, explores the theme of journeying Into the Woods by interpreting the topic broadly and sometimes metaphorically. Works relevant to this theme might include Dante's Inferno, Hawthorne's "Young Goodman Brown," the famous film The Wizard of Oz, Tolkien's Lord of the Rings novels, James Fenimore Cooper's The Last of the Mohicans, as well as Jon Krakauer's noted work of nonfiction, Into the Wild.In the final section, Resources, a select bibliography of additional works that are pertinent to the theme is provided. Each essay in Critical Insights: Going Into the Woods includes a list of Works Cited and detailed endnotes. Also included in this volume is a Bibliography, biographies of the Editor and Contributors, and an alphabetical Index.
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Hardback. Condizione: New. Explores the ""weird"" and diverse fiction of popular pulp writers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, A. Merritt, as well as pulp magazines such as Weird Tales.From their origin at the end of the nineteenth century to their decline in the 1950s, ""pulp"" magazines entertaine…d the masses with lurid stories in such genres as adventure, Western, romance, crime, fantasy, horror, and science fiction. Notable publications, such as Weird Tales, also served as apprenticeships for many new writers, including H.P. Lovecraft, Robert E. Howard, and Clark Ashton Smith.This volume in the Critical Insights series presents a variety of new essays on the topic of popular pulp fiction and writers of the 1920s and 1930s, focusing on those major contributors to the Weird Tales school, which not only included Lovecraft, Howard, and Smith, but also Seabury Quinn, C.L. Moore, Robert Bloch, August Derleth, and others. For readers who are studying pulp fiction for the first time, four essays survey the critical conversation regarding the subject, explore its cultural and historical contexts, and offer close and comparative readings of key texts. Readers seeking a deeper understanding can then move on to other essays that explore it in depth through a variety of critical approaches. Among the contributors are S.T. Joshi, Jeffrey H. Shanks, Andrew J. Wilson, Garyn Roberts, and Richard Bleiler. Rounding out the volume are a list of literary works not mentioned in the book that concern the theme as well as a bibliography of critical sources for readers seeking to study this timeless theme in greater depth. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources:About This VolumeCritical Context: Original Introductory EssaysCritical Readings: Original In-Depth EssaysFurther ReadingsDetailed BibliographyDetailed Bio of the EditorGeneral Subject Index.
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Hardback. Condizione: New. Great starting point for students seeking an introduction to the theme and the critical discussions surrounding it. The addition of the word ""dystopia"" to our common, everyday vocabulary is indicative of both a dark turn taken by our popular culture, and a broader pessimistic turn in the general mood…. As evidenced by the success of dark cinematic visions of the future-from Blade Runner (1982), to the Terminator sequence, to the Matrix trilogy-something in our natures respond to stories based in such visions of the future. The events of recent times -- September 11, 2001 being the most telling example - and their attendant sharpening of focus on such concepts as national security versus the privacy of citizens, have certainly contributed to the pervasive sense of anxiety that seems to have developed in our society, and which seems so readily to find catharsis in dystopian dramas. However, as this volume shows, the concept of dystopia is much older. To be dystopian, a work needs to foreground the oppressive society in which it is set, using that setting as an opportunity to comment in a critical way on some other society, typically that of the author and/or the audience. In other worlds, the bleak dystopian world should encourage the reader or viewer to think critically about it, then to transfer this critical thinking to his or her own world. Edited by M. Keith Booker, Professor of English at the University of Arkansas, this volume in the Critical Insights series presents a variety of new essays on the perennial theme. For readers who are studying it for the first time, a four essays survey the critical conversation regarding the theme, explore its cultural and historical contexts, and offer close and comparative readings of key texts in the genre. Readers seeking a deeper understanding of the theme can then move on to other essays that explore it in depth through a variety of critical approaches to both literature and film. Works discussed include Utopia; Looking Backward; We; Brave New World; Anthem; A Clockwork Orange; Make Room! Make Room!; Fahrenheit 451; Nineteen Eighty-Four; The Handmaid's Tale; and Little Brother. Rounding out the volume are a list of literary works not mentioned in the book that concern the theme of dystopia and as well as a bibliography of critical sources for readers seeking to study this timeless theme in greater depth.
