university of washington press nov 2021 (10 risultati)

Taschenbuch. Condizione: Neu. Neuware - A revered Seattle-based artist calls for hope, faith, and truthBarbara Earl Thomas's new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience-a child's survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist's extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book's essays examine Thomas's work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists.

Taschenbuch. Condizione: Neu. Neuware - 'When hurricanes Irma and Marâia made landfall in Puerto Rico on September 2017, their destructive force further devastated an archipelago already pommeled by economic austerity and the decline of liberal democratic governance and its safety net programs. Within the context of economic, political and environmental turmoil of contemporary Puerto Rico, Llorâens centers the work, activism, and lives of those often erased within Puerto Rican society: Black Puerto Rican women. Engaging with anthropology, history and autobiography, Llorâens situates her own 'kinfolk' in the island's southeast region, a sugar producing area home to a large Afro-descendant community. Combining autoethnographic narration with the insights of Black studies and decolonial anthropology, Llorâens focuses on practices of mutual care, reciprocity, and solidarity that sustain Black women in the immediate aftermath of these disasters, and which provide the basis for these often excluded communities to survive and thrive, relying on Black ecological knowledge developed over hundreds of years. Narratively rich in its attention to everyday forms of struggle, Making Livable Worlds foregrounds Black women's agency and ongoing efforts to build 'a good life' for themselves and their communities'.

Buch. Condizione: Neu. Neuware - The surprising story of how a masterpiece of portraiture was discovered to be by Titian.

Taschenbuch. Condizione: Neu. Neuware - 'English-language literature on the history of science is still stubbornly Euro-centric, and international scholarly discourse has engaged insufficiently with Chinese resources that document sophisticated premodern knowledge of the natural world. The case of botany is especially useful for investigating 'traditional' systems of organization, classification, observation, and description and their transition to 'modern' ones. China's vast and ancient body of documented knowledge about plants is best known but not limited to a rich corpus of Materia Medica. Written sources include horticultural manuals and monographs, comprehensive encyclopedias, geographies, and specialized anthologies of verse and prose. Their authors were keen observers of nature. Until the late nineteenth century, however, their intent was to inquire into and to verify what had been written about plants in the referential classical texts rather than to deploy a set of diagnostic tools using a common terminology and methodology to identify and explain new and unknown species or properties. Ordering the Myriad Things is the story of how traditional knowledge of plants in China gave way to scientific botany over a period of about a hundred years between 1850 and 1950. A dramatic shift occurred during this period, from the 'traditional' study and representation of plants as objects steeped in a rich cultural heritage to the 'scientific' study of plants and organisms in a hierarchy of taxonomic relationships to other plants, and investigations of their broader ecological status. This shift not only expanded the universe of plants beyond the familiar to encompass unknown species and unknown geographies, but fueled a new knowledge of China itself'.

Buch. Condizione: Neu. Neuware - 'Kenjiro Nomura, American Modernist: An Issei Artist's Journey features the Japanese American artist's work throughout his life from his early works focusing on Seattle's urban environment and rural Northwest landscapes, to paintings and drawings capturing his life in World War II internment camps, and post-war abstractions fully demonstrating Nomura's artistic stylistic and professional growth. Born in Japan in 1896, Kenjiro Nomura came to the United States with his parents at the age of ten. On his own by sixteen, painting became a constant throughout his life as he experienced not only major artistic recognition but also business success and failure, racism and wartime incarceration, and, at last, American citizenship. The peak of his artistic success was the 1930s, when his paintings represented the Northwest in New York, Washington, DC, and the Golden Gate International Exposition in San Francisco. Incarcerated during World War II along with 120,000 people of Japanese ancestry on the West Coast, he continued to paint, leaving a record of his experience in more than one hundred paintings and drawings from his time in the Puyallup detention facility and Minidoka confinement camp. Despite crippling challenges after World War II including the suicide of his wife, he resumed painting, developed a new abstract artistic style, and once again gained recognition--the only one of his prewar colleagues to do so. He fulfilled a long-held goal to become a citizen after a federal law barring citizenship to Asian immigrants was voided.' -- from Cascadia Art Museum.

Buch. Condizione: Neu. Neuware - Showcases the extraordinary work of notable American and European postwar artistsSeattle art collectors Richard E. Lang and Jane Lang Davis were frequent visitors to New York City in the 1970s and early 1980s when they collaboratively built their collection, filling their home with singular works of art. Their shared legacy and passion for engaging thoughtfully, deeply, and personally with art-and the frisson of excitement that arises with such a connection-are celebrated and echoed in this special exhibition catalogue. Spanning 1945 through 1976, the paintings, drawings, and sculptures in Frisson serve as significant examples of mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period, including Francis Bacon, Lee Krasner, Clyfford Still, Philip Guston, Joan Mitchell, David Smith, and others. Together they represent an inimitable archive of innovation and a cross-pollination of leading artistic positions in the postwar years. With twenty new scholarly essays written by leading experts, Frisson provides the first opportunity for in-depth research into and new insights about nineteen noteworthy artworks recently acquired by the Seattle Art Museum.

Buch. Condizione: Neu. Neuware - Kenneth McConkey takes us around the world to show how British travelers, equipped with cameras and canvases, created artworks commemorating scenes and experiences in southern Europe, North Africa, the Middle East, India, and Japan. He introduces us to a generation of painters, trained in academies and artists' colonies in Europe that acted as cráeches for those who would go on to explore life and landscape further afield. With rich illustrations, the book explores key sites visited by artist-travelers and investigates a wide range of artists, including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, and Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefines the picturesque by considering issues of visualization and verisimilitude, dissemination, and aesthetic value.

Buch. Condizione: Neu. Neuware - 'North Korea's Kæumgangsan is one of Asia's most celebrated sacred mountains, comparable in fame to Mount Tai in China and Mount Fuji in Japan. The late Chosæon (1650-1900) Korean elite went to Kæumgangsan on pilgrimages to demonstrate and defend their high social status. Travelers used the mountain to cultivate practices such as naming sites, carving rock inscriptions, and joining a literary lineage. In pilgrimage, they sought an extraordinary experience that could be made only at a particular, nonsubstitutable site; they went on a journey of more than two weeks, following a prescribed route; and they journeyed to a locale that held significance for their religious, political, social, or cultural identity. Some Kæumgangsan travelers expanded on the prescribed circular route to further demonstrate their social status, engaging with locales by leaving documentation of their visit. Based on multidisciplinary research drawing on literary writings, court records, gazetteers, maps, songs, and paintings, Carving Status at Kæumgangsan transcends the traditional dichotomies between pilgrim and tourist by reconceptualizing pilgrimage in the premodern Korean context. The book will appeal to scholars in fields ranging from East Asian history, literature, and geography, to pilgrimage studies and art history'.

Buch. Condizione: Neu. Neuware - 'English-language literature on the history of science is still stubbornly Euro-centric, and international scholarly discourse has engaged insufficiently with Chinese resources that document sophisticated premodern knowledge of the natural world. The case of botany is especially useful for investigating 'traditional' systems of organization, classification, observation, and description and their transition to 'modern' ones. China's vast and ancient body of documented knowledge about plants is best known but not limited to a rich corpus of Materia Medica. Written sources include horticultural manuals and monographs, comprehensive encyclopedias, geographies, and specialized anthologies of verse and prose. Their authors were keen observers of nature. Until the late nineteenth century, however, their intent was to inquire into and to verify what had been written about plants in the referential classical texts rather than to deploy a set of diagnostic tools using a common terminology and methodology to identify and explain new and unknown species or properties. Ordering the Myriad Things is the story of how traditional knowledge of plants in China gave way to scientific botany over a period of about a hundred years between 1850 and 1950. A dramatic shift occurred during this period, from the 'traditional' study and representation of plants as objects steeped in a rich cultural heritage to the 'scientific' study of plants and organisms in a hierarchy of taxonomic relationships to other plants, and investigations of their broader ecological status. This shift not only expanded the universe of plants beyond the familiar to encompass unknown species and unknown geographies, but fueled a new knowledge of China itself'.

Buch. Condizione: Neu. Neuware - 'When hurricanes Irma and Marâia made landfall in Puerto Rico on September 2017, their destructive force further devastated an archipelago already pommeled by economic austerity and the decline of liberal democratic governance and its safety net programs. Within the context of economic, political and environmental turmoil of contemporary Puerto Rico, Llorâens centers the work, activism, and lives of those often erased within Puerto Rican society: Black Puerto Rican women. Engaging with anthropology, history and autobiography, Llorâens situates her own 'kinfolk' in the island's southeast region, a sugar producing area home to a large Afro-descendant community. Combining autoethnographic narration with the insights of Black studies and decolonial anthropology, Llorâens focuses on practices of mutual care, reciprocity, and solidarity that sustain Black women in the immediate aftermath of these disasters, and which provide the basis for these often excluded communities to survive and thrive, relying on Black ecological knowledge developed over hundreds of years. Narratively rich in its attention to everyday forms of struggle, Making Livable Worlds foregrounds Black women's agency and ongoing efforts to build 'a good life' for themselves and their communities'.