Wallflower press london (143 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condizione: Very Good. The book is in good condition, with a clean cover and intact binding. There are no inscriptions, signatures, or library markings. The pages are crisp and free from annotations, ensuring a clear reading experience. unknown (no dust jacket visible) First published in Great Britain in 2010.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Near Fine. Near fine or a little better - no makrings slightest of edgwear hard to notice.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: VG-. 251pp. Index. Wear wraps, rubbing, light soiling.

Paperback. Condizione: As New. preface by Andrzej Wajda. 205 pages. part of the Director's Cuts sereis. ; 6 1/8 x 9 1/8 ".

Wraps. Condizione: Near Fine. First Printing. immaculate and tight with lightly scuffed covers. 206pp. Size: 8vo - Over 7 3/4" -9 3/4 " Tall. Paper Back.

Soft cover. Condizione: Good. 1st Edition. The book has a three inch wide light brown damp stain on the inside back cover.

Soft cover. Condizione: Near Fine. 1st Edition. Softcover; in near fine condition. Book.

Paperback. Condizione: new. Paperback. A documentary, a mockumentary, indeed a rockumentary-Rob Reiner's phony road movie following the exploits of a fictitional heavy metal band has long been celebrated as a comedy landmark. This book is the first attempt to provide a sustained critical appraisal of the film's success, addressing general cinephiles and devoted Tapheads alike. The study considers the film within the context of cult cinema, real and mock documentaries, Hollywood comedies and musicals, and the history of rock music. This detailed stylistic and comic analysis offers new insights into the ardent Cult of Tap. Rob Reiner's phony road movie following the exploits of a fictitious heavy metal band has long been celebrated as a comedy landmark. Addressing general cinephiles and devoted Tapheads alike, this book considers the film within its contexts of cult cinema, real and mock documentary, Hollywood comedies and musicals and the history of rock music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: Good. No Jacket. This copy has some rubbing and light corner wear. No creasing of the spine and covers. Interior text is clean and tight in binding. Sticker residue upper corner of front cover. No ownership or other markings.

Soft cover. Condizione: Very Good. 1st Edition. Stiff pictorial wraps. Minor handling wear, covers slightly tanning toward edges. Internal highlighting confined to a relatively few pages. vi,265 pp. 1st ptg. Size: 8vo - over 7¾" - 9¾" tall. Book.

Paperback. Condizione: new. Paperback. The Cinema of Nanni Moretti provides an analysis and interpretation of the work of the most important Italian film-maker or the past 30 years, who won the Palme d'Or at Cannes in 2001 for his film The Son's Room. Interdisciplinary and wide-ranging, the authors use Moretti's films to view and discuss contemporary phenomena such as the crisis of masculinity and authority, the crisis of the political Left and the transformation of the citizen's relationship to the state. The Cinema of Nanni Moretti provides an analysis and interpretation of the work of the Italian film-maker, who won the Palme d'Or at Cannes in 2001 for his film The Son's Room. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Very Good. No Dust Jacket. 555 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. No dust jacket.

Paperback. Condizione: new. Paperback. Photographs of missing children are some of the most haunting images of contemporary Western society. The specter of the child at risk from abduction, abuse, or illness, conjures questions about traumatic loss, protection and the family, nostalgia and childhood innocence. Emma Wilson argues that such questions increasingly return in the work of contemporary filmmakers. She explores the representation of missing and endangered children in a number of the key films of the last decade, including Kieslowski's Three Colours: Blue, Atom Egoyan's Exotica, Todd Solondz's Happiness, Jane Campion's The Portrait of a Lady, Lars von Trier's The Kingdom, and Almodovar's All About My Mother. Wilson contends that the loss of a child is perceived as a limit-experience in contemporary cinema, where filmmakers attempt to transform their means of representation as a response to acute pain and horror. Explores the increased portrayal of lost and missing children on the silver screen; focuses on how film reflects the real and works as space for revealing current cultural and personal anxieties. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Very Good+. Reprint. Light edgewear. A nice, bright copy. ; Short Cuts; B&W Reproductions; 5.5 X 0.33 X 8.5 inches; 128 pages.

Paperback. Condizione: Near Fine. A nice, crisp copy. ; B&W Illustrations; 8vo; 188 pages.

Paperback. Condizione: new. Paperback. Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history. "The Rocky Horror Picture Show" grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This volume tells the story of the film from initial reception to eventual cult status. It explores its emphasis on the theatrical body. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting-the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative films. With detailed discussion of the cultural role of television programmes such as Civilisation (1966) and Arena (1974 onwards), close analysis of over 25 films and exclusive access to the Arts Council's collection of the 450 films supported between 1953 and 1999, this volume illuminates the vanguard role the arts have played in the proud history of British public broadcasting, and attempts to locate the place of arts broadcasting in today's multi-channel, multi-media world. Narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting - the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: Good. 2nd Edition. Clean, unmarked copy with a solid, firm and crease-free spine. TM/Movies.

Paperback. Condizione: new. Paperback. The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Crying Game, 1992, and Breakfast on Pluto, 2005), while retaining a distinctive stylistic flair for fantasy and the carnivalesque. The Cinema of Neil Jordan discusses his entire output as part of the first comprehensive study of Jordan's career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore, fairy tales, the gothic, romanticism and postmodernism. Incorporating discussion of Jordan's award-winning literary work and benefiting from extensive access to Jordan's personal archives, this book explains the mythic and poetic impulses that suffuse the director's work. The most renowned of Irish film directors, Neil Jordan's diverse work has spanned gothic horror. This book discusses his output as part of the first comprehensive study of Jordan's career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore, fairy tales, the gothic, romanticism and postmodernism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Very Good+. Condizione sovraccoperta: No Jacket as Issued. British First. Minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with photographs and reproductions of drawings. Book.

Soft cover. Condizione: As New. No Jacket. 1st Edition. Small quarto in stiff paper covers. B&W illustrations. As new condition. Pages: xiv, 274. No. 7895.

Softcover. Condizione: Very Good. Clean Text, minor shelf wear to cover, excellent condition Quantity Available: 1. ISBN: 1903364396. ISBN/EAN: 9781903364390. Pictures of this item not already displayed here available upon request. Inventory No: 1560797784.

Paperback. Condizione: new. Paperback. A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections-stars, class and race, fathers and bodies-areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema. A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections-stars, class and race, fathers and bodies-areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: As New. 1st Edition. Softcover volume, measuring approximately 6" x 8", is like new. 131 pages. ""The Western Genre: From Lordsburg to Big Whiskey" offers close readings of the definitive American film movement as represented by such leading exponents as John Ford, Howard Hawks, and Sam Peckinpah. In his consideration of such iconic motifs as the Outlaw Hero and the Lone Rider, John Saunders traces the development of perennial aspects of the genre, its continuity and, importantly, its change. Representations of morality and masculinity are also foregrounded in consideration of the genre's major stars John Wayne and Clint Eastwood, and such films as "Shane," "Rio Bravo," "The Wild Bunch," and "Unforgiven.".…