The drawing center (496 risultati)

Paperback. Condizione: Fair. 2. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Deborah Koff-Chapin (illustratore).

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Deborah Koff-Chapin (illustratore).…

Paperback. Condizione: Very Good. 2. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Very Good. 2. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. Deborah Koff-Chapin (illustratore).

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Very Good. Best known as a founding member of the New York School of painting, Richard Pousette-Dart (1916-1992) initially pursued a career as a sculptor. The son of Nathaniel Pousette, a painter, art director, educator and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry and the visual arts, and began drawing and painting by the age of eight. Introduced to African, Oceanic and Native American art by his father, Pousette-Dart made frequent visits to the Museum of Natural History as a young man. In 1938, he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the 1930s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings and forms in brass greatly informed the orientation of the young American artist. Published to accompany an exhibition at The Drawing Center, this volume is the first in-depth consideration of Richard Pousette-Dart's drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography and created numerous works on paper. These early drawings explore Pousette-Dart's concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation and volume. Additionally, numerous studies allude to dance, animal forms, masks and heads, and many examples offer an accumulation of abstract and geometric forms, particularly for his brasses--small sculptures meant to be "held in the hand." The exhibition includes approximately 80 works from the 1930s including drawings, notebooks and brasses.…

Paperback. Condizione: Good. Best known as a founding member of the New York School of painting, Richard Pousette-Dart (1916-1992) initially pursued a career as a sculptor. The son of Nathaniel Pousette, a painter, art director, educator and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry and the visual arts, and began drawing and painting by the age of eight. Introduced to African, Oceanic and Native American art by his father, Pousette-Dart made frequent visits to the Museum of Natural History as a young man. In 1938, he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the 1930s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings and forms in brass greatly informed the orientation of the young American artist. Published to accompany an exhibition at The Drawing Center, this volume is the first in-depth consideration of Richard Pousette-Dart's drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography and created numerous works on paper. These early drawings explore Pousette-Dart's concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation and volume. Additionally, numerous studies allude to dance, animal forms, masks and heads, and many examples offer an accumulation of abstract and geometric forms, particularly for his brasses--small sculptures meant to be "held in the hand." The exhibition includes approximately 80 works from the 1930s including drawings, notebooks and brasses. …

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Deborah Koff-Chapin (illustratore).

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Deborah Koff-Chapin (illustratore).

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Deborah Koff-Chapin (illustratore). …

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Very Good.

Paperback. Condizione: Very Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Deborah Koff-Chapin (illustratore).

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Deborah Koff-Chapin (illustratore).

Condizione: Good. Paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

paperback. Condizione: Very Good.

Paperback. Condizione: Good. Best known as a founding member of the New York School of painting, Richard Pousette-Dart (1916-1992) initially pursued a career as a sculptor. The son of Nathaniel Pousette, a painter, art director, educator and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry and the visual arts, and began drawing and painting by the age of eight. Introduced to African, Oceanic and Native American art by his father, Pousette-Dart made frequent visits to the Museum of Natural History as a young man. In 1938, he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the 1930s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings and forms in brass greatly informed the orientation of the young American artist. Published to accompany an exhibition at The Drawing Center, this volume is the first in-depth consideration of Richard Pousette-Dart's drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography and created numerous works on paper. These early drawings explore Pousette-Dart's concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation and volume. Additionally, numerous studies allude to dance, animal forms, masks and heads, and many examples offer an accumulation of abstract and geometric forms, particularly for his brasses--small sculptures meant to be "held in the hand." The exhibition includes approximately 80 works from the 1930s including drawings, notebooks and brasses. …

Paperback. Condizione: Very Good. Best known as a founding member of the New York School of painting, Richard Pousette-Dart (1916-1992) initially pursued a career as a sculptor. The son of Nathaniel Pousette, a painter, art director, educator and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry and the visual arts, and began drawing and painting by the age of eight. Introduced to African, Oceanic and Native American art by his father, Pousette-Dart made frequent visits to the Museum of Natural History as a young man. In 1938, he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the 1930s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings and forms in brass greatly informed the orientation of the young American artist. Published to accompany an exhibition at The Drawing Center, this volume is the first in-depth consideration of Richard Pousette-Dart's drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography and created numerous works on paper. These early drawings explore Pousette-Dart's concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation and volume. Additionally, numerous studies allude to dance, animal forms, masks and heads, and many examples offer an accumulation of abstract and geometric forms, particularly for his brasses--small sculptures meant to be "held in the hand." The exhibition includes approximately 80 works from the 1930s including drawings, notebooks and brasses.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.