the 87 press gb (152 risultati)

Paperback. Condizione: New. 'Kerf' are the sawdust, particles or pieces irrevocably extracted from wood by the blades of cutting implements. Failure to calculate blade thickness when cutting wood can throw off project measurements exponentially. Thin-kerf blades are most accurate for fine woodworking, but they can warp and need careful maintenance. Thick-kerf blades are labour saving but are brute and lack finesse. The poems of Kerf write through themes of woodworking, craft and labour, but these poems also analogise 'kerf' as social and cultural remnants and as examples of disjecta membra. Embedded in and around these themes, the poems in Kerf also explore the author's own, as well as others', experiences of autism and neurodivergence, particularly as manifested in feelings of isolation and in experiences of violence and rejection, but also from the angles of positive and negative obsessions, focus and distraction.

Paperback. Condizione: New. 'Kerf' are the sawdust, particles or pieces irrevocably extracted from wood by the blades of cutting implements. Failure to calculate blade thickness when cutting wood can throw off project measurements exponentially. Thin-kerf blades are most accurate for fine woodworking, but they can warp and need careful maintenance. Thick-kerf blades are labour saving but are brute and lack finesse. The poems of Kerf write through themes of woodworking, craft and labour, but these poems also analogise 'kerf' as social and cultural remnants and as examples of disjecta membra. Embedded in and around these themes, the poems in Kerf also explore the author's own, as well as others', experiences of autism and neurodivergence, particularly as manifested in feelings of isolation and in experiences of violence and rejection, but also from the angles of positive and negative obsessions, focus and distraction.

Paperback. Condizione: New. Rimming the Event Horizon gyrates a mutinous poetics of revenge, purposing contingency as a major mechanism of racialisation but also as a source of resistance and refusal, of material and imaginative possibility. It is not really a punitive poetics but rather, 'a constant, experimental exercise of antagonism,' a brutally disruptive 'xenogenerosity' (Harney and Moten).This is a collection of many rotations, revolutions and revolts, from the lick of the cyclone to the whirl of a dervish; the flick of a dragon's tail to the ultra-slow swirl of galaxies or precarious life circling the drain. Traversing metastable topologies of gender and race as complicitly mattered but also 'out of control,' Rimming the Event Horizon intra-venes in a universe(s) that must simultaneously avenge, and take revenge on itself. Looping the line between life and death, it dangles us over the edge headfirst, tongues out."Sabeen Chaudhry's Rimming the Event Horizon is an index of "oracular horrors," both "asymptomatic" and "vicious animal". This is a work of devastation in the present but also "one of many aftermaths." Chaudhry invites a reading of the poem as "bruised verticality." A livid ghost shares space with wrecked daughters at the rim of a well. Is this the portal? "LICK CYCLONE" is the instruction. In this way, a reader's opacity weakens. There's nowhere not to look." -- Bhanu Kapil"Sabeen Chaudhry's Rimming the Event Horizon reads like the liner notes to a new PAN record. Which is to say that this is word-sound-power emanating from inside a limestone cave where you can't quite tell if the stalactites are dripping water or sweat. Chaudhry's secret though is that this cave is no arid zone, no non-place. Instead, Rimming the Event Horizon contains enough of the historical mess of empire, nation and memory to let us know." that this brilliant poet is 'screaming through the flag'. - Dhanveer Singh Brar (writer, research, teacher / member of Le Mardi Gras Listening Collective and Lovers Discourse)For Fans Of: Momtaza Mehri, Jen Calleja, Lola Olufemi.

Paperback. Condizione: New. The Pharmacy is an extended exploration of family, loss, and the indignities of British medical institutions. Building a landscape that is at once influenced by autotheory, life experience of care, and a fervent critique of austerity, this is a fiery second collection from Kat Sinclair.The poems of Kat Sinclair's The Pharmacy 'cannot write through / as (they) are supposed to', but struggle to stand, love, grieve, wriggle, spit jokes from within brutal desiccated infrastructures, learning machines, the last things left to be stolen away from us. Where 'the hospital is a factory', out of the deadness of memeified language and bloodied pop-cultural dreck, these side-eye-lyrics don't just transcribe addictive assaults on attention but hold to our aftermaths, without healalls. They bring on an interruptive headrush to run ungoogleably with the sabs, at communism, at 'new ways of speaking', however brokenly, however thickly, however in pain, at what you've been told, lied to for all your life is impossible. - Dom HaleIn these dense, lucid poems, the personal and political intertwine and elegy is reformed, revitalised: now lyrical, now stubborn, now taking you by surprise with their humour. The Pharmacy shocks and soothes, jars and lulls: this is a collection deeply of and defiantly against its time. - Helen Charman.

Paperback. Condizione: New.

Paperback. Condizione: New. gestalt is a poetic enquiry of the Panchayat, a collective of South Asian and Black artists/practitioners involved in communal archiving, artmaking and activism in Britain from 1988-2015. gestalt consists of visual poetry, drawings and instructions which provide an alternative documentation of the materials and ephemera from the Panchayat Collection. It is a score for performance holding a spotlight on questions of race, class, gender, colonisation, erasure and collective memory.

Paperback. Condizione: New. Debut collection of mistranslations of Petrarchan love poems by Kat Addis, a Shakespearean scholar attuned to the hidden erotic energies of the Renaissance. Each poem speaks through character, bringing dramatic, theatrical, ritual and gestural performance to the page. These experiments in form and translation ask the reader to stay for their erudition and ceremony.

Paperback. Condizione: New. dove / Chris Kirubi's WILDPLASSEN is a finely-wrought debut collection. The weather surrounds, as subjectivity is carefully interrogated through typographic gesture and image. Thinking with Sembéne, Glissant, Nourbese Philip and others, we are ushered into a space of translation and study reflecting on dispossession, native informants and racial categorisation. "Wildplassen" is a legal term for public urination in which wildness is invoked as an inappropriate occupation of public (urban) space. This collection transfigures the borders of air, city and landscape; language, lyric and page with instability and waywardness.

Paperback. Condizione: New.

Paperback. Condizione: New. In the search for a true home, what does it mean to be confronted instead by an insurmountable sense of otherness? This question dwells at the center of Saba Keramati's Self-Mythology, which explores multiraciality and the legacy of exile alongside the poet's uniquely American origin as the only child of political refugees from China and Iran. Keramati navigates her ancestral past while asking what language and poetry can offer to those who exist on the margins of contemporary society.

Paperback. Condizione: New. The Pharmacy is an extended exploration of family, loss, and the indignities of British medical institutions. Building a landscape that is at once influenced by autotheory, life experience of care, and a fervent critique of austerity, this is a fiery second collection from Kat Sinclair.The poems of Kat Sinclair's The Pharmacy 'cannot write through / as (they) are supposed to', but struggle to stand, love, grieve, wriggle, spit jokes from within brutal desiccated infrastructures, learning machines, the last things left to be stolen away from us. Where 'the hospital is a factory', out of the deadness of memeified language and bloodied pop-cultural dreck, these side-eye-lyrics don't just transcribe addictive assaults on attention but hold to our aftermaths, without healalls. They bring on an interruptive headrush to run ungoogleably with the sabs, at communism, at 'new ways of speaking', however brokenly, however thickly, however in pain, at what you've been told, lied to for all your life is impossible. - Dom HaleIn these dense, lucid poems, the personal and political intertwine and elegy is reformed, revitalised: now lyrical, now stubborn, now taking you by surprise with their humour. The Pharmacy shocks and soothes, jars and lulls: this is a collection deeply of and defiantly against its time. - Helen Charman.

Paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New. Debut collection of mistranslations of Petrarchan love poems by Kat Addis, a Shakespearean scholar attuned to the hidden erotic energies of the Renaissance. Each poem speaks through character, bringing dramatic, theatrical, ritual and gestural performance to the page. These experiments in form and translation ask the reader to stay for their erudition and ceremony.

Paperback. Condizione: New. gestalt is a poetic enquiry of the Panchayat, a collective of South Asian and Black artists/practitioners involved in communal archiving, artmaking and activism in Britain from 1988-2015. gestalt consists of visual poetry, drawings and instructions which provide an alternative documentation of the materials and ephemera from the Panchayat Collection. It is a score for performance holding a spotlight on questions of race, class, gender, colonisation, erasure and collective memory.

Paperback. Condizione: New. dove / Chris Kirubi's WILDPLASSEN is a finely-wrought debut collection. The weather surrounds, as subjectivity is carefully interrogated through typographic gesture and image. Thinking with Sembéne, Glissant, Nourbese Philip and others, we are ushered into a space of translation and study reflecting on dispossession, native informants and racial categorisation. "Wildplassen" is a legal term for public urination in which wildness is invoked as an inappropriate occupation of public (urban) space. This collection transfigures the borders of air, city and landscape; language, lyric and page with instability and waywardness.