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Hardback. Condizione: New.
Lingua: Inglese
Editore: Salem Press Inc, US, 2010
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Hardback. Condizione: New. This title includes in-depth critical discussions of Edgar Allan Poe's work. This is a collection of sixteen essays by leading scholars examining the short stories and life of the 19th century American writer Edgar Allan Poe. Representing the best of a broad range of critical perspectives from the psyc…hoanalytical to the postcolonial, the volume serves as an excellent introduction to Poe's tales and the critical conversation surrounding them. The volume is introduced by Steven Frye, Professor of English at California State University, Bakersfield, the author of ""Historiography and the American Romance: A Study of Four Authors"" (2001) and the editor of ""Poe Studies/Dark Romanticism: History, Theory, Interpretation"" (2008). Original essays illuminate the influences that shaped Poe, contextualize his work, and assess his enduring impact on American and Continental poetry and fiction. A sketch of the historical and cultural forces surrounding Poe illuminates their influence on his aesthetic; a reception history examines Poe's enduring contributions to the short story genre, the French Symbolist movement, and modernist aesthetics; a comparison of Poe's and Baudelaire's works reveals how the two authors exploited the duplicitous possibilities within the writer-reader relationship; and a critical reading of ""The Fall of the House of Usher,"" ""The Black Cat,"" ""The Tell-Tale Heart,"" ""Ligeia,"" and ""Bernice"" seeks to expose the stories' unifying aesthetic principles. Further, a varied selection of critical views offers detailed analyses of Poe's most essential tales like ""The Murders in the Rue Morgue"", ""The Fall of the House of Usher"", ""The Cask of Amontillado"", ""The Gold Bug"", and ""Ligeia"". Uniquely, the collection also contains an original essay by Nathaniel Rich, senior editor of ""The Paris Review"". Reflecting on Poe's insight into and fascination with the perverse instincts of humanity, Rich offers a writer's perspective on one of America's most enigmatic writers. Finally, a wealth of reference material, including a complete list of Poe's publications and a full biography, rounds out the volume by giving readers ample sources for continuing their studies. Edited and with an introduction by Steven Frye, the collection is a gateway into the best of Poe and his critics. Each essay is 5,000 words in length, and all essays conclude with a list of 'Works Cited', along with endnotes.
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Hardback. Condizione: New. Visionary Poets is a single-volume reference that contains selected essays from Critical Survey of Poetry, Fourth Edition. Every article in this set was carefully selected by our editors to provide the best information available about the topic covered. The essays in Visionary Poets discuss such influe…ntial poets as Charles Baudelaire, Lord Byron, Allen Ginsberg, Arthur Rimbaud, and William Butler Yeats.
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Hardback. Condizione: New. Merging scholarship with occupational development, this single comprehensive guidebook provides those interested in mass communication with necessary insight into potential careers paths. This resource also offers important information about what job seekers can expect in terms of training, advancement…, earnings, job prospects, working conditions, relevant associations, and more. Salem Press is proud to announce the newest addition to the Careers in series, Mass Communication. This new title provides a thorough introduction to the variety of career opportunities available for those interested in pursuing a career in the broad field of mass communication. As the mass communication field continues to evolve, students can look forward to working in a dynamic industry that allows them to pursue a variety of careers with private production companies, public relations and advertising firms, publishing companies, entertainment, and much more. Opportunities in mass communication are continuing to grow as the world becomes more and more connected. This title is designed to offer up-to-date information on the wide variety of jobs available in this ever-changing industry. Many different types of careers are available within this wide-ranging industry, from desktop publisher to technical writer. This new volume will be beneficial those looking to turn their passion for communication into a fulfilling career. Careers in Mass communication includes 29 lengthy chapters on a broad range of occupations including jobs such as: Actor Advertising Sales Agent Craft/Fine Artist Broadcast Technician Producer/Director Musician/Singer Writer/Author Announcer Desktop Publisher Editor Public Relations Specialist Software Developer Special Effects Artist Social Media Strategist Individual chapters range in length from 3,500-4,500 words and provide real-world insight into these professions, including: Career Overview includes a description of the career in terms of its: duties, examples of titles of positions in that specific career, work environment and work schedules. Occupation Specialties provides a list of various areas of specialization within each job category. Work Environment describes the setting each job is often performed in as well as the potential dangers, and the social environment. Education and Training outlines suggested high school courses, and related college majors as well as professional certification and licensure required for each job in this field. Earnings and Advancement covers the median, highest 10 percent, and lowest 10 percent of annual wages for employees in this field. Employment and Outlook describes current and anticipated rate of growth for each specific career and compares to other jobs in the area. Interesting enhancements, like Fun Facts, Famous Firsts, and dozens of photos, add depth to the discussion of each career path. A highlight of most chapters is 'Conversation With' - a two-page interview with a professional working in the mass.
