Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condizione: Good. Good condition. 2nd edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
paperback. Condizione: Good. Good. Used with wear and markings but is still in solid reading condition. Sunning and edgewear to covers. Pasadena's finest new and used bookstore since 1992.
Lingua: Inglese
Editore: Prentice Hall 2001-09-11, US, 2001
ISBN 10: 013091830X ISBN 13: 9780130918307
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Condizione: Good. 512 pages. Extensive b&w and color illustrations throughout. Includes extensive notes and documentation. Good reference copy. Record # 466089.
Lingua: Inglese
Editore: Prentice Hall September 2001, 2001
ISBN 10: 013091830X ISBN 13: 9780130918307
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Like New. 'Art mattered in the Renaissance. People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives, ' write the authors of this important new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. This book discusses how men and women of the Renissance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. It covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy. Book has minor shelf wear. yelow stain on bottom spine.