univocal publishing llc (174 risultati)

Paperback. Condizione: New. The art of living today has shifted to a continuous state of the experimental. In one of his last texts, Telemorphosis, renowned thinker and anti-philosopher Jean Baudrillard takes on the task of thinking and reflecting on the coming digital media architectures of the social. While "the social" may have never existed, according to Baudrillard, his analysis at the beginning of the twenty-first century of the coming social media-networked cultures cannot be ignored. One need not look far in order to find oneself snared within some sort of screenification of a techno-social community. "What the most radical critical critique, the most subversive delirious imagination, what no Situationist drift could have done . . . television has done." Collective reality has entered a realm of telemorphosis.

Paperback. Condizione: New. Before the world knew of the thinker who "philosophizes with a hammer," there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe's greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. "While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming." This is the Dionysian vision of the world.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New. For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d'Oro of San Marco's Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell's cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell's artistic practice becomes the equivalent of walking along endless pathways in the desert, in "minuscule cathedrals where man discovers himself walking in color.".

Paperback. Condizione: New. "We're doomed." So begins the work of the philosopher whose unabashed and aphoristic indictments of the human condition have been cropping up recently in popular culture. Today we find ourselves in an increasingly inhospitable world that is, at the same time, starkly indifferent to our species-specific hopes, desires, and disappointments. In the Anthropocene, pessimism is felt everywhere but rarely given its proper place. Though pessimism may be, as Eugene Thacker says, the lowest form of philosophy, it may also contain an enigma central to understanding the horizon of the human. Written in a series of fragments, aphorisms, and prose poems, Thacker's Cosmic Pessimism explores the varieties of pessimism and its often-conflicted relation to philosophy. "Crying, laughing, sleeping-what other responses are adequate to a life that is so indifferent?".

Paperback. Condizione: New. Simondon is a secret password among certain discussions within philosophy today. As a philosopher of technology, Simondon's work has a place at the forefront of current thinking in media, technology, psychology, and philosophy with complex accounts of man's relationship to technology and the realm that continues to form itself via this tension between man and his technical universe. In this introduction to Simondon's oeuvre, the reader has access to the grounding of one of the most fundamental and critical questions that has been the focus of philosophy for millennia: the relationship between man and animal.

Paperback. Condizione: New. World-renowned philosopher, Michel Serres writes a text in praise of the body and movement, in praise of teachers of physical education, coaches, mountain guides, athletes, dancers, mimes, clowns, artisans, and artists. This work describes the variations, the admirable metamorphoses that the body can accomplish. While animals lack such a variety of gestures, postures, and movements, the fluidity of the human body mimics the leisure of living beings and things; what's more, it creates signs. Already here, within its movements and metamorphoses, the mind is born. The five senses are not the only source of knowledge: it emerges, in large part, from the imitations the plasticity of the body allows. In it, with it, by it knowledge begins.

Paperback. Condizione: New. Biogea is a mixture of poetry, philosophy, science, and biography exemplary of the style that has made Michel Serres one of the most extraordinary thinkers of his age. His philosophical and poetic inquiry sings in praise of earth and life, what he names singularly as Biogea. In these times when species are disappearing, when catastrophic events such as earthquakes and tsunamis impale the earth, Serres wonders if anyone "worries about the death pangs of the rivers." And for Serres, one can ask the same question of philosophy as the humanities increasingly find themselves in need of defenders. Today, all living organisms discover themselves part of this Biogea. "Today we have other neighbors, constituents of the Biogea: the sea, my lover; our mother, the Earth, becomes our daughter; this beautiful breeze which inspires the spirit, a spiritual mistress; our light friends, the fresh and flowing waters.".

Paperback. Condizione: New. Those who are mad like Antonin Artaud, are they just as mad as he was? Madness, like the plague, is contagious, and everyone, from his psychiatrists to his disciples, family, and critics, everyone who gets close to Artaud, seems to participate in his delirium. SylvÈre Lotringer explores various embodiments of this shared delirium through what Artaud called "mental dramas"-a series of confrontations with his witnesses or "persecutors" where we uncover the raw delirium at work, even in Lotringer himself. Mad Like Artaud does not intend to add one more layer of commentary to the bitter controversies that have been surrounding the cursed poet's work since his death in 1948, nor does it take sides among the different camps who are still haggling over his corpse. This book speaks of the site where "madness" itself is simmering.

