Sternberg press london (19 risultati)

Paperback. Condizione: Very Good. 512 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. Covers don't show quite as glossy as when new. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Dust Jacket. 1st Edition. 208 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. Remainder mark. With built-in red ribbon book mark. Contains 8 color photos along with 48b&w photos. Published September 2024 with no later printing history provided. Presumed First Edition / First Printing. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Paperback. Condizione: Near Fine. No Dust Jacket. Remainder mark on lower edge. Unopened in original shrink wrap.; B&W and Color Illustrations; 8.2 X 5.8 X 1.0 inches; 304 pages.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket (if issued). First Edition. The cover image of our copy differs from the Stock Image in that our copy lacks the center black rectangular title panel -- the cover only pictures the various hands holding the gold circular artwork -- so our copy lacks the two flexible flat magnets measuring 18 x 10 cm. issued by the publisher that are supposed to adhere to the front and back covers of the volume. Binding has some wear; tight, text clean. 363 p., well illustrated. Large, heavy volume, published at $32.95 [oto br 38] Contents: Introduction. What to let go? / Cosmin Costinas & Inti Guerrero -- Losing the discourse of Loss / Marian Pastor Roces -- Dusadee Huntrakul -- That fresh kernel of things, that quintessential spirit : a selection of poetry on patrimony and heritage / Bonaventure Soh Bejeng Ndikung -- Radcliffe Bailey -- Indigenous Pacific : co-creation and collaborative stewardship in today's museum / Maia Nuku -- Nikau Hindin -- Stones. Transduction. Fermentation : Edgar Calel and the case of ownership in art collections / Pablo Jose Rami rez -- Starting with an honest conversation / Sven Haakanson -- Myrlande Constant -- Frontier imaginaries : property, art, and alibi / Vivian Ziherl -- Distant chords of riots / Natasha Ginwala -- Monu-mental / Cecilia Vicuna -- Poetry inter-actions / Cecilia Vicuna -- Big Brother knows no joke : the battle to control the past in Bangkok's streets / an interview with Thongchai Winichakul -- Raffles will disappear : the 2019 bicentennial in Singapore and its counter-discourses / Hong Lysa -- Frank Tang -- The impulse to turn / Carol Yinghua Lu -- Three plays of Shanshui memory / Xiaoxuan Lu & Bo Wang -- Elusive inventories : on the collection of Jane Ryan and William Saunders / Pio Abad -- Pio Abad & Frances Wadsworth Jones -- Lawrence Abu Hamdan -- Bringing conversations on gender and sexuality to the National Museum / Naman P. Ahuja -- The Museo del Barro, another way of understanding heritage / Lia Colombino -- Olinda Silvano -- Theater, an artform that was going to change the world / Vali Mahlouji -- Rady Nget -- Tradition, or the shadow of the modern / an interview with Yuk Hui. Size: Oversize.…

Softcover. Condizione: VG+. Sixteenmo. Softcover. Illustrated wraps with white, black and yellow titles. 167 pages : color illustrations ; 16 cm. Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume. For over five decades, Simone Fattal (b. 1942, Damascus) has eschewed singular form or subject in her wide-ranging artistic practice. In this deeply personal biography, Fattal's close friend and confidante Hans Ulrich Obrist journeys with the artist across physical borders and through seats of imagination. Together they discuss the artist's remarkable early life in Syria, her coming-of-age in Lebanon, as well as her transcultural life in France. Wartime memory and exile in California, sow the seed for discussions regarding archaeology, history, and mythology. Beginning her artistic life as a painter in 1969, Fattal initially created sensuous abstract works that diverged from the predominantly figurative paintings commonly exhibited in Lebanon at the time. In 1980, after a decade spent in Lebanon, Fattal fled the ongoing civil war, departing from painting, eventually settling in Sausalito, California, where she founded the revolutionary publishing house, Post-Apollo Press. In 1988, after studying sculpture in San Francisco, Fattal was consumed by another wave of creativity that led her to pursue the creation of ambitious ceramic sculpture--a medium in which she continues to work in to this day from her studio in Paris. Prose and interviews between Fattal and Obrist are annotated and introduced by Dr. Omar Kholeif, whose essay helps situate Fattal's multiple creative journeys. An afterword by author, curator, and filmmaker Rasha Salti entitled "Warrior Women Fall From a Low Height" pulses, both in its lyricism and its expressive desire to solder and suture histories, once fractious, back together. …

Softcover, 176 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Wrappers. Condizione: New. 115 pages 91 illustrations 31 in color. Still in shrink-wrap. Illustrated wraps. Published on the occasion of the exhibition "Topo" at Langen Foundation, Neuss, Germany, February 14-June 29, 2014. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. 91 pp colour and bw illustrations, grey covers with black titles to front and spine, colour illustrated card sleeve. Book clean and sound, minor wear to sleeve.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Published Without Dust Jacket. 220 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. No remainder mark.

