9780195090208 - The Gershwin Style: New Looks at the Music of George Gershwin (29 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condizione: Good. Ex- library book with stamps/ stickers.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 290pp. Black hardback glossy white dust jacket, Ex library, flaps glued inside covers, otherwise, in very good condition, name stamped on upper page edges, 'discard' stamped on front end page, no markings in text, chapter notes and references, tables, examples of music, index, piano rollography, Twelve essays,

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condizione: New. 1st Edition. New book, never read. Pages clean and crisp, spine unbroken. 0223D.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Slight wear, VG+.

Condizione: Very good.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. very light yellowing on dustjacket.

Hardcover. Condizione sovraccoperta: Very good. xiv, 290 pp. LCC: 9750590 Very good condition; touches of wear on bottom edges of covers; on inside surface of cover: a few bands of color leaking from board through to paper.

Condizione: New.

Condizione: New. In.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. George Gershwin is at once one of America's most popular and least appreciated composers. He is loved and revered for his wonderful songs, a few instrumental works, and for the opera Porgy and Bess. Most of his music, however, is virtually unknown--hundreds of songs, show music, and even several large and important instrumental works are gradually fading with the generations that first heard them. This book promises to make a key contribution to American music research, and Schneider has corralled some of the best authors and authorities who have been involved in Gershwin research for years, along with those who come to Gershwin for the first time from interests in American music or popular music generally. Contributors include Wayne Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse, who has transcribed most of Gershwin's piano performances. The issues in this collection touch on such important topics of research as biography, source studies, analysis, and reception, and reflect the diversity of scholarship and thought regarding the Gershwins.

Hardcover. Condizione: new. Hardcover. Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's piano performances). No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin but comparatively few studies of his music in and of itself. Covering both the "popular" and "classical" extremes of Gershwin's output, as well as the many and subtle points in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book with much to offer any student or scholar of American music--while some essays explore new methods of measuring Gershwin's abilities as a composer, others draw on hitherto unavailable musical and archival sources to make arguments previously unthinkable. The essays gathered here, most of which were written especially for this volume, thus address a number of important research topics, among them biography, source studies, music analysis, performance practice, and questions of interpretation and reception. The contributions also reflect the wide diversity of contemporary thinking regarding the logic, legacy, and lure of Gershwin's music. Even as orchestras, performers, enthusiasts, and critics across the nation—and across the globe—celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts—renowned experts and authors who have researched his music for years if not decades—and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who h Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condizione: New. George Gershwin is at once one of America's most popular and least appreciated composers. He is loved and revered for his wonderful songs, a few instrumental works, and for the opera Porgy and Bess. Most of his music, however, is virtually unknown--hundreds of songs, show music, and even several large and important instrumental works are gradually fading with the generations that first heard them. This book promises to make a key contribution to American music research, and Schneider has corralled some of the best authors and authorities who have been involved in Gershwin research for years, along with those who come to Gershwin for the first time from interests in American music or popular music generally. Contributors include Wayne Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse, who has transcribed most of Gershwin's piano performances. The issues in this collection touch on such important topics of research as biography, source studies, analysis, and reception, and reflect the diversity of scholarship and thought regarding the Gershwins.

Condizione: New.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: new. Questo è un articolo print on demand.

Hardcover. Condizione: new. Hardcover. Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadwayshow tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music ofGeorge Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in Americanmusic or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's pianoperformances). No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin but comparatively few studies of his music in and of itself. Covering both the "popular" and "classical" extremes of Gershwin's output, as well as the many and subtlepoints in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book with much to offer any student or scholar of American music--while someessays explore new methods of measuring Gershwin's abilities as a composer, others draw on hitherto unavailable musical and archival sources to make arguments previously unthinkable. The essays gathered here, most of which were written especially for this volume, thus address a number of important research topics, among them biography, source studies, music analysis, performance practice, and questions of interpretation and reception. The contributions also reflect the wide diversity ofcontemporary thinking regarding the logic, legacy, and lure of Gershwin's music. George Gershwin is at once one of America's most popular and least appreciated composers. Some of America's leading experts on popular music have contributed articles about Gershwin and the rediscovery of both his songs and his concert music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for hiswonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that firstheard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leadingauthorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributorsinclude Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's piano performances). No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin butcomparatively few studies of his music in and of itself.Covering both the 'popular' and 'classical' extremes of Gershwin's output, as well as the many and subtle points in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book withmuch to offer any student or schol.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. George Gershwin is at once one of America s most popular and least appreciated composers. In this important new work, some of America s leading experts on popular music have contributed articles about Gershwin and the rediscovery of both his songs and his c.

Condizione: New. Print on Demand pp. 308.

Buch. Condizione: Neu. The Gershwin Style | New Looks at the Music of George Gershwin | Wayne Schneider | Buch | Buch Gebunden | Englisch | 1998 | Oxford University Press | EAN 9780195090208 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.

Condizione: New. Print on Demand pp. 308 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.