Paperback. Condizione: New. Rimming the Event Horizon gyrates a mutinous poetics of revenge, purposing contingency as a major mechanism of racialisation but also as a source of resistance and refusal, of material and imaginative possibility. It is not really a punitive poetics but rather, 'a constant, experimental exercise of antagonism,' a brutally disruptive 'xenogenerosity' (Harney and Moten).This is a collection of many rotations, revolutions and revolts, from the lick of the cyclone to the whirl of a dervish; the flick of a dragon's tail to the ultra-slow swirl of galaxies or precarious life circling the drain. Traversing metastable topologies of gender and race as complicitly mattered but also 'out of control,' Rimming the Event Horizon intra-venes in a universe(s) that must simultaneously avenge, and take revenge on itself. Looping the line between life and death, it dangles us over the edge headfirst, tongues out."Sabeen Chaudhry's Rimming the Event Horizon is an index of "oracular horrors," both "asymptomatic" and "vicious animal". This is a work of devastation in the present but also "one of many aftermaths." Chaudhry invites a reading of the poem as "bruised verticality." A livid ghost shares space with wrecked daughters at the rim of a well. Is this the portal? "LICK CYCLONE" is the instruction. In this way, a reader's opacity weakens. There's nowhere not to look." -- Bhanu Kapil"Sabeen Chaudhry's Rimming the Event Horizon reads like the liner notes to a new PAN record. Which is to say that this is word-sound-power emanating from inside a limestone cave where you can't quite tell if the stalactites are dripping water or sweat. Chaudhry's secret though is that this cave is no arid zone, no non-place. Instead, Rimming the Event Horizon contains enough of the historical mess of empire, nation and memory to let us know." that this brilliant poet is 'screaming through the flag'. - Dhanveer Singh Brar (writer, research, teacher / member of Le Mardi Gras Listening Collective and Lovers Discourse)For Fans Of: Momtaza Mehri, Jen Calleja, Lola Olufemi.

Paperback. Condizione: New. Recupera is a book of interwoven essays and autofiction constellating around the complex nature of sisterhood. It follows two sisters as they recover from addiction. With a mix of epistolary form, lyric essay, and art writing, the work hopes to reach beyond conventional narrative towards something hybrid and multivalent. It is about the relationships between two sisters across Catalunya, Colorado and London- a bond which unravels and exposes its multifaceted nature through their narrative of addiction and recovery.

Paperback. Condizione: New. White/ Other is a strange hybrid beast - part poetry, part polemic, part sectarian graffiti - a long lyric essay that grapples with the complexities of writing and living from the position of the absent subject: that is the white working-class "other" within neo-liberal culture. White/ Other is memoir remixed, cut up and spliced with passages of cultural analysis and moments of feral lyric riff to ask what it means to be politically reviled, socially abjected, and economically disenfranchised, alive at the sharp end of everything, language included.'One of the unique joys of being a "white, other" is that you present an opportunity for nice, white middle-class people to comfortably indulge both their racism and their classism without ever having to admit to the existence of either. They don't see your class because you do not present to them like a "typical" working-class person according to the tropes they themselves invented, or because they do not believe the class system exists. They filter class out of their world-view in ways that remove the experience of class-based oppression from black and minority ethnic people, while refusing to acknowledge the roll racism plays in the perception and treatment of white working-class others.'.

Paperback. Condizione: New.

Paperback. Condizione: New. Three generations of women: Téta, the grandmother, Fadwa, the mother, and Emné, the daughter who captures the tenderness of her fore-bearers. The poems in this collection recall and restore a family lineage broken by war, death and exile.This translation of the 2021 Émile-Nelligan Prize-winning collection will attract readers interested in Middle Eastern literatures and those who value poetry written with the urgency of survival, memory, and longing. These short lyric poems weave a narrative that registers one of the primary concerns of the 21st century: migration.

Paperback. Condizione: New. A new long poem for half a voice on the subject of despised knowledge and political invisibility, published alongside a selection of shorter poems and essays dealing variously with the merging and commingling of smartphones and human bodies, the role of elegy in the mid-2000s, the social basis of fascism in the 2010s, social class, and the symbolic dysmorphia of the British high street. All of the work collected here circles around two central relationships: between politics and knowledge, and between poetic language and speech.

Paperback. Condizione: New.

Paperback. Condizione: New. Call centre agents and migrant workers, soldiers and charity workers, fresh university graduates and street children - they all navigate the myriad of avenues in which their desires are entangled within the Philippines' harsh and unforgiving conditions of migration and labour in Rogelio Braga's collection of stories, Is There Rush Hour in A Third World Country? Now translated by Kristine Ong Muslim into English, the collection offers a glimpse of the lives of ordinary Filipinos, told amidst coup d'états, active conflict areas, late-night convenience store rendezvous, and bumper-to-bumper Manila traffic, given a considered dignity and nuance by one of the Philippines' celebrated playwrights.

Paperback. Condizione: New. This is 'a roots rave manifesto / to free literature'. The second installment in Oscar Guardiola-Rivera's Night of the World trilogy, Out of the World continues Hoodoo Girl's adventures, alongside the trickster Ix. This mythopoetic narrative-told in three episodes-is inspired by the Mayan epic Popol Vuh, where 'plot is overrated' and musicality abounds. Lay your ear to the ground and follow these unearthly threads, the syncopated beats where the colonial encounter animates the Angel of History to reveal the masquerade that surrounds us all.In this second installment of Night of the World, Oscar Guardiola-Rivera elaborates in kaleidoscopic poetic form his ongoing, multi-scalar inquiry of how the open veins of the Americas are a burrow or cave from which emerge so many critical monsters, creative motions, moral ironies, and cosmos-shaking events. Intertwining touchstones of the Americas (such as the Popol Vuh) with the contemporaneity of their historical crises (colonialism to current trade zones and migrations), this book puts the root-work of the creation of the Americas in front of its legatees, beginnings poised to be instantiated. Black Legend be damned. Guardiola-Rivera's Under the World: Night of the World is a declarative, ambitious encomium for the emergence of historical Latin America as a present-day unified economic, cultural, and political powerhouse on the world stage. -Edgar Garcia, author of Emergency: Reading the Popol Vuh in a Time of Crisis.

Paperback. Condizione: New. A decal is a copy, a transfer of forms and knowledge, something that sticks and leaves a mark. Lessons of Decal meditates on these transfers, on writing and making art, and on the many voices and art works that teach us how to read and think and be. Using personal reflections, close readings, and poetic interventions, Lessons of Decal gathers a series of passionate and playful essays that treat Form as their side-kick, experimenting with the confusing, unpredictable and pleasurable side of language along the way. Together, they make an impassioned call for nuance, curiosity, messiness, attentiveness, and pleasure. Lessons of Decal is a defence of complexity and confusion, across art and life.For Fans Of: Maggie Nelson, Christina Sharpe, Chris Krauss.

Paperback. Condizione: New. One day in April the body of Owen Beausoleil, a poet, is found drowned. As the investigation begins, three people find themselves haunted by him - Noah Lang, the medical examiner who performed the autopsy; his wife, Kitty Lang, a psychotherapist; and Lolita Hammershøi, a ballet dancer and Owen's close friend. As the three of them become bound up in the mystery of what happened to Owen, their lives begin to interweave in both expected, and unexpected ways. Meanwhile, Owen intervenes from the after-life, desperate to find out his fate. Interiors is a about how loss and desire shape our lives, and about what waits beyond the borders of everyday life.

Paperback. Condizione: New. "Gorgeous and real poetry. This book is a bright spot in a bleak time." - Peter GizziA True Account collects works written between 2013 and 2020, published by a variety of small presses in the UK and the US. Here are variously refracted the student movement, austerity, general election, referendum, the crisis of 2020 or 2019 or any year you care to name; the Massacre of the Innocents, the housing question, the October Revolution in November.Grundy invokes Sappho, Mingus, Storm Ophelia; Rukeyser, Rilke, Rodefer; the aesthetics of resistance, the insistence of history: luxury and voluptuousness, peace and pleasure, beauty and order, the questions that still remain unanswered and the problems that remain unsolved."Wanting poetry to save my life, to shame my life, as LONG as the WORLD is WIDE, and as WIDE as the WORLD is LONG."For Fans Of: Sean Bonney, Amiri Baraka, Fred Moten, Peter Gizzi.

Paperback. Condizione: New. The first installment of the Night of the World trilogy is replete with images sampled from Oscar Guardiola-Rivera's work as a decolonial thinker and professor. He takes the reader through an epic that re-writes the Mayan Popul Vuh for 21st Century Britain. Part-dystopia, part-manifesto, the reader follows Hoodoo Girl in her escape from sinister forces in London where poets die in disposable high-rise towers and ghosts populate the streets.

Paperback. Condizione: New. Home Radio brings together 75 poems written between 2011 and 2020. These are weathered forms of attention: pocket songs and daybooks, odes and longer workouts, bitter little lyrics and sweet generalisations. It's all staked on the seasonal, whatever the edge is, where poetry ends and history muscles in.