Lingua: Inglese
Editore: Salem Press Inc, US, 2009
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Hardback. Condizione: New. This title includes in-depth critical discussions of Maya Angelou's novel. Maya Angelou's ""I Know Why the Caged Bird Sings"" took the world by storm when it was published in 1969. As it shot to the top of best-seller lists, it made Angelou one of the most recognized black women in America. Despite con…troversy over its frank depiction of sexual abuse, the autobiography is still widely read in high schools and colleges across the country. Three decades after it was published, readers continue to admire Angelou's artistry, wit, and indomitable spirit. Edited by Mildred R. Mickle, Assistant Professor of English at Penn State Greater Allegheny, this volume brings together a variety of critical offerings on Angelou's famous autobiography. Mickle's introduction pays tribute to Angelou's achievement and examines the inspiration she drew from Phillis Wheatley's civil rights advocacy as well as the similarities between ""Caged Bird"" and Harriet Jacobs' ""Incidents in the Life of a Slave Girl"" and Paul Lawrence Dunbar's poetry. ""The Paris Review""'s Christopher Cox reminds readers of how revolutionary Angelou's autobiography was when it was published and recounts the comments Angelou made on her work in an interview with George Plimpton. Four original essays by Amy Sickels, Pamela Loos, Neil Heims, and Robert C. Evans provide valuable context for reader's new to Angelou's work. Sickels discusses the historical events that surround Angelou's life: the civil rights, black power, and black arts movements as well as the emergence of black women's literature with the first publications of Toni Morrison, Nikki Giovanni, Alice Walker, and Lucille Clifton. Loos provides a survey of the major pieces of criticism on ""Caged Bird"", paying special attention to the book's early reception and how it fits in the autobiographical genre and slave narratives, as well as issues of race, gender, aesthetics, and identity. Neil Heims discusses the struggle for a black identity through readings of both ""Caged Bird"" and James Baldwin's ""If Beale Street Could Talk"". Finally, Robert C. Evans examines the role that both formal and informal education play in the young Maya's maturation. The collection also includes ten previously published essays that examine ""Caged Bird"" through a variety of lenses. Critics examine the character of young Maya, noting how her rootlessness contributes to her perseverance and adaptability, as well as how Angelou's narrative technique allows her to recount the details of incredible life without being controlled by them. The book's treatment of sexual abuse is also investigated in the larger context of other black women's narratives of sexual abuse. Other critics attend to ""Caged Bird""'s place in the genre of ethnic autobiography and the particular challenges it presents to teachers seeking to expose students multicultural literature; the childhood roots of Angelou's political activism; the influence of blues music on the narrative's structur.
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Hardback. Condizione: New. Explores the ""weird"" and diverse fiction of popular pulp writers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, A. Merritt, as well as pulp magazines such as Weird Tales.From their origin at the end of the nineteenth century to their decline in the 1950s, ""pulp"" magazines entertaine…d the masses with lurid stories in such genres as adventure, Western, romance, crime, fantasy, horror, and science fiction. Notable publications, such as Weird Tales, also served as apprenticeships for many new writers, including H.P. Lovecraft, Robert E. Howard, and Clark Ashton Smith.This volume in the Critical Insights series presents a variety of new essays on the topic of popular pulp fiction and writers of the 1920s and 1930s, focusing on those major contributors to the Weird Tales school, which not only included Lovecraft, Howard, and Smith, but also Seabury Quinn, C.L. Moore, Robert Bloch, August Derleth, and others. For readers who are studying pulp fiction for the first time, four essays survey the critical conversation regarding the subject, explore its cultural and historical contexts, and offer close and comparative readings of key texts. Readers seeking a deeper understanding can then move on to other essays that explore it in depth through a variety of critical approaches. Among the contributors are S.T. Joshi, Jeffrey H. Shanks, Andrew J. Wilson, Garyn Roberts, and Richard Bleiler. Rounding out the volume are a list of literary works not mentioned in the book that concern the theme as well as a bibliography of critical sources for readers seeking to study this timeless theme in greater depth. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources:About This VolumeCritical Context: Original Introductory EssaysCritical Readings: Original In-Depth EssaysFurther ReadingsDetailed BibliographyDetailed Bio of the EditorGeneral Subject Index.
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Hardback. Condizione: New. Woods and forests have long been seen as places of both beauty and danger, of both charm and threat. Dark woods, in particular, have often been treated as symbols of vulnerability, especially when they are imagined as inhabited by wild animals so that they become literal wildernesses-wild places-in whi…ch people can easily lose their way and face general insecurity and specific forms of menace.Sometimes, as in Shakespeare's As You Like It or A Midsummer Night's Dream, entry into a forest can result in positive, even magical, outcomes. But sometimes, as in Sir Gawain and the Green Knight, entering a forest can suggest alienation, loneliness, and potential despair. This volume, then, explores the theme of journeying Into the Woods by interpreting the topic broadly and sometimes metaphorically. Works relevant to this theme might include Dante's Inferno, Hawthorne's "Young Goodman Brown," the famous film The Wizard of Oz, Tolkien's Lord of the Rings novels, James Fenimore Cooper's The Last of the Mohicans, as well as Jon Krakauer's noted work of nonfiction, Into the Wild.In the final section, Resources, a select bibliography of additional works that are pertinent to the theme is provided. Each essay in Critical Insights: Going Into the Woods includes a list of Works Cited and detailed endnotes. Also included in this volume is a Bibliography, biographies of the Editor and Contributors, and an alphabetical Index.
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Hardback. Condizione: New. Great starting point for students seeking an introduction to the theme and the critical discussions surrounding it. The addition of the word ""dystopia"" to our common, everyday vocabulary is indicative of both a dark turn taken by our popular culture, and a broader pessimistic turn in the general mood…. As evidenced by the success of dark cinematic visions of the future-from Blade Runner (1982), to the Terminator sequence, to the Matrix trilogy-something in our natures respond to stories based in such visions of the future. The events of recent times -- September 11, 2001 being the most telling example - and their attendant sharpening of focus on such concepts as national security versus the privacy of citizens, have certainly contributed to the pervasive sense of anxiety that seems to have developed in our society, and which seems so readily to find catharsis in dystopian dramas. However, as this volume shows, the concept of dystopia is much older. To be dystopian, a work needs to foreground the oppressive society in which it is set, using that setting as an opportunity to comment in a critical way on some other society, typically that of the author and/or the audience. In other worlds, the bleak dystopian world should encourage the reader or viewer to think critically about it, then to transfer this critical thinking to his or her own world. Edited by M. Keith Booker, Professor of English at the University of Arkansas, this volume in the Critical Insights series presents a variety of new essays on the perennial theme. For readers who are studying it for the first time, a four essays survey the critical conversation regarding the theme, explore its cultural and historical contexts, and offer close and comparative readings of key texts in the genre. Readers seeking a deeper understanding of the theme can then move on to other essays that explore it in depth through a variety of critical approaches to both literature and film. Works discussed include Utopia; Looking Backward; We; Brave New World; Anthem; A Clockwork Orange; Make Room! Make Room!; Fahrenheit 451; Nineteen Eighty-Four; The Handmaid's Tale; and Little Brother. Rounding out the volume are a list of literary works not mentioned in the book that concern the theme of dystopia and as well as a bibliography of critical sources for readers seeking to study this timeless theme in greater depth.
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Hardback. Condizione: New.
Lingua: Inglese
Editore: Salem Press Inc, US, 2010
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Hardback. Condizione: New. This title includes in-depth critical discussions of Edgar Allan Poe's work. This is a collection of sixteen essays by leading scholars examining the short stories and life of the 19th century American writer Edgar Allan Poe. Representing the best of a broad range of critical perspectives from the psyc…hoanalytical to the postcolonial, the volume serves as an excellent introduction to Poe's tales and the critical conversation surrounding them. The volume is introduced by Steven Frye, Professor of English at California State University, Bakersfield, the author of ""Historiography and the American Romance: A Study of Four Authors"" (2001) and the editor of ""Poe Studies/Dark Romanticism: History, Theory, Interpretation"" (2008). Original essays illuminate the influences that shaped Poe, contextualize his work, and assess his enduring impact on American and Continental poetry and fiction. A sketch of the historical and cultural forces surrounding Poe illuminates their influence on his aesthetic; a reception history examines Poe's enduring contributions to the short story genre, the French Symbolist movement, and modernist aesthetics; a comparison of Poe's and Baudelaire's works reveals how the two authors exploited the duplicitous possibilities within the writer-reader relationship; and a critical reading of ""The Fall of the House of Usher,"" ""The Black Cat,"" ""The Tell-Tale Heart,"" ""Ligeia,"" and ""Bernice"" seeks to expose the stories' unifying aesthetic principles. Further, a varied selection of critical views offers detailed analyses of Poe's most essential tales like ""The Murders in the Rue Morgue"", ""The Fall of the House of Usher"", ""The Cask of Amontillado"", ""The Gold Bug"", and ""Ligeia"". Uniquely, the collection also contains an original essay by Nathaniel Rich, senior editor of ""The Paris Review"". Reflecting on Poe's insight into and fascination with the perverse instincts of humanity, Rich offers a writer's perspective on one of America's most enigmatic writers. Finally, a wealth of reference material, including a complete list of Poe's publications and a full biography, rounds out the volume by giving readers ample sources for continuing their studies. Edited and with an introduction by Steven Frye, the collection is a gateway into the best of Poe and his critics. Each essay is 5,000 words in length, and all essays conclude with a list of 'Works Cited', along with endnotes.
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Hardback. Condizione: New. All the original author essays were evaluated for their currency, and 145 of them were given substantial revision, in some cases by the original contributor. The sections "Other literary forms," "Achievements," "Biography," and "Analysis" were updated to include recent developments: new titles or award…s, changes in residence or employment, and alterations in critical and popular reception. For these essays, material on one or more specific stories or collections was added.This edition adds 145 new writers. A significant effort was made to add more women; they include such notable figures as Michelle Cliff, Edwidge Danticat, Anita Desai, Judith Ortiz Cofer, Carol Shields, and Christa Wolf. Many important authors from around the world are featured for the first time in this edition; those with works in English translation include such as Daniel Alarcon, J. M. G. Le Clézio, Haruki Murakami, and Mario Vargas Llosa.