Paperback. Condizione: New. Throughout a large part of the 1980s, Félix Guattari, known for his collaborations with Gilles Deleuze and his experimental and groundbreaking practices in psychotherapy, decides to shift his experimental work into a different medium of artistic and creative thought practice: the world of science fiction. Part self-analysis, part cinematic expression of his theoretical work, Guattari's screenplay merges his theoretical concepts with his passion for comic books, free radio movements, and film. So begins Guattari's journey to write a screenplay wherein a group of squatters makes contact with a superior intelligence coming from the infinitely small Universe of the Infra-quark (UIQ). Guattari worked feverishly on his film, attempting to secure a budget, traveling to Hollywood, and enlisting the help of American screenwriter Robert Kramer. But the film would never see the light of day. Through the important archival work of artists, Silvia Maglioni and Graeme Thomson, Guattari's script is now published here, for the first time in English.

Paperback. Condizione: New. Complex, haunting, imaginative and profoundly literary, Didactic Poetries is Beck's response to Schiller's statement: "We are still waiting for a didactic poem where thought itself would be and would remain poetic," and Hegel's claim that, "strictly speaking, didactic poetry isn't poetry."For the acclaimed French poet, Philippe Beck, Schiller's task of attempting a didactic poetry remains as vital today as it was for Schiller's time.  Is there a way to construct a poetry built and chiseled, hammered and stitched, from out of past narratives and poetries, condensed in such a manner as to make new poetic verses sing new truths? Forging a singular attempt to echo the poets and tales of a bygone age, Beck's didactic poetries perhaps carve out the path for renewing a poetic thought as a quasi-musical atmosphere where the reader can glimpse "A small country "sculpted" as spiritual, supposed to be so?at home in the Bygone Country. Alluvial layers so light, that weather disappeared, weary of variety a priori."  Beck's deftly textured poems interweave contemporary commentary with cultural, historical, literary, and philosophical allusions, drawing the reader into a world of lived poetic experience.

Paperback. Condizione: New. Twenty years after cultivating a new orientation for aesthetics via the concept of non-photography, François Laruelle returns, having further developed his notion of a non-standard aesthetics. Published for the first time in a bilingual edition, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle's current explorations into a photographic thinking as an alternative to the worn-out notions of aesthetics based on an assumed domination of philosophy over art. He proposes a new philosophical photo-fictional apparatus, or philo-fiction, that strives for a discursive mimesis of the photographic apparatus and the flash of the Real entailed in its process of image making. "A bit like if an artisan, to use a Socratic example, instead of making a camera based off of diagrams found in manuals, on the contrary had as his or her project the designing of a completely new apparatus of philo-fiction, thus capable of producing not simply photos, but photo-fictions." One must enter into a space for seeing the vectorial and the imaginary number. Laruelle's philo-fictions become not art installations, but "theoretical installations" calling for the consideration of the possibility of a non-standard aesthetics being of an equal or superior power to art and philosophy, an aesthetics in-the-last-instance that is itself an inventive and creative act of the most contemporary kind.

Paperback. Condizione: New. "Music is the brute that shows. It is the avowal of materials, And stutters between its clanging of things."How should one think this musical groove of the poem whose back and forth motion shuffles the material of ordinary language and revives the frozen speech of old chants? This question by renowned French thinker Jacques RanciÈre is the entry point for his earnest and careful reading of one of France's most singular and important contemporary poets. For RanciÈre, Philippe Beck sets himself the task of a poetry after poetry whereby Beck re-writes and transforms the poems of the past, reanimating faded genres, poetizing the prose of popular tales and even commentaries regarding poems. To read and follow this groove traced as such cannot simply be done by way of taking the poems as objects of study. It supposes a dialogue regarding what these poems attempt to do as well as an idea of a poetry which serves as their foundation. This book on Philippe Beck is thus also a book made with him.

Paperback. Condizione: New. Grafting: do we ever do anything other than that? And are we ever free from vegetal influences when we engage in its operations? For the philosopher Michael Marder, our reflections on vegetal life have a fundamental importance in how we can reflect on our own conceptions of ethics, politics, and philosophy in general. Taking as his starting point the simple vegetal conception of grafting, Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended to preserve, improve, and modify both the grafted materials and the body that receives them. To graft is to create unlikely encounters, hybrid mixes, and novel surfaces.Moving across disciplinary lines, Grafts combines the lessons of plant science with the history of philosophy, semiotics, literary compositions, and political theory. Co-authoring some of the texts with other philosophers, plant scientists and artists, Marder allows their insights to be grafted onto his own, and vice versa. Weighing in on contemporary debates such as the ethics of biotechnology, dietary practices or political organization, Marder inserts an unmistakable vegetal perspective into topics of discussion where it normally wouldn't be found. Transferring the living tissue of his own texts into another context, he helps them live better, more fully, than otherwise.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Very few thinkers have traveled the heretical path that FranÇois Laruelle walks between philosophy and non-philosophy. For Laruelle, the future of philosophy is problematic, but a mutation of its functions is possible. Up until now, philosophy has merely been a utopia concerned with the past and only provided the services of its conservation. We must introduce a rigorous and nonimaginary practice of a utopia in action, a philo-fiction-a close relative to science fiction. From here we can see the double meaning of the watchword, a tabula rasa of the future. This new destination is imposed by a specifically human messianism, an eschatology within the limits of the Man-in-person as antihumanist ultimatum addressed to the History of Philosophy. This book elucidates some of the fundamental problems of non-philosophy and takes on its detractors.

Paperback. Condizione: New. Each generation invents new practices and new writings of philosophy. Ours should have been able to introduce certain mutations that would at least be equivalent with those of cubism, abstract art, and twelve-tone serialism: it has only partially done so. But after all the deconstructions, after Wittgenstein, Heidegger, and Derrida, this demand takes on a different dimension: What do we do with philosophy itself? How do we globally change our relation to this thought, which keeps indicating that it is increasingly conservative and repetitive? These two questions together have prompted what we call "non-philosophy."Non-philosophy is not the negation of philosophy. It is the suspension of philosophy's claim to think the real (Principle of Sufficient Philosophy), and it is the invention of new usages of thought and language that disrupt the rational narrative of the real, which is precisely what every philosophy is. Non-philosophy should rather be understood à la the "non-Euclidean," namely, as a generalization of the philosophical beyond its traditional limitation by the unitary or "Heraclitean" postulate. From then on, an infinite number of philosophical decisions that are no longer mutually exclusive will correspond with any real phenomenon. Philosophy and Non-Philosophy is widely considered the first fully explicit elaboration of non-philosophy and one of its most important introductory texts.

Paperback. Condizione: New. What relation is there between the existence of a work of art and that of a living being? Between the existence of an atom and that of a value like solidarity? These questions become our own each time a reality-whether it is a piece of music, someone we love, or a fictional character-is established and begins to take on an importance in our lives. Like William James or Gilles Deleuze, Souriau methodically defends the thesis of an existential pluralism. There are indeed different manners of existing and even different degrees or intensities of existence: from pure phenomena to objectivized things, by way of the virtual and the "super-existent," to which works of art and the intellect, and even morality, bear witness. Existence is polyphonic, and, as a result, the world is considerably enriched and enlarged. Beyond all that exists in the ordinary sense of the term, it is necessary to allow for all sorts of virtual and ephemeral states, transitional realms, and barely begun realities, still in the making, all of which constitute so many "inter-worlds.".

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In the heart of Australia, on the cracked red earth, among wild vegetation, weathered bush, and dried-up creeks, hundreds of invisible pathways exist that become entangled on the earth's surface, underground, and in the sky, clouds, and wind. The Aboriginal people call them Jukurrpa: "the Dreamings." This web is the Warlpiri land. Practicing the Dreaming, by ritual art, is for the Warlpiri a way to reactivate their ancestral traditions to connect with the cosmos and respond to current social and political issues.In 1979, anthropologist Barbara Glowczewski embarked on a journey to study the Warlpiri in the Australian outback. Struggling at once to maintain their traditions and cultural heritage as well as adapting to the continuing secularization and techno-progress of their European Australian counterparts, she takes us into the landscape, artistic rituals, and turmoil of the Warlpiri over three decades. Becoming accepted among Aboriginal families as a translator, and at the same time a negotiator of two vastly different visions of the earth, contemporary Western culture and the ancient indigenous dreaming culture, Glowczewski created a singular document of ethnological fieldwork and of self-transformation and discovery.

Paperback. Condizione: New. How does one write an experimental ABC, an impossible theory that would deal with a series of phenomena, concepts, places, sensations, persons, and moods? A para-philosophy? Returning to a once-abandoned project of fragmented thoughts where the author's voice moves from the serious to the pathetic, to the absurd, to the cynical, Simon Critchley's ABC of Impossibility finds new life in the form of this small encyclopedic and aphoristic text where the reader bears witness to the slow emergence of an attempt at a poetic ontology. ABC of Impossibility is a unique undertaking that reexamines the poetic site of the fragment as thought. Following a heritage of fragmented, aphoristic thinkers including Pascal, Nietzsche, Kierkegaard, and Pessoa, Critchley revitalizes a para-philosophical thinking that can only be uttered by way of another. As he declares in the opening pages, "In writing this, I promise to tell the truth, but not to be myself.".

Paperback. Condizione: new. Paperback. For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history.Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d'Oro of San Marco's Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell's cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell's artistic practice becomes the equivalent of walking along endless pathways in the desert, in "minuscule cathedrals where man discovers himself walking in color." Forrenowned art historian Georges DidiHuberman, artist James Turrell is aninventor of impossible spaces and unthinkable sites, of aporias, of fables.Creator of some of the most fascinating works of the late twentieth and earlytwentyfirst century, Turrell uses as his medium the most elemental material ofsight and art: light. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Is there any room left for freedom in a programmed world? This is the essential question that Vilém Flusser asks in Post-History. Written as a series of lectures to be delivered at universities in Brazil, Israel, and France, it was subsequently developed as a book and published for the first time in Brazil in 1983. This first English translation of Post-History brings to an anglophone readership Flusser's first critique of apparatus as the aesthetic, ethical, and epistemological model of present times. In his main argument, Flusser suggests that our times may be characterized by the term "program," much in the same way that the seventeenth century is loosely characterized by the term "nature," the eighteenth by "reason," and the nineteenth by "progress." In suggesting this shift in worldview, he then poses a provocative question: If I function within a predictable programmed reality, can I rebel and how can I do it? The answer comes swiftly: Only malfunctioning programs and apparatus allow for freedom. Throughout the twenty essays of Post-History, Flusser reminds us that any future theory of political resistance must consider this shift in worldview, together with the horrors that Western society has brought into realization because of it. Only then may we start to talk again about freedom.

Paperback. Condizione: new. Paperback. Michel Serres describes the variations, the admirable metamorphoses that the body can accomplish. While animals lack such a variety of gestures, postures, and movements, the fluidity of the human body mimics the leisure of livingbeings and things; what's more, it creates signs. Already here, within its movements and metamorphoses, the mind is born. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Biogea is a mixture of poetry, philosophy, science, and biography exemplary of the style that has made Michel Serres one of the most extraordinary thinkers of his age. His philosophical and poetic inquiry sings in praise of earth and life, what he names singularly as Biogea. In these times when species are disappearing, when catastrophic events such as earthquakes and tsunamis impale the earth, Serres wonders if anyone "worries about the death pangs of the rivers." And for Serres, one can ask the same question of philosophy as the humanities increasingly find themselves in need of defenders. Today, all living organisms discover themselves part of this Biogea. "Today we have other neighbors, constituents of the Biogea: the sea, my lover; our mother, the Earth, becomes our daughter; this beautiful breeze which inspires the spirit, a spiritual mistress; our light friends, the fresh and flowing waters." "Biogea is a mixture of poetry, philosophy, science, and biography exemplary of the style that has made Michel Serres one of the most extraordinary thinkers of his age. His philosophical and poetic inquiry sings in praise of earth and life, what he names singularly as Biogea."--Amazon.com. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. How does one write an experimental ABC, an impossible theory that would deal with a series of phenomena, concepts, places, sensations, persons, and moods? A para-philosophy? Returning to a once-abandoned project of fragmented thoughts where the author's voice moves from the serious to the pathetic, to the absurd, to the cynical, Simon Critchley's "ABC of Impossibility" finds new life in the form of this small encyclopedic and aphoristic text where the reader bears witness to the slow emergence of an attempt at a poetic ontology. "ABC of Impossibility" is a unique undertaking that reexamines the poetic site of the fragment as thought. Following a heritage of fragmented, aphoristic thinkers including Pascal, Nietzsche, Kierkegaard, and Pessoa, Critchley revitalizes a para-philosophical thinking that can only be uttered by way of another. As he declares in the opening pages, "In writing this, I promise to tell the truth, but not to be myself." How does one write an experimental ABC, an impossible theory that would deal with a series of phenomena, concepts, places, sensations, persons, and moods? A para-philosophy? Returning to a once-abandoned project of fragmented thoughts where the author's voice moves from the serious to the pathetic, to the absurd, to the cynical, Simon Critchley's " Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.