Isbn: 9780197571354 - practice in context: historically informed practices in nineteenth-century instrumental music (22 risultati)

hardcover. Condizione: Fine.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New.

Hardcover. Condizione: Brand New. 296 pages. 6.52x0.96x9.41 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Historical performance research is undergoing a transformation as the research from different centers intersects in new ways. Practice in Context reflects this vibrant, diverse, and evolving field.The Historically Informed Performance --shorted to HIP-- movement first dipped its toe into the nineteenth century by tackling the symphonies of Beethoven in the nineteen eighties. Since then, there has been a burgeoning of performances and recordings of nineteenth- and early twentieth-century repertoire on period instruments. But the advance of HIP into post-Classical repertoires has exposed the specific challenges nineteenth-century historical performance styles present to a 'period' movement that is characterised by crisp, clean, light playing. Historically evidenced nineteenth-century style remains elusive to many professional performers even after four decades of marketing 'period' performances of this repertoire. A real transformation of professional post-Classical HIP will only be possible if scholars and performers start to find new ways to inter-relate, which is central to the work of many of the contributors to this book. Editors Claire Holden, Eric F. Clarke, and Cayenna Ponchione-Bailey have brought together a diverse group of international contributors to present different perspectives and offer new possibilities to performers, scholars, and scholar-performers.The book addresses a diverse range of pressing and exciting topics in nineteenth-century historically informed practices, focusing on new kinds of research that move away from traditional treatise archaeology. These include multi-disciplinary approaches, such as the use of empirical methods in the study of present-day HIP performance practices, and increased contextualisation through a closer relationship with cultural and social musicology. Practice in Context brings together scholars and performer/scholars who are interested in how historical research can contribute to greater understanding of the musical priorities and artistic decision-making processes when performing nineteenth-century pieces.…

hardcover. Condizione: New.

Condizione: New. 2025. hardcover. . . . . .

Condizione: New. In English.

Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: NEW.

Buch. Condizione: Neu. Neuware - Historical performance research is undergoing a transformation as the research from different centers intersects in new ways. Practice in Context reflects this vibrant, diverse, and evolving field.The Historically Informed Performance --shorted to HIP-- movement first dipped its toe into the nineteenth century by tackling the symphonies of Beethoven in the nineteen eighties. Since then, there has been a burgeoning of performances and recordings of nineteenth- and early twentieth-century repertoire on period instruments. But the advance of HIP into post-Classical repertoires has exposed the specific challenges nineteenth-century historical performance styles present to a 'period' movement that is characterised by crisp, clean, light playing. Historically evidenced nineteenth-century style remains elusive to many professional performers even after four decades of marketing 'period' performances of this repertoire. A real transformation of professional post-Classical HIP will only be possible if scholars and performers start to find new ways to inter-relate, which is central to the work of many of the contributors to this book. Editors Claire Holden, Eric F. Clarke, and Cayenna Ponchione-Bailey have brought together a diverse group of international contributors to present different perspectives and offer new possibilities to performers, scholars, and scholar-performers.The book addresses a diverse range of pressing and exciting topics in nineteenth-century historically informed practices, focusing on new kinds of research that move away from traditional treatise archaeology. These include multi-disciplinary approaches, such as the use of empirical methods in the study of present-day HIP performance practices, and increased contextualisation through a closer relationship with cultural and social musicology. Practice in Context brings together scholars and performer/scholars who are interested in how historical research can contribute to greater understanding of the musical priorities and artistic decision-making processes when performing nineteenth-century pieces.…

Hardcover. Condizione: new. Hardcover. Historical performance research is undergoing a transformation as the research from different centers intersects in new ways. Practice in Context reflects this vibrant, diverse, and evolving field.The Historically Informed Performance --shorted to HIP-- movement first dipped its toe into the nineteenth century by tackling the symphonies of Beethoven in the nineteen eighties. Since then, there has been a burgeoning of performances andrecordings of nineteenth- and early twentieth-century repertoire on period instruments. But the advance of HIP into post-Classical repertoires has exposed the specific challenges nineteenth-century historicalperformance styles present to a 'period' movement that is characterised by crisp, clean, light playing. Historically evidenced nineteenth-century style remains elusive to many professional performers even after four decades of marketing 'period' performances of this repertoire. A real transformation of professional post-Classical HIP will only be possible if scholars and performers start to find new ways to inter-relate, which is central to the work of many of the contributors to this book.Editors Claire Holden, Eric F. Clarke, and Cayenna Ponchione-Bailey have brought together a diverse group of international contributors to present different perspectives and offer new possibilities toperformers, scholars, and scholar-performers.The book addresses a diverse range of pressing and exciting topics in nineteenth-century historically informed practices, focusing on new kinds of research that move away from traditional treatise archaeology. These include multi-disciplinary approaches, such as the use of empirical methods in the study of present-day HIP performance practices, and increased contextualisation through a closer relationship with cultural andsocial musicology. Practice in Context brings together scholars and performer/scholars who are interested in how historical research can contribute to greater understanding of the musical priorities andartistic decision-making processes when performing nineteenth-century pieces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

hardcover. Condizione: New. Special order direct from the distributor.