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EUR 134,57
EUR 75,81 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardback. Condizione: New. Merging scholarship with occupational development, this single comprehensive guidebook provides those interested in mass communication with necessary insight into potential careers paths. This resource also offers important information about what job seekers can expect in terms of training, advancement…, earnings, job prospects, working conditions, relevant associations, and more. Salem Press is proud to announce the newest addition to the Careers in series, Mass Communication. This new title provides a thorough introduction to the variety of career opportunities available for those interested in pursuing a career in the broad field of mass communication. As the mass communication field continues to evolve, students can look forward to working in a dynamic industry that allows them to pursue a variety of careers with private production companies, public relations and advertising firms, publishing companies, entertainment, and much more. Opportunities in mass communication are continuing to grow as the world becomes more and more connected. This title is designed to offer up-to-date information on the wide variety of jobs available in this ever-changing industry. Many different types of careers are available within this wide-ranging industry, from desktop publisher to technical writer. This new volume will be beneficial those looking to turn their passion for communication into a fulfilling career. Careers in Mass communication includes 29 lengthy chapters on a broad range of occupations including jobs such as: Actor Advertising Sales Agent Craft/Fine Artist Broadcast Technician Producer/Director Musician/Singer Writer/Author Announcer Desktop Publisher Editor Public Relations Specialist Software Developer Special Effects Artist Social Media Strategist Individual chapters range in length from 3,500-4,500 words and provide real-world insight into these professions, including: Career Overview includes a description of the career in terms of its: duties, examples of titles of positions in that specific career, work environment and work schedules. Occupation Specialties provides a list of various areas of specialization within each job category. Work Environment describes the setting each job is often performed in as well as the potential dangers, and the social environment. Education and Training outlines suggested high school courses, and related college majors as well as professional certification and licensure required for each job in this field. Earnings and Advancement covers the median, highest 10 percent, and lowest 10 percent of annual wages for employees in this field. Employment and Outlook describes current and anticipated rate of growth for each specific career and compares to other jobs in the area. Interesting enhancements, like Fun Facts, Famous Firsts, and dozens of photos, add depth to the discussion of each career path. A highlight of most chapters is 'Conversation With' - a two-page interview with a professional working in the mass.
Lingua: Inglese
Editore: Salem Press Inc, US, 2009
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 142,95
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Hardback. Condizione: New. This title includes in-depth critical discussions of Maya Angelou's novel. Maya Angelou's ""I Know Why the Caged Bird Sings"" took the world by storm when it was published in 1969. As it shot to the top of best-seller lists, it made Angelou one of the most recognized black women in America. Despite con…troversy over its frank depiction of sexual abuse, the autobiography is still widely read in high schools and colleges across the country. Three decades after it was published, readers continue to admire Angelou's artistry, wit, and indomitable spirit. Edited by Mildred R. Mickle, Assistant Professor of English at Penn State Greater Allegheny, this volume brings together a variety of critical offerings on Angelou's famous autobiography. Mickle's introduction pays tribute to Angelou's achievement and examines the inspiration she drew from Phillis Wheatley's civil rights advocacy as well as the similarities between ""Caged Bird"" and Harriet Jacobs' ""Incidents in the Life of a Slave Girl"" and Paul Lawrence Dunbar's poetry. ""The Paris Review""'s Christopher Cox reminds readers of how revolutionary Angelou's autobiography was when it was published and recounts the comments Angelou made on her work in an interview with George Plimpton. Four original essays by Amy Sickels, Pamela Loos, Neil Heims, and Robert C. Evans provide valuable context for reader's new to Angelou's work. Sickels discusses the historical events that surround Angelou's life: the civil rights, black power, and black arts movements as well as the emergence of black women's literature with the first publications of Toni Morrison, Nikki Giovanni, Alice Walker, and Lucille Clifton. Loos provides a survey of the major pieces of criticism on ""Caged Bird"", paying special attention to the book's early reception and how it fits in the autobiographical genre and slave narratives, as well as issues of race, gender, aesthetics, and identity. Neil Heims discusses the struggle for a black identity through readings of both ""Caged Bird"" and James Baldwin's ""If Beale Street Could Talk"". Finally, Robert C. Evans examines the role that both formal and informal education play in the young Maya's maturation. The collection also includes ten previously published essays that examine ""Caged Bird"" through a variety of lenses. Critics examine the character of young Maya, noting how her rootlessness contributes to her perseverance and adaptability, as well as how Angelou's narrative technique allows her to recount the details of incredible life without being controlled by them. The book's treatment of sexual abuse is also investigated in the larger context of other black women's narratives of sexual abuse. Other critics attend to ""Caged Bird""'s place in the genre of ethnic autobiography and the particular challenges it presents to teachers seeking to expose students multicultural literature; the childhood roots of Angelou's political activism; the influence of blues music on the narrative's structur.