First printing. 12mo. 82 pp. Softcover binding, like new condition. (125509). Valerie Solanas's legendary play, Up Your Ass - never published during her lifetime but full of her signature irreverence and wit, incisiveness, and camp - explodes social and sexual mores and the hypocritical, patriarchal culture that produces them.…

Condizione: Bueno. First . Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design. …

Condizione: Bueno. First . Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Dust Jacket. 242 pp. Tightly bound. Corners not bumped. Remainder mark (one small dot) on bottom fore-edge. Text is free of markings. No ownership markings. Very good dust jacket. The white dust jacket shows light soiling. With built-in bookmark. Published April 2, 2004. NOTE: TEXT IS IN GERMAN AND ENGLISH. Includes the poster. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hardcover. Condizione: Sehr gut. first edition. quart hardcover. Sprache: Englisch, sehr gutes exemplar - very fine. ungelesen, tadellos und bestens erhalten; gebundene ausgabe, fester einband; farbig illustrierter original-pappband, 148 seiten durchgehend mit farbigen werkabbildungen // unread, in immaculate condition and very well preserved; hardback edition, sturdy cover; original colour-illustrated paperback, 148 pages, all featuring colour illustrations of the arists works.…

Hardcover. Condizione: As New. First edition. As new in printed boards. No dust jacket, as issued. Still in original shrinkwrap.; 154 pages.

HARDCOVER. Condizione: 8.5. Condizione sovraccoperta: 9.95. 1st Edition. Large landscape 4to. in thick blind embossed boards, 91pp on varius types of paper, colour plates, etc (some folding) with colour printed card slipcase . [CONDITION: NEW unread copy in NEW slipcase ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

4°, 456 S., zahlr. Abb., Brosch., Tadell. Texts by Branislav Dimitrijevi , Miguel A. López, Oxana Timofeeva, Marina VishmidtContributions by Jonathan Burrows, Ekaterina Degot, Oliver Frlji , Ana Janevski, Marion von Osten, Emily Pethick, Kathrin Rhomberg, What, How & for Whom/WHW?My sweet little lamb (Everything we see could also be otherwise),? a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinovi , unfolded in Zagreb and London in 2016?2017. This publication, conceived as a ?post-episode? of the project, presents extensive visual documentation of the exhibitions alongside newly commissioned texts by theorists and writers Branislav Dimitrijevi , Miguel A. López, Oxana Timofeeva, and Marina Vishmidt, as well as a conversation on exhibition making with curators Ekaterina Degot, Ana Janevski, Emily Pethick, and Marion von Osten. Drawing on the legacy of the Eastern European neo-avantgarde and the work of Stilinovi in particular, these contributions grapple with urgent questions about the value of art and exhibition making. 1100 gr. Schlagworte: Kunst - Monographien.…

Soft cover. Condizione: Very Good. Very Good Condition - Cover shows tiny small signs of use (one scratch and minimal color fading) and pages are intact and not marred by notes or highlighting. Over the past decade, artist Lisa Oppenheim has steadily developed a unique body of work exploring the usage of (historical) imagery. Balanced between appropriation and reconstruction, her work relies on substitutions applied to photographic and filmic records through which the historical and the present are transmitted and constituted through a language of today. One could define her work as an archaeology of time and visual culture. By exposing, or even reexposing, archival material, Oppenheim bridges the past and the present by introducing new meaning to these historical images, often resulting in film and photographic projects. Works 2003-2013 is Lisa Oppenheim's first monographic publication and is copublished with Grazer Kunstverein, Kunstverein in Hamburg, and FRAC Champagne-Ardenne, on occasion of the artist's exhibition "From Abigail to Jacob (Works 2004-2014)" at Grazer Kunstverein.…

Softcover. Condizione: Gut bis sehr gut. Forensis. The Architecture of Public Truth - book cover has slight signs of use, otherwise very good copy.