Isbn: 9780195067804 - image ethics: the moral rights of subjects in photographs, film, and television (32 risultati)

Paperback. Condizione: Fair. This book is intended for scholars and students of media and communication studies, ethics, and moral philosophy.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condizione: Fair. This book is intended for scholars and students of media and communication studies, ethics, and moral philosophy.

Condizione: Good. Reprint. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condizione: Fine.

Condizione: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good+. Condizione sovraccoperta: No Jacket as Issued. American First. Complete number line from 1 to 10; a bit of edge wear to card covers; otherwise a solid, clean copy with no marking or underlining; collectible condition. Book.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780195067804.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780195067804. …

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: New.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. A collection of essays on the moral rights of the subjects of documentary film and television. It examines the conflicts between the subject's right to privacy, the public's right to know, and the film-maker's right as an artist. Editor(s): Gross, Larry; Katz, John Stuart; Ruby, Jay. Series: Communication and Society. Num Pages: 400 pages, black & white illustrations. BIC Classification: GTC; HPQ. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 25. Weight in Grams: 640. . 1991. Reprint. paperback. . . . . …

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. A collection of essays on the moral rights of the subjects of documentary film and television. It examines the conflicts between the subject's right to privacy, the public's right to know, and the film-maker's right as an artist. Editor(s): Gross, Larry; Katz, John Stuart; Ruby, Jay. Series: Communication and Society. Num Pages: 400 pages, black & white illustrations. BIC Classification: GTC; HPQ. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 25. Weight in Grams: 640. . 1991. Reprint. paperback. . . . . Books ship from the US and Ireland. …

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: New. This book is intended for scholars and students of media and communication studies, ethics, and moral philosophy.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New. This book is intended for scholars and students of media and communication studies, ethics, and moral philosophy.

Condizione: new. Questo è un articolo print on demand.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Print on Demand pp. 404.

Condizione: New. Print on Demand pp. 404 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Paperback. Condizione: new. Paperback. This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensifythe debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent,the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBSNews; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first bookto explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences. A collection of essays on the moral rights of the subjects of documentary film and television. It examines the conflicts between the subject's right to privacy, the public's right to know, and the film-maker's right as an artist. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. PRINT ON DEMAND pp. 404.