Hardback. Condizione: New. Historical performance research is undergoing a transformation as the research from different centers intersects in new ways. Practice in Context reflects this vibrant, diverse, and evolving field.The Historically Informed Performance --shorted to HIP-- movement first dipped its toe into the nineteenth century by tackling the symphonies of Beethoven in the nineteen eighties. Since then, there has been a burgeoning of performances and recordings of nineteenth- and early twentieth-century repertoire on period instruments. But the advance of HIP into post-Classical repertoires has exposed the specific challenges nineteenth-century historical performance styles present to a 'period' movement that is characterised by crisp, clean, light playing. Historically evidenced nineteenth-century style remains elusive to many professional performers even after four decades of marketing 'period' performances of this repertoire. A real transformation of professional post-Classical HIP will only be possible if scholars and performers start to find new ways to inter-relate, which is central to the work of many of the contributors to this book. Editors Claire Holden, Eric F. Clarke, and Cayenna Ponchione-Bailey have brought together a diverse group of international contributors to present different perspectives and offer new possibilities to performers, scholars, and scholar-performers.The book addresses a diverse range of pressing and exciting topics in nineteenth-century historically informed practices, focusing on new kinds of research that move away from traditional treatise archaeology. These include multi-disciplinary approaches, such as the use of empirical methods in the study of present-day HIP performance practices, and increased contextualisation through a closer relationship with cultural and social musicology. Practice in Context brings together scholars and performer/scholars who are interested in how historical research can contribute to greater understanding of the musical priorities and artistic decision-making processes when performing nineteenth-century pieces.…

Hardcover. Condizione: Brand New. 296 pages. 6.52x0.96x9.41 inches. In Stock.

Hardcover. Condizione: new. Hardcover. Historical performance research is undergoing a transformation as the research from different centers intersects in new ways. Practice in Context reflects this vibrant, diverse, and evolving field.The Historically Informed Performance --shorted to HIP-- movement first dipped its toe into the nineteenth century by tackling the symphonies of Beethoven in the nineteen eighties. Since then, there has been a burgeoning of performances andrecordings of nineteenth- and early twentieth-century repertoire on period instruments. But the advance of HIP into post-Classical repertoires has exposed the specific challenges nineteenth-century historicalperformance styles present to a 'period' movement that is characterised by crisp, clean, light playing. Historically evidenced nineteenth-century style remains elusive to many professional performers even after four decades of marketing 'period' performances of this repertoire. A real transformation of professional post-Classical HIP will only be possible if scholars and performers start to find new ways to inter-relate, which is central to the work of many of the contributors to this book.Editors Claire Holden, Eric F. Clarke, and Cayenna Ponchione-Bailey have brought together a diverse group of international contributors to present different perspectives and offer new possibilities toperformers, scholars, and scholar-performers.The book addresses a diverse range of pressing and exciting topics in nineteenth-century historically informed practices, focusing on new kinds of research that move away from traditional treatise archaeology. These include multi-disciplinary approaches, such as the use of empirical methods in the study of present-day HIP performance practices, and increased contextualisation through a closer relationship with cultural andsocial musicology. Practice in Context brings together scholars and performer/scholars who are interested in how historical research can contribute to greater understanding of the musical priorities andartistic decision-making processes when performing nineteenth-century pieces. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Hardcover. Condizione: new. Hardcover. Historical performance research is undergoing a transformation as the research from different centers intersects in new ways. Practice in Context reflects this vibrant, diverse, and evolving field.The Historically Informed Performance --shorted to HIP-- movement first dipped its toe into the nineteenth century by tackling the symphonies of Beethoven in the nineteen eighties. Since then, there has been a burgeoning of performances andrecordings of nineteenth- and early twentieth-century repertoire on period instruments. But the advance of HIP into post-Classical repertoires has exposed the specific challenges nineteenth-century historicalperformance styles present to a 'period' movement that is characterised by crisp, clean, light playing. Historically evidenced nineteenth-century style remains elusive to many professional performers even after four decades of marketing 'period' performances of this repertoire. A real transformation of professional post-Classical HIP will only be possible if scholars and performers start to find new ways to inter-relate, which is central to the work of many of the contributors to this book.Editors Claire Holden, Eric F. Clarke, and Cayenna Ponchione-Bailey have brought together a diverse group of international contributors to present different perspectives and offer new possibilities toperformers, scholars, and scholar-performers.The book addresses a diverse range of pressing and exciting topics in nineteenth-century historically informed practices, focusing on new kinds of research that move away from traditional treatise archaeology. These include multi-disciplinary approaches, such as the use of empirical methods in the study of present-day HIP performance practices, and increased contextualisation through a closer relationship with cultural andsocial musicology. Practice in Context brings together scholars and performer/scholars who are interested in how historical research can contribute to greater understanding of the musical priorities andartistic decision-making processes when performing nineteenth-century pieces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …