surpllus pty ltd (36 risultati)

Paperback. Condizione: new. Paperback. Making Worlds: Art and Science Fiction is an anthology of new texts by artists, curators, art historians and writers who are self confessed science fiction fans. The linking point is the idea of science fiction as a platform for the building of alternate art histories. This collection is concerned with ways in which science fiction might be performed, materialised, or enacted within a contemporary context. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. On 30 August 1999, East Timorese voted overwhelmingly to become an independent nation in a ballot sponsored by the UN. Following the announcement of the result, occupying Indonesian troops carried out systematic destruction throughout East Timor. Within two weeks, several thousand civilians were murdered (a precise number is unknown), 200,000 were forcibly transported to concentration camps in West Timor and other parts of Indonesia, and most significant infrastructure was destroyed. Books were targeted for destruction. Libraries were systematically burned, amongst them the widely-used university library and the English library in Dili. Private collections of books were targeted, and in notable cases book collections of prominent intellectuals and independence activists were collected on the street, where they were publicly set alight. In villages, schools were systematically destroyed. Action for another library was established in Melbourne in response to these circumstances. Thousands of books were donated by bookstores, libraries, and individuals. They were shipped to Dili in containers, where they now form part of the nascent National University Library of East Timor. The title pages of some books were photographed before the books were sent to East Timor. The artist's book After action for another library, with text in English and German, was first produced to coincide with the exhibition of the same name at the Humboldt University, Berlin, 28 August - 3 October 2003. Subsequent editions have been produced for exhibitions in which they are presented as stacks of multiples. The second edition, in English and Italian, was produced for System Error: War is a force that gives us meaning, at Palazzo delle Papesse in Siena in 2007. The third edition (and first Surpllus edition), in English only, was published on the occasion of Art of War, at CEPA Gallery in Buffalo, New York, in 2010. The fourth edition, available here, with text in English, Portugese, Timorese and Japanese, was published on the occasion of To the Arts, Citizens!, at Museu de Serralves, Porto, Portugal, 20 November 2010 - 13 March 2011. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Impresario: Paul Taylor, The Melbourne Years, 1981-1984 brings together a diverse body of texts focused on Paul Taylor, the Australian editor, writer, curator and impresario, and in particular his important and influential early years in Melbourne between 1981 and 1984. Taylor founded Art & Text and curated the landmark exhibition 'POPISM' at the National Gallery of Victoria. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Helen Hughes and Nicholas Croggon, Surpllus Pty, Ltd. Paperback.

Paperback. Condizione: new. Paperback. This artist book is a collaborative work by Wiradjuri/Kamilaroi Sydney-based artist Jonathan Jones and Melbourne-based artist Tom Nicholson. Based in part on the centrality of the Murray-Darling river system to both projects, this book links the flow of the river to acts of reading and looking, and implicates the visual legacies of Australia's colonial past in acts of imagination towards new forms and legacies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Tom Nicholson's Drawings and correspondence is an artist's book which evolved in parallel to a set of his large charcoal drawings. These drawings were based on a single anonymous archival photograph, held in the collection of the State Library of Victoria. The book consists of an imaginary email correspondence which responds to the nature of drawing as an activity, and to the meanings of the drawn surface. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Forms for a public address presents an exchange between the Berlin-based Swedish artist Jan Svenungsson and the Melbourne-based Australian artist Tom Nicholson, written over a two-year period spanning 2008 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Hostings: Ocular Lab, 2003-10 documents and celebrates the eight-year history of Ocular Lab Inc., an artist-run initiative that occupied a disused milk bar in West Brunswick, Melbourne. The book features 96 pages of imagery, new essays by Stephen Zagala and Zara Stanhope, and a chronology of 'the Lab'. Hostings was produced on the occasion of the exhibition Ocular Lab Inc. at the VCA Margaret Lawrence Gallery, 12 April - 5 May 2012. Describing Ocular Lab in Frieze magazine, Max Delany wrote: 'The activities and programme at Ocular Lab have evolved through a particular emphasis on hosting and dialogue and a desire for non-hierarchical collective processes. Ocular Lab dinners, held in the gallery space, often in honour of a visiting artist, became emblematic of a wider set of principles. The exhibition programme developed through individual members hosting projects, rather than by application or a committee judging process. Visiting artists always used the space rent-free, allowing for the space to be used in an open-ended spirit, often for process-based projects or as a temporary studio. And an array of international exchange projects took place in the space, ranging from artist talks and dinners through to longer-term site-specific projects.' The Ocular Lab membership was Damiano Bertoli, Sandra Bridie, Julie Davies, Raafat Ishak, Sean Loughrey, Jonathan Luker, Sally Mannall, Tom Nicholson, Elvis Richardson, and Alex Rizkalla. Previous members include John Abbate, Katherine Huang, Louise Paramor, Kirsten Rann, and Bernhard Sachs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

First edition, 500 Exempl.,. mit zahlreichen Abb., 116 Seiten, Sprache: Englisch; Zustand: erstklassiges, neuwertiges Exemplar. Sprache: Englisch Gewicht in Gramm: 550 24,0 x 17,0 cm, Broschiert, Softcover/Paperback.

Hardcover. Condizione: new. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Making Worlds: Art and Science Fiction is an anthology of new texts by artists, curators, art historians and writers who are self confessed science fiction fans. The linking point is the idea of science fiction as a platform for the building of alternate art histories. This collection is concerned with ways in which science fiction might be performed, materialised, or enacted within a contemporary context. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. On 30 August 1999, East Timorese voted overwhelmingly to become an independent nation in a ballot sponsored by the UN. Following the announcement of the result, occupying Indonesian troops carried out systematic destruction throughout East Timor. Within two weeks, several thousand civilians were murdered (a precise number is unknown), 200,000 were forcibly transported to concentration camps in West Timor and other parts of Indonesia, and most significant infrastructure was destroyed. Books were targeted for destruction. Libraries were systematically burned, amongst them the widely-used university library and the English library in Dili. Private collections of books were targeted, and in notable cases book collections of prominent intellectuals and independence activists were collected on the street, where they were publicly set alight. In villages, schools were systematically destroyed. Action for another library was established in Melbourne in response to these circumstances. Thousands of books were donated by bookstores, libraries, and individuals. They were shipped to Dili in containers, where they now form part of the nascent National University Library of East Timor. The title pages of some books were photographed before the books were sent to East Timor. The artist's book After action for another library, with text in English and German, was first produced to coincide with the exhibition of the same name at the Humboldt University, Berlin, 28 August - 3 October 2003. Subsequent editions have been produced for exhibitions in which they are presented as stacks of multiples. The second edition, in English and Italian, was produced for System Error: War is a force that gives us meaning, at Palazzo delle Papesse in Siena in 2007. The third edition (and first Surpllus edition), in English only, was published on the occasion of Art of War, at CEPA Gallery in Buffalo, New York, in 2010. The fourth edition, available here, with text in English, Portugese, Timorese and Japanese, was published on the occasion of To the Arts, Citizens!, at Museu de Serralves, Porto, Portugal, 20 November 2010 - 13 March 2011. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Impresario: Paul Taylor, The Melbourne Years, 1981-1984 brings together a diverse body of texts focused on Paul Taylor, the Australian editor, writer, curator and impresario, and in particular his important and influential early years in Melbourne between 1981 and 1984. Taylor founded Art & Text and curated the landmark exhibition 'POPISM' at the National Gallery of Victoria. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. This artist book is a collaborative work by Wiradjuri/Kamilaroi Sydney-based artist Jonathan Jones and Melbourne-based artist Tom Nicholson. Based in part on the centrality of the Murray-Darling river system to both projects, this book links the flow of the river to acts of reading and looking, and implicates the visual legacies of Australia's colonial past in acts of imagination towards new forms and legacies. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Forms for a public address presents an exchange between the Berlin-based Swedish artist Jan Svenungsson and the Melbourne-based Australian artist Tom Nicholson, written over a two-year period spanning 2008 Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Tom Nicholson's Drawings and correspondence is an artist's book which evolved in parallel to a set of his large charcoal drawings. These drawings were based on a single anonymous archival photograph, held in the collection of the State Library of Victoria. The book consists of an imaginary email correspondence which responds to the nature of drawing as an activity, and to the meanings of the drawn surface. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Hostings: Ocular Lab, 2003-10 documents and celebrates the eight-year history of Ocular Lab Inc., an artist-run initiative that occupied a disused milk bar in West Brunswick, Melbourne. The book features 96 pages of imagery, new essays by Stephen Zagala and Zara Stanhope, and a chronology of 'the Lab'. Hostings was produced on the occasion of the exhibition Ocular Lab Inc. at the VCA Margaret Lawrence Gallery, 12 April - 5 May 2012. Describing Ocular Lab in Frieze magazine, Max Delany wrote: 'The activities and programme at Ocular Lab have evolved through a particular emphasis on hosting and dialogue and a desire for non-hierarchical collective processes. Ocular Lab dinners, held in the gallery space, often in honour of a visiting artist, became emblematic of a wider set of principles. The exhibition programme developed through individual members hosting projects, rather than by application or a committee judging process. Visiting artists always used the space rent-free, allowing for the space to be used in an open-ended spirit, often for process-based projects or as a temporary studio. And an array of international exchange projects took place in the space, ranging from artist talks and dinners through to longer-term site-specific projects.' The Ocular Lab membership was Damiano Bertoli, Sandra Bridie, Julie Davies, Raafat Ishak, Sean Loughrey, Jonathan Luker, Sally Mannall, Tom Nicholson, Elvis Richardson, and Alex Rizkalla. Previous members include John Abbate, Katherine Huang, Louise Paramor, Kirsten Rann, and Bernhard Sachs. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: new. Hardcover